The Thanksgiving box office gives us two high-profile releases mixed with the leftovers as Disney’s Wish and Ridley Scott’s Napoleon come out Wednesday. You can peruse my detailed prediction posts on the newcomers here:
The Mouse House certainly wishes that Wish was getting better reviews and word-of-mouth. That said, the studio should have no trouble nabbing the top spot over the holiday frame. I’ve got the three-day in the low 30s and five-day in the mid 40s.
Napoleon with Joaquin Phoenix as the military leader is also generating so-so buzz. It is a viable option for adults looking a Turkey Day frame trip to the multiplex. A high teens Friday to Sunday might leave it in fourth position with a five-day approaching $30 milion.
After a premiere in the lower end of its anticipated range, The Hunger Games: The Ballad of Songbirds & Snakes may ease 50-55% in its sophomore outing. That might mean a drop to third as Trolls Band Together should see a more meager slide (20-25%) in its second weekend and stay in the runner-up spot.
Eli Roth’s slasher Thanksgiving could capitalize on its name and have a smaller than normal decline for its genre. If it eases 40% or so, it should round out the high five as The Marvels might not make the top quintet (more on its poor performance below).
Here’s how I see it shaking out:
1. Wish
Predicted Gross: $32.2 million (Friday to Sunday); $46.4 million
2. Trolls Band Together
Predicted Gross: $22.6 million
3. The Hunger Games: The Ballad of Songbirds & Snakes
Predicted Gross: $2o.3 million
4. Napoleon
Predicted Gross: $18.2 million (Friday to Sunday); $28.5 million
5. Thanksgiving
Predicted Gross: $6.5 million
Box Office Results (November 17-19)
The Hunger Games: The Ballad of Songbirds & Snakes, as expected, ruled the charts like its predecessors. Yet it came in considerably below the four entries it prequels. While parts I-IV from 2012-15 all opened to more than $100 million, Ballad managed $44.6 million (a touch under my $48.3 million projection). It’s not a disaster considering the reported $100 million budget, but it’s definitely not a shining victory.
Trolls Band Together opened in second with a solid $30 million, surpassing my $26.7 million take. The DreamWorks Animated threequel should hold up well during the holiday season.
Thanksgiving cut a $10.3 million gross for third place as the fake trailer turned feature came in just behind my $11.4 million forecast. Not too shabby as the budget is listed at $12.6 million.
The Marvels fell from first to fourth with a disastrous second weekend after a disastrous first. The MCU bomb (first time you’ve ever heard it) plummeted 78% to $10.1 million. I was more kind at $15.6 million. With $64 million in the bank after 10 days, it’s questionable whether Captain Marvel and her friends even reach $100 million domestically.
Five Nights at Freddy’s rounded out the top five with $3.5 million (I said $4.5 million) to brings its four-week total to $132 million.
Finally, Taika Waititi’s oft-delayed sports dramedy Next Goal Wins couldn’t find an audience. It was 8th with $2.5 million compared to my $3.8 million prediction.
And that does it for now, folks! Have a great Thanksgiving!
Previously on the blog, I completed a series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!
Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.
This series will project the other five that I believe would’ve gotten in. I’ve already covered 2006-08 and you can peruse my posts on them here:
We do know half of the titles that would populate the ten. Those would be the ones that made the quintet 18 years back. During that 78th Oscar ceremony, Jack Nicholson made the surprise announcement that race relations drama Crash from Paul Haggis was the Best Picture winner. Of its seven total nominations, it also won Original Screenplay and Film Editing.
It stands as one of the bigger upsets in the Academy’s history as it took gold over the heavily favored Brokeback Mountain by Ang Lee. He won Director and the cowboy romance also received Adapted Screenplay and Original Score. The other three nominees: Bennett Miller’s Capote (for which Philip Seymour Hoffman took Best Actor), George Clooney’s Good Night, and Good Luck, and Steven Spielberg’s Munich.
2005 was the rare year where the Director nominees matched perfectly with BP so we can’t pluck out other movies from that competition. A look at the other categories do give us clues as to the other features that might’ve gotten in.
