After playing the Toronto Film Festival in September, Mother, Couch sat around for awhile waiting for distribution. Film Movement picked it up in February and it is slated to hit screens this July. The family dramedy was written and directed by Niclas Larsson and is based a 2020 novel by Jerker Virdborg. Ellen Burstyn plays the first half of the title as she inexplicably and indefinitely sits on a department store furnishing in the second half of the title. This befuddles her children played by Ewan McGregor, Rhys Ifans, and Lara Flynn Boyle. Other costars include Taylor Russell, F. Murray Abraham, and Lake Bell.
Despite a fine cast (including previous winners Burstyn and Abraham), Couch was not a festival highlight according to most critics. The RT score is only 36% and you can count on this pic sitting out awards season. My Oscar Prediction posts will continue…
Lily Gladstone’s work in Martin Scorsese’s Killers of the Flower Moon last year was met with nominations across the awards spectrum with victories at the Golden Globes and SAG. Yet she came up short (and was almost certainly runner-up) at the Academy Awards when Emma Stone took Best Actress for Poor Things.
She may have another at bat with Fancy Dance. The drama/mystery from Erica Tremblay casts Gladstone as an Oklahoman searching for her missing sister while caring for her niece. Isabel DeRoy-Olson, Ryan Begay, and Shea Whigham costar. After its premiere at Sundance in January, Dance is in theaters on a limited basis June 21st before an Apple TV streaming start on June 28th.
Reviews out of Park City were impressive and this stands at 97% on Rotten Tomatoes. This is not as high profile a project as Gladstone’s preceding picture. Apple will need to put together an aggressive campaign for its lead to contend in Actress for a second year in a row. Her chances are lower this time around to make the Academy’s dance, but it’s possible. My Oscar Prediction posts will continue…
Focus Features hopes audiences don’t say no no no to Back to Black when it arrives stateside on May 17th. Sam Taylor-Johnson, best known for making Fifty Shades of Grey, directs the Amy Winehouse biopic with Marisa Abela as the late crooner. Jack O’Connell, Eddie Marsan, and Lesley Manville costar.
Despite middling reviews (only 38% on RT), Black premiered in the #1 spot in the UK about a month ago. Of course, its earnings should be more impressive across the pond. Stateside audiences might be more ambivalent and the shaky word-of-mouth won’t help.
Rolling out on approximately 2000 screens, this could open similarly to last fall’s Priscilla. It did $5.1 million in its wide release and I’ll forecast that this gets just under that.
Back to Black opening weekend prediction: $4.5 million
Three and a half decades ago, Renny Harlin helmed the horror sequel A Nightmare on Elm Street 4: The Dream Master. He’s back in the genre with The Strangers: Chapter 1 on May 17th. It is the third feature in the franchise and the first of a trilogy that are all slated to hit multiplexes this year. Madelaine Petsch (best known for Riverdale), Froy Gutierrez, Rachel Shenton, Gabriel Basso, and Ema Horvath star.
In late May of 2008, The Strangers was a sleeper hit with a $20.9 million debut and $54.5 million overall domestic gross. A decade later, follow-up The Strangers: Prey at Night suffered diminished returns with a $10.4 million start and $24.3 million total.
Lionsgate is taking a gamble with their release strategy of chapter 2 and 3 shortly following. There’s a decent chance it won’t pay off. Scary movies have struggled in 2024. Titles like Night Swim, Imaginary, Immaculate, The First Omen, Abigail, and Tarot have either barely topped $10 million or come in below that figure. I figure The Strangers may experience a similar fate.
The Strangers: Chapter 1 opening weekend prediction: $9.1 million
Paramount is banking on John Krasinski’s latest directorial project to make lots of noise at multiplexes when IF debuts on May 17th. Mixing live-action with animation, the comedy’s real-life cast consists of Ryan Reynolds, Cailey Fleming, Fiona Shaw, Alan Kim, Liza Colón-Zayas, Bobby Moynihan, and Krasinski himself. The sprawling list of performers providing voiceover work includes the filmmaker’s Office costar Steve Carell, Phoebe Waller-Bridge, Krasinski’s spouse Emily Blunt, the late Louis Gossett Jr., Matt Damon, Maya Rudolph, Jon Stewart, Sam Rockwell, Sebastian Maniscalco, Christopher Meloni, Richard Jenkins, Awkwafina, Blake Lively, George Clooney, Matthew Rhys, Bradley Cooper, Amy Schumer, Keegan-Michael Key, and Vince Vaughn.
