Actor turned writer/director Kobi Libii makes his behind the camera debut with satire The American Society of Magical Negroes, which hit Sundance prior to its March 22nd bow. It stars Justice Smith (pulling double fest duty with the well-received I Saw the TV Glow), David Alan Grier, An-Li Bogan, Drew Tarver, Michaela Watkins, Aisha Hinds, Tim Baltz, Rupert Friend, and Nicole Byer.
The reception for Society is likely not what distributor Focus Features was hoping for. The RT rating is only 42%. There’s some thematic comps to freshly minted Best Picture nominee American Fiction. However, most are saying it doesn’t approach the quality of it. Don’t expect this to be talked about a year from now for the 97th Academy Awards. My Oscar Prediction posts will continue…
Megan Park received critical acclaim for her 2021 directorial debut The Fallout starring Jenna Ortega. Her follow-up is generating the same in Park City at Sundance with My Old Ass. Maisy Stella (best known from TV’s Nashville) stars as a youngster able to communicate with her future self (Aubrey Plaza) about life and love ahead. Maddie Ziegler, Percy Hynes White, and Seth Isaac Johnson costar. Amazon MGM Studios plunked down $15 million for the distribution rights and they plan a theatrical release later this year.
With a 92% RT score, much of the festival buzz (beyond the sale) is centered on Stella. I don’t think the film itself will go far with awards prospects. In fact, the Academy may not sniff it at all. The Golden Globes, on the other hand, could take a look at the lead in Actress (Musical/Comedy). She could be a contender. My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
I will begin with the ten BP contenders and then alternate alphabetically between the hopefuls in the other five big races. Cord Jefferson’s American Fiction kicks it off!
The Case for American Fiction:
The awards buzz for Hustle went into high gear when it won the People’s Choice Award at the Toronto Film Festival. That prize has also been bestowed to BP victors American Beauty, Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. The satire has been nominated for BP at Critics Choice and the Golden Globes and it exceeded expectations with 5 totals noms: Jeffrey Wright in Actor, Sterling K. Brown for Supporting Actor, Adapted Screenplay, and Original Score being the others.
The Case Against American Fiction:
It hasn’t won any of the previous BP derbies. Despite the five mentions, it missed out in key BP winning races like Director and Film Editing.
The Verdict:
American Beauty should still be the most recent BP recipient beginning the word American. Fiction‘s best hope for a statue is in the seemingly wide open Adapted Screenplay category where it emerged victorious at Critics Choice.
My Case Of posts will continue with Anatomy of a Fall…
In 2018, Ian Bonhôte and Peter Ettedgui’s documentary McQueen focused on British fashion director Alexander McQueen. It earned strong reviews, but wasn’t much of an awards player. The filmmakers are back with a higher profile doc six years later in Super/Man: The Christopher Reeve Story. It recounts the performer’s career and life following his paralysis resulting from a horse riding accident.
Early reaction from its Sundance screening is that it’s an emotionally stirring watch. The RT score is 100%. Like Will & Harper (my previous Oscar Predictions write-up), Super/Man should be subject to a bidding war by studios and streamers. This appears destined to be one of the most watched docs of 2024.
That doesn’t always translate to the Academy taking notice. In the just announced Oscar noms, Still: A Michael J. Fox Movie (also acclaimed and with similar themes) made the Documentary Feature shortlist. It did not make the final five. This story should have at least an equal shot at the ultimate quintet. My Oscar Prediction posts will continue…
Will & Harper seems to be quite a crowd favorite at Sundance. The documentary follows Will Ferrell and best friend Harper Steele on a road trip following Harper’s recent gender transition. Josh Greenbaum, who made Barb and Star Go to Vista Del Mar and Strays, chronicles the journey.
Not all the reviews are raves, but it does have a 100% RT score. Obviously Ferrell’s star power and the subject matter could result in lots of eyeballs on this doc. It should be scooped by a streamer or studio in short order and there’s already rumors it might land the largest doc deal in Sundance history.
Just because this appears bound to be one of the highest profile pics in its genre doesn’t mean it’ll generate awards attention. Yet if viewers respond the way the Park City group is (multiple standing O’s), it could be in the conversation. My Oscar Prediction posts will continue…
The most positive reviews of Freaky Tales, which has screened at Sundance, indicate it might be more at home coming in a VHS box. Called a love letter to the 80s era it is set in and to the city of Oakland, Anna Boden and Ryan Fleck (the team behind Half Nelson and Captain Marvel) direct the action drama depicting four connected stories. The cast includes Pedro Pascal, Jay Ellis, Normani, Dominique Thorne, Ben Mendelsohn, Ji-young Yoo, Jack Champion, and the late Angus Cloud. Fun fact: Too Short, famed Oakland rapper, narrates.
