Chronicling a chaplain and his residency at Mount Sinai Hospital in NYC, Luke Lorentzen’s A Still Small Voice was first seen at the 2023 Sundance Film Festival. A year later, it’s one of the 15 shortlisted documentaries contending at the Academy Awards.
With a 96% RT score, Voice has made a little noise on the circuit. At Sundance, Lorentzen won the directing competition for docs. The National Board of Review named it one of their top five docs of ’23.
I haven’t put this in my projected quintet for Documentary Feature and I have it 8th currently. That means it’s at least a threat to make the final cut. My Oscar Prediction posts will continue…
Nisha Pahuja’s documentary To Kill a Tiger originally premiered at the Toronto Film Festival back in September of 2022 and scored stateside distribution in October of last year. The true crime saga set in a small Indian village won Best Canadian Film honors at TIFF and has picked up regional fest awards over the past few months.
With a RT rating of 100%, it was still surprising that Tiger was included among the 15 shortlisted features for Documentary Feature at the Oscars. There’s always the possibility of unexpected inclusions in this race, but I haven’t put it in the top ten contenders in recent forecasts. My Oscar Prediction posts will continue…
Last Sunday, the Golden Globes were more the Oppenheimer show than a Barbenheimer love fest. One week later, the 29th Critics Choice Awards was more of a celebration for 2023’s acclaimed blockbusters that will forever be linked. Both managed to win in races I didn’t pick them in. Yet they arguably came up short in competitions where they were anticipated to emerge victorious. In addition to the impressive hardware picked up by the aforementioned pics, it was a pleasing night for The Holdovers. As for Killers of the Flower Moon or Maestro… not so much.
Barbenheimer accounted for 14 of the 21 wins this evening. That would be Oppenheimer with 8 and Barbie with 6. As for this blogger, I went 15 for 21 in my selections.
As anticipated, Oppenheimer is your Best Picture with Christopher Nolan as Best Director (just like the Globes). Same goes for Robert Downey Jr. in Supporting Actor as he’s established himself as the favorite for Oscar. It also won Acting Ensemble and I had Barbie taking that instead. The other four trophies: Cinematography, Editing, Score, and Visual Effects. For VE, Oppenheimer shockingly missed the shortlist for the Oscars. I picked Spider-Man: Across the Spider-Verse for Critics Choice (it did win Animated Feature as projected). Simply put, Oppenheimer is very well positioned for Oscar’s big prize.
Moving onto Barbie, it took home Original Screenplay. As you may be aware, it is slotted in Adapted Screenplay at the Academy Awards. Greta Gerwig’s phenomenon also won Comedy, Costume Design, Hair and Makeup (in a surprise win over the favored Maestro), Production Design, and Song. In another slight shock, “I’m Just Ken” was the honored tune over “What Was Made I For?”.
As for The Holdovers, all three prominent performers in the cast went home with an engraved reminder of their attendance. Paul Giamatti is Best Actor and I picked him in a coin flip over Cillian Murphy (Oppenheimer). It sets up a real race for that leading derby. Da’Vine Joy Randolph continued to solidify her dominance in Supporting Actress while Dominic Sessa is your Young Actor/Actress recipient.
We also have some drama in Best Actress. Emma Stone’s work in Poor Things won out over Globe victor Lily Gladstone (Killers of the Flower Moon). I got that wrong and it contributed to a night where Killers came up 0 for 12.
In other races: Adapted Screenplay went to American Fiction. I thought it would be Killers and this competition at the Oscars (where Barbie, Oppenheimer, and Poor Things should also be in the mix) is unpredictable.
Anatomy of a Fall, while not in contention for International Feature Film at the Oscars, is the Foreign Language Film selection (Globes went with it too). That’s one more award to help its chance of making the ten BP nominees.
My main takeaway: Oppenheimer, Nolan, Downey Jr., and Randolph might be sweeping. Best Actor and Actress look more competitive. For the former, it’s Giamatti vs. Murphy (with Bradley Cooper in Maestro still a potential spoiler). In Actress, it’s Gladstone vs. Stone.
Keep an eye on the blog for my final Oscar predictions later this week!
Desperate Souls, Dark City and the Legend of Midnight Cowboy is an out of the blue contender for Documentary Feature at the Oscars. It recounts the making of the 1969 Best Picture winner with Jon Voight and Dustin Hoffman as well as its classic era of filmmaking. Nancy Buirski, who passed away in August of last year, directs.
