Month: September 2023

September 15-17 Box Office Predictions

Sequel heavy September chugs along this weekend as Kenneth Branagh’s A Haunting in Venice continues his Hercule Poirot series and seeks a #1 start. You can peruse my detailed prediction post on it here:

A Haunting in Venice Box Office Prediction

The follow-up to 2017’s Murder on the Orient Express and last year’s Death on the Nile is actually receiving some of the best reviews of the trio. I suspect it may manage to top what Nile did while only reaching about half of what Express grossed out of the gate.

After a solid if unspectacular start, The Nun II may see a high 60s plummet that’s fairly normal for its genre. That would mean a second place showing barely in the double digits.

Holdover threequels The Equalizer 3 and My Big Fat Greek Wedding 3 will likely populate the 3-4 slots with drops in the low to mid 40s while Barbie should round out the top five. I figure the year’s biggest hit will remain in the high five as I look for Jawan to have a hefty decline after its impressive premiere (more on that below).

Here’s how I envision that top five:

1. A Haunting in Venice

Predicted Gross: $14.6 million

2. The Nun II

Predicted Gross: $10.9 million

3. The Equalizer 3

Predicted Gross: $7 million

4. My Big Fat Greek Wedding 3

Predicted Gross: $5.9 million

5. Barbie

Predicted Gross: $3.6 million

Box Office Results (September 8-10)

The Nun II didn’t come anywhere near the franchise Conjuring Universe peak $53 million that its predecessor made in 2018. It still scared up a respectable $32.6 million, under my $38.7 million prognosis.

The Equalizer 3 tumbled in the mid 60s during its sophomore frame with $12 million, below my $15.4 million call. The two-week total is $61 million as it hopes to hit $100 million like parts 1 and 2. It’s a legit question mark as to whether it gets there.

My Big Fat Greek Wedding 3 debuted in line with my expectations with a meh $10 million (I said $10.3 million). That is slightly better than other estimates though it’s well under the $16 million of part 2 from 2016.

Acclaimed Hindi action flick Jawan admittedly was not on my radar screen like it should’ve been. The $6.1 million haul put it in fourth place with the second strongest per theater average after The Nun II.

Barbie rounded out the top five with $5.7 million (I went with $6.4 million) as its eight week total rose to a massive $620 million.

I incorrectly had Blue Beetle in the top five, but it was sixth with $3.8 million. I was right on pace with $3.9 million. The DCU disappointment made $63 million in four weeks.

And that does it for now, folks! Until next time…

Oscar Predictions: One Life

One Life has had its world premiere at the Toronto Film Festival as it seeks one nomination in particular from awards voters. From director James Hawes, it stars Anthony Hopkins as the real-life rescuer of Jewish children before the atrocities of the Holocaust. Johnny Flynn plays the hunger version of his character with Helena Bonham Carter, Lena Olin, and Jonathan Pryce in the supporting cast.

Early reviews put it at 86% on Rotten Tomatoes. The stateside release date is TBD though it should be out by year’s end. The bulk of the reaction indicates this is not a BP contender. However, much praise is being heaped on Hopkins. This seems like the type of role that might be bait for the Academy.

As has been discussed in the past couple of weeks, the lead actor race is shaping up to be a barnburner. Surefire contenders (to name just five) include Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Bradley Cooper (Maestro), Colman Domingo (Rustin), and Paul Giamatti (The Holdovers). Had Hopkins not won Best Actor just three years ago for The Father (his second after 1991’s The Silence of the Lambs), I might list him with that quintet. As of now, he could get in but I think he’s on the outside. My Oscar Prediction posts will continue…

Oscar Predictions: Lee

Ellen Kuras is best known for her cinematography (including Eternal Sunshine of the Spotless Mind) and she makes her directorial debut with Lee. Kate Winslet stars in the true life tale of a model turned WWII war photographer. The supporting cast includes Alexander Skarsgård, Andrea Riseborough, Marion Cotillard, Josh O’Connor, Noémie Merlant, and Andy Samberg.

Reaction from its premiere at the Toronto Film Festival is mostly complimentary though not effusive. The Rotten Tomatoes meter is 75%. Winslet and surprisingly Samberg are getting the lions share of kudos. The only real awards play is Winslet, who would be gunning for nomination #8 (her sole Actress win came for 2008’s The Reader). She could make the cut, but the lead category is already packed. Winslet is already behind others like Emma Stone (Poor Things), Sandra Hüller (Anatomy of a Fall), and Carey Mulligan (Maestro) in my view. My Oscar Prediction posts will continue…

Oscar Predictions: Next Goal Wins

Taika Waititi’s Next Goal Wins is finally coming out. Seriously. After multiple COVID delays and other postponements (like reshooting Armie Hammer’s parts with Will Arnett), the true life sports dramedy hits theaters November 17th and has been unveiled at the Toronto Film Festival. Michael Fassbender stars as a down on his luck coach tasked with leading the winless American Samoa soccer squad. Oscar Kightley, Kaimana, David Fane, Rachel House, the aforementioned Arnett, Uli Latukefu, and Elisabeth Moss costar.

