Month: March 2023

FINAL Oscar Predictions: 95th Academy Awards

After nearly a year of speculation on the blog and the new podcast (look up Movies at the Speed of Speculation on your favorite pod platform, folks!), the time has come to make my final picks for the winners at the 95th Academy Awards. The ceremony comes our way Sunday night with Jimmy Kimmel hosting and here’s hoping the presenters are given the correct envelopes and that no one gets slapped.

For some context, here’s how I did in the previous four Oscars (note that there were 21 races through 2019 because the sound competitions were divided into Editing and Mixing until their combination).

2018: 14/21

2019: 18/21

2020: 13/20

2021: 17/20

Note that I seem to do better in the odd numbered years. That could repeat for 2022 as three of the four acting derbies are highly tricky to pick and there are other down-the-line competitions that could go in different directions. As for Picture, Director, Supporting Actor, Animated Feature, and International Feature Film… not so much.

Let’s go through them one by one and I’ll give you my winner and runner-up projection!

Best Picture

All Quiet on the Western Front, Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking

The tricky part isn’t picking the victor. It’s picking the runner-up. That’s because Everything has taken, well, nearly everything. PGA. DGA. WGA. SAG Ensemble. Critics Choice.

OK, so All Quiet received the BAFTA and The Fabelmans and The Banshees of Inisherin were your respective Drama and Musical/Comedy recipients at the Golden Globes. Yet the momentum has been with Everything for some time and it is the easy pick for the biggest prize of the night.

Given that a screenplay and acting statue are legitimately in play, Banshees has the strongest argument for a package of trophies that could include BP. It’s a distant runner-up.

Predicted Winner: Everything Everywhere All at Once

Runner-Up: The Banshees of Inisherin

Best Director

Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Ruben Östlund (Triangle of Sadness), Steven Spielberg (The Fabelmans)

I suppose the voters could go the Globe route and bestow their honor on the legendary Spielberg. Doubtful. Look for the Academy to match the DGA and Critics Choice selections of Dan Kwan and Daniel Scheinert.

Predicted Winner: Daniels (Everything Everywhere All at Once)

Runner-Up: Steven Spielberg, The Fabelmans

Best Actress

Cate Blanchett (Tár), Ana de Armas (Blonde), Andrea Riseborough (To Leslie), Michelle Williams (The Fabelmans), Michelle Yeoh (Everything Everywhere All at Once)

Now it gets tough. Blanchett’s towering work could be undeniable as it was to BAFTA and Critics Choice (similar to how Anthony Hopkins from The Father managed a win over Chadwick Boseman in Ma Rainey’s Black Bottom two years ago). The BP momentum and SAG could push Yeoh over the line. This is a coin flip and I’m siding with the momentum.

Predicted Winner: Michelle Yeoh, Everything Everywhere All at Once

Runner-Up: Cate Blanchett, Tár

Best Actor

Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Paul Mescal (Aftersun), Bill Nighy (Living)

A three-person race dwindled when Farrell lost the BAFTA. It went instead to Butler and he also won the Globe (over Fraser). SAG and Critics Choice went to Fraser. I have gone back and forth on this endlessly. If Fraser won, he would break a precedent of the victorious Actor’s movie being up for Best Picture. You have to go back to 2009 and Jeff Bridges (Crazy Heart) to find the last one whose film wasn’t in the BP lineup. I cannot stress enough that this is 50.5/49.5.

Predicted Winner: Austin Butler, Elvis

Runner-Up: Brendan Fraser, The Whale

Best Supporting Actress

Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)

Unlike Actress and Actor, this is between three nominees. Curtis surprisingly nabbed SAG while Bassett took Critics Choice and the Globe. Both are actresses whose wins could double as career achievement honors. I have a suspicion that the Academy may instead look at BAFTA winner Condon as their best opportunity to throw Banshees a bone.

Predicted Winner: Kerry Condon, The Banshees of Inisherin

Runner-Up: Angela Bassett, Black Panther: Wakanda Forever

Best Supporting Actor

Brendan Gleeson (The Banshees of Inisherin), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once)

Keoghan is the #2 since he unexpectedly won BAFTA. That said, this is the simplest acting race to project as Quan has won everything everywhere else.

Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once

Runner-Up: Barry Keoghan, The Banshees of Inisherin

Best Adapted Screenplay

All Quiet on the Western Front, Glass Onion: A Knives Out Mystery, Living, Top Gun: Maverick, Women Talking

If All Quiet over performs (and it might), it could emerge here. The smart money is on Sarah Polley and WGA honored script for Talking.

Predicted Winner: Women Talking

Runner-Up: All Quiet on the Western Front

Best Original Screenplay

The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness

Here’s another category where voters could single out Banshees. Still – I’m not going against the strong BP frontrunner.

Predicted Winner: Everything Everywhere All at Once

Runner-Up: The Banshees of Inisherin

Best Animated Feature

Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, The Sea Beast, Turning Red

del Toro’s version of the classic tale has taken all precursors that matter. This is one of the uncomplicated calls.

Predicted Winner: Guillermo del Toro’s Pinocchio

Runner-Up: Marcel the Shell with Shoes On

Best International Feature Film

All Quiet on the Western Front, Argentina, 1985, Close, EO, The Quiet Girl

This might even be more automatic than Animated Feature. As your lone BP contestant, All Quiet will make noise here.

Predicted Winner: All Quiet on the Western Front

Runner-Up: Argentina, 1985

Best Documentary Feature

All That Breathes, All the Beauty and the Bloodshed, Fire of Love, A House Made of Splinters, Navalny

Tough pick. Breathes and Beauty are viable. I’ve picked Fire of Love over Navalny twice in Critics Choice and PGA and missed both times. Not again.

Predicted Winner: Navalny

Runner-Up: Fire of Love

Best Cinematography

All Quiet on the Western Front, Bardo, Elvis, Empire of Light, Tár

When perceived favorite Top Gun: Maverick shockingly failed to make this quintet, the race opened up. Elvis could make history and have the first female winner in Mandy Walker. It’s tempting to pick her, but I’ll go with Quiet.

Predicted Winner: All Quiet on the Western Front

Runner-Up: Elvis

Best Costume Design

Babylon, Black Panther: Wakanda Forever, Elvis, Everything Everywhere All at Once, Mrs. Harris Goes to Paris

On the other hand, here’s one where Elvis could take the gold. I wouldn’t count out Panther or even Everything if its sweep branches into upsets.

Predicted Winner: Elvis

Runner-Up: Black Panther: Wakanda Forever

Best Film Editing

The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár, Top Gun: Maverick

Maverick is in the mix, but Everything should extend its haul.

Predicted Winner: Everything Everywhere All at Once

Runner-Up: Top Gun: Maverick

Best Makeup and Hairstyling

All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever, Elvis, The Whale

The Whale and Western are possible. I’m giving this one to The King, however.

Predicted Winner: Elvis

Runner-Up: The Whale

Best Original Score

All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans

This is one of the most open categories. I don’t see Banshees landing this. All 4 others are possible. Babylon or Western might be the smart pick, but this is the one true upset I’m selecting and projecting a Fabelmans/John Williams appreciation victory.

Predicted Winner: The Fabelmans

Runner-Up: Babylon

Best Original Song

“Tell It Like a Woman” from Applause, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR, “This Is a Life” from Everything Everywhere All at Once

I don’t believe this is cut and dry. The star power of Gaga and Rihanna or an Everything expansion everywhere could make it interesting. “Naatu Naatu” has dominated the precursors and I’m not going with two upsets in the musical competitions.

Predicted Winner: “Naatu Naatu” from RRR

Runner-Up: “Hold My Hand” from Top Gun: Maverick

Best Production Design

All Quiet on the Western Front, Avatar: The Way of Water, Babylon, Elvis, The Fabelmans

This is where Babylon should be Oscar winner Babylon though Elvis lurks.

Predicted Winner: Babylon

Runner-Up: Elvis

Best Sound

All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Elvis, Top Gun: Maverick

And this is where Top Gun: Maverick should get its Oscar. Yet I’m going with a minor upset pick with Western. That means I’m projecting Maverick ends up 0 for 6.