Handling screenplay duties as well, this is a far cry from the director’s A Quiet Place pics. The summer’s first feature geared toward families, this should capitalize on the absence of genre material in the marketplace (it’s been two months since Kung Fu Panda 4). The title, by the way, stands for Imaginary Friend.
The chance for this to rise above expectations seems real. I think it could make $50 million for starters. It could also start out slowly and hope for decent legs in subsequent weekends. A worst case scenario could be $25-30 million. I’m giving it $35-40 million out of the gate.
IF opening weekend prediction: $38.3 million
For my The Strangers: Chapter 1 prediction, click here:
20th Century Studios is back in the monkey business this weekend with Kingdom of the Planet of the Apes. Wes Ball takes over the directorial reins for the 56-year-old franchise with Owen Teague, Freya Allan, Kevin Durand, Peter Macon, and William H. Macy among the cast.
This is the 10th feature in the series and the previous nine entries netted six total Academy nominations. Three of them went to the 1968 original with nods for its Score and Costume Design as well as an honorary Oscar for its revolutionary makeup artist John Chambers.
Following that, there was a long break between awards mentions. None of the four sequels to Planet (Beneath the Planet of the Planet, Escape from the Planet of the Apes, Conquest of the Planet of the Apes, Battle for the Planet of the Apes) contended in any races. Neither did Tim Burton’s 2001 re-imagining of part 1.
It took Rise of the Planet of the Apes in 2011 and sequels Dawn of the Planet of the Apes (2014) and War for the Planet of the Apes (2017) to get back in the Oscar mix. All 3 were up for their fantastic Visual Effects. The win tally was 0 for 3 as they respectively lost to Hugo, Interstellar, and Blade Runner 2049. Despite high praise for Michael Giacchino’s score and Andy Serkis’s lauded motion capture work as Caesar in that trilogy, VE was the only derby that the Apes ran in.
Kingdom (set many years after the events of War) is perched at 86% on Rotten Tomatoes. That’s just ahead of Rise‘s 82% while a bit behind War‘s 94% and Dawn‘s 91%. Some reviews say its visuals don’t quite match what we witnessed in the previous decade. Yet this seems poised for a fourth nomination in a row in that competition. Like its predecessors, a victory seems unlikely as Dune: Part Two may already have it wrapped up. My Oscar Prediction posts will continue…
Kingdom of the Planet of the Apes is poised to rule over the box office charts as it looks for a similar opening to its predecessors. We also have Not Another Church Movie, spoofing the Tyler Perry assembly line of features out. You can peruse my detailed prediction posts on the newcomers here:
I have Kingdom premiering similarly to 2011’s Rise of the Planet of the Apes and 2017’s War for the Planet of the Apes and even a smidge higher. I don’t foresee it reaching the heights of 2014’s Dawn of the Planet of the Apes at $72 million.
As for Church, I’m forecasting its number of parishioners gives it a mid single digits start and that should mean a third place showing. I do believe it has a shot at over performance, per my individual write-up. It could also flame out in the low single digits (this is a tough one).
There’s no question that The Fall Guy did not exceed expectations. In fact, the action comedy with Ryan Gosling and Emily Blunt came in at the lowest end of its anticipated range (more on that below). An A- Cinemascore could mean the sophomore drop won’t be too damaging, but I suspect high 40s to low 50s is where the dip will be.
Holdovers Challengers and the re-release of Star Wars: Episode 1 – The Phantom Menace should round out the top five. The latter’s first weekend back in theaters is probably front loaded. Therefore I see Phantom sliding from 2nd to 5th and Challengers only down one spot in fourth.
Here’s how I see it shaking out:
1. Kingdom of the Planet of the Apes
Predicted Gross: $55.2 million
2. The Fall Guy
Predicted Gross: $13.3 million
3. Not Another Church Movie
Predicted Gross: $4.9 million
4. Challengers
Predicted Gross: $4.7 million
5. Star Wars: Episode 1 – The Phantom Menance
Predicted Gross: $4 million
Box Office Results (May 3-5)
Despite the Barbenheimer pedigree (the pics that ruled summer 2023), The Fall Guy‘s performance was stunted at just $27.7 million. That’s well under my $38.3 million prediction and a letdown considering the reported $150 million price tag. For the past decade and a half, the MCU/Disney has owned the first weekend of May that marks the official start of cinematic summer. With that franchise sitting it out, audiences responded with indifference to the Gosling and Blunt show.