Four years ago, the director/writer’s Jojo Rabbit was an awards player with six Oscar nominations and a victory for Waititi in Adapted Screenplay. Goal is being called a crowd pleaser based on Canadian reaction. However, the reviews are mixed with 71% currently on Rotten Tomatoes. Based on a 2014 documentary, I doubt we’ll see Adapted Screenplay mentions this time or any other nominations for that matter. My Oscar Prediction posts will continue…

Oscar Predictions: Memory

No, I’m not rethinking my 2022 decision to forego an Oscar Predictions post on the Liam Neeson action flick Memory. This is the write-up for the same monikered Michel Franco drama that premiered at the Venice Film Festival. The somber drama is led by Jessica Chastain (2021’s Actress winner for The Eyes of Tammy Faye) and Peter Sarsgard with a supporting cast including Merritt Wever, Jessica Harper, Elsie Fisher, and Josh Charles.

The Rotten Tomatoes meter stands at 88% with critics particularly complimenting the performances of the two leads. The Italian fest jury took notice as Sarsgard received the Best Actor award.

Assuming this makes the domestic release calendar by year’s end (release date is still TBD), its distributor MUBI has their work cut for them to break Chastain and Sarsgard into the lead conversations. Some critics prize attention could help and I’m taking a wait and see attitude with Memory‘s prospects. My Oscar Prediction posts will continue…

Oscars 2023: The State of the Supporting Actress Race (September 10th)

My deeper dives into big races at the Oscars arrives at Supporting Actress. If you didn’t catch my take on where Supporting Actor, you can access it here:

Oscars 2023: The State of the Supporting Actor Race (September 7th)

The Telluride and Venice and ongoing Toronto Film Festivals have helped shed some light on various hopefuls. Penelope Cruz helped herself with the Ferrari bow in Venice. Jodie Comer could be a factor for The Bikeriders (though she could also be campaigned for in lead).

One thing remains the same and has since Cannes. Lily Gladstone’s performance in Martin Scorsese’s Killers of the Flower Moon looks like a serious frontrunner. Obviously this could change as more pictures screen. The Color Purple, for example, has plenty of possibilities (Danielle Brooks, Taraji P. Henson, Halle Bailey).

We have gotten some news during festival season in that Sandra Hüller will be showcased here for The Zone of Interest. However, she’s more likely to make the Actress cut for Anatomy of a Fall.

At this stage of the predicting game, I’m shortening my possible nominees from 15 to 10. Here’s my snapshot of where I believe we are now:

Predicted Nominees:

1. Lily Gladstone, Killers of the Flower Moon (Previous Ranking: 1) (Even)

2. Danielle Brooks, The Color Purple (PR: 2) (E)

3. Taraji P. Henson, The Color Purple (PR: 3) (E)

4. Da’Vine Joy Randolph, The Holdovers (PR: 6) (+2)

5. Emily Blunt, Oppenheimer (PR: 4) (-1)

Other Possibilities:

6. Viola Davis, Air (PR: 5) (-1)

7. Penelope Cruz, Ferrari (PR: 12) (+5)

8. Jodie Foster, Nyad (PR: 10) (+2)

9. Julianne Moore, May December (PR: 8) (-1)

10. Jodie Comer, The Bikeriders (PR: Not Ranked)

Dropped Out:

Rosamund Pike, Saltburn

Aunjanue Ellis-Taylor, The Nickel Boys

Helena Bonham-Carter, One Life

Claire Foy, All of Us Strangers

Vanessa Kirby, Napoleon

Niecy Nash-Betts, Origin

Best Actor is up next!

Oscar Predictions: A Haunting in Venice

Nearly half a century ago, Sidney Lumet’s cinematic adaptation of Agatha Christie’s Murder on the Orient Express tracked down six nominations. This included a Supporting Actress victory for Ingrid Bergman.

Kenneth Branagh’s 2017 version of the mystery found decent box office success and a Production Design nom at Critics Choice. Academy voters didn’t honor it anywhere and the same holds true for follow-up Death on the Nile from last year.