Predicted Winner: All Quiet on the Western Front

Runner-Up: Top Gun: Maverick

Best Visual Effects

All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick

No real Maverick shot in VE because Avatar is one of the automatic category picks.

Predicted Winner: Avatar: The Way of Water

Runner-Up: Top Gun: Maverick

That equates to these movies achieving these numbers of wins:

6 Wins

Everything Everywhere All at Once

3 Wins

All Quiet on the Western Front, Elvis

1 Win

Avatar: The Way of Water, Babylon, The Banshees of Inisherin, The Fabelmans, Guillermo del Toro’s Pinocchio, Navalny, RRR, Women Talking

I’ll have a recap up Sunday evening or Monday on the blog and the podcast!

March 10-12 Box Office Predictions

Ghostface terrorizes NYC in Scream VI, Adam Driver fights dinosaurs in 65, and Woody Harrelson is ordered to coach a basketball team with intellectual disabilities in Champions. They are the newcomers hitting screens this Friday and my detailed prediction posts on the trio can be accessed here:

Scream VI Box Office Prediction
65 Box Office Prediction
Champions Box Office Prediction

Just as Creed III smashed its franchise best record this past weekend (more on that below), Scream VI could be poised for the same. To do so, it would need to slash past the $34 million achieved by Scream 3 in 2000. I’m projecting it will do so with room to spare.

Creed III should fall to second in round 2. A mid to high 50s decline could give it a clean $25 million after its fantastic start.

65 appears likely for a third place start. Yet I’ve got the dino action pic barely topping $10 million. Considering its reported $90 million price tag, that would be a troubling premiere for the Sony property.

I’m not anticipating much out of Champions and my estimate ties it with the third frame of Jesus Revolution. That would mean holdovers Ant-Man and the Wasp: Quantumania and Cocaine Bear would be in a close contest for the four and five spots.

Here’s how I envision it looking:

1. Scream VI

Predicted Gross: $42.6 million

2. Creed III

Predicted Gross: $25 million

3. 65

Predicted Gross: $10.7 million

4. Ant-Man and the Wasp: Quantumania

Predicted Gross: $6.5 million

5. Cocaine Bear

Predicted Gross: $6.2 million

6. Jesus Revolution

Predicted Gross: $5.1 million

7. Champions

Predicted Gross: $5.1 million

Box Office Results (March 3-5)

The month of March began with a potent punch at multiplexes as Creed III amassed $58.3 million. I way lowballed it at $39.2 million. Marking the directorial debut of its star Michael B. Jordan, it easily outpaced its predecessors. For context – Creed II, over the five-day Thanksgiving frame in 2018, made $55 million. In a month filled with potential blockbusters, the return of Adonis a promising pace.

Ant-Man and the Wasp: Quantumania fell to second after two weeks on top with $12.8 million. I was more generous at $14.6 million. The 60% drop was another troubling development for the threequel. Its total is $187 million.

Cocaine Bear was third with $11.1 million in its sophomore outing compared to my $13.2 million take. The 52% decline isn’t too shabby for its genre as the ten-day tally is $41 million.

Demon Slayer: Kimetsu No Yaiba – To the Swordsmith Village started in line with expectations in fourth with $10.1 million. I was close with $9.8 million. Expect a hefty dip in the range of 70% or more coming up.

Jesus Revolution rounded out the top five in weekend #2 with $8.4 million. I had it raised higher at $11.3 million. The $30 million two-week gross remains rock solid.

Finally, Operation Fortune: Ruse de Guerre re-teaming Guy Ritchie and Jason Statham meekly rolled out in seventh with $3.1 million (I said $4 million).

And that does it for now, folks! Until next time…

Oscar Predictions: Inside

Inside opens in limited release on March 17th after premiering at the Berlin Film Festival last month. Marking the directorial debut of Vasilis Katsoupis, Willem Dafoe stars as an art thief who gets trapped in a penthouse that he’s attempting to rob. Eliza Stuyck and Gene Bervoets costar.