Souls first premiered at the Venice Film Festival in August of 2022. While reviews stand at 91% on Rotten Tomatoes, some of them aren’t exactly raves. The victory for this doc about a BP recipient might be the shortlist. I haven’t had it in my top ten of possibilities and don’t expect to elevate it before making final selections later this week. My Oscar Prediction posts will continue…
Amerikatsi from writer/director/star Michael A. Goorjian is the first Armenian picture to make the shortlist of 15 for International Feature Film at the Oscars. It also, I imagine, the only contender ever made by someone who played Neve Campbell’s love interest on the 90s show Party of Five (comment if I’m wrong).
The post WWII set drama came out in limited fashion last fall and has an 89% RT score. Its inclusion in the shortlist was an unexpected one. Amerikatsi has not been a factor in Academy precursors and I don’t have it listed in the top ten of possibilities for IFF.
In other words, I’m not projecting Armenia’s initial hopeful will get to the ultimate quintet when nominations are announced January 23rd. My Oscar Prediction posts will continue…
Bobi Wine: The People’s President from directors Christopher Sharp and Moses Bwayo chronicles the Ugandan presidential campaign of the title character. Having originally debuted at the Venice Film Festival in 2022, it received distribution stateside last year via Disney+/National Geographic. It’s one of 15 shortlisted features for Best Documentary Feature.
Sporting a 100% RT score, Bobi‘s filmmakers are freshly nominated for the DGA prize for directing for documentary alongside 20 Days in Mariupol, Beyond Utopia, Kokomo City, and Still: A Michael J. Fox Movie. Only Kokomo is not eligible for Academy consideration.
This was under my radar for the majority of speculating season. However, it has sat at #9 in my last two rounds of predictions. I doubt it vaults into the top five when I make final picks later this week, but it’s certainly a viable contender for inclusion. My Oscar Prediction posts will continue…
It’s not just priests exorcising the demonic spirits in The Exorcist: Believer, a direct sequel to the iconic horror phenomenon from a half century ago. There’s more inclusivity when it comes to the number of faith leaders involved. We have two subjects undergoing the eventual rituals via two teenage girls. David Gordon Green recently redid the Halloween franchise with three pictures that underwhelmed this viewer. He hopes to start a fresh trilogy with Believer. Despite more characters doing the casting out and doubling those being possessed, this relaunch is far from bewitching. Instead it’s a sullen and poorly edited genre exercise that could’ve passed (or failed) as any knockoff of the original. If it weren’t for Ellen Burstyn briefly returning to her Oscar nominated role, slapping The Exorcist moniker on it seems egregious. I suppose it still does. The sixth one is not the devilish charm. Neither were the second, third, fourth, or fifth though pretending they don’t exist doesn’t help.
A prologue shows us the tragic birth of Angela (Lidya Jewett). Her father Victor (Leslie Odom Jr.) is doing photography work in Haiti with his very expectant wife. An earthquake severely injures her to the point where Victor must choose whether she or his unborn daughter live. Thirteen years later, Victor and Angela are living a seemingly normal existence in Georgia. Yet when Angela and her friend Katherine (Olivia O’Neill) try to summon the spirit of her departed mother, they end up disappearing for three days and then returning. If you don’t get the symbolism behind that, the sometimes unintentionally funny screenplay will explain it slowly and obviously.
Slowly is an appropriate word for the first half as Angela and Katherine aren’t exactly themselves upon reemergence. Believer seems to forget that so many Exorcist regurgitations have been foisted upon us. Some have worked. Just none in the official canon (though The Exorcist III has its loopy delights). We know where this is headed and Green’s restart plods along in the known directions. Except for one violent outburst, Burstyn’s return is largely forgettable and a little pointless.
The interfaith participation in saving the girls is a slightly new wrinkle. By the third act, the Catholics are sitting it out and a hodgepodge of would be saviors step in to fill the void. This includes Ann Dowd as Victor’s neighbor (who takes over for the priest because she wanted to be a nun), a Hoodoo practicer, a Baptist, and a Pentecostal preacher. If these characters had walked into a bar, maybe a more lively movie would’ve resulted. Instead they walk into a procedure we’ve seen time and again. A double exorcism does not double the thrills. This was shocking and shockingly well-made (not to mention scary as hell) in 1973. Now it’s unsurprisingly bland.
Since my last predictions on January 6th, we’ve had a whole lotta activity with Oscar precursors. The Golden Globes aired and bestowed their Best Drama to Oppenheimer and Musical/Comedy to Poor Things (over Barbie). SAG released their nominees with some surprising omissions including Leonardo DiCaprio (Killers of the Flower Moon), Mark Ruffalo (Poor Things), and Charles Melton (May December).
