Month: August 2024

Oscar Predictions: The Piano Lesson

The Piano Lesson is the third adaptation of an August Wilson play in the past decade seeking Oscar glory. This is a Washington family affair with siblings Malcolm directing and John David headlining. Their father Denzel is a producer. Piano has played at Telluride (with Toronto next) before its limited November 8th theatrical release and November 22nd Netflix premiere. Cast members include Samuel L. Jackson, Ray Fisher, Michael Potts, Erykah Badu, Corey Hawkins, and Danielle Deadwyler.

Early reviews are decent with some gripes about its stagey nature. Before we get to its awards chances, let’s take a look at how fellow Wilson adaptations Fences in 2016 and Ma Rainey’s Black Bottom in 2020 performed. Fences, directed by Denzel, landed four nominations: Picture, Denzel in Actor, Viola Davis in Supporting Actress for which she won, and Adapted Screenplay. Ma Rainey managed five mentions for Actor (Chadwick Boseman), Actress (Viola Davis), Costume Design (where it took gold), Makeup & Hairstyling (another victory), and Production Design.

With that track record, Piano has rightfully been viewed as a serious contender in numerous races. This weekend’s buzz solidifies some of that chatter while muddying other possibilities. Danielle Deadwyler appears to be the cast’s standout. It is not yet known if Netflix will campaign for her in lead or supporting though the latter seems more likely. If they do, a nod seems close to assured and that would come two years after she was snubbed in Actress for Till.

For weeks, I’ve had Samuel L. Jackson listed in 1st place in Supporting Actor. Despite a career with a lengthy list of highlights, his sole nom came 30 years ago for Pulp Fiction. Now I’m not even sure he makes the cut as his costar Ray Fisher is getting equally strong ink. Jackson could make the final quintet. However, I suspect I’ll at least drop him from the top slot. John David Washington faces longer odds in lead Actor, but let’s see how crowded that competition becomes.

Best Picture is a question mark. I think it could make it in though it would be at the bottom of the 10 hopefuls and may miss altogether. Down the line techs like Costume Design, Makeup & Hairstyling, and Production Design (the ones Rainey received) could happen with Adapted Screenplay in the mix. One must wonder if Netflix decides to push Emilia Pérez as their #1 option and the answer is probably yes. My Oscar Prediction posts will continue…

Oscar Predictions: Conclave

Edward Berger’s Conclave has premiered at Telluride prior to its November 1st domestic release. It is the filmmaker’s eagerly anticipated follow-up to 2022’s All Quiet on the Western Front, which garnered nine Oscar nominations with victories in International Feature Film, Cinematography, Original Score, and Production Design. Conclave is based on a 2016 novel by Robert Harris. The thriller focuses on the behind closed doors battle to be the next Pope. Ralph Fiennes stars with Stanley Tucci, John Lithgow, Isabella Rossellini, Lucian Msamati, and Carlos Diehz supporting.

Long seen as a potential across the board awards player, Conclave has seemingly lived up to the hype based on initial chatter. That especially holds true with Fiennes. The veteran actor has only been in contention twice at the Academy Awards for 1993’s Schindler’s List in supporting and 1996’s The English Patient in lead. Early reviews indicated that he’s not only a contender, but a threat to win.

The supporting cast is a little trickier to figure out. There is a possibility that Focus Features may train their focus on Fiennes for the gold. If anyone comes along for the ride, it appears Tucci might have an edge for Lithgow or Msamati. In Supporting Actress, Rossellini’s role is said to be small but crucial. Her inclusion should depend on how competition plays out. I don’t see any of the supporting performers as threats to emerge victorious.

I’ve had Conclave in my Best Picture lineup the whole way and that feels validated this weekend. I don’t think Berger is automatic for Director. Yet the fact that he was notably snubbed for Western Front could help his chances. Adapted Screenplay, Cinematography, Costume Design, Film Editing, Original Score, Production Design, and Sound are all possibilities. For a movie about a high profile campaign, Conclave appears ready to start its own. My Oscar Prediction posts will continue…

Oscar Predictions: Piece by Piece

Morgan Neville’s Piece by Piece looks to build awards momentum at the Telluride and Toronto festivals before its October 11th domestic bow. The unique documentary is a biopic of musician Pharrell Williams told via Lego animation. It includes interviews (Lego style) with artists its subject has collaborated with including Jay-Z, Justin Timberlake, Gwen Stefani, Snoop Dogg, Kendrick Lamar, and Busta Rhymes.

2013’s 20 Feet from Stardom from Neville (focused on background singers) took home the Oscar for Documentary Feature. Five years later, his Mister Rogers doc Won’t You Be My Neighbor? was widely expected to be nominated and ended up snubbed.