Early reviews are decent with a 77% Rotten Tomatoes thus far. However, the only real awards attention this would get is for its lead. Dafoe has vied for Academy consideration for three and a half decades and come up short four times. This includes three nods in Supporting Actor (1986’s Platoon, 2000’s Shadow of the Vampire, The Florida Project in 2017) and a sole lead nomination for 2018’s At Eternity’s Gate as Vincent Van Gogh. I’m sure Inside‘s character would love some original works of his.

For Inside, there’s some raves for his work. Yet I’m not sure this pic will still be on the radar of voters a few months down the line. He has, at best, an outside shot. Perhaps his appearance in Poor Things from The Favourite director Yorgos Lanthimos later this year will give him another shot. My Oscar Prediction posts will continue…

Whitney Houston: I Wanna Dance with Somebody Review

For a movie about The Voice, Whitney Houston: I Wanna Dance with Somebody strains to find its own. While undeniably long on title (in case you forgot who sang one of her signature bops), it’s sadly short on actual substance.

We first meet Ms. Houston (Naomi Ackie) in the church choir alongside mother Cissy (Tamara Tunie). She comes from notable musical lineage in that Cissy was a successful backup singer (who never quite broke out on her own) and Dionne Warwick is a first cousin. The pipes of Whitney are clearly a precious commodity as Cissy and business conscious and stern father John (Clarke Peters) prod her into the biz. Famed record exec Clive Davis (Stanley Tucci) takes Whitney under his wing and she rises to unheard of stardom for a female solo artist beginning in the mid 80s.

There are potential controversies immediately. Whitney’s romance with Robyn Crawford (Nafessa Williams) is jettisoned since it won’t match the girl next door image. While Robyn becomes her trusted assistant, Whitney’s (or Nippy as the family and close friends call her) entanglements are a frequent source of consternation. This briefly applies to Jermaine Jackson, but especially when her and R&B bad boy Bobby Brown (Ashton Sanders) get serious.

Jumping from career and personal highlights to lowlights, the screenplay from Andrew McCarten can feel as erratic as the title subject’s increasingly worrisome behavior. The writer penned Bohemian Rhapsody and it closely follows that hit pic’s playbook. It shows us the troubled aspects of the singer followed in quick succession by an iconic moment in their discography.

There are obviously lots of them in Houston’s orbit. From seven #1 hits in a row to her soaring rendition of the National Anthem at the Super Bowl to the cinematic and soundtrack phenomenon that was The Bodyguard, what’s disappointing is how glossed over and rushed they feel. For a feature with a two and half hour runtime (and you feel it), McCarten’s script never focuses on anything with more than a surface level “Behind the Music” energy.

Some of the same criticisms were deservedly pointed at Bohemian Rhapsody. I’d rank Rhapsody higher because its musical interludes like Wembley packed more of a stylistically directed punch. The behind the camera work from Kasi Lemmons never reaches that level.

As for the performances, Ackie doesn’t much resemble Whitney. Yet by the conclusion, she manages to embody her spirit in the performance pieces passably. Tucci is given a couple scenes to flesh out Davis’s character into a sympathetic figure (it probably doesn’t hurt that the actual Davis is a coproducer). Same goes for Tunie’s Cissy. Other roles are of the one-note variety like John’s scheming manager who forgets to be a father and Bobby’s constant companion who fails to be a good husband. Just as the family tries to ignore Robyn’s presence, the screenplay eventually does too.

The music itself occasionally saves the mediocrity of where this broken biopic goes. Sadly that’s not enough to save it. In other words, it’s often doesn’t feel right and it’s just OK.

** (out of four)

Oscars: The Case of Ke Huy Quan in Everything Everywhere All at Once

As the mild-mannered Waymond Wang, husband to Michelle Yeoh in Everything Everywhere All at Once, Ke Huy Quan is the final Supporting Actor entrant in my Case Of posts.

