Sci-fi horror pic AfrAId and political biopic Reagan are two newcomers working hard to attract viewers over Labor Day weekend, but it should be holdovers shining atop the box office hill. My detailed prediction posts on the newcomers can be accessed here:
Over the four-day frame, I don’t believe either fresh flick will manage to hit double digits. As an aside, there are other newbies out like 1992 with Tyrese Gibson and the late Ray Liotta and Slingshot with Casey Affleck and Laurence Fishburne. There’s also the family sports tale You Gotta Believe. I didn’t do individual write-ups on this trio as I have a tough time envisioning any of them approaching the top five (or top 8 for that matter). If any of them have a shot of surprising, maybe Believe does but I wouldn’t count on it.
AfrAId from Blumhouse should be the best performer of the debuts. That still could mean only high single digits for a third place showing at best or fourth or fifth.
How Reagan rolls out is a big question mark. With Dennis Quaid as the 40th POTUS, it might over perform if conservatives come out in force. I’m skeptical and my mid single digits take puts it outside the high five.
The seasonal leftovers usually have small percentage drops over this holiday frame from Friday to Monday. I would anticipate that Deadpool & Wolverine, Alien: Romulus, and It Ends with Us will maintain spots 1-3. Faith-based drama The Forge nabbed an A+ Cinemascore this past weekend and should hold steady (same goes for Blink Twice). That could mean both earn more than Reagan.
Here’s how I have it shaking out and we’ll do a top 8 forecast as the summer season closes out. These are Friday to Monday estimates:
1. Deadpool & Wolverine
Predicted Gross: $18.3 million
2. Alien: Romulus
Predicted Gross: $13.7 million
3. It Ends with Us
Predicted Gross: $10.2 million
4. AfrAId
Predicted Gross: $7.4 million
5. Twisters
Predicted Gross: $6.8 million
6. Blink Twice
Predicted Gross: $6.3 million
7. The Forge
Predicted Gross: $6.2 million
8. Reagan
Predicted Gross: $5.6 million
Box Office Results (August 23-25)
Deadpool & Wolverine clawed its way back to the #1 slot after a week away. The MCU behemoth took in $18.3 million in its fifth week, in range with my $19.2 million prediction. It is up to $577 million total.
Alien: Romulus slid precipitously to second in its sophomore outing. Down 61%, the gross was $16.3 million (a bit under my $17.8 million call) for $72 million thus far.
It Ends with Us stayed in third with $11.6 million, a tad shy of my $13.4 million projection. The three-week haul is $120 million.
A trio of newcomers generally underwhelmed. Blink Twice fared best in fourth at $7.3 million. That doesn’t match my $8.5 million estimate though it’s an OK result considering the reported $20 million price tag.
The Forge was fifth at $6.6 million and that’s on target with my $7.1 million prediction. As mentioned, it should hold well considering the Cinemascore grade.
Finally, The Crow didn’t fly with viewers. The reboot tanked in 8th place with just $4.6 million. I was kinder at $7.4 million.
As the nation is focused on who will be the 47th President of the United States, distributor ShowBiz Direct hopes moviegoers watch a biopic about the 40th over Labor Day weekend. Sean McNamara directs Reagan with Dennis Quaid in the title role and Penelope Ann Miller as First Lady Nancy. Costars include Nick Searcy, Robert Davi, Lesley-Anne Down, C. Thomas Howell, Kevin Dillon, Mena Suvari, and Jon Voight. Heck, we even have Creed frontman Scott Stapp as Frank Sinatra (?!?).
Political pics fave challenges breaking through at the box office. I’m not sure audiences will greet this with arms wide open. Shot in late 2020, it has taken some time to find its way to the big screen. Reagan is catering to a conservative audience as evidenced by the politics of some of the cast.
Perhaps older viewers will turn out, but I’m skeptical the MAGA crowd shows up in force. With the caveat that this could outperform, I’ll say mid to maybe higher single digits is where this lands over the four-day holiday.
