Godzilla x Kong: The New Empire Box Office Prediction

Warner Bros is looking for a profitable monster mashup when Godzilla x Kong: The New Empire touches down on March 29th. It is the fifth feature in the MonsterVerse series behind Godzilla (2014), Kong: Skull Island (2017), Godzilla: King of the Monsters (2019), and Godzilla vs. Kong (2021). Adam Wingard, who made the iconic creature battle from three years ago, directs. Rebecca Hall, Brian Tyree Henry, and Kaylee Hottle reprise their roles from the last flick with Dan Stevens, Alex Ferns, and Fala Chen joining the fracas.

Empire is highly unlikely to approach the premiere gross that Godzilla managed nearly 10 years ago with $93 million. The $61 million achieved by Skull Island might be out of reach as well. The best comps are its two immediate predecessors. Monsters started off with $47 million and that was considered a letdown at the time. Godzilla vs. Kong was released when COVID was still limiting earnings potential. It made $31 million out of the gate. Yet its legs were a little stronger as it ended up with $100 million domestic vs. the slightly more $110 million for Monsters.

There’s a possibility that #5 posts the third best debut of the quintet. I suspect that it will with a gross just ahead of what part 3 achieved.

Godzilla x Kong: The New Empire opening weekend prediction: $52.2 million

Oscar Predictions – Ghostbusters: Frozen Empire

Ghostbusters: Frozen Empire attempts to match its 2021 predecessor’s grosses when it debuts this weekend. Chances are that it will also match its Oscar prospects. The fifth feature in the franchise that began in 1984, Gil Kenan directs with Jason Reitman coproducing and cowriting. Stars from Afterlife three years back return including Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Celeste O’Connor, and Logan Kim. Cast members from 40 years ago are in attendance – Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, and William Atherton. Kumail Nanjiani and Patton Oswalt additionally join the bustin’.

Critical reaction today gives it the coldest Rotten Tomatoes score of all Ghostbusters at 47%. The original nabbed 95% while its 1989 sequel only managed 55%. 2016’s reboot was rated 74% while Afterlife received 64%.

The Academy’s history with this series is limited to part 1. Ray Parker Jr.’s inescapable theme song was up for Best Song (losing to Stevie Wonder’s “I Just Called to Say I Love You” from The Woman in Red) and the Visual Effects were in contention (coming up short to Indiana Jones and the Temple of Doom). Three ceremonies ago, Afterlife was shortlisted for VE but didn’t make the final five cut. The special effects (which some reviewers are criticizing) are highly unlikely to catch the attention of voters this time around. My Oscar Prediction posts will continue…

March 22-24 Box Office Predictions

Ghostbusters: Frozen Empire hopes to heat up the box office this weekend while Immaculate looks to bring in horror fans. My detailed prediction posts on the two newcomers can be accessed here:

The fifth feature in the franchise, Empire will try to match or exceed the mid 40s earnings that 2016’s Ghostbusters and immediate predecessor Ghostbusters: Afterlife from 2021 achieved in their debuts. I have it a tad under in the low 40s for what will easily be a #1 start.

We are likely to witness a battle for second between holdovers Kung Fu Panda 4 and Dune: Part Two. I have each dipping in the mid to high 30s with the animated sequel barely edging the sci-fi sequel.

Immaculate is a genuine question mark. Neon’s supernatural fright fest stars Sydney Sweeney, who’s coming off the hot Anyone but You and also the cold Madame Web. It seems to be flying under the radar, but could over perform as the genre often does. My mid single digits take puts it firmly in fourth with the disappointing Arthur the King rounding out the top five.

Here’s how I think it will play out:

1. Ghostbusters: Frozen Empire

Predicted Gross: $42.7 million

2. Kung Fu Panda 4

Predicted Gross: $18.2 million

3. Dune: Part Two

Predicted Gross: $17.4 million

4. Immaculate

Predicted Gross: $4.9 million

5. Arthur the King

Predicted Gross: $3.8 million

Box Office Results (March 15-17)

Kung Fu Panda 4 held the crown for the second weekend in a row with $30.1 million, right on target with my $30.6 million estimate. The two-week tally puts it over the century mark at $107 million as it continues to outpace part 3.