James Mangold’s Cash couple biopic Walk the Line landed Joaquin Phoenix a Best Actor nod and Reese Witherspoon the Actress statue. With a total of five mentions, a Golden Globe victory in the Musical/Comedy race, and a Critics Choice slot, it’s pretty safe to assume it makes the ten.
Same goes for The Constant Gardner from Fernando Meirelles. Rachel Weisz took Supporting Actress and it received three other noms in addition to Golden Globe and Critics Choice inclusions.
Another Critics Choicer nominee, Rob Marshall’s Memoirs of a Geisha got 6 tech nods and won 3 (Art Direction, Cinematography, Costume Design). I went back and forth on this one, but ultimately decided it probably makes the dance.
A fourth Critics Choice match goes to Ron Howard’s Cinderella Man. The boxing drama could be left off. It missed some key nods including Russell Crowe’s lead performance (Paul Giamatti was nominated for supporting) and screenplay. I think it might have just snuck in at the bottom of hopefuls.
With one picture left to plug in, there’s plenty of contenders. Hustle & Flow saw a surprise win (for Three 6 Mafia) in Original Song and Terrence Howard made the Actor five. Woody Allen’s Match Point had a sole nom in Original Screenplay, but made the Globes cut in Drama. Joe Wright’s Pride & Prejudice rendering saw Keira Knightley up in Actress in addition to three other mentions.
Ultimately my final choice came to this trio. Peter Jackson’s King Kong went 3 for 4 on its tech inclusions (Sound Editing, Sound Mixing, Visual Effects). However, it was generally considered a bit of a disappointment at the box office and with some critics. That said, I almost picked it.
Syriana by Stephen Gaghan gave George Clooney a Supporting Actor Oscar and was up for Original Screenplay. Yet it failed to see a Critics Choice or Globe BP nod. Nevertheless I almost picked it.
I chose to go with David Cronenberg’s A History of Violence. It received two noms for Supporting Actor (William Hurt) and Original Screenplay and was a critical darling. I went with the Academy honoring a work from the acclaimed director (especially since most of his efforts are far from Oscar friendly).
It has been a lengthy three weeks since my last Oscar predictions and there’s developments to discuss. One of the final major awards puzzle pieces held its first screenings this week in The Color Purple. The musical based on the play that is based on the movie that is based on the novel has drawn encouraging reactions thus far. In fact, they’re positive enough that I’m glad I’ve never dropped it from my ten BP nominees. And I suspect I’ve made the right call in keeping Danielle Brooks placed at #1 in Supporting Actress for quite some time. Same goes for Taraji P. Henson getting recognized in that category. I also think Fantasia Barrino’s lead performance is a decent (if not slam dunk pick) for the crowded Best Actress race and that Colman Domingo could materialize in Supporting Actor. He may miss the cut and get the sole nod in Actor for Rustin (though the double nominee threat is real). Barrino joins my projected quintet in Actress with Greta Lee (Past Lives) falling by the wayside.
A24 has also screened true life wrestling drama The Iron Claw before its December 22nd bow. Word-of-mouth is also strong for this one. Yet I wonder if A24 will go all in on their campaign. If so, a BP nod is not totally out of the question. It’s listed in my top 15, but at the moment I believe it’s on the outside looking in and I have it listed nowhere else as a possibility.
Napoleon falls out of BP contention due to mixed reaction as does Joaquin Phoenix in Best Actor. Ridley Scott’s epic could still show up in some tech races. Another Thanksgiving release lessened its chances this week in Disney’s Wish. The animated musical also is garnering so-so buzz. The fact that it’s a Mouse House production could mean it makes the Animated Feature cut. For now, it moves out of the high five.
While it has been a little while since my previous update, Picture, Director, and Supporting Actor have the same nominees (albeit with some movement in the rankings). In Actor, Colman Domingo as Rustin is back in over Jeffrey Wright (American Fiction). Sandra Hüller becomes my rare double contender prediction as I now have her in Supporting Actress (taking out Viola Davis in Air).
You can read all the movement below!
