You People begins with podcaster Ezra (Jonah Hill) and his cohost Mo (Sam Jay) having a chat about the former’s relationship status. They compare it to the various albums of Drake as far as his moods (looking for love Drake vs. party boy Drake). It sounds like the idea of a conversation you’d have in a movie screenplay before the scribes try for authenticity. Hill and cowriter/director Kenya Barris (creator of sitcom black-ish) rarely get to the authenticity part as this race and family relations concoction feels overly workshopped. There are glimpses in the third act, but what a waste of talent for so much of it.
Ezra’s heart is taken by Amira (Lauren London) after mistaking her for his Uber driver. The couple’s meet cute quickly elevates to an engagement and the meet the parents business complicates the bliss. His are Julia-Louis Dreyfus’s doting Jewish mom Shelley and hubby Arnold (David Duchovny), whose lines are 90% describing 90s rapper Xzibit. Hers are devout Muslim Akbar (Eddie Murphy) and wife Fatima (Nia Long). Ezra’s streaming show is about cultural interactions. Those of the in-laws could fill a season’s worth of content.
The problem is it’s not profound and feels rather tame. A lunch table talk about the ebony and ivory aspects of Forrest Gump is shrimpy in its impact. Same goes for when Ezra is stuck in the car with his future father-in-law as a Jay-Z/Kanye track using a forbidden word comes up. These are sitcom level situations with the humor stuck in bland-ish gear.
A cast filled with familiar faces do add some welcome laughs. Small contributions from Mike Epps as Akbar’s degenerate brother and Molly Gordon as Ezra’s exasperated sister help. Barris and Hill manage to inject a little emotion in the waning moments that could satisfy ardent rom com devotees.
For the most part, You People is listless. The biggest surprise is the term applies to Murphy’s performance. The legend is usually the spark plug even in his mediocre pics. This recalls his lethargic work in Beverly Hills Cop III more than anything else. When that’s the comparison I’m making with his filmography, the heat is off when it comes to his normal firepower.
Brandon Cronenberg has clearly inherited his dad David’s penchant for bizarro blends of sci-fi and horror (see Antiviral and Possessor). His latest is Infinity Pool, which debuts this weekend after a start at Sundance. It’s drawing reviews on the fresh side (87% on Rotten Tomatoes) even though many critics admit audiences may not want to wade into its NC-17 violence. Alexander Skarsgård, Mia Goth (fresh off X and Pearl), and Cleopatra Coleman star.
Papa Cronenberg’s latest Crimes of the Future made it to the Makeup and Hairstyling shortlist but didn’t end up making the top 5 this week. I don’t really see anywhere where Pool would make waves with awards voters. My Oscar Prediction posts will continue…
Between Lily Tomlin, Jane Fonda, Rita Moreno, Sally Field, Tom Brady, and Guy Fieri – we have 12 Oscar nominations, 54 Emmy mentions, 38 Golden Globe nods, six Super Bowl championships, and hundreds of trips to Flavortown. All of them appear in 80 for Brady on February 3rd. Kyle Marvin directs the comedy which finds the aforementioned female quartet on a trek to watch the famed QB in the Super Bowl. Other costars include (in addition to Brady and Fieri as themselves) include Billy Porter, Harry Hamlin, Rob Corddry, Alex Moffat, Bob Balaban, and Glynn Turman. Some of Brady’s old teammates, such as Rob Gronkowski, Julian Edelman, and Danny Amendola also turn up.
The Paramount release looks to bring in an older female demographic and sports fans during the weekend between the NFL’s Conference Championships and the game where our leads travel to. Tomlin, Fonda, Moreno, and Field having been hitting the circuit hard in recent weeks to promote. I do believe there’s an opportunity for this to exceed expectations. Low to mid teens is where this likely touches down. That’s in line with what Book Club (also featuring Fonda) accomplished in 2018.
80 for Brady opening weekend prediction: $15.5 million
Universal Pictures is counting on audiences to take a Knock at the Cabin when it debuts February 3rd. The latest film from M. Night Shyamalan, it’s based on the 2018 novel by Paul G. Tremblay. A thriller blending horror elements, Dave Bautista is a believer in the imminent apocalypse holding a family hostage. Costars include Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint.
This looks to be the picture to knock Avatar: The Way of Water off its lengthy perch at #1 and should do so with room to spare. Shyamalan, after a career resurgence that kicked into high gear with Split, is one of the few filmmakers whose name can sell tickets (especially in this genre). This is his first R rated title since 2008’s The Happening. His predecessor Old (2021) opened in the summer of 2021 with just under $17 million.