Reagan opening weekend prediction: $5.6 million (Friday to Monday prediction)
Comparisons to Quentin Tarantino are inevitable after viewing JT Mollner’s alternately sun drenched and dingy chase flick Strange Darling. The narrative time shifts and sudden explosive instances of violence are unquestionably reminiscent of that filmmaker. So are the quick and quirky interludes that interrupt them. It is shot (in stunning 35 mm by Giovanni Ribisi!) in a grindhouse fashion that Tarantino adores considering he made a 2007 homage to that genre. Keeping it solely on the QT, however, doesn’t give Darling its flowers. This is a striking achievement on its own much like QT’s works elevate beyond their inspirations.
A matter-of-fact narration from Jason Patric informs us that what we are about to see documents the last crimes of a serial killer. Our witnessing of such acts transpires over six chapters and not in sequential order. It does begin with a planned one night stand at a drab inn between The Lady (Willa Fitzgerald) and The Demon (Kyle Gallner). Over cigarettes and liquor and perhaps stronger substances, that initial patter is interrupted with visions of what’s to come. It involves more rustic settings and tension beyond “will they or won’t they” when parked at the motel lot.
Now is an opportune time to reveal that I can’t reveal much of what comes next. Everything after chapter 1 veers off in directions best left discovered outside of this post. I will say that Strange‘s twists are genuinely unexpected curveballs and happen with frequence. They are anchored by a great score (from Craig DeLeon), the aforementioned Ribisi shooting, and two terrific performances from Fitzgerald and Gallner.
Gender dynamics are a heavy theme as the nameless courtship of its leads is splayed out. Their relationship status complicates our preconceived notions of how these nights and mornings usually end. Fitzgerald might have the more challenging role, but Gallner is also called upon to react to ever changing scenarios involving shifting emotions. They both make us believe this light and dark world they’re inhabiting and Fitzgerald gets a lengthy one-take that is to die for.
I mentioned the quick and quirky interludes earlier. There’s no better example than a hippie couple played by Barbara Hershey and Ed Begley Jr. that become part of the demented date. Right before they join this cat and mouse game, they are far more concerned with concocting a comically gigantic breakfast. The plot gets in their way of consuming it. In Strange Darling, we get to dig in and it’s savagely delicious.
Zoë Kravitz’s directorial career opens up nicely enough with Blink Twice that it feels whiny to gripe on the negatives. It takes a while to find its destination. Perhaps the “eat the rich” genre is getting overdone considering The Menu, Triangle of Sadness, Saltburn, and HBO’s The White Lotus. There’s still enough to savor in this assured debut from the actress of many franchises including X-Men, Mad Max, Divergent, and The Batman.
That starts with an entrancing cast led by Naomi Ackie’s Frida. She’s a cocktail waitress whose employment at swanky benefits puts her in the airspace of vapid and vaping billionaire Slater (Channing Tatum). Frida is familiar with him as we witness her scroll through Instagram where he’s making an indistinct apology for some past transgression. If he’s canceled, no one’s informed various hangers on in his orbit. A sudden burst of confidence and then klutziness from Frida creates a Meet Cute where Slater invites her and her coworker/roommate Jess (Alia Shawkat) to his private island.
An entourage is in tow including private chef Cody (Simon Rex), business partner and Polaroid documenter Vic (Christian Slater), young Lucas (Levon Hawke) and Tom (Haley Joel Osment) whose primary character trait is wearing sunglasses and being under the influence. The boys are joined by influencer and reality star Sarah (Adria Arjona) and Camilla (Liz Caribel) and Heather (Trew Mullens). The latter two share Tom’s generally hazy ways. Sarah seems to be in a competition for Slater’s attention with Frida even though she’s seemingly paired up with Cody. Geena Davis joins the proceedings as Slater’s organized but off-kilter assistant.