Dune: Part Two, as expected, had a nice hold in weekend #3 with $28.5 million. I was on pace with my $29.4 million forecast as its surpassed the double century mark with $204 million.

Mark Wahlberg’s canine tale Arthur the King failed to bring in audiences with only $7.6 million, well under my $12.5 million call. I’m expecting a sophomore drop over 50% this weekend.

Imaginary held better than I assumed with $5.5 million compared to my $4.4 million projection. The teddy bear themed horror pic stands at $19 million after two outings and that’s nearly double its budget.

Faith-based Cabrini plummeted 61% in weekend #2 with $2.8 million and that’s below my $4.1 million prediction. The total is $13 million.

Finally, Kristen Stewart’s critically acclaimed crime thriller Love Lies Bleeding had a fairly anemic wide rollout in sixth with $2.4 million (I said $3.7 million).

And that does it for now, folks! Until next time…

Oscar Predictions: Wicked Little Letters

Olivia Colman and Jessie Buckley both received Oscar nods for their work in 2021’s The Lost Daughter. The pair reunite in Wicked Little Letters from director Thea Sharrock. It premiered last fall at the Toronto Film Festival, came out in the UK in February, and makes it way to stateside locations on March 29th. Costars include Anjana Vasan, Malachi Kirby, Joanna Scanlan, Gemma Jones, and Timothy Spall.

Critics are divided on the 1920s mystery comedy which is said to be heavy on foul language coming from delightful British accents. The RT score is a so-so 64%. Despite praise for the cast, the Sony Picture Classics release is unlikely to factor into the awards race. Same goes for the Globes and BAFTA, but perhaps the studio will mount a campaign. However, it probably won’t make a %#*@$^! difference. My Oscar Prediction posts will continue…

Oscar Predictions: The Idea of You

Rom com The Idea of You closed out this year’s South by Southwest festival prior to its Amazon Prime streaming debut on May 2nd. Based on the novel by Robinne Lee, the adaptation casts Anne Hathaway (Supporting Actress winner for 2012’s Les Miserables) as a divorcee who finds herself in a relationship with a superstar boy band singer played by Nicholas Galiztine. Ella Rubin, Reid Scott, and Annie Mumolo costar. Michael Showalter, who made The Big Sick and directed Jessica Chastain to a Best Actress victory in The Eyes of Tammy Faye, is behind the camera.

The small sampling of early reviews indicate a crowdpleaser that shouldn’t get in the heads of the Academy. That said, the Golden Globes might be a different story. In the Musical/Comedy field, Hathaway could make a play for Actress attention. So could the picture depending on the level of competition that follows in the next nine and a half months (though Hathaway is a likelier possibility). My Oscar Prediction posts will continue…

Oscar Predictions: Babes

It sounds as if Neon has a potential sleeper on their hands with Babes at the box office and at awards shows. The comedy stars Ilana Glazer of Broad City as a happily single woman who unexpectedly gets pregnant in the directorial debut from Pamela Adlon. Costars include Michelle Buteau, John Carroll Lynch, Hasan Minjaj, Stephan James, and Oliver Platt.

A release date has yet to be finalized after its successful screening at South by Southwest. Reviews call this a raunchy and heartfelt winner and it sports a 100% RT rating.

Comedies in general face a tall task getting attention from the Academy and this should hold true with Babes. Original Screenplay (from Glazer and Josh Rainowitz) might be its only realistic shot. Other ceremonies could offer more possibilities. At the Golden Globes, the performances of Glazer and Buteau as Glazer’s BFF mom helping her navigate impending parenthood could be noticed in the Musical/Comedy derbies. Same goes for Best Musical/Comedy in general. At the Directors Guild competition, Adlon could make it in the First-Time Feature race. My Oscar Prediction posts will continue…

Immaculate Box Office Prediction

Sydney Sweeney is in Scream Queen mode when Immaculate is delivered to theaters on March 22nd. The fright fest finds the Euphoria, Anyone but You, and Madame Web star as a devout nun uncovering demonic happenings in the Italian countryside. Michael Mohan directs with a supporting cast including Álvaro Morte, Benedetta Porcaroli, Dora Romano, Giorgio Colangeli, and Simona Tabasco.