Cabin, with less competition than Old had, should exceed that starting gross. A take of over $20 million is doable.
Knock at the Cabin opening weekend prediction: $23.6 million
Past Lives is the debut feature film from Celine Song and it premiered at Sundance over the weekend to a rapturous reception. The romantic drama stars Greta Lee and Teo Yoo with critics praising their work in the A24 effort.
Some reviews are already claiming it will end up as one of 2023’s finest and the Rotten Tomatoes score is 100%. Its studio may choose to kick off a Minari or Everything Everywhere All at Once style campaign (both were and/or are nominated for Best Picture).
Sundance brought to light the possibility of Past Lives being a legit awards player even this early in the process. My Oscar Prediction posts will continue…
Judy Blume’s influential and controversial novel Forever… from 1975 was actually made into a TV movie with Stephanie Zimbalist back in 1978. Now one of her best known works, some 45 years later after the cinematic adaptation, serves as part of the title to a documentary about the author that screened at Sundance.
Judy Blume Forever from fimmakers Davina Pardo and Leah Wolchok (with Brian Grazer and Ron Howard as producers) chronicles the author and her dealings with fame and censorship. Early reviews out of Utah give it an 88% Rotten Tomatoes rating. While overall positive, a quick glance at the critical reaction leads me to question whether it generates awards chatter. As has been mentioned previously, celeb focused docs (there’s always a bunch of them) need to really stand out for the Academy’s doc branch to take notice. That could be a challenge with Forever. My Oscar Prediction posts will continue…
One of the buzziest titles to play at Sundance was writer/director Chloe Domont’s Fair Play, blending romance with corporate intrigue. It was snatched up for a princely sum of $20 million by Netflix with a planned rollout this year. The thriller stars Alden Ehrenreich (known by many from the title role in Solo: A Star Wars Story) and Phoebe Dynevor of Bridgerton fame).
Said to be a pic that will spark plenty of conversation, the Rotten Tomatoes score is 96%. This could be a streaming (and reportedly steamy) crowdpleaser that doesn’t warrant much awards chatter. Or Netflix could mount a campaign, especially for the original screenplay. We don’t know yet since they’ll have plenty of other features to tout come nominations time. Fair Play, at the least, announced itself as an option. My Oscar Prediction posts will continue…
It was a glorious performance for Everything Everywhere All at Once and The Banshees of Inisherin with this morning’s Oscar nominations. Both pics were up everywhere they needed to be for everything to potentially win the big prize on March 12th.
There were also strong showings for All Quiet on the Western Front, Elvis, The Fabelmans, and Top Gun: Maverick. However, it’s fair to say that each missed a key race or two that would’ve helped for their Best Picture viability.
As far as my own showing, I went 79 for 105 in my projections. I’ll take it though it’s slightly under my 82/105 performance from the previous year. One bright spot: no 2 for 5’s as I’d experienced a couple of times in preceding years.
Let’s walk through each race one by one with initial thoughts, shall we?
Best Picture
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness, Women Talking
How I Did: 8/10
No real shockers. The movies that I had listed 11th and 12th (Avatar and Women Talking) made it over my selections of Babylon and The Whale. I went a little bold omitting Water in the first place.
As hinted at, I’m seeing this as between Everything and Banshees with Fabelmans as a potential spoiler (and maybe Maverick if I’m feeling bold).
Best Director
The Nominees: Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin), Ruben Ostlund (Triangle of Sadness), Steven Spielberg (The Fabelmans)
How I Did: 4/5
The Daniels v. Spielberg is where this may come down to. All Quiet had a solid morning, but Edward Berger missing (I predicted him) likely eliminates it as a BP winner. Ostlund gets in instead.
Best Actress
The Nominees: Cate Blanchett (Tár), Ana de Armas (Blonde), Andrea Riseborough (To Leslie), Michelle Williams (The Fabelmans), Michelle Yeoh (Everything Everywhere All at Once)
How I Did: 3/5
In just the last few days, there was an organic (?) campaign launched for Riseborough by plenty of famous faces. She was nowhere near the radar for the bulk of the season. Her inclusion might alter how campaigns look in the future. Williams (who was looking shaky) and Riseborough make it over my predictions of Viola Davis (The Woman King) and Danielle Deadwyler (Till). Both of their pics were shutout completely. As for who makes the podium trip, it’s either Blanchett or Yeoh.