And in perhaps the most unexpected development of all, the PGA Picture nominees included two international features with Anatomy of a Fall and The Zone of Interest. PGA typically doesn’t honor foreign pics. The 10 movies they ended up nominating have been my Oscar BP ten for weeks. It’s a little scary to predict that the Academy and PGA will match 10/10… but here we are for now.
In Best Actor, Cillian Murphy (Oppenheimer) and Paul Giamatti (The Holdovers) each rise a spot to 1-2 with Bradley Cooper (Maestro) sliding from first to third. In Supporting Actor, Sterling K. Brown (American Fiction) enters the predicted quintet with Charles Melton (May December) on the outs.
An important note: this is my penultimate forecast for the 96th Academy Awards. My plan is to have final predictions up on Friday or Saturday next week before nomination morning on January 23rd.
Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (Even)
2. Killers of the Flower Moon (PR: 3) (+1)
3. Barbie (PR: 2) (-1)
4. Poor Things (PR: 4) (E)
5. The Holdovers (PR: 5) (E)
6. Past Lives (PR: 6) (E)
7. American Fiction (PR: 9) (+2)
8. The Zone of Interest (PR: 8) (E)
9. Maestro (PR: 7) (-2)
10. Anatomy of a Fall (PR: 10) (E)
Other Possibilities:
11. The Color Purple (PR: 11) (E)
12. May December (PR: 12) (E)
13. Air (PR: 15) (+2)
14. Spider-Man: Across the Spider-Verse (PR: 14) (E)
15. Saltburn (PR: 13) (-2)
Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Greta Gerwig, Barbie (PR: 3) (E)
4. Yorgos Lanthimos, Poor Things (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Alexander Payne, The Holdovers (PR: 7) (+1)
7. Celine Song, Past Lives (PR: 6) (-1)
8. Justine Triet, Anatomy of a Fall (PR: 8) (E)
9. Cord Jefferson, American Fiction (PR: 10) (+1)
10. Bradley Cooper, Maestro (PR: 9) (-1)
Actress
Predicted Nominees:
1. Lily Gladstone, Killers of the Flower Moon (PR: 1) (E)
2. Emma Stone, Poor Things (PR: 2) (E)
3. Sandra Hüller, Anatomy of a Fall (PR: 4) (+1)
4. Carey Mulligan, Maestro (PR: 3) (-1)
5. Greta Lee, Past Lives (PR: 5) (E)
Other Possibilities:
6. Margot Robbie, Barbie (PR: 6) (E)
7. Annette Bening, Nyad (PR: 8) (+1)
8. Fantasia Barrino, The Color Purple (PR: 7) (-1)
9. Cailee Spaeny, Priscilla (PR: 9) (E)
10. Natalie Portman, May December (PR: 10) (E)
Actor
Predicted Nominees:
1. Cillian Murphy, Oppenheimer (PR: 2) (+1)
2. Paul Giamatti, The Holdovers (PR: 3) (+1)
3. Bradley Cooper, Maestro (PR: 1) (-2)
4. Jeffrey Wright, American Fiction (PR: 5) (+1)
5. Leonardo DiCaprio, Killers of the Flower Moon (PR: 4) (-1)
Other Possibilities:
6. Colman Domingo, Rustin (PR: 6) (E)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Barry Keoghan, Saltburn (PR: 8) (E)
9. Zac Efron, The Iron Claw (PR: 10) (+1)
10. Teo Yoo, Past Lives (PR: 9) (-1)
Supporting Actress
Predicted Nominees:
1. Da’Vine Joy Randolph, The Holdovers (PR: 1) (E)
2. Danielle Brooks, The Color Purple (PR: 2) (E)
3. Emily Blunt, Oppenheimer (PR: 3) (E)
4. Sandra Hüller, The Zone of Interest (PR: 5) (+1)
5. Julianne Moore, May December (PR: 4) (-1)
Other Possibilities:
6. Jodie Foster, Nyad (PR: 6) (E)
7. Penelope Cruz, Ferrari (PR: 7) (E)
8. Rachel McAdams, Are You There God? It’s Me, Margaret (PR: 9) (+1)
9. America Ferrera, Barbie (PR: 10) (+1)
10. Rosamund Pike, Saltburn (PR: 8) (-2)
Supporting Actor
Predicted Nominees:
1. Robert Downey, Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Robert De Niro, Killers of the Flower Moon (PR: 5) (+2)
4. Mark Ruffalo, Poor Things (PR: 3) (-1)
5. Sterling K. Brown, American Fiction (PR: 7) (+2)
Other Possibilities:
6. Willem Dafoe, Poor Things (PR: 6) (E)
7. Charles Melton, May December (PR: 4) (-3)
