Month: September 2024

Oscar Predictions: The Room Next Door

The Room Next Door marks Pedro Almodóvar’s English-language debut after a lengthy and lauded filmography of Spanish language titles. It has premiered at the Venice fest prior to its December 20th awards qualifying stateside bow. Julianne Moore and Tilda Swinton, who have won previously Academy Awards for Still Alice and Michael Clayton respectively, headline the drama based on Sigrid Nunez’s 2020 novel. John Turturro and Alessandro Nivola costar.

Almodóvar’s two predecessors earned acting nods for their leads: 2019’s Pain and Glory for Antonio Banderas in Best Actor and 2021’s Parallel Mothers for Penelope Cruz in Actress. With Room, this is said to be a two-hander with Moore likely competing in lead and Swinton in supporting. Early reviews are mostly fine though some are not claiming this is the filmmaker’s most notable efforts. I don’t think Picture or Director are in the cards though Adapted Screenplay could happen.

Moore seems unlikely as Actress could be crowded. It is Swinton who could make a play according to the buzz and I have her right in about the 5-7 slot area of contention. My next update (coming very soon) will work out whether she makes the current cut. My Oscar Prediction posts will continue…

Oscar Predictions: The Order

Justin Kurzel’s 1980s set true crime thriller The Order casts Jude Law as an FBI agent infiltrating a group of white supremacists. It’s received a Venice Film Festival bow prior to the planned December 6th theatrical release. Nicholas Hoult, Tye Sheridan, Jurnee Smollett, and Marc Maron costar.

Two-time nominee Law (for The Talented Mr. Ripley and Cold Mountain) hasn’t been in the awards conversation for over two decades. He’s getting some fine notices for his work here as is the film itself. However, the 78% RT score certainly contains some so-so reviews. I wouldn’t expect this to enter the chat for prognosticators. My Oscar Prediction posts will continue…

Oscar Predictions: Nickel Boys

Based on Colson Whitehead’s 2019 bestseller, the 1960s set racial drama Nickel Boys has been unveiled at Telluride before its October 25th limited theatrical bow. From RaMell Ross (best known for the Oscar nominated 2018 documentary Hale County This Morning, Evening), Boys will stream on Amazon Prime after the awards qualifying run. Ethan Herisse, Brandon Wilson, Aunjanue Ellis-Taylor, Fred Hechinger, Hamish Linklater, and Daveed Diggs star.

Some early reaction from Colorado indicates this is one of the year’s best. That’s not across the board. The pic is apparently told from first person perspective and the style is being lauded and criticized depending on the write-up. Surprisingly, initial reviews are not spending much time on the cast. I’ve had Ellis-Taylor (a 2021 Supporting Actress nominee for King Richard) listed at #1 in my Supporting Actress nominees for a few weeks. She could still get in depending on the competition, but she may drop out of my projected quintet altogether (update later today on this blog!). Newcomer Herisse faces long odds in Actor due to growing competition and no other performers seem primed to receive chatter.

Boys could still have enough vocal admirers that Best Picture is doable along with Adapted Screenplay and even the cinematography despite some gripes. My Oscar Prediction posts will continue…

Oscar Predictions: September 5

Tim Fehlbaum’s September 5 covers similar ground as Steven Spielberg’s 2005 Best Picture nominee Munich regarding the 1972 Olympics hostage crisis. This version, which premiered at Venice and made its way over to Telluride, tells it from the perspective of the ABC broadcasting crew covering the games. John Magaro, Peter Sarsgaard, Ben Chaplin, and Leonie Benesch star.

Reviews from Italy and Colorado are impressive as the pic has emerged as a festival sleeper in recent days. Part of its flying under the radar status is the current lack of a stateside distributor. That should change soon. The question is whether September 5 gets dated for a 2024 release or if the buyer waits for 2025 consideration. Either way, I wouldn’t sleep on its chances for Picture, Original Screenplay, and Editing if it is granted a serious campaign. In 2003, Sarsgaard likely barely missed the Supporting Actor cut for Shattered Glass. Of the main cast, he might receive the heftiest push as legendary sports executive Roone Arledge. My Oscar Prediction posts will continue…

Oscar Predictions: Wolfs

George Clooney and Brad Pitt bring their considerable star power to Wolfs which premiered out of competition in Venice. The action comedy receives a limited theatrical release on September 20th before it streams on Apple TV the following weekend. Jon Watts, after helming the last three Spider-Man titles for the MCU, directs with Amy Ryan, Austin Abrams, and Poorna Jagannathan among the supporting players.

Several critics are essentially giving this a pass for coasting well enough on the charisma of its leads. Other reviews are less charitable and it currently sports a 73% Rotten Tomatoes score. Clooney is a four-time acting nominee with a Supporting Actor victory for 2005’s Syriana. As for Pitt? Well, he’s a four-time acting nominee with a Supporting Actor victory for 2019’s Once Upon a Time in Hollywood. They have other nominations for their directing (Clooney) and producing work (both).