The Mouse Factory did bank some more cash for its Star Wars franchise. Marking its 25th anniversary and despite its checkered reputation, the re-release of The Phantom Menace took in $8.7 million for second place. It certainly didn’t hurt that Saturday fell on May 4th (a sacred date for many fans). That tops my $6.8 million forecast as the first episode is now at $483 million stateside in the last quarter century.
Challengers was third with $7.5 million, on target with my $7.9 million call. Zendaya’s sports drama eased an expected 49% to bring its two-week total to $29 million.
Poorly reviewed horror flick Tarot had a fourth place debut in the cards with $6.5 million, a bit over my $5.6 million projection. Look for this to fade fast as have other recent genre offerings.
Godzilla x Kong: The New Empire rounded out the top five with $4.5 million (I said $4.7 million) to bring its haul to $188 million after six weeks.
Finally, faith-based drama Unsung Hero fell considerably further in weekend #2 than I figured. In seventh place, its $2.9 million gross was well under my estimate of $5.4 million. The total is $13 million.
Chris Pine makes his directorial debut, cowrites, and stars in Poolman which wades into theaters in a limited pattern this Friday. The comedic noir has a sizable supporting cast including Annette Bening, DeWanda Wise, Stephen Tobolowsky, Clancy Brown, John Ortiz, Ray Wise, Juliet Mills, Ariana DeBose, Jennifer Jason Leigh, and Danny DeVito.
An eagerly awaited premiere at the Toronto Film Festival last fall, Poolman flopped upon its unveiling. The RT score is just 23%. It is safe to assume that the Star Trek and Wonder Woman franchise player won’t get to bring this title character back. We certainly won’t see any awards mentions. My Oscar Prediction posts will continue…
Cinco de Mayo brings the second ranked post for the 97th Academy Awards in the six major races- Picture, Director, and the four acting derbies. Obviously we’re early in the process and, at the moment, a lot of speculation is simply on where certain performers will be placed (lead or supporting). Some examples: His Three Daughters from director Azazel Jacobs screened to impressive reviews at Toronto last fall and has been given a plum Netflix streaming start for this autumn. The title characters are played by Carrie Coon, Natasha Lyonne, and Elizabeth Olsen. The studio has a decision to make on which categories the trio are campaigned in. I am currently guesstimating that Lyonne will be lead with the other two in supporting. It is indeed a guesstimate. They could all go supporting. Coon could be an Actress play with the others in supporting. Obviously I’ll adjust as the weeks and months move along as updates are provided.
Then there’s Saoirse Ronan. The four-time nominee and no time winner has two 2024 shots. Her work in The Outrun premiered at Sundance, indicating a definite possibility for a lead Actress nod. She is also in Steve McQueen’s Blitz which sure looks like an awards hopeful on paper. Whether she’s lead or supporting in it remains to be seen. Apple TV might have better luck putting her in Supporting Actress and that’s where I have her. However, we don’t know if that’s workable at press time.
Beyond the thespians, we have head scratchers like Kevin Costner’s western epic Horizon: An American Saga. Make that Horizon: An American Saga – Chapter 1 (slated for late June) and Horizon: An American Saga – Chapter 2 (arriving mid-August). Could the Dances with Wolves maker have another chance at Oscar glory? If so, which chapter books its spot on the BP list? I’m speculating that the better chance lies with the second one.
Horizon will first be seen at Cannes and that fest kicks off May 14th. Some other pictures showing there include Kinds of Kindness, Megalopolis, The Apprentice, Bird, Furiosa: A Mad Max Saga, Emilia Perez, and Anora. When I publish my next update in a couple of weeks, some of them will have reviews and buzz.