With their phones confiscated, the vacation with an indeterminate end date starts with picture perfect scenery, amazing food that Cody snootily describes, and copious dollops of designer drugs. Sure there’s venomous vipers on the grounds, but the servants seem to be handling them. Increasingly there’s periods of lost time that Frida and eventually Sarah and especially Jess begin to notice. And why is there dirt under Frida’s animal adorned fingernails each morning? What’s with random bruises showing up on people that they can’t recall?
The eventual truths are as disturbing as the real life stories of plutocrats with their own islets. The screenplay from Kravitz and E.T. Feigenbaum doesn’t shy away from entering dark and disturbing places. This is after a fairly lengthy windup that risks lulling the audience into complacency (perhaps on purpose). The cast helps guide us through the earlier days becoming a blur. No one seems to have a grasp on whether it’s Monday, Saturday, or whether they’ve been there a week or three.
Ackie and Arjona’s performances are the worthiest of attention. Best known as Whitney Houston in the biopic I Wanna Dance with Somebody, Ackie goes from infatuated server to victim of horrifying acts to unexpected statuses that I won’t spoil. That’s a tricky balancing act and she certainly manages it. Arjona is perhaps the most impressive in a role that seems one-note at first (the jilted woman) and becomes anything but. With this and her starring turn in Hit Man from a few months back, she’s having a fantastic cinematic year.
Blink Twice might be familiar territory as of late, but Kravitz’s take made me not wanna look away. It’s worth taking the trip with these literal and figurative snakes in the grass and those that serve them until the power dynamic shifts.
The Supremes at Earl’s All-You-Can-Eat hopes to find love from home viewers in its Hulu debut this weekend. The fact that it’s not in theaters came as an unexpected announcement from Searchlight Pictures (under the Disney umbrella) a few weeks back. Based on a 2013 novel from Edward Kelsey Moore, the decades spanning drama features Aunjanue Ellis-Taylor, Sanaa Lathan, and Uzo Aduba as lifelong friends. Costars include Mekhi Phifer, Julian McMahon, Vondie Curtis-Hall, and Russell Hornsby. Tina Mabry directs.
On paper, The Supremes looks like the type of crowdpleaser that might have appealed to awards voters. However, Searchlight went the streaming route. The strategy makes more sense as of the past few days. Earl’s sports a so-so 68% Rotten Tomatoes score at press time. Critics are kind to the performances of Ellis-Taylor (a Supporting Actress nominee for King Richard in 2021), Lathan, and Aduba (Emmy winner for Orange is the New Black).
Yet the reviews likely would have prevented this from generating much Oscar chatter. Searchlight also has other contenders that they’ll focus on. This includes the Bob Dylan biopic A Complete Unknown with Timothée Chalamet, Nightbitch with a potential Academy bait turn from Amy Adams, and A Real Pain which has already received Supporting Actor talk for Kieran Culkin.
If anyone had a shot from Supremes, it would be Ellis-Taylor. She would appear to have another bite at the apple with the upcoming Nickel Boys (also based on a bestseller) in the supporting field. As I always say, my Oscar Prediction posts will continue. They will not continue with this picture, per Searchlight.
Sony and Blumhouse are counting on horror fans to show up for AfrAId when it debuts over Labor Day weekend. From director Chris Weitz (whose varied filmography includes About a Boy, The Golden Compass, and The Twilight Saga: New Moon), the cast includes John Cho, Katherine Waterston, Havana Rose Liu, Lukita Maxwell, David Dastmalchian, and Keith Carradine.
At a brisk 84 minutes, the tale of an AI assistant gone rogue is Blumhouse’s latest hope for a genre breakout. They had a banner year in 2023 with M3GAN and Five Nights at Freddy’s. 2024 has been rougher with disappointments Night Swim and Imaginary.
AfrAId is unlikely to bring many real viewers in. For the extended holiday frame, it may struggle to reach double digits. I’ll say it does not.
AfrAId opening weekend prediction: $7.4 million (Friday to Monday projection)
The religious themed dramedy Between the Temples premiered at Sundance in January and it receives limited theatrical engagements this weekend. Nathan Silver directs and cowrites with a cast led by Jason Schwartzman and Carol Kane. Costars include Dolly de Leon (who probably came close to a Supporting Actress nod for 2022’s Triangle of Sadness), Caroline Aaron, Robert Smigel, and Madeline Weinstein.