It would seem Wolfs was not made for the Academy’s consideration. Apple should get plenty of viewers to bite. My Oscar Predictions will continue…

Oscar Predictions: I’m Still Here

I’m Still Here, not to be confused with that 2010 mockumentary where Joaquin Phoenix become a rapper, is a Brazilian family drama from Walter Salles. It arrives more than a quarter century after Central Station, which was nominated for Best Foreign Language Film (now International Feature Film) and Actress (Fernanda Montenegro) and two decades behind his acclaimed The Motorcycle Diaries (which won a Best Original Song statue from the Academy).

His first Brazilian language feature in 16 years, Here has premiered at the Venice Film Festival to stellar reviews. Fernanda Torres is getting kudos in the lead role. We don’t know yet how competitive Best Actress will be and Torres could certainly get a push from distributor Sony Pictures Classics. I wouldn’t expect her to be in my projected quintet when I update my picks tomorrow, but I won’t leave her off my list of other possibilities. Torres’s mother happens to be Fernanda Montenegro (now in her 90s) and she appears in Here in what’s said to be a brief role.

Where Here has the best opportunity at Academy exposure is in International Feature Film (assuming it is Brazil’s pick). I’ve had it in my five for a few weeks and the Venice chatter solidifies the notion. I would put it behind Emilia Pérez (if France selects it) and The Seed of the Sacred Fig (Germany’s choice) as far as winning odds. My Oscar Prediction posts will continue…

Oscar Predictions: Saturday Night

Jason Reitman had a one-two punch of consecutive Best Picture nominees with Juno and Up in the Air in 2007 and 2009. Some follow-ups generated solid reviews (Young Adult, Tully) while others (Labor Day, The Front Runner) drew more mixed reactions. None have received significant awards buzz in the past decade and a half. Will that change with Saturday Night?

The Sony Pictures dramedy is slated for release on October 11th which is the 49th anniversary of the iconic sketch show it celebrates. This recounts the chaotic moments leading up to the premiere of Saturday Night Live. Gabriel LaBelle (who essentially played young Steven Spielberg in 2022’s The Fabelmans) is 30-year-old Lorne Michaels. The extensive supporting cast (some playing 1975 legends with others as future legends) includes Cooper Hoffman, Rachel Sennott, Cory Michael Smith, Ella Hunt, Dylan O’Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun (as Andy Kaufman and Jim Henson), Andrew Barth Feldman, Willem Dafoe, Matthew Rhys, J.K. Simmons, and Jon Batiste.

Having just played Telluride and hitting Toronto shortly, early word-of-mouth is primarily on the fresh side. There are some high profile reviews of the thumbs down variety. I would say Saturday Night stands a shot at a Best Picture nomination, but it is a coin flip at the moment as we await how competitors pan out. Down ballot categories like Costume Design and (especially) Film Editing could occur especially if it sneaks into BP.

As for the cast, LaBelle is getting quality ink. Yet some of the strongest notices are going to Sennott as writer Rosie Schuster and Smith as Chevy Chase. I’m skeptical any of the performers break into their respective categories though the SAG Awards could certainly nominate the cast in their Ensemble race. Speaking of other shows, the Golden Globes could put it up for Musical/Comedy assuming Sony campaigns for it there and LaBelle could make the Actor (Musical/Comedy) quintet.

At the Academy Awards, there is almost always a picture or two that is up solely for its screenplay. This is a distinct possibility with Saturday Night and its original screenplay from Reitman and Gil Kenan. My Oscar Prediction posts will continue…

Oscar Predictions: The Brutalist

Brady Corbet’s The Brutalist is a three and a half hour historical epic about a Holocaust survivor played by Adrien Brody. 22 years ago, Brody became the youngest actor to ever win Best Actor (at 29) as another survivor in Roman Polanski’s The Pianist. It was a surprise victory over such heavyweights as Jack Nicholson (About Schmidt) and Daniel Day-Lewis (Gangs of New York). Two plus decades later, Brody appears in the awards mix again at age 51.

Early word-of-mouth from the Venice Film Festival indicates that The Brutalist could be a contender in numerous categories. Some reactions have used the masterpiece word while others have been more tempered in their praise. All have seemed impressed by its scope.

The director’s predecessor, 2018’s musical drama Vox Lux with Natalie Portman, drew more mixed notices and didn’t end up as an awards player. That’s unlikely to be the case this time. Corbet’s third feature is definitely a possibility in Picture and Director for the 97th Academy Awards (assuming a distributor snatches it up for a 2024 calendar release).

Brody’s filmography has gone through some valleys since his gold statute for The Pianist, but a second Best Actor nom seems highly achievable. The supporting cast includes Felicity Jones (a Supporting Actress victor for 2014’s The Theory of Everything), Joe Alwyn, Alessandro Nivola, Jonathan Hyde, and Guy Pearce. General consensus is that Pearce is the standout as Brody’s father. A Supporting Actor nod would mark his first trip to the dance despite a lengthy and distinguished career (many thought he deserved recognition for 2001’s Memento).

Original Screenplay, Cinematography, Film Editing, and Production Design are also potential inclusions as The Brutalist could be an across the board hopeful like last year’s The Zone of Interest. My Oscar Prediction posts will continue…