8. Dominic Sessa, The Holdovers (PR: 8) (E)
9. John Magaro, Past Lives (PR: 9) (E)
10. Glenn Howerton, BlackBerry (PR: 10) (E)
Original Screenplay
Predicted Nominees:
1. The Holdovers (PR: 1) (E)
2. Anatomy of a Fall (PR: 3) (+1)
3. Past Lives (PR: 2) (-1)
4. May December (PR: 4) (E)
5. Air (PR: 5) (E)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. Saltburn (PR: 7) (E)
8. Asteroid City (PR: 8) (E)
9. The Iron Claw (PR: 9) (E)
10. Fair Play (PR: 10) (E)
Adapted Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. Poor Things (PR: 4) (E)
5. American Fiction (PR: 5) (E)
Other Possibilities:
6. The Zone of Interest (PR: 7) (+1)
7. All of Us Strangers (PR: 6) (-1)
8. Are You There God? It’s Me, Margaret (PR: 8) (E)
9. Spider-Man: Across the Spider-Verse (PR: 9) (E)
10. The Taste of Things (PR: 10) (E)
International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 5) (+2)
4. Society of the Snow (PR: 3) (-1)
5. The Teachers’ Lounge (PR: 6) (+1)
Other Possibilities:
6. Fallen Leaves (PR: 4) (-2)
7. Tótem (PR: 7) (E)
8. 20 Days in Mariupol (PR: 9) (+1)
9. Four Daughters (PR: 10) (+1)
10. Io Capitano (PR: 8) (-2)
Animated Feature
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
5. Going to Mars: The Nikki Giovanni Project (PR: 7) (+2)
Other Possibilities:
6. The Eternal Memory (PR: 5) (-1)
7. American Symphony (PR: 4) (-3)
8. A Still Small Voice (PR: 10) (+2)
9. Bobi Wine: The People’s President (PR: 9) (E)
10. Stamped from the Beginning (PR: 8) (-2)
Cinematography
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR:3) (E)
4. The Zone of Interest (PR: 5) (+1)
5. El Conde (PR: Not Ranked)
Other Possibilities:
6. Maestro (PR: 4) (-2)
7. Barbie (PR: 8) (+1)
8. The Color Purple (PR: 7) (-1)
9. Saltburn (PR: 6) (-3)
10. Napoleon (PR: 9) (-1)
Dropped Out:
Ferrari
Costume Design
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Poor Things (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Napoleon (PR: 4) (E)
5. The Color Purple (PR: 5) (E)
Other Possibilities:
6. Oppenheimer (PR: 6) (E)
7. Maestro (PR: 7) (E)
8. Wonka (PR: 8) (E)
9. Priscilla (PR: 9) (E)
10. Chevalier (PR: 10) (E)
Film Editing
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. The Holdovers (PR: 6) (+1)
Other Possibilities:
6. Anatomy of a Fall (PR: 5) (-1)
7. The Zone of Interest (PR: 7) (E)
8. Maestro (PR: 9) (+1)
9. Air (PR: 8) (-1)
10. Past Lives (PR: 10) (E)
Makeup and Hairstyling
Predicted Nominees:
1. Maestro (PR: 1) (E)
2. Poor Things (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. Golda (PR: 4) (E)
5. Society of the Snow (PR: 5) (E)
Other Possibilities:
6. Beau Is Afraid (PR: 8) (+2)
7. Killers of the Flower Moon (PR: 6) (-1)
8. The Last Voyage of the Demeter (PR: 7) (-1)
9. Ferrari (PR: 10) (+1)
10. Napoleon (PR: 9) (-1)
Original Score
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. The Zone of Interest (PR: 4) (E)
5. Spider-Man: Across the Spider-Verse (PR: 5) (E)
Other Possibilities:
6. Society of the Snow (PR: 6) (E)
7. Elemental (PR: 7) (E)
8. The Boy and the Heron (PR: 10) (+2)
9. Indiana Jones and the Dial of Destiny (PR: 9) (E)
10. Barbie (PR: 8) (-2)
Original Song
Predicted Nominees:
1. “What Was I Made For?” from Barbie (PR: 1) (E)
2. “I’m Just Ken” from Barbie (PR: 2) (E)
3. “Road to Freedom” from Rustin (PR: 3) (E)
4. “The Fire Inside” from Flamin’ Hot (PR: 4) (E)
5. “Quiet Eyes” from Past Lives (PR: 9) (+4)
Other Possibilities:
6. “It Never Went Away” from American Symphony (PR: 5) (-1)
7. “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds and Snakes (PR: 6) (-1)
8. “Keep It Movin” from The Color Purple (PR: 8) (E)
9. “Dear Alien (Who Art in Heaven)” from Asteroid City (PR: 10) (+1)