Reviews are mostly strong as it sits with 86% on Rotten Tomatoes. Critics are particularly kind to Schwartzman and Kane. The former is, of course, a Wes Anderson staple. The latter is a veteran actress whose sole Oscar nod in Supporting Actress came nearly 50 years ago for Hester Street.
Temples just isn’t visible enough for any Academy chatter and the same logic likely applies to the Golden Globes if it submits in the Musical/Comedy categories. My Oscar Prediction posts will continue…
Zoë Kravitz makes her directorial debut and cowrites Blink Twice which opens this weekend. The psychological thriller features a packed cast including Naomi Ackie, Channing Tatum, Christian Slater, Simon Rex, Adria Arjona, Kyle MacLachlan, Haley Joel Osment, Geena Davis, and Alia Shawkat.
The $20 million production originally had a far more provocative title (look it up) and most critics are complimentary of Kravitz’s first behind the camera effort. The RT score is 80%. Some are saying it doesn’t quite pull off its mix of genres.
Twice hopes to be a decent late summer performer for Amazon Studios. That’s a big question mark. Awards viability isn’t as this was never conceived as a contender. My Oscar Prediction posts will continue…
Serial killer thriller Strange Darling arrives in theaters this weekend from writer/director JT Mollner. Some of the best reviews of the year come with it. Willa Fitzgerald (from MTV’s version of Scream), Kyle Gallner, Barbara Hershey, and Ed Begley, Jr. are among the cast of the acclaimed pic that was first seen nearly a year ago at Fantastic Fest.
Sporting a 98% RT rating, many critics are saying to enter Strange as blind as possible. Particular raves are devoted to Fitzgerald and the screenplay. This is not, however, a genre that awards voters usually honor. Don’t be surprised if Darling pops up on some top 10 lists in a few months. Seeing it in the Oscar mix? That would be strange. My Oscar Prediction posts will continue…
In eights days, the Venice Film Festival will get underway followed the next day by Telluride and followed by Toronto the following week. The trio of events, as they always do, kick off a flurry of awards activity and dozens of Oscar Prediction posts on this blog. The fests in Italy, Colorado, and Canada will make the picture for the 97th Academy Awards considerably clearer.
As you peruse the titles listed below, here are just some which will debut at one or more of the festivals: Conclave, Joker: Folie à Deux, Queer, Nickel Boys, The Piano Lesson, Saturday Night, The End, Maria, Nightbitch, Babygirl, The Room Next Door, I’m Still Here, Beetlejuice Beetlejuice, The Brutalist, The Fire Inside, Hard Truths, We Live in Time, The Wild Robot, Piece by Piece, and The Last Showgirl.
The plan is for my next update to arrive on Labor Day. By that time, quite a few of these titles will already have eyeballs on them and reviews will be written. Consider this the penultimate forecast before it gets really real.
This update comes with a pair of changes in the supporting fields. In Supporting Actress, Tilda Swinton (The Room Next Door) enters my quintet with Isabella Rossellini (Conclave) dropping out. Speaking of Conclave, John Lithgow is now in my Supporting Actor five over his costar Stanley Tucci.