Best Picture
Predicted Nominees:
1. Oppenheimer (Previous Ranking: 1) (E)
2. Killers of the Flower Moon (PR: 2) (E)
3. Poor Things (PR: 3) (E)
4. Barbie (PR: 4) (E)
5. The Holdovers (PR: 6) (+1)
6. The Color Purple (PR: 8) (+2)
7. Maestro (PR: 5) (-2)
8. The Zone of Interest (PR: 9) (+1)
9. Past Lives (PR: 7) (-2)
10. American Fiction (PR: 10) (E)
Other Possibilities:
11. Anatomy of a Fall (PR: 11) (E)
12. Air (PR: 12) (E)
13. Spider-Man: Across the Spider-Verse (PR: 14) (+1)
14. Saltburn (PR: 15) (+1)
15. The Iron Claw (PR: Not Ranked)
Dropped Out:
Napoleon
Best Director
Predicted Nominees:
1. Christopher Nolan, Oppenheimer (PR: 1) (E)
2. Martin Scorsese, Killers of the Flower Moon (PR: 2) (E)
3. Yorgos Lanthimos, Poor Things (PR: 3) (E)
4. Greta Gerwig, Barbie (PR: 4) (E)
5. Jonathan Glazer, The Zone of Interest (PR: 5) (E)
Other Possibilities:
6. Alexander Payne, The Holdovers (PR: 6) (E)
7. Bradley Cooper, Maestro (PR: 8) (+1)
8. Justine Triet, Anatomy of a Fall (PR: 7) (-1)
9. Blitz Bazawule, The Color Purple (PR: 10) (+1)
10. Celine Song, Past Lives (PR: 9) (-1)
Best Actress
Predicted Nominees:
1. Emma Stone, Poor Things (PR: 1) (E)
2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)
3. Carey Mulligan, Maestro (PR: 3) (E)
4. Sandra Hüller, Anatomy of a Fall (PR: 4) (E)
5. Fantasia Barrino, The Color Purple (PR: 8) (+3)
Other Possibilities:
6. Margot Robbie, Barbie (PR: 6) (E)
7. Cailee Spaeny, Priscilla (PR: 7) (E)
8. Annette Bening, Nyad (PR: 9) (+1)
9. Greta Lee, Past Lives (PR: 5) (-4)
10. Natalie Portman, May December (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Bradley Cooper, Maestro (PR: 1) (E)
2. Cillian Murphy, Oppenheimer (PR: 2) (E)
3. Leonardo DiCaprio, Killers of the Flower Moon (PR: 3) (E)
4. Colman Domingo, Rustin (PR: 6) (+2)
5. Paul Giamatti, The Holdovers (PR: 4) (-1)
Other Possibilities:
6. Jeffrey Wright, American Fiction (PR: 5) (-1)
7. Andrew Scott, All of Us Strangers (PR: 7) (E)
8. Barry Keoghan, Saltburn (PR: 8) (E)
9. Teo Yoo, Past Lives (PR: 10) (+1)
10. Koji Yakusho, Perfect Days (PR: Not Ranked)
Dropped Out:
Joaquin Phoenix, Napoleon
Best Supporting Actress
Predicted Nominees:
1. Danielle Brooks, The Color Purple (PR: 1) (E)
2. Da’Vine Joy Randolph, The Holdovers (PR: 2) (E)
3. Taraji P. Henson, The Color Purple (PR: 4) (+1)
4. Emily Blunt, Oppenheimer (PR: 3) (-1)
5. Sandra Hüller, The Zone of Interest (PR: 10) (+5)
Other Possibilities:
6. Jodie Foster, Nyad (PR: 8) (+2)
7. Julianne Moore, May December (PR: 7) (E)
8. Viola Davis, Air (PR: 5) (-3)
9. Penelope Cruz, Ferrari (PR: 6) (-3)
10. Rachel McAdams, Are You There God? It’s Me, Margaret (PR: 9) (-1)
Best Supporting Actor
Predicted Nominees:
1. Robert Downey Jr., Oppenheimer (PR: 1) (E)
2. Ryan Gosling, Barbie (PR: 2) (E)
3. Robert De Niro, Killers of the Flower Moon (PR: 3) (E)
4. Mark Ruffalo, Poor Things (PR: 4) (E)
5. Charles Melton, May December (PR: 5) (E)
Other Possibilities:
6. Colman Domingo, The Color Purple (PR: 8) (+2)
7. Willem Dafoe, Poor Things (PR: 6) (-1)
8. Dominic Sessa, The Holdovers (PR: 7) (-1)