The Case for Ke Huy Quan:

It’s an Oscar storyline for the ages. Nearly 40 years ago, Quan was a child actor appearing in iconic blockbusters as Short Round in Indiana Jones and the Temple of Doom and Data in The Goonies. His career stalled shortly after and he quit acting altogether in the early 90s. After Crazy Rich Asians (featuring his costar Yeoh) hit it big in 2018, Quan decided to get back in the mix. Everything clicked and he’s emerged victorious at the Golden Globes, Critics Choice, and SAG.

The Case Against Ke Huy Quan:

Just when it looked like he was on his way to a sweep, BAFTA threw a curveball and honored Barry Keoghan (The Banshees of Inisherin). If Everything fails to capitalize on its frontrunner status in Best Picture and other races, it could hinder Quan.

Previous Nominations:

None

The Verdict:

Despite Keoghan’s victory at BAFTA, Quan appears destined for Academy glory next weekend. Of the four acting derbies, this is the easiest to project.

My Case Of posts (all 35 of them!) have concluded. Keep an eye on the blog and podcast (search Movies at the Speed of Speculation on Apple or other apps) for FINAL predictions coming your way on Wednesday, March 8th.

If you missed my earlier Supporting Actor write-ups, you can find them here:

Oscars: The Case of Brendan Gleeson in The Banshees of Inisherin
Oscars: The Case of Brian Tyree Henry in Causeway
Oscars: The Case of Judd Hirsch in The Fabelmans
Oscars: The Case of Barry Keoghan in The Banshees of Inisherin

Oscars: The Case of Stephanie Hsu in Everything Everywhere All at Once

Stephanie Hsu’s at turns villainous and sympathetic character(s) in Everything Everywhere All at Once is the final Case Of post for the Supporting Actress nominees at the 95th Academy Awards.

The Case for Stephanie Hsu:

Playing dual roles in the Daniels multi-genre tale, Hsu garnered raves as Michelle Yeoh’s daughter. SAG and Critics Choice nods followed and the Academy doesn’t shy away from honoring exciting relative newcomers (think Ariana DeBose from West Side Story last year).

The Case Against Stephanie Hsu:

The major precursors have spread the love around for Supporting Actress contenders, but it hasn’t included any victories for Hsu. Her costar Jamie Lee Curtis (who won SAG) may have a stronger narrative for the statue given her decades long career. Angela Bassett (Black Panther: Wakanda Forever) took Critics Choice and the Golden Globe (no nod for Hsu there) while Kerry Condon (The Banshees of Inisherin) was honored at BAFTA (where Hsu also missed).

Previous Nominations:

None

The Verdict:

There are three performers vying for a walk up the stage and Hsu isn’t one of them.

My Case Of posts will continue with Hsu’s costar Ke Huy Quan in Everything Everywhere All at Once!

Entries for the other Supporting Actress hopefuls can be found here:

Oscars: The Case of Angela Bassett in Black Panther: Wakanda Forever
Oscars: The Case of Hong Chau in The Whale
Oscars: The Case of Kerry Condon in The Banshees of Inisherin
Oscars: The Case of Jamie Lee Curtis in Everything Everywhere All at Once

Oscars: The Case of Bill Nighy in Living

Bill Nighy’s performance as an English bureaucrat with a terminal cancer diagnosis in Living is the final Case Of post for the five Best Actor hopefuls.

The Case for Bill Nighy:

From a randy aging rocker in Love Actually to Davy Jones in the Pirates of the Caribbean franchise and a zombified stepdad in Shaun of the Dead, Nighy has been a fixture on domestic screens for two decades. His work in the acclaimed Living somehow marks his first major awards exposure. He’s been nominated everywhere that counts from the Globes to Critics Choice to SAG and BAFTA.

The Case Against Bill Nighy:

Despite being included in all significant precursors, there’s no victory to be found for the central performance in this remake of Akira Kurosawa’s Ikiru. All the attention has been focused on Austin Butler (Elvis) and Brendan Fraser (The Whale) as they battle down the stretch.

Previous Nominations:

None

The Verdict:

While making the quintet was practically guaranteed, Nighy’s chances of winning are DOA for Living.

My Case Of posts will continue with Stephanie Hsu in Everything Everywhere All at Once!