You can peruse all the movement below as festival season is nearly upon us!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Sing Sing (PR: 2) (E)
3. Dune: Part Two (PR: 3) (E)
4. Anora (PR: 6) (+2)
5. Conclave (PR: 4) (-1)
6. Emilia Pérez (PR: 5) (-1)
7. Queer (PR: 7) (E)
8. Nickel Boys (PR: 8) (E)
9. The Piano Lesson (PR: 10) (+1)
10. A Complete Unknown (PR: 9) (-1)
Other Possibilities:
11. The Seed of the Sacred Fig (PR: 11) (E)
12. Saturday Night (PR: 18) (+6)
13. Joker: Folie à Deux (PR: 13) (E)
14. The Room Next Door (PR: 15) (+1)
15. Nosferatu (PR: 12) (-3)
16. Nightbitch (PR: 14) (-2)
17. Gladiator II (PR: 16) (-1)
18. Maria (PR: 17) (-1)
19. The End (PR: 20) (+1)
20. A Real Pain (PR: 19) (-1)
21. Wicked (PR: Not Ranked)
22. All We Imagine as Light (PR: 24) (+2)
23. The Brutalist (PR: Not Ranked)
24. A Different Man (PR: 21) (-3)
25. Hard Truths (PR: 22) (-3)
Dropped Out:
The Fire Inside
Here
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Sean Baker, Anora (PR: 5) (+2)
4. Jacques Audiard, Emilia Pérez (PR: 4) (E)
5. Edward Berger, Conclave (PR: 3) (-2)
Other Possibilities:
6. Greg Kwedar, Sing Sing (PR: 7) (+1)
7. Luca Guadagnino, Queer (PR: 8) (+1)
8. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: 6) (-2)
9. RaMell Ross, Nickel Boys (PR: 11) (+2)
10. James Mangold, A Complete Unknown (PR: 10) (E)
11. Malcolm Washington, The Piano Lesson (PR: 14) (+3)
12. Jason Reitman, Saturday Night (PR: Not Ranked)
13. Pedro Almodóvar, The Room Next Door (PR: Not Ranked)
14. Todd Phillips, Joker: Folie à Deux (PR: 12) (-2)
15. Robert Eggers, Nosferatu (PR: 9) (-6)
Dropped Out:
Ridley Scott, Gladiator II
Marielle Heller, Nightbitch
Best Actress
Predicted Nominees:
1. Amy Adams, Nightbitch (PR: 1) (E)
2. Angelina Jolie, Maria (PR: 2) (E)
3. Mikey Madison, Anora (PR: 3) (E)
4. Karla Sofia Gascón, Emilia Pérez (PR: 4) (E)
5. Saoirse Ronan, The Outrun (PR: 5) (E)
Other Possibilities:
6. Julianne Moore, The Room Next Door (PR: 6) (E)
7. Lady Gaga, Joker: Folie à Deux (PR: 7) (E)
8. Marianne Jean-Baptiste, Hard Truths (PR: 8) (E)
9. Demi Moore, The Substance (PR: 12) (+3)
10. Fernanda Torres, I’m Still Here (PR: Not Ranked)
11. June Squibb, Thelma (PR: 11) (E)
12. Carrie Coon, His Three Daughters (PR: 9) (-3)
13. Ryan Destiny, The Fire Inside (PR: 10) (-3)
14. Pamela Anderson, The Last Showgirl (PR: 15) (+1)
15. Florence Pugh, We Live in Time (PR: 13) (-2)
Dropped Out:
Zendaya, Challengers
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Daniel Craig, Queer (PR: 3) (+1)
3. Ralph Fiennes, Conclave (PR: 2) (-1)
4. Timothèe Chalamet, A Complete Unknown (PR: 4) (E)
5. Sebastian Stan, A Different Man (PR: 5) (E)
Other Possibilities:
6. Ethan Herisse, Nickel Boys (PR: 9) (+3)
7. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (E)
8. John David Washington, The Piano Lesson (PR: 6) (-2)
9. Glen Powell, Hit Man (PR: 10) (+1)