9. John Magaro, Past Lives (PR: 10) (+1)
10. Glenn Howerton, BlackBerry (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Barbie (PR: 1) (E)
2. The Holdovers (PR: 2) (E)
3. Past Lives (PR: 3) (E)
4. Anatomy of a Fall (PR: 4) (E)
5. May December (PR: 7) (+2)
Other Possibilities:
6. Maestro (PR: 6) (E)
7. Air (PR: 5) (-2)
8. Saltburn (PR: 8) (E)
9. Fair Play (PR: 10) (+1)
10. Asteroid City (PR: 9) (-1)
Best Adapted Screenplay
Predicted Nominees:
1. Killers of the Flower Moon (PR: 1) (E)
2. Poor Things (PR: 2) (E)
3. Oppenheimer (PR: 3) (E)
4. American Fiction (PR: 4) (E)
5. The Zone of Interest (PR: 6) (+1)
Other Possibilities:
6. All of Us Strangers (PR: 5) (-1)
7. The Color Purple (PR: 7) (E)
8. Are You There God? It’s Me, Margaret (PR: 9) (+1)
9. The Taste of Things (PR: 8) (-1)
10. Spider-Man: Across the Spider-Verse (PR: Not Ranked)
Dropped Out:
Priscilla
Best International Feature Film
Predicted Nominees:
1. The Zone of Interest (PR: 1) (E)
2. The Taste of Things (PR: 2) (E)
3. Perfect Days (PR: 3) (E)
4. The Teachers’ Lounge (PR: 4) (E)
5. Fallen Leaves (PR: 5 (E)
Other Possibilities:
6. Society of the Snow (PR: 6) (E)
7. About Dry Grasses (PR: 7) (E)
8. The Promised Land (PR: 9) (+1)
9. The Monk and the Gun (PR: 10) (+1)
10. The Peasants (PR: 8) (-2)
Best Animated Feature Film
Predicted Nominees:
1. Spider-Man: Across the Spider-Verse (PR: 1) (E)
6. Spider-Man: Across the Spider-Verse (PR: 10) (+4)
7. The Zone of Interest (PR: 6) (-1)
8. The Killer (PR: 9) (+1)
9. The Boy and the Heron (PR: Not Ranked)
10. Carmen (PR: 7) (-3)
Dropped Out:
Asteroid City
Best Original Song
Predicted Nominees:
1. “What Was I Made For?” from Barbie (PR: 2) (+1)
2. “I’m Just Ken” from Barbie (PR: 4) (+2)
3. “Road to Freedom” from Rustin (PR: 5) (+2)
4. “Quiet Eyes” from Past Lives (PR: 6) (+2)
5. “Keep It Movin” from The Color Purple (PR: 1) (-4) – **previously listed at #1 as TBD song
Other Possibilities:
6. “Gonna Be You” from 80 for Brady (PR: 9) (+3)
7. “This Wish” from Wish (PR: 3) (-4)
8. “Joan Still” from Theater Camp (PR: 7) (-1)
9. “Dance the Night” from Barbie (PR: 8) (-1)
10. “Meet in the Middle” from Flora and Son (PR: Not Ranked)
Dropped Out:
“Steal the Show” from Elemental
Best Production Design
Predicted Nominees:
1. Barbie (PR: 2) (+1)
2. Poor Things (PR: 1) (-1)
3. Killers of the Flower Moon (PR: 3) (E)
4. Napoleon (PR: 7) (+3)
5. The Color Purple (PR: 4) (-1)
Other Possibilities:
6. Asteroid City (PR: 5) (-1)
7. Oppenheimer (PR: 6) (-1)
8. Maestro (PR: 8) (E)
9. The Zone of Interest (PR: 10) (+1)
10. Saltburn (PR: 9) (-1)
Best Sound
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. The Color Purple (PR: 4) (+2)
3. Maestro (PR: 7) (+4)
4. The Killer (PR: 9) (+5)
5. Ferrari (PR: 3) (-2)
Other Possibilities:
6. Napoleon (PR: 2) (-4)
7. Killers of the Flower Moon (PR: 6) (-1)
8. Spider-Man: Across the Spider-Verse (PR: 5) (-3)
9. The Zone of Interest (PR: 8) (-1)
10. Barbie (PR: Not Ranked)
Dropped Out:
The Creator
Best Visual Effects
Predicted Nominees:
1. Oppenheimer (PR: 1) (E)
2. The Creator (PR: 2) (E)
3. Guardians of the Galaxy Vol. 3 (PR: 4) (+1)