Critics extolling its virtues and shortfalls bring up Pulp Fiction and Tarantino. Yet unlike that 30-year-old classic, reaction is mixed with a 71% Rotten Tomatoes score. And unlike Fiction, it is likely a fact that Freaky Tales won’t be an awards contender. My Oscar Prediction posts will continue…
Kingsman maker Matthew Vaughn appears to be in his comfort zone with Argylle, out February 2nd. The spy action comedy comes with a reported $200 million budget and hopes to spawn a trilogy. Henry Cavill, Bryce Dallas Howard, Sam Rockwell, Bryan Cranston, Catherine O’Hara, Dua Lipa, Ariana DeBose, John Cena, and Samuel L. Jackson fill out the eclectic cast. There’s even a Taylor Swift connection (sort of). Swifties speculated that the film’s author character (played by Howard) might in fact be the superstar/Chiefs fan, but Vaughn debunked the theory. Anytime Swift is in the mix, that means your movie is getting extra attention.
Argylle could also be helped by the dead zone that is the current box office landscape. There’s simply not much out there and this star-studded affair will be the highest profile option.
That said, I don’t think this will exceed expectations. Current forecasts have this in the high teens to low 20s and I think that sounds right. This means Argylle may need to rely on overseas grosses if it wants that trilogy.
A Real Pain is the second directorial feature from Jesse Eisenberg after When You Finish Saving the World. The dramedy about two cousins (Eisenberg and Kieran Culkin) on a Holocaust tour following their Grandma’s death could be a real contender next year. Searchlight Pictures apparently thinks so since it forked over $10 million for distribution rights after its Sundance premiere.
Reviews indicate this is a crowdpleaser that delicately balances tough subjects with humor. The RT score is 100%. Eisenberg, a Best Actor nominee in 2010 for The Social Network, could be in line for an Original Screenplay nod (that seems more likely than Director). Costars include Jennifer Grey (of Ferris Bueller and Dirty Dancing fame) and Will Sharpe. It could be Culkin (a freshly minted Emmy recipient for Succession) that garners acting attention in supporting. We usually see at least one Best Picture nominee start its journey in Park City (this year’s is Past Lives). A Real Pain is in contention. My Oscar Prediction posts will continue…
And they’re out! After a year of speculation, nominees for the 96th Academy Awards have been released. It was a morning where it felt weird that the 10 Best Picture contenders were relatively easy to project… and that it went according to script. However, the Academy’s picks veered off-script elsewhere as they always do.
I went 84 for 105 overall. Let’s walk through each race one by one with who got in, how I did, and some quick initial thoughts. As I have every year, I will do individual Case Of posts for the hopefuls in Picture, Director, and the four acting derbies. That will kick off very soon…
Picture
Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest
How I Did: 10/10
Oscar BP matches the PGA ten, as we all suspected. This was, frankly, one of the easiest lineups to project in years. That said, there was a sneaking suspicion that voters would surprise us with a sleeper pick or two. It didn’t materialize and Oppenheimer (leading the charge with 13 noms) is out front.
Director
Nominees: Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Justine Triet (Anatomy of a Fall)
How I Did: 4/5
Triet makes the cut over Greta Gerwig for Barbie. Now would be a good time to mention that Barbie underperformed. It was anticipated to land double digit noms and managed 8. Nolan is the favorite.
Actress
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Carey Mulligan (Maestro), Emma Stone (Poor Things)
How I Did: 4/5
Bening as Nyad jumps into the Actress pool instead of Margot Robbie as Barbie in another high profile omission for 2023’s biggest blockbuster. This should come down to Gladstone vs. Stone, but I wouldn’t completely discount a Hüller upset.
Actor
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
How I Did: 5/5
Leonardo DiCaprio in Killers of the Flower Moon seemed to lose steam in the last couple of weeks and that played out as I anticipated. Despite its 10 mentions, Killers had some significant misses this morning. As for those in contention, Giamatti vs. Murphy with Cooper as a potential spoiler.
Supporting Actress
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), America Ferrera (Barbie), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)
How I Did: 3/5
Blunt, Brooks, and Randolph all seemed safe and those last two slots were a bear to figure. Ferrera and Foster are in over Penelope Cruz (Ferrari) and Sandra Hüller (The Zone of Interest), who missed the chance to become the Academy’s 13th double acting nominee. Randolph will be tough to beat.
Supporting Actor
Nominees: Sterling K. Brown (American Fiction), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Mark Ruffalo (Poor Things)
How I Did: 5/5
I’ll pat myself on the back for this one since this was arguably as tricky as Supporting Actress. Downey Jr. is in the lead.
Original Screenplay
Nominees: Anatomy of a Fall, The Holdovers, Maestro, May December, Past Lives
How I Did: 4/5
Maestro (which had a good morning) over Saltburn (which came up empty-handed). I’d look for Holdovers to take this though Anatomy is a threat.
Adapted Screenplay
Nominees: American Fiction, Barbie, Oppenheimer, Poor Things, The Zone of Interest
How I Did: 4/5
In one of the more unexpected developments, Killers misses this in favor of Zone. This is a difficult race to project. I would say everything but Zone has a chance.