10. André Holland, The Actor (PR: 8) (-2)
11. Adrien Brody, The Brutalist (PR: Not Ranked)
12. Gabriel LaBelle, Saturday Night (PR: 14) (+2)
13. Jesse Plemons, Kinds of Kindness (PR: 11) (-2)
14. Paul Mescal, Gladiator II (PR: 12) (-2)
15. Jesse Eisenberg, A Real Pain (PR: 15) (E)
Dropped Out:
Tom Hanks, Here
Best Supporting Actress
Predicted Nominees:
1. Aunjanue Ellis-Taylor, Nickel Boys (PR: 1) (E)
2. Zoe Saldaña, Emilia Pérez (PR: 2) (E)
3. Saoirse Ronan, Blitz (PR: 3) (E)
4. Danielle Deadwyler, The Piano Lesson (PR: 5) (+1)
5. Tilda Swinton, The Room Next Door (PR: 6) (+1)
Other Possibilities:
6. Isabella Rossellini, Conclave (PR: 4) (-2)
7. Selena Gomez, Emila Pérez (PR: 8) (+1)
8. Natasha Lyonne, His Three Daughters (PR: 7) (-1)
9. Joan Chen, Dídi (PR: 9) (E)
10. Fernanda Montenegro, I’m Still Here (PR: Not Ranked)
11. Elle Fanning, A Complete Unknown (PR: 11) (E)
12. Lesley Manville, Queer (PR: 10) (-2)
13. Kathy Burke, Blitz (PR: Not Ranked)
14. Valeria Golino, Maria (PR: 14) (E)
15. Elizabeth Olsen, His Three Daughters (PR: 13) (-2)
Dropped Out:
Glenn Close, The Deliverance
Rachel Sennott, Saturday Night
Best Supporting Actor
Predicted Nominees:
1. Samuel L. Jackson, The Piano Lesson (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. John Lithgow, Conclave (PR: 10) (+7)
4. Denzel Washington, Gladiator II (PR: 5) (+1)
5. Kieran Culkin, A Real Pain (PR: 4) (-1)
Other Possibilities:
6. Stanley Tucci, Conclave (PR: 3) (-3)
7. Adam Pearson, A Different Man (PR: 6) (-1)
8. Drew Starkey, Queer (PR: 7) (-1)
9. Stephen Graham, Blitz (PR: 12) (+3)
10. Harris Dickinson, Blitz (PR: 8) (-2)
11. Hamish Linklater, Nickel Boys (PR: 13) (+2)
12. Edward Norton, A Complete Unknown (PR: 11) (-1)
13. Brian Tyree Henry, The Fire Inside (PR: 9) (-4)
14. Mark Eidelstein, Anora (PR: 14) (E)
15. Guy Pearce, The Brutalist (PR: Not Ranked)
Dropped Out:
Paul Raci, Sing Sing
Best Original Screenplay
Predicted Nominees:
1. Anora (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Emilia Pérez (PR: 3) (E)
4. A Real Pain (PR: 4) (E)
5. Hard Truths (PR: 5) (E)
Other Possibilities:
6. Saturday Night (PR: 7) (+1)
7. The Seed of the Sacred Fig (PR: 6) (-1)
8. The End (PR: 9) (+1)
9. His Three Daughters (PR: 8) (-1)
10. Dídi (PR: 11) (+1)
11. Maria (PR: 10) (-1)
12. Challengers (PR: 12) (E)
13. Kinds of Kindness (PR: 13) (E)
14. The Brutalist (PR: Not Ranked)
15. The Substance (PR: 15) (E)
Dropped Out:
A Different Man
Best Adapted Screenplay
Predicted Nominees:
1. Sing Sing (PR: 2) (+1)
2. Conclave (PR: 1) (-1)
3. Nickel Boys (PR: 3) (E)
4. Queer (PR: 4) (E)
5. Dune: Part Two (PR: 7) (+2)
Other Possibilities:
6. The Room Next Door (PR: 5) (-1)
7. The Piano Lesson (PR: 6) (-1)
8. Nightbitch (PR: 8) (E)
9. A Complete Unknown (PR: 10) (+1)
10. Hit Man (PR: 9) (-1)
11. Joker: Folie à Deux (PR: 11) (E)
12. Inside Out 2 (PR: 12 (E)
13. The Fire Inside (PR: 15) (+2)