Write-ups for the other Best Actor nominees can be found here:

Oscars: The Case of Austin Butler in Elvis
Oscars: The Case of Colin Farrell in The Banshees of Inisherin
Oscars: The Case of Brendan Fraser in The Whale
Oscars: The Case of Paul Mescal in Aftersun

Champions Box Office Prediction

Woody Harrelson headlines the sports comedy Champions on March 10th which marks the solo directorial debut for Bobby Farrelly. A remake of a 2018 Spanish pic, a basketball coach in legal hot water whose community service involves leading a team with intellectual disabilities. Kaitlin Olson, Matt Cook, Ernie Hudson, Cheech Marin, and Mike Smith are among the supporting cast.

Along with his brother Peter, the Farrellys directed comedy blockbusters including Dumb and Dumber and There’s Something About Mary. In between there was cult favorite Kingpin starring Harrelson. Peter’s solo career includes a Best Picture winner with 2018’s Green Book. This is Bobby’s first big screen behind the camera assignment since Dumb and Dumber To in 2014.

Bobby’s initial effort without his sibling is not expected to score highly at the box office. If it manages to top $10 million, that would be a pleasant surprise for Focus Features. I wouldn’t count on it. It might be lucky to gross half of that.

Champions opening weekend prediction: $5.1 million

For my Scream VI prediction, click here:

Scream VI Box Office Prediction

For my 65 prediction, click here:

65 Box Office Prediction

Oscars: The Case of Michelle Yeoh in Everything Everywhere All at Once

As the laundromat running Evelyn whose many dimensions are explored in Everything Everywhere All at Once, Michelle Yeoh is the final Case Of post for the five Best Actress contenders.

The Case for Michelle Yeoh:

From acclaimed Hong Kong action flicks with Jackie Chan to fighting alongside James Bond in Tomorrow Never Dies to Crouching Tiger, Hidden Dragon to the overprotective future mother-in-law in Crazy Rich Asians, Yeoh had many career highlights until this multi-genre pic from the Daniels eclipsed them all. The Hollywood Foreign Press honored her with the Golden Globe for Actress in a Musical or Comedy. Last weekend, she took home the SAG for Actress where 16 of the last 22 winners became the Academy’s recipients in the 21st century. Everywhere is the frontrunner for Best Picture and that certainly doesn’t hurt.

The Case Against Michelle Yeoh:

Cate Blanchett in Tár. While Yeoh’s previous victories are a road map to Oscar glory, so are Blanchett’s as she has taken the Globe in the Drama competition, BAFTA, and Critics Choice.

Previous Nominations:

None

The Verdict:

It cannot be overstated how this is a coin flip between Yeoh and Blanchett. One could argue Yeoh has the late momentum given the recent SAG and Everything‘s likely success in the biggest race of all.

My Case Of posts will continue with Bill Nighy in Living!

For my other entries on the Actress hopefuls, click here:

Oscars: The Case of Cate Blanchett in Tár
Oscars: The Case of Ana de Armas in Blonde
Oscars: The Case of Andrea Riseborough in To Leslie
Oscars: The Case of Michelle Williams in The Fabelmans

65 Box Office Prediction

The writers of A Quiet Place are hoping to make some noise at the box office when 65 opens on March 10th. Scribes Scott Beck and Bryan Woods handle directorial and scripting duties for the sci-fi thriller. The number refers to “million years ago” as pilot Adam Driver becomes stranded on Earth where dinosaurs roam and attack. Costars include Ariana Greenblatt, Chloe Coleman, and Nika King.

Reportedly made for a substantial price tag of over $90 million, 65 risks hefty losses for Sony. Buzz seems to be muted and theaters could be a quiet place where it’s playing. Some potential viewers may be distracted by Scream VI debuting against it. It also may not help that this isn’t based on known IP and that Driver, while certainly an acclaimed actor, isn’t a box office draw.

I’ll say this manages to top double digits, but not by much.

65 opening weekend prediction: $10.7 million

For my Scream VI prediction, click here:

Scream VI Box Office Prediction

For my Champions prediction, click here:

Champions Box Office Prediction