10. “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon (PR: 7) (-3)
Production Design
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. Poor Things (PR: 2) (E)
3. Killers of the Flower Moon (PR: 3) (E)
4. Oppenheimer (PR: 4) (E)
5. Napoleon (PR: 9) (+4)
Other Possibilities:
6. Asteroid City (PR: 7) (+1)
7. The Zone of Interest (PR: 6) (-1)
8. Maestro (PR: 5) (-3)
9. The Color Purple (PR: 8) (-1)
10. Saltburn (PR: 10) (E)
Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. Maestro (PR: 2) (E)
3. The Zone of Interest (PR: 5) (+2)
4. Ferrari (PR: 3) (-1)
5. Killers of the Flower Moon (PR: 6) (+1)
Other Possibilities:
6. Napoleon (PR: 4) (-2)
7. Barbie (PR: 7) (E)
8. Mission: Impossible – Dead Reckoning Part One (PR: 8) (E)
9. The Killer (PR: 9) (E)
10. The Creator (PR: 10) (E)
Visual Effects
Predicted Nominees:
1. Godzilla Minus One (PR: 4) (+3)
2. Guardians of the Galaxy Vol. 3 (PR: 2) (E)
3. The Creator (PR: 1) (-2)
4. Poor Things (PR: 3) (-1)
5. Mission: Impossible – Dead Reckoning Part One (PR: 9) (+4)
Other Possibilities:
6. Society of the Snow (PR: 7) (+1)
7. Indiana Jones and the Dial of Destiny (PR: 6) (-1)
8. Spider-Man: Across the Spider-Verse (PR: 5) (-3)
9. Rebel Moon – Part One: A Child of Fire (PR: 10) (+1)
10. Napoleon (PR: 8) (-2)
That means I’m forecasting these numbers of nominations for these films:
12 Nominations
Killers of the Flower Moon, Oppenheimer, Poor Things
9 Nominations
Barbie
7 Nominations
The Zone of Interest
5 Nominations
The Holdovers,Maestro
4 Nominations
American Fiction, Past Lives
3 Nominations
Anatomy of a Fall
2 Nominations
The Color Purple, May December, Napoleon, Society of the Snow, Spider-Man: Across the Spider-Verse
1 Nomination
20 Days in Mariupol, Air, Beyond Utopia, The Boy and the Heron, The Creator, El Conde, Elemental, Ferrari, Flamin’ Hot, Four Daughters, Godzilla Minus One, Going to Mars: The Nikki Giovanni Project, Golda, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning Part One, Nimona, Perfect Days, Rustin, Still: A Michael J. Fox Movie, The Taste of Things, Teenage Mutant Ninja Turtles: Mutant Mayhem
Apolonia, Apolonia hit the international festival circuit back in 2022 before its North American premiere last summer at the Tribeca Film Festival. Lea Glob’s coming-of-age documentary hasn’t released stateside yet, but it’s one of 15 shortlisted features for Documentary Feature at the Oscars.
The Dutch tale chronicling 13 years of an artist’s life sits at 93% on RT. That’s based on only 6 reviews and that’s a fraction of the reaction held by frontrunner docs such as 20 Days in Mariupol and Beyond Utopia.
When I did my last forecast on January 6, Apolonia was outside of my projected top ten in its competition. The odds aren’t great for it to make the final five, but the doc voting branch can be unpredictable. My Oscar Prediction posts will continue…
Icelandic drama Godland premiered at Cannes all the way back in May of 2022, but didn’t release until 2023 in most regions. That’s what it’s on the shortlisted 15 for International Feature Film at the forthcoming Oscars. Hlynur Pálmason directs. His previous effort, 2019’s A White, White Day, was also Iceland’s submission for this category. However, it didn’t make the final 15 in contention.
Reviews for Godland are at 92% on RT. While it’s been picked up some kudos at regional festivals, it hasn’t shown up for any major Academy precursors like the Globes or Critics Choice. That makes me think it’s unlikely to be Iceland’s second competitor for this award behind 1991’s Children of Nature. My Oscar Prediction posts will continue…
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