Best Actor
The Nominees: Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Paul Mescal (Aftersun), Bill Nighy (Living)
How I Did: 5/5 (!)
For most prognosticators, this came down to Tom Cruise in Top Gun: Maverick vs. Mescal for the fifth slot. It wasn’t to be for a fourth Cruise nod. For Mescal and Nighy, it’s an honor to be in the quintet. The race is between Butler and Farrell and Fraser (who have all nabbed key precursors). FYI – this entire lineup is first-time nominees and 16 of the acting nominees are newbies (which is very high).
Best Supporting Actress
The Nominees: Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everything Everywhere All at Once), Stephanie Hsu (Everything Everywhere All at Once)
How I Did: 4/5
Hsu, who was my alternate, is in over Triangle‘s Dolly De Leon. If you’d told me De Leon’s movie would get Picture, Director, and Original Screenplay – I would’ve been even more confident she’d make it. With victories already at the Globes and Critics Choice, Bassett is the frontrunner.
Best Supporting Actor
The Nominees: Brendan Gleeson (The Banshees of Inisherin), Brian Tyree Henry (Causeway), Judd Hirsch (The Fabelmans), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once)
How I Did: 4/5
Henry gets the unanticipated nod over my pick of Paul Dano in The Fabelmans (many had Eddie Redmayne in The Good Nurse projected here). This is, frankly, the simplest acting derby to call and it is Quan.
Best Original Screenplay
The Nominees: The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness
How I Did: 5/5 (!)
The expected five as the Banshees v Everything showdown could be a clue during the night as to what wins BP at the end of it.
Best Adapted Screenplay
The Nominees: All Quiet on the Western Front, Glass Onion: A Knives Out Mystery, Living, Top Gun: Maverick, Women Talking
How I Did: 3/5
Maverick and All Quiet over She Said (which was shut out) and The Whale. Considering Women Talking made it in the BP ten, it could get the gold in this race and this one only since it received the least amount of nods (2) for the BP hopefuls. As an aside, there’s always a screenplay contender that gets no other noms anywhere else. This year it was Glass Onion.
Best Animated Feature
The Nominees: Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, The Sea Beast, Turning Red
How I Did: 4/5
Pinocchio should take this, but this marks its only nod (it was expected to contend for Song and some techs). I had gone with Netflix’s Wendell and Wild for the fifth spot over Netflix’s The Sea Beast.
Best International Feature Film
The Nominees: All Quiet on the Western Front, Argentina, 1985, Close, EO, The Quiet Girl
How I Did: 3/5
Here’s where there was a total surprise with Decision to Leave getting snubbed. I would’ve had it as the runner-up possibility to win over All Quiet (easily the favorite). I didn’t have Close or EO (though neither is unexpected). In addition to Decision, I also had Joyland.
Best Documentary Feature
The Nominees: All That Breathes, All the Beauty and the Bloodshed, Fire of Love, A House Made of Splinters, Navalny
How I Did: 4/5
Had Descendant instead of Splinters. There’s a path to victory for everything but Splinters in my view.
Best Cinematography
The Nominees: All Quiet on the Western Front, Bardo, Elvis, Empire of Light, Tár
How I Did: 3/5
Top Gun: Maverick missing is baffling considering it was a major threat to win. It misses along with The Batman in favor of Bardo and Tár. I wouldn’t discount Empire for the victory though Quiet could make noise in this one.
Best Costume Design
The Nominees: Babylon, Black Panther: Wakanda Forever, Elvis, Everything Everywhere All at Once, Mrs. Harris Goes to Paris
How I Did: 4/5
Everything‘s over performance is evident. I had The Woman King instead. The first three alphabetically are your possible winners.
Best Film Editing
The Nominees: The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár, Top Gun: Maverick
How I Did: 3/5
In years past, getting an editing nod is often needed if you want to take BP. So it’s bad news for All Quiet and The Fabelmans. Banshees and Tár join the lineup in their place. Elvis, Everything, and Maverick all possibilities.
Best Makeup and Hairstyling
The Nominees: All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever, Elvis, The Whale
How I Did: 4/5
Had Amsterdam and not Quiet. Elvis or The Whale are most likely.