International Feature Film
Nominees: Io Capitano, Perfect Days, Society of the Snow, The Teachers’ Lounge, The Zone of Interest
How I Did: 3/5
Capitano and Lounge instead of Fallen Leaves and Tótem. Since Zone is the sole contender for BP, this is one of the simplest categories to call.
Animated Feature
Nominees: The Boy and the Heron, Elemental, Nimona, Robot Dreams, Spider-Man: Across the Spider-Verse
How I Did: 4/5
Dreams over Suzume as the animated race should come down to Heron and Spider-Man.
Documentary Feature
Nominees: Bobi Wine: The People’s President, The Eternal Memory, Four Daughters, To Kill a Tiger, 20 Days in Mariupol
How I Did: 3/5
This is always a tricky competition to figure out. Bobi and Tiger make the quintet over Beyond Utopia (a surprising miss) and Still: A Michael J. Fox Movie. Projecting the winner is easier as Mariupol is the odds on favorite.
Cinematography
Nominees: El Conde, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things
How I Did: 4/5
Conde over Zone of Interest as Oppenheimer looks to emerge.
Costume Design
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
How I Did: 4/5
Napoleon instead of The Color Purple (which can only claim 1 nomination for Supporting Actress). Barbie vs. Poor Things is the contest.
Film Editing
Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things
How I Did: 4/5
I thought Maestro might make it and left off Poor Things. Worth noting that this is another Barbie miss. Oppenheimer is the one to pick.
Makeup and Hairstyling
Nominees: Golda, Maestro, Oppenheimer, Poor Things, Society of the Snow
How I Did: 4/5
I had Killers and not Snow. This category represents Maestro‘s strongest shot at a victory.
Original Score
Nominees: American Fiction, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon, Oppenheimer, Poor Things
How I Did: 3/5
Fiction and Destiny over Society of the Snow and The Zone of Interest. Now would be a good time to mention that Fiction had a nice haul today with 5. This is Oppenheimer‘s to lose.
Original Song
Nominees: “The Fire Inside” from Flamin’ Hot, “I’m Just Ken” from Barbie, “It Never Went Away” from American Symphony, “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon, “What Was I Made For?” from Barbie
How I Did: 4/5
Despite missing Documentary Feature, the tune from American Symphony is nominated over “Road to Freedom” from Rustin. This category may represent Barbie‘s likeliest trophy as it has a double shot. “What Was I Made For?” has the edge. And, of course, “Flamin’ Hot” marks yet another nom for Diane Warren.
Production Design
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
How I Did: 5/5
Another Barbie vs. Poor Things derby.
Sound
Nominees: The Creator, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest
How I Did: 3/5
The Creator and Mission are unexpected double nominees. For Sound, they’re in over Ferrari (which was blanked) and Napoleon. This is one of the easiest ones to call… Oppenheimer.
Visual Effects
Nominees: The Creator, Godzilla Minus One, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon
How I Did: 3/5
Unlike Sound, this is one of the hardest categories to project. Mission and Napoleon make the five instead of Indiana Jones and the Dial of Destiny and Spider-Man: Across the Spider-Verse (which was held to just Animated Feature). Maybe The Creator is the pick, but I could easily change my mind.
All this activity means these movies ended up with these numbers of nominations:
13 Nominations
Oppenheimer
11 Nominations
Poor Things
10 Nominations
Killers of the Flower Moon
8 Nominations
Barbie
7 Nominations
Maestro
5 Nominations
American Fiction, Anatomy of a Fall, The Holdovers, The Zone of Interest
3 Nominations
Napoleon
2 Nominations
The Creator, Mission: Impossible – Dead Reckoning, Nyad, Past Lives, Society of the Snow
1 Nomination
American Symphony, Bobi Wine: The People’s President, The Boy and the Heron, The Color Purple, El Conde, Elemental, The Eternal Memory, Flamin’ Hot, Four Daughters, Godzilla Minus One, Golda, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, Io Capitano, May December, Nimona, Perfect Days, Robot Dreams, Rustin, Spider-Man: Across the Spider-Verse, The Teachers’ Lounge, To Kill a Tiger, 20 Days in Mariupol
Exhibiting Forgiveness marks the directorial debut of Titus Kaphar and it was unveiled at Sundance over the weekend. The family drama stars André Holland, John Earl Jelks, Andra Day, and Aunjanue Ellis-Taylor.
Sporting a 100% RT rating, Forgiveness could be a real contender in some top tier races a year from now. With the right campaign, Picture and Original Screenplay are feasible. Holland could be a factor in lead Actor. With acclaimed turns in Moonlight and Passing, it could be time for major awards exposure (he also has a potentially baity part in The Actor in 2024). Jelks also is generating praise for his supporting work. This is one to keep an eye on throughout the long upcoming season. My Oscar Prediction posts will continue…
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