The Neon distributed effort is generating uneven reviews (it premiered at South by Southwest earlier this week). The RT meter stands at 64%. I haven’t seen a screen count and the marketing campaign seems a bit on the underwhelming side.

Horror can exceed expectations and that might hold true with Immaculate. Yet I wonder if this can manage the $9M+ that The Pope’s Exorcist achieved for its start last year. It might be lucky to earn half of that.

Immaculate opening weekend prediction: $4.9 million

For my Ghostbusters: Frozen Empire prediction, click here:

Oscar Predictions: Shirley

In 2018, Regina King was a Supporting Actress victor at the Oscars for If Beale Street Could Talk. Her latest project, at least on paper, appears to be another hopeful. In the biographical drama Shirley (not to be confused with 2020’s same titled biographical drama with Elisabeth Moss), King portrays Shirley Chisholm, the first African-American woman to run for President in 1972. Depicting that time in her life, John Ridley (an Academy winner for penning 2013’s 12 Years a Slave) directs with a supporting cast including the late Lance Reddick, Terrence Howard, Lucas Hedges, Brian Stokes Mitchell, and André Holland. The film is out in limited release this weekend before its March 22nd Netflix premiere.

Early reviews are mostly complimentary while none are really raves. The RT score is 78%. Any thoughts of this being a BP contender can go away (the release date kind of clued us into that). Unsurprisingly, King is being highly praised. I just question whether this will be in the minds of voters several months down the road. Netflix will need to keep her busy on the campaign trail for any possibility of a second nom. My Oscar Prediction posts will continue…

Oscar Predictions: Civil War

Alex Garland’s directorial debut Ex Machina was a critically hailed sci-fi effort that earned its maker an Original Screenplay nomination and a Visual Effects win at the 2014 Oscar ceremony. His follow-ups Annihilation (despite solid reviews) and Men (which drew a considerably more mixed reaction) did not generate much awards chatter post release. Garland’s fourth feature Civil War has been unveiled at South by Southwest prior to its April 12th debut. The dystopian thriller stars Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons. This reunites the husband/wife team of Dunst and Plemons after The Power of the Dog.

Several critics are highly impressed with Civil War, which is being called both a love letter to journalists and a tense political action pic. The Rotten Tomatoes score is 88%. I’m not convinced that this will become a BP or directing or original screenplay player, but it’s within the realm of possibility. Tech nods seem more doable, including Sound and perhaps Cinematography.

As for the cast, Dunst and Spaeny are receiving the most attention. Dunst is coming off her first nomination for Dog in 2021 while Spaeny would be vying for her first (she probably came close to getting in for last year’s Priscilla). I would say Civil War needs to get in the BP conversation for either to have a shot and that will remain unclear for some time. My Oscar Prediction posts will continue…

Oscar Predictions: Late Night with the Devil

South by Southwest is happening now and giving us some potential awards players (keep an eye out for my imminent Civil War post for example). It was at last year’s SXSW that festival goers were first exposed to Late Night with the Devil. Australian brothers Colin and Cameron Cairnes direct the 1970s set found footage horror flick with David Dastmalchian as a talk show host showcasing some demonic guests. Laura Gordon, Ian Bliss, and Fayssal Bazzi costar.

Devil is finally slated for stateside distribution on March 22nd with a Shudder streaming bow on April 19th. Many reviews are raves and it sports a 100% RT score. Dastmalchian, a memorable character who you may recognize from Prisoners, The Suicide Squad, Dune, and Oppenheimer, is being praised for this rare lead role.

That said, this is not the kind of material that awards voters notice… at least at the big dance. Perhaps the Indie Spirit Awards will be more attuned to its scare tactics. My Oscar Prediction posts will continue…