14. Gladiator II (PR: 14) (E)
15. Nosferatu (PR: 13) (-2)
Best International Feature Film
Predicted Nominees:
1. Emilia Pérez (PR: 1) (E)
2. I’m Still Here (PR: 2) (E)
3. Grand Tour (PR: 3) (E)
4. The Count of Monte Cristo (PR: 4) (E)
5. The Girl with the Needle (PR: 5) (E)
Other Possibilities:
6. Caught by the Tides (PR: 9) (+3)
7. Evil Does Not Exist (PR: 7) (E)
8. Simon of the Mountain (PR: Not Ranked)
9. All We Imagine as Light (PR: 6) (-3)
10. Uprising (PR: 8) (-2)
Dropped Out:
Kneecap
Best Animated Feature
Predicted Nominees:
1. Inside Out 2 (PR: 1) (E)
2. The Wild Robot (PR: 2) (E)
3. Flow (PR: 5) (+2)
4. Wallace & Gromit: Vengeance Most Fowl (PR: 3) (-1)
5. Memoir of a Snail (PR: 4) (-1)
Other Possibilities:
6. Piece by Piece (PR: 6) (E)
7. Moana 2 (PR: 7) (E)
8. Savages (PR: 8) (E)
9. The Most Precious of Cargoes (PR: Not Ranked)
10. Transformers One (PR: 10) (E)
Dropped Out:
The Lord of the Rings: The War of the Rohirrim
Best Documentary Feature
Predicted Nominees:
1. Daughters (PR: 1) (E)
2. Black Box Diaries (PR: 2) (E)
3. Soundtrack to a Coup d’Etat (PR: 4) (+1)
4. Sugarcane (PR: 6) (+2)
5. Will & Harper (PR: 3) (-2)
Other Possibilities:
6. No Other Land (PR: 5) (-1)
7. Super/Man: The Christopher Reeve Story (PR: 7) (E)
8. Union (PR: 9) (+1)
9. Gaucho Gaucho (PR: 8) (-1)
10. Skywalkers: A Love Story (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Blitz (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Joker: Folie à Deux (PR: 3) (E)
4. Nosferatu (PR 4) (E)
5. Queer (PR: 5) (E)
Other Possibilities:
6. Emila Pérez (PR: 8) (+2)
7. Conclave (PR: 7) (E)
8. Anora (PR: 6) (-2)
9. Gladiator II (PR: 9) (E)
10. Maria (PR: Not Ranked)
Dropped Out:
A Complete Unknown
Best Costume Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 5) (+3)
3. Wicked (PR: 3) (E)
4. Gladiator II (PR: 2) (-2)
5. Blitz (PR: 7) (+2)
Other Possibilities:
6. Joker: Folie à Deux (PR: 4) (-2)
7. Furiosa: A Mad Max Saga (PR: 6) (-1)
8. Beetlejuice Beetlejuice (PR: 10) (+2)
9. Queer (PR: 9) (E)
10. Maria (PR: 8) (-2)
Best Film Editing
Predicted Nominees:
1. Blitz (PR: 1) (E)
2. Dune: Part Two (PR: 2) (E)
3. Anora (PR: 3) (E)
4. Sing Sing (PR: 7) (+3)
5. Challengers (PR: 10) (+5)
Other Possibilities:
6. A Complete Unknown (PR: 6) (E)
7. Conclave (PR: 4) (-3)
8. Emilia Pérez (PR: 5) (-3)
9. Queer (PR: 9) (E)
10. Joker: Folie à Deux (PR: 8) (-2)
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Nosferatu (PR: 2) (E)
3. A Different Man (PR: 4) (+1)
4. Joker: Folie à Deux (PR: 3) (-1)
5. Beetlejuice Beetlejuice (PR: 7) (+2)
Other Possibilities:
6. Wicked (PR: 5) (-1)
7. Furiosa: A Mad Max Saga (PR: 6) (-1)
8. Maria (PR: 8) (E)
9. Blitz (PR: Not Ranked)
10. Sasquatch Sunset (PR: 9) (-1)
Dropped Out:
Nightbitch
Best Original Score
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Joker: Folie à Deux (PR: 2) (E)
3. Gladiator II (PR: 4) (+1)
4. Queer (PR: 3) (-1)