4. Poor Things (PR: 3) (-1)
5. Rebel Moon – Part One: A Child of Fire (PR: 7) (+2)
Other Possibilities:
6. Dungeons & Dragons: Honor Among Thieves (PR: 6) (E)
7. Indiana Jones and the Dial of Destiny (PR: 8) (+1)
8. Napoleon (PR: 5) (-3)
9. Killers of the Flower Moon (PR: 10) (+1)
10. Wonka (PR: 9) (-1)
That adds up to these pictures generating these numbers of nominations:
12 Nominations
Poor Things
11 Nominations
Killers of the Flower Moon, Oppenheimer
9 Nominations
Barbie, The Color Purple
6 Nominations
Maestro
5 Nominations
The Holdovers, The Zone of Interest
4 Nominations
Past Lives
2 Nominations
American Fiction, Anatomy of a Fall, Elemental, Guardians of the Galaxy Vol. 3, May December, Priscilla, Rustin
1 Nomination
20 Days in Mariupol, Air, Beyond Utopia, The Boy and the Heron, The Creator, Fallen Leaves, Ferrari, Four Daughters, The Killer, Napoleon, Nimona, The Peasants, Perfect Days, Rebel Moon – Part One: A Child of Fire, Spider-Man: Across the Spider-Verse, Stamped from the Beginning, Still: A Michael J. Fox Movie, The Teachers’ Lounge
In 2023, Disney finds itself in the rather rare position of not having a Best Animated Feature frontrunner at the Oscars. The category started in 2001 and 15 of the 22 previous winners have been released by the Mouse House. This summer’s Elemental got decent enough reviews that it probably has a spot in the eventual five nominees.
I’m not sure the same can be said for Wish. The musical from directors Chris Buck and Fawn Veerasunthorn and featuring the voices of West Side Story gold statue recipient Ariana DeBose and Chris Pine comes out over the Thanksgiving holiday. With its review embargo lifted, the Tomato meter is at only 62%. That is certainly below most Disney animated offerings and it brings awards viability into question.
In my view, Elemental (a bit fresher at 74%) is behind Spider-Man: Across the Spider-Verse (definitely the favorite) and The Boy and the Heron. I still think it gets in. That leaves two spots. Wish will need to compete with Teenage Mutant Ninja Turtles: Mutant Mayhem, Chicken Run: Dawn of the Nugget, Nimona, and The Peasants to make the cut. Its legendary studio will need to work their campaigning magic to have two competitors in the race.
Wish may have a slightly better shot at Original Song with DeBose singing “This Wish”. Yet it’s quite possible that Wish could be granted zero nominations. My Oscar Prediction posts will continue…
After two decades plus, Ridley Scott reunites with Gladiator thespian Joaquin Phoenix in Napoleon. It rolls out November 22nd over the long holiday weekend. The historical epic about the legendary French commander costars Vanessa Kirby and Tahar Rahim. The Apple TV production is exclusive to theaters.
Once seen as an Oscar hopeful, the review embargo pretty much shut that down (save for perhaps some tech nods) as it stands at 61% on Rotten Tomatoes. With reactions all over the map (including a few which say it works best as a comedy), Napoleon will attempt to stand apart as an option for adults looking for Thanksgiving entertainment.