Piece by Piece is a head scratcher. Focus Features will surely campaign for it in Animated Feature and Documentary Feature. Early reviews are mostly complimentary though not gushing. I think it stands a stronger chance in Animated Feature. However, competition is real with titles such as Inside Out 2, The Wild Robot, Wallace & Gromit: Vengeance Most Fowl, Flow, Moana 2, and Memoir of a Snail. The mishmash’s best chance at recognition could be one of its original songs where Pharrell has competed before with “Happy” from Despicable Me 2.

Oscar Predictions: Riefenstahl

Andres Veiel’s documentary Reifenstahl has premiered at Venice as it seeks U.S. distribution. Focused on the German filmmaker known for producing Nazi propaganda, the seven reviews currently up are all fresh on Rotten Tomatoes.

The doc’s subject (who lived to age 101, passing in 2003), actually won a Gold Medal award for Triumph of the Will (commissioned by Hitler) at the Venice festival in 1935. Some of the early notices for this exploration of Riefenstahl are effusive in their praise while others are more measured.

The Academy’s branch for documentaries are more unpredictable than any other. If this manages to make the shortlist of 15 later this year, it could contend. I certainly don’t think it automatically will. My Oscar Prediction posts will continue…

Oscar Predictions: Babygirl

Dutch filmmaker Halina Reijn follows up 2022’s Bodies Bodies Bodies (which had its ardent admirers and vocal detractors) with the sultry thriller Babygirl. The A24 release, slated for a domestic bow on Christmas, has been unveiled at the Venice Film Festival. Nicole Kidman stars as a CEO in a May-December romance. The supporting players include Harris Dickinson (soon to be seen in Steve McQueen’s awards hopeful Blitz), Antonio Banderas, and Sophie Wilde.

Kidman, a five-time nominee who won Actress for 2001’s The Hours, is receiving her share of solid ink. The RT score for the picture itself is at 85% though reviews indicate more reactions might be mixed. Babygirl‘s only real shot at Academy attention is with the veteran headliner. A24 went 0 for 2 in their campaigns last year for Greta Lee (Past Lives) and Cailee Spaeny (Priscilla) and competition appears significant already for the 97th broadcast.

I wouldn’t totally discount Kidman’s chances to make a run, but the odds are probably just fair. My Oscar Prediction posts will continue…

Beetlejuice Beetlejuice Box Office Prediction

Over three and a half decades after the original made a killing at the box office, Beetlejuice Beetlejuice appears in theaters on September 6th. Tim Burton returns to direct the macabre comedy with Michael Keaton reprising his title role as the demented bio-exorcist. Winona Ryder and Catherine O’Hara are back as Lydia and Delia Deetz with Jenna Ortega (hot off Netflix’s Wednesday from exec producer Burton) joining as third gen Deetz. Other newcomers to the franchise are Justin Theroux, Monica Bellucci, and Willem Dafoe.

The long-in-development sequel received a high-profile slot kicking off the Venice Film Festival this week. Reviews are mostly fresh with many critics saying it’s a return to form for its filmmaker. In 1988, Beetlejuice grossed $74 million domestically and was the 10th highest earner of the year. Since then, its reputation has grown as a classic genre mixup of humor and genial horror.

This should succeed in bringing in 36 years worth of fans and it doesn’t hurt that Ortega is present. Tracking continues to tick up from $65-75 million as it’s now expected to rise above well above that and maybe even in nine figures. The domestic September opening weekend records are held by 2017’s It ($123 million) and its 2019 sequel It Chapter Two with $91 million. Third place belongs to the MCU’s Shang-Chi and the Legend of the Ten Rings at $75 million.

Beetlejuice Beetlejuice should face no trouble achieving second place and it could absolutely come in first. The momentum appears real and I’ll say it gets beyond the century mark.

Beetlejuice Beetlejuice opening weekend prediction: $115.7 million

Oscar Predictions: Maria

Pablo Larraín’s latest biopic about an iconic woman facing tragic circumstances has hit the Venice circuit with Telluride to follow this weekend. Maria casts Angelina Jolie as renowned opera singer Maria Callas. Set during her final days, it completes a thematic trilogy from Larraín preceded by 2016’s Jackie and 2021’s Spencer. Costars include Valeria Golino, Haluk Bilginer, and Kodi Smit-McPhee. Netflix picked up distribution rights on the eve of its premiere and it is expected to stream by year’s end.