Here’s how I have it shaking out now!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 2) (E)
3. Conclave (PR: 3) (E)
4. Sing Sing (PR: 4) (E)
5. Queer (PR: 6) (+1)
6. The End (PR: 5) (-1)
7. The Fire Inside (PR: 7) (E)
8. Kinds of Kindness (PR: 9) (+1)
9. Bird (PR: 8) (-1)
10. His Three Daughters (PR: Not Ranked)
Other Possibilities:
11. Joker: Folie à Deux (PR: 11) (E)
12. Horizon: An American Saga – Chapter 2 (PR: 19) (+7)
13. The Apprentice (PR: 12) (-1)
14. Furiosa: A Mad Max Saga (PR: 14) (E)
15. The Piano Lesson (PR: 18) (+3)
16. Megalopolis (PR: 17) (+1)
17. Maria (PR: 16) (-1)
18. The Nickel Boys (PR: 22) (+4)
19. Civil War (PR: 15) (-4)
20. Hit Man (PR: Not Ranked)
21. A Real Pain (PR: 20) (-1)
22. The Supremes at Earl’s All-You-Can-Eat (PR: 13) (-9)
23. Dídi (PR: 10) (-13)
24. Hard Truths (PR: 23) (-1)
25. SNL 1975 (PR: Not Ranked)
Dropped Out:
Here
Wicked
Gladiator II
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Joshua Oppenheimer, The End (PR: 4) (E)
5. Andrea Arnold, Bird (PR: 9) (+4)
Other Possibilities:
6. Luca Guadagnino, Queer (PR: 6) (E)
7. Yorgos Lanthimos, Kinds of Kindness (PR: 8) (+1)
8. Rachel Morrison, The Fire Inside (PR: 5) (-3)
9. Todd Phillips, Joker: Folie à Deux (PR: 10) (+1)
10. Greg Kwedar, Sing Sing (PR: 7) (-3)
11. George Miller, Furiosa: A Mad Max Saga (PR: 11) (E)
12. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)
13. Francis Ford Coppola, Megalopolis (PR: 14) (+1)
14. Ali Abbisi, The Apprentice (PR: 15) (+1)
15. Azazel Jacobs, His Three Daughters (PR: Not Ranked)
Dropped Out:
Sean Wang, Dídi
Alex Garland, Civil War
Best Actress
Predicted Nominees:
1. Angelina Jolie, Maria (PR: 1) (E)
2. Saoirse Ronan, The Outrun (PR: 10) (+8)
3. Natasha Lyonne, His Three Daughters (PR: Not Ranked) – moved from Supporting
4. Ryan Destiny, The Fire Inside (PR: 3) (-1)
5. Lady Gaga, Joker: Folie à Deux (PR: 4) (-1)
Other Possibilities:
6. Tilda Swinton, The End (PR: 5) (-1)
7. Amy Adams, Nightbitch (PR: 6) (-1)
8. Karla Sofia Gascón, Emilia Perez (PR: 9) (+1)
9. Marianne Jean-Baptiste, Hard Truths (PR: 7) (-2)
10. Zendaya, Challengers (PR: 13) (+3)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)
12. Florence Pugh, We Live in Time (PR: Not Ranked)
13. Anne Hathaway, Mother Mary (PR: 12) (-1)
14. Uzo Aduba, The Supremes at Earl’s All-You-Can-Eat (PR: 8) (-6)
15. Noemie Merlant, Emmanuelle (PR: 15) (E)
Dropped Out:
Saoirse Ronan, Blitz (moved to Supporting)
Cynthia Erivo, Wicked
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 4) (+1)
4. Barry Keoghan, Bird (PR: 3) (-1)
5. André Holland, The Actor (PR: 5) (E)
Other Possibilities:
6. Joaquin Phoenix, Joker: Folie à Deux (PR: 6) (E)
7. Glen Powell, Hit Man (PR: 9) (+2)
8. Sebastian Stan, The Apprentice (PR: 8) (E)
9. John David Washington, The Piano Lesson (PR: 10) (+1)
10. George MacKay, The End (PR: 7) (-3)
11. Sebastian Stan, A Different Man (PR: 13) (+2)
12. Paul Bettany, The Collaboration (PR: 14) (+2)
13. Andrew Garfield, We Live in Time (PR: Not Ranked)
14. Kingsley Ben-Adir, Bob Marley: One Love (PR: 15) (+1)
15. Kevin Costner, Horizon: An American Saga – Chapter 2 (PR: Not Ranked)
Dropped Out:
Timothée Chalamet, Dune: Part Two
Adam Driver, Megalopolis
Best Supporting Actress
Predicted Nominees:
1. Isabella Rossellini, Conclave (PR: 2) (+1)
2. Saoirse Ronan, Blitz (PR: Not Ranked) – moved from lead Actress
3. Joan Chen, Dídi (PR: 1) (-2)
4. Carrie Coon, His Three Daughters (PR: Not Ranked)
5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 8) (+3)
Other Possibilities:
6. Hong Chau, Kinds of Kindness (PR: 5) (-1)
7. Lesley Manville, Queer (PR: 4) (-3)
8. Danielle Deadwyler, The Piano Lesson (PR: 9) (+1)
9. Elizabeth Olsen, His Three Daughters (PR: Not Ranked)
10. Erin Kellyman, Blitz (PR: 3) (-7)
11. Jodie Comer, The Bikeriders (PR: 6) (-5)
12. Maria Bakalova, The Apprentice (PR: 7) (-5)