5. Emilia Pérez (PR: 8) (+3)
Other Possibilities:
6. Challengers (PR: 9) (+3)
7. Sing Sing (PR: 6) (-1)
8. Nosferatu (PR: Not Ranked)
9. Conclave (PR: 5) (-4)
10. Here (PR: Not Ranked)
Dropped Out:
Blitz
The Piano Lesson
Best Original Song
Predicted Nominees:
1. TBD from Emilia Pérez (PR: 1) (E)
2. TBD from Joker: Folie à Deux (PR: 2) (E)
3. TBD from Sing Sing (PR: 3) (E)
4. “Relentless” from Diane Warren: Relentless (PR: 4) (E)
5. TBD from Wicked (PR: 8) (+3)
Other Possibilities:
6. TBD from Piece by Piece (PR: 5) (-1)
7. TBD from Moana 2 (PR: 6) (-1)
8. “Harper and Will Go West” from Will & Harper (PR: 7) (-1)
9. “Why Am I Here” from Shirley (PR: Not Ranked)
10. “Compress/Repress” from Challengers (PR: 10) (E)
Dropped Out:
TBD from Mufasa: The Lion King
Best Production Design
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 2) (E)
3. Gladiator II (PR: 4) (+1)
4. Nosferatu (PR: 3) (-1)
5. Joker: Folie à Deux (PR: 7) (+2)
Other Possibilities:
6. Wicked (PR: 8) (+2)
7. Furiosa: A Mad Max Saga (PR: 6) (-1)
8. Conclave (PR: 5) (-3)
9. Beetlejuice Beetlejuice (PR: Not Ranked)
10. Queer (PR: 9) (-1)
Dropped Out:
Maria
Best Sound
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Blitz (PR: 3) (+1)
3. Gladiator II (PR: 2) (-1)
4. A Complete Unknown (PR: 5) (+1)
5. Wicked (PR: 9) (+4)
Other Possibilities:
6. Joker: Folie à Deux (PR: 7) (+1)
7. Furiosa: A Mad Max Saga (PR: 4) (-3)
8. Nosferatu (PR: Not Ranked)
9. A Quiet Place: Day One (PR: 10) (+1)
10. Civil War (PR: Not Ranked)
Dropped Out:
Emilia Pérez
Twisters
Best Visual Effects
Predicted Nominees:
1. Dune: Part Two (PR: 1) (E)
2. Kingdom of the Planet of the Apes (PR: 2) (E)
3. Gladiator II (PR: 6) (+3)
4. Furiosa: A Mad Max Saga (PR: 3) (-1)
5. Here (PR: 4) (-1)
Other Possibilities:
6. Blitz (PR: Not Ranked)
7. Twisters (PR: 7) (E)
8. Alien: Romulus (PR: Not Ranked)
9. Deadpool & Wolverine (PR: 10) (+1)
10. Wicked (PR: 5) (-5)
Dropped Out:
Godzilla x Kong: The New Empire
Mufasa: The Lion King
And that equates to these movies generating these numbers of nominations:
11 Nominations
Dune: Part Two
9 Nominations
Blitz
8 Nominations
Emilia Pérez
6 Nominations
Gladiator II, Sing Sing
5 Nominations
Anora, Conclave, Joker: Folie à Deux, Queer
4 Nominations
Nosferatu
3 Nominations
A Complete Unknown, Nickel Boys, The Piano Lesson, Wicked
2 Nominations
A Different Man, A Real Pain
1 Nomination
Beetlejuice Beetlejuice, Black Box Diaries, Challengers, The Count of Monte Cristo, Daughters, Diane Warren: Relentless, Flow, Furiosa: A Mad Max Saga, The Girl with the Needle, Grand Tour, Hard Truths, Here, I’m Still Here, Inside Out 2, Kingdom of the Planet of the Apes, Maria, Memoir of a Snail, Nightbitch, The Outrun, The Room Next Door, Soundtrack to a Coup d’Etat, Sugarcane, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot, Will & Harper
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