It’s been some time since Jolie had a role expected to garner awards attention. 25 years ago, she won Best Supporting Actress for Girl, Interrupted. Her other nomination, in lead Actress, came for 2008’s Changeling. Her director for Maria has an impressive track record with leading performer nominations. Natalie Portman’s work as Jacqueline Kennedy Onassis in Jackie made the final five eight years ago and she ultimately fell short to Emma Stone (La La Land). As Princess Diana in Spencer, Kristen Stewart was up in Actress with Jessica Chastain (The Eyes of Tammy Faye) taking gold. Stewart’s nod marked Spencer‘s only nomination while Jackie contended in Costume Design and Original Score. Note that neither received noms in Picture, Director, or for their screenplays.

Early word-of-mouth from Italy indicates that Maria might be the weakest of the three films (the RT score is currently 72%). Jolie is mostly receiving kudos and Netflix is likely to mount a serious campaign. Down the line tech mentions for Costume Design, Makeup & Hairstyling, and Cinematography are feasible. However, I do wonder if the somewhat lackluster write-ups could mean Jolie is the only possibility. I’ve had Golino listed toward the bottom of other possibilities in Supporting Actress, but her role is apparently just one scene. You can expect to see her drop out in my next predictions post.

I’ve had Jolie parked in second place (behind Amy Adams in Nightbitch) for weeks in Actress. She still may be in the top 5 when I update on Monday and I suspect she will. Will she stay in second place? I’m more unsure of that. My Oscar Prediction posts will continue…

Oscar Predictions: Woman of the Hour

Anna Kendrick, a Supporting Actress nominee for 2009’s Up in the Air, makes her directorial debut with Woman of the Hour. The late 70s set crime thriller tells the true life tale of a struggling actress (played by Kendrick) who appears on The Dating Game and ends up selecting serial killer Rodney Alcala (Daniel Zovatto). Costars include Tony Hale and Nicolette Robinson.

Hour first drew eyeballs nearly a year ago at the Toronto Film Festival. The Rotten Tomatoes score is 90% with critics calling it an assured debut from the Pitch Perfect performer. Reviews are also praising Zovatto’s performance. Netflix quickly snatched up the rights and they’ve taken their time picking their own date. It finally streams beginning October 18th.

Despite high marks, Netflix should have their hands full with other campaigns including Emilia Pérez, The Piano Lesson, and Maria. This is unlikely to be a priority. My Oscar Prediction posts will continue…

Oscar Predictions: Universal Language

Our neighbor to the north had a solid run in the International Feature Film at the Oscars for the front half century of this 21st century. Not so much in the second. In 2003, The Barbarian Invasions was Canada’s first and thus far only winner in the race. A nomination followed three years later for Water. From 2010-12, they went three for three in the quintet of hopefuls with Incendies, Monsieur Lazhar, and War Witch. Since then, the nation has not been represented in IFF’s final five.

Universal Language was initially unveiled at Cannes in early summer. From director Matthew Rankin, the absurdist comedy stars Rojina Esmaeili, Saba Vahedyousefi, Soban Javadi, and Pirouz Nemati. Canada announced this week that it’s their latest at bat for Academy consideration.

The pic definitely has its ardent admirers and it stands at 100% on Rotten Tomatoes. The Canadians will probably need to campaign hard for it to make the cut. They’ve not even made the shortlist since 2016. However, the strong reviews should mean this is their best chance in some time. My Oscar Prediction posts will continue…

Oscar Predictions: Beetlejuice Beetlejuice

It was surprising when the Venice organizers announced that Beetlejuice Beetlejuice (out September 6th) would open their film festival which kicked off today. The long-in-development sequel (as in 36 years) brings Tim Burton back in the director’s chair with Michael Keaton reprising his iconic role as the ghost with the most. Winona Ryder and Catherine O’Hara return with Jenna Ortega (who stars in Netflix’s Wednesday from Burton), Justin Theroux, Monica Bellucci, and Willem Dafoe entering the macabre universe.

Projections have Beetlejuice squared circling big numbers at the box office. The Italian premiere announcement has prognosticators pondering the awards viability. The 1988 original earned a sole Oscar nod and it won Best Makeup (before it was Makeup and Hairstyling), beating out a worthy competitor in Coming to America.

Most of the reviews for the follow-up are in the plus column with 21 out of the current 27 sporting red on Rotten Tomatoes. Many are saying it’s a welcome return to form for Burton. It could certainly land another Makeup mention though defeating Dune: Part Two won’t be an easy chore. I wouldn’t totally rule out Production Design or Visual Effects as possibilities.

Anything beyond that is unlikely as the same probably holds true for its Golden Globes chances in Musical/Comedy. My Oscar Prediction posts will continue with frequency now that Venice is underway…