That strategy could mean a three-day gross in the high teens to low 20s as it hopes for $30 million or higher from Wednesday to Sunday. I’ll put Napoleon just short of that and certainly stronger than Scott’s 2021 box office bomb The Last Duel.
Napoleon opening weekend prediction: $18.2 million (Friday to Sunday); $28.5 million (Wednesday to Sunday)
Blogger’s Update (11/20): Middling reviews have led to a downgrade in my estimate to low 30s for the three-day and mid 40s for the five.
Disney seeks a return to a Thanksgiving tradition by having an animated offering in the top spot with the release of Wish on November 22nd. Chris Buck (who co-helmed the Frozen features) and Fawn Veerasunthorn direct with a voice cast including Ariana DeBose, Chris Pine, Alan Tudyk, Angelique Cabral, Victor Garber, Harvey Guillén, Evan Peters, Ramy Youssef, and Jon Rudnitsky.
The musical fantasy would love to replicate the performance of the Frozen entries, but would certainly settle for the earnings of pre-COVID Turkey weekend offerings. In 2016, Moana opened to $56 million from Friday to Monday and $82 million when counting Wednesday and Thursday of the holiday frame. Coco in 2017 started off with $50 million over the three-day and $72 million for the five-day. In 2018, Ralph Breaks the Internet took in $56 million from Friday to Monday and $84 million over the extended holiday.
On the other hand, the Mouse House wants to avoid a Good Dinosaur level performance from 2015. It made $39 million for the three-day and $55 million with the extras.
My hunch is that Wish is granted a performance closest to Coco levels while not quite reaching those figures. I’ll project a mid to high 40s output over the regular weekend and mid to high 60s when factoring in those extra days when kiddos are out of school.
Wish opening weekend prediction: $32.2 million (Friday to Monday); $46.4 million (Wednesday to Sunday)
Ridley Scott’s 2000 epic Gladiator was named Best Picture and costar Joaquin Phoenix nabbed his first Oscar nomination for Supporting Actor (he’d eventually get three more mentions and win for Joker). The duo have reunited for Napoleon (out November 22nd). Awards history repeating itself will be a tall order.
The review embargo is lifted with a current Tomatoes meter of 82%. While that’s decent, it’s currently under the 85% of Scott’s 2021 The Last Duel and that failed to attract any attention from the Academy. Scott’s biopic may suffer the same fate. One unexpected development? The number of critics saying it kind of works as a comedy.
Best Actor is probably too crowded for Phoenix to rise and I doubt costar Vanessa Kirby will be a factor in Supporting Actress. Tech nods could come with Production Design being the likeliest opportunity (Sound, Visual Effects, and Costume Design are also feasible). It could also go the way of Duel and come up empty-handed. My Oscar Prediction posts will continue…
Documentarian Roger Ross Williams is already an Oscar winner for his short film Music by Prudence (for which he became the first African-American filmmaker to receive an Academy Award). His 2016 feature-length doc Life, Animated make the quintet in its longer form category and Williams hopes for a return to show with Stamped from the Beginning.
It’s based on the 2016 book by Ibram X. Kendi (subtitled The Definitive History of Racist Ideas in America). Out on Netflix last Friday, it played the Toronto Film Festival in September to solid notices. The Rotten Tomatoes score is 100%. Stamped was up for Best Feature and for Historical Documentary at the Critics Choice Documentary Awards over the weekend and went 0 for 2.
Despite the perfect meter, there are other docs with even stronger reviews. Yet I’ve had Stamped marked for a nomination in my recent predictions. Don’t be surprised if it makes the shortlist and eventual cut. My Oscar Prediction posts will continue…
On November 29th, Matthew Heineman’s documentary American Symphony plays on Netflix after being on the festival circuit beginning at Telluride. It recounts a year in the life of Grammy winning musician Jon Batiste and family.