The third feature in the series is A Haunting in Venice (out September 15th), based on Christie’s Hallowe’en Party. Kyle Allen, Camille Cottin, Jamie Dornan, Tina Fey, Jude Hill, Ali Khan, Emma Laird, Kelly Reilly, Riccardo Scamarcio, Michelle Yeoh, and Branagh’s Hercule Poirot make up the cast. With more horror elements than the previous pics, it hopes to scare up decent business. With the review embargo lifted, it holds the best Rotten Tomatoes score among the trio. Orient‘s is 61%, Nile is similar with 62%, and Haunting is posting 81% at this early stage (of course it could go down when more reaction comes in).

That said, Production Design and Costume Design are really the only feasible inclusions. I deduce the Academy will look to others for their final five. My Oscar Prediction posts will continue…

Venice Enriches Poor Things

The 80th Venice Film Festival has signed off and the Grand Jury’s verdict has honored what’s expected to be a major awards player. From 2017-2020, the four films that took the Golden Lion (the fest’s top prize) went onto receive Best Picture nominations at the Oscars: The Shape of Water (which won), Roma, Joker, and Nomadland (another victor). 2021 French pic Happening and 2022’s documentary All the Beauty and the Bloodshed bucked the trend.

Yet I would suspect the correlation between Lion and BP nominee returns in 2023 as Yorgos Lanthimos’s Poor Things is the Lion recipient. Based on reaction from Italy, Things established itself as a major contender across many categories and this assists in cementing that. Expect to read lots about this movie in my prediction posts in the weeks and months ahead.

Venice likes to spread the wealth around. Poor Things didn’t take the directing or screenplay categories or name Emma Stone as Best Actress. Instead that statue went to Cailee Spaeny as Elvis’s young bride Priscilla in Sofia Coppola’s biopic. This does nothing but help Spaeney’s chances in what appears to be an already crowded Actress derby.

Peter Sarsgard is your Best Actor for Michael Franco’s Memory (he and Jessica Chastain are drawing raves for their work). Its distributor would need to mount a shrewd campaign for Academy voters to take notice.

The fest’s runner-up trophy (the Grand Jury Prize) went to Ryusuke Hamaguchi’s Evil Does Not Exist. Japan recently opted to select Perfect Days from Wim Wenders as their International Feature Film hopeful. Best Screenplay went to El Conde from Pablo Larrain, which will likely be Chile’s best best for IFF inclusion.

Poor Things was the odds on favorite for the Lion as Venice rolled along. Look for it to roar as the season continues.

Oscar Predictions: Dumb Money

Craig Gillespie’s Dumb Money is one of the higher profile debuts at the Toronto Film Festival. It recounts 2021’s life is stranger than fiction tale of stock manipulation causing GameStop to become the #1 financial property. Paul Dano, Pete Davidson, Vincent D’Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Sebastian Stan, Shailene Woodley, and Seth Rogen star.

The trailer and subject matter hinted we were entering The Big Short territory. That 2015 similarly themed pic netted 5 Academy nods, including Best Picture and a victory in Adapted Screenplay. Dumb sits at 86% on Rotten Tomatoes based on Ontario reactions. I wouldn’t completely discount it resonating with awards voters. However, I suspect Adapted Screenplay might be the only race where it has a shot of getting in (despite kudos for Davidson and Ferrera in particular for their supporting parts). In other words, anticipate it falling short of The Big Short. My Oscar Prediction posts will continue…

Oscar Predictions: The Boy and the Heron

Japanese animation master Hayao Miyazaki is a legendary figure in his field and the 82-year-old announced his retirement a decade ago with The Wind Rises. He even picked up an honorary Academy Award in 2014 based on his body of work which includes classics like My Neighbor Totoro, Kiki’s Delivery Service, and Princess Mononoke.

The Best Animated Feature race at the Oscars didn’t begin until 2001 so those aforementioned titles weren’t in the mix. In 2002, Miyazaki’s Spirited Away won the category’s second prize. Howl’s Moving Castle was nominated in 2005 and The Wind Rises contended in 2013 (the planned career capper losing to Frozen).

Retirement was interrupted by the filmmaker with The Boy and the Heron (titled How Do You Live? in Japan) and it is the premiere title at the Toronto Film Festival. The Studio Ghibli production came out in its native country in July and will be out domestically on December 8th.

Early stateside reviews, unsurprisingly, have resulted in a 100% Rotten Tomatoes score. Heron should absolutely nab a spot in the five hopefuls in the animated competition. However, don’t expect it to ever fly past the #2 position. That’s because box office behemoth and critical darling Spider-Man: Across the Spider-Verse remains firmly perched in first. My Oscar Prediction posts will continue…