13. Toni Collette, Juror No. 2 (PR: Not Ranked)
14. Margaret Qualley, Kinds of Kindness (PR: 15) (+1)
15. Zoe Saldaña, Emilia Perez (PR: 11) (-4)
Dropped Out:
Natasha Lyonne, His Three Daughters (moved to lead Actress)
Aunjanue Ellis-Taylor, The Supremes at Earl’s All-You-Can-Eat
Cailee Spaeny, Civil War
Naomi Watts, Emmanuelle
Best Supporting Actor
Predicted Nominees:
1. Stanley Tucci, Conclave (PR: 1) (E)
2. Clarence Maclin, Sing Sing (PR: 2) (E)
3. Brian Tyree Henry, The Fire Inside (PR: 3) (E)
4. Kieran Culkin, A Real Pain (PR: 4) (E)
5. Samuel L. Jackson, The Piano Lesson (PR: 7) (+2)
Other Possibilities:
6. Drew Starkey, Queer (PR: 8) (+2)
7. Jeremy Strong, The Apprentice (PR: 6) (-1)
8. Franz Rogowski, Bird (PR: Not Ranked)
9. John Lithgow, Conclave (PR: 11) (+2)
10. Adam Pearson, A Different Man (PR: 10) (E)
11. Harris Dickinson, Blitz (PR: 9) (-2)
12. Leigh Gill, Blitz (PR: 5) (-7)
13.Jesse Plemons, Kinds of Kindness (PR: Not Ranked)
14. Stephen Graham, Blitz (PR: Not Ranked)
15. Javier Bardem, Dune: Part Two (PR: Not Ranked)
To generously take a bowl is half super approach, Jerry Seinfeld’s Unfrosted features stand-up Kyle Dunnigan doing a pretty killer Walter Cronkite impression. His anchor recounts the news with trademark authority followed by darkly amusing off the air grumblings about his love life and alcoholism. Later on, Dunnigan follows up with an impressive Johnny Carson takeoff. There’s lots of comedians and comedic performers in the legendary Mr. Seinfeld’s directorial debut for Netflix. Most of them don’t get the chance to nail their brief screen time like Mr. Dunnigan. A lot of Unfrosted, a mostly fictional account of how Pop-Tarts came to be, consists of stale humor with too many subplots competing against one another.
Even 96 minutes feels long since there’s barely enough witty material for the 22 minutes Jerry used to work in. He plays Bob Cabana, a high level exec at Kellogg’s in 1963. This is one of those screenplays (by Seinfeld and his frequent collaborators Spike Feresten, Andy Robin, and Barry Marder) that constantly reminds us it’s set during that decade in increasingly lame ways. Along with his boss Edsel Kellogg III (Jim Gaffigan) and Melissa McCarthy’s NASA scientist turned cereal conglomerate employee, they are in a race to produce the best toasted pastry treat. In Battle Creek, Michigan, the combat lines are drawn with their rival Post led by socialite Marjorie Post (Amy Schumer). Such lines are not so subtly tied to another race – the space one – of that era.
Rhythms of Unfrosted becomes familiar in short order – a joke or two that work about a given subplot (like the correlation with the nation’s trip to the moon) that get overused swiftly. There’s bursts of inspiration like Dunnigan’s grousing. Bill Burr’s take on JFK is also a delight. Most of the time I wasn’t blown away by what else the overfilled screenplay had to say.
Since this is Seinfeld we’re talking about, there’s lots of funny people popping in for a day or two on the set. Hugh Grant is the very real Thurl Ravenscroft, a true Shakespearean thespian who voiced Tony the Tiger. The Kellogg gang recruits a hodgepodge of kitschy historical figures including fitness guru Jack LaLanne (James Marsden), Sea Monkeys maker and maybe Nazi Harold von Braunhut (Thomas Lennon), and Chef Boy Ardee (Bobby Moynihan) to develop the product. I could go on and on. Mixing all these talents together is bound to produce some amusing highlights and it does on occasion, but not nearly enough. Sometimes the satire totally misses like when it attempts to connect a mascot uprising to January 6th.
A lot of Unfrosted probably sounded better while Seinfeld and crew were discussing it over Zoom. Most of it might produce more guffaws if its Cronkite impersonator were handling the delivery.
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