Heineman is no stranger to awards hopefuls in the genre. 2015’s Cartel Land made the quintet of nominees. 2021’s The First Wave and last year’s Retrograde were discussed for attention and was up in other precursors though each failed to make the Academy cut.
Symphony is at 88% on Rotten Tomatoes and scored six Critics Choice nods at their ceremony over the weekend honoring true life works. It won two with Best Music Documentary and Score (losing the main prize to Still: A Michael J. Fox Movie).
Drawing a correlation between Critics Choice and the Academy is risky. As I’ve discussed numerous times, the doc branch of voters at the big ceremony are unpredictable. Symphony stands an excellent shot at making the eventual quintet, but it’s gotta make the shortlist first and surprises seem to occur there every year when revealed. My Oscar Prediction posts will continue…
A quartet of new titles enter the pre-Thanksgiving frame marketplace with prequel The Hunger Games: The Ballad of Songbirds & Snakes expected to lead the way and DreamWorks Animation’s threequel Trolls Band Together in the runner-up spot. We also have Eli Roth’s slasher flick Thanksgiving and Taika Waititi’s sports dramedy Next Goal Wins out. You can peruse my detailed prediction posts on them here:
All four Hunger Games titles (released from 2012-15) debuted to over $100 million, but that streak is sure to end with Songbirds. It may only fly to around $50 million and I’ve got it achieving just a smidge under that.
Barring a significant Hunger underperformance, Trolls should settle for #2 in the mid 20s as it hopes to leg out impressively in future holiday weekends.
The Marvels experienced a historically low start for an MCU offering (more on that below). With a weak B Cinemascore grade, it could be headed for a catastrophic fall in the mid 60s or more in its sophomore frame (similar to The Flash this summer). That’s not the comparison it wanted and it likely means a third place showing.
I’ll say Thanksgiving carves up a little over $10 million and that would put it in fourth. The news is bleaker for the frequently delayed Next Goal Wins as it failed to generate awards buzz on the fest circuit and seems to have little heat attached to it. I’m putting it in sixth behind Five Nights at Freddy’s in weekend #4.
Here’s how I see it shaking out:
1. The Hunger Games: The Ballad of Songbirds & Snakes
Predicted Gross: $48.3 million
2. Trolls Band Together
Predicted Gross: $26.7 million
3. The Marvels
Predicted Gross: $15.6 million
4. Thanksgiving
Predicted Gross: $11.4 million
5. Five Nights at Freddy’s
Predicted Gross: $4.5 million
6. Next Goal Wins
Predicted Gross: $3.8 million
Box Office Results (November 10-12)
It was indeed the worst of times for the Marvel Cinematic Universe as The Marvels had the lowest debut of all 33 franchise entries dating back to the summer of 2008. Captain Marvel and team made off with a mere $46.1 million, right on pace with my $46.3 million (my projection kept dwindling in the week leading up to its premiere). That’s the worst MCU kickoff by a pretty wide margin as the previous record was held by 2008’s The Incredible Hulk at $55 million. A series that once seemed indestructible is no longer as comic book movies have had a tough 2023 in multiplexes. As mentioned, the B Cinemascore indicates crowds aren’t digging the product.
Five Nights at Freddy’s, after two weeks atop the charts, was second with $8.9 million (a bit ahead of my $7.4 million take). The three-week tally is up to $127 million.
Taylor Swift: The Eras Tour was third with $6 million as took a heftier drop (over 50%) that I figured in its fifth weekend. The record setting concert pic total is $172 million.
In a surprising development, Priscilla was fourth in its sophomore go-round. The biopic increased its theater count and fell only 5% to $4.7 million for $12 million overall. I incorrectly had it outside the top five.
Killers of the Flower Moon was fifth with $4.5 million in weekend four. My guess? $4.5 million for $59 million in the bank.
The Holdovers expanded to nearly 800 screens and the Oscar hopeful made $3.2 million for sixth (I said $3 million).
Finally, faith-based musical Journey to Bethlehem got off to a rougher journey than I forecasted. It was seventh with $2.4 million and I thought it would double that figure with $4.8 million.
All My Life... I Wanted To Be A Blogster 