Best Original Score
The Nominees: All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans
How I Did: 3/5
Considering it made BP, I didn’t think Women Talking would miss. I also had Pinocchio but it’s All Quiet and Everything. This could be the sole Oscar for Babylon.
Best Original Song
The Nominees: “Applause” from Tell It Like a Woman, “Hold My Hand” from Top Gun: Maverick, “Lift Me Up” from Black Panther: Wakanda Forever, “Naatu Naatu” from RRR, “This Is a Life” from Everything Everywhere All at Once
How I Did: 4/5
Had Pinocchio‘s “Ciao Papa” and not the Everything tune. Despite big names like Lady Gaga, Rihanna, and producer Diane Warren in the mix, “Naatu Naatu” has taken the precursors.
Best Production Design
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, Babylon, Elvis, The Fabelmans
How I Did: 4/5
A rare occurrence as I had Everything projected and it didn’t make it. All Quiet materializes instead. This could be Elvis or maybe a second shot for Babylon.
Best Sound
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Elvis, Top Gun: Maverick
How I Did: 4/5
The sound you hear when the envelope opens might be Maverick‘s only victory (now that Cinematography is impossible). I had EEAAO and not The Batman.
Best Visual Effects
The Nominees: All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Black Panther: Wakanda Forever, Top Gun: Maverick
How I Did: 3/5
Had the wrong MCU pic with Doctor Strange in the Multiverse of Madness and not Panther. All Quiet is also in and I had Thirteen Lives. This should be the Avatar trophy.
That means these movies ended up garnering these numbers in terms of nominations:
11 Nominations
Everything Everywhere All at Once
9 Nominations
All Quiet on the Western Front, The Banshees of Inisherin
8 Nominations
Elvis
7 Nominations
The Fabelmans
6 Nominations
Tár, Top Gun: Maverick
5 Nominations
Black Panther: Wakanda Forever
4 Nominations
Avatar: The Way of Water
3 Nominations
Babylon, The Batman, Triangle of Sadness, The Whale
2 Nominations
Living, Women Talking
1 Nomination
Aftersun, All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Bardo, Blonde, Causeway, Close, Empire of Light, EO, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, A House Made of Splinters, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, Puss in Boots: The Last Wish, The Quiet Girl, RRR, The Sea Beast, Tell It Like a Woman, To Leslie, Turning Red
So what’s next? Followers of the blog may recall that I will soon begin my “Case Of” posts. That’s 35 separate write-ups making the case for and against all contenders in Picture, Director, and the four acting competitions. Stay tuned!
Director Nicole Holofcener reunites with her Enough Said star Julia Louis-Dreyfus for You Hurt My Feelings, which has screened at Sundance. The comedy is drawing satisfactory notices in Utah with a 95% Rotten Tomatoes rating. Look for distributor A24 to mount an awards campaign as the year rolls along.
Enough Said was able to nab Louis-Dreyfus a Golden Globe Best Actress nod in Musical/Comedy and that could certainly occur again. She stands the best chance among costars that include Tobias Menzies, David Cross, Amber Tamblyn, Michaela Watkins, Arian Moayed, and Owen Teague.
Holofcener is already an Academy nominee for cowriting the adapted screenplay for 2018’s Can You Ever Forgive Me? I wouldn’t count on a second writing mention. While critics are being kind, this has the feel of a Globe Predictions post with its lead’s chances. My Oscar Predictions posts will continue…
2023 has gotten off to a pleasing start at the box office, but the last weekend of January should be rather quiet. Horror pic Fear is slated to be a wide release. I haven’t done an individual prediction post on it because I’ve yet to see a theater count. It would be surprising to see it in the top five. At the moment, I’m thinking it’ll be lucky to reach $2 million.
That means the chart should look very similar to this past frame with Avatar: The Way of Water spending a seventh weekend in first (very likely for the final time with Knock at the Cabin and 80 for Brady on deck). It might be the only feature to make over $10 million as I have dropping in the low to mid 30s for a low teens gross.
Puss in Boots: The Last Wish (after a great hold in its 5th life) should stay in second during its sixth. Holdovers A Man Called Otto, M3GAN, and Missing (after a slightly better than anticipated debut) appear poised to populate slots 3-5.
Here’s how I see it playing out:
1. Avatar: The Way of Water
Predicted Gross: $14.3 million
2. Puss in Boots: The Last Wish
Predicted Gross: $9.2 million
3. A Man Called Otto
Predicted Gross: $6 million
4. M3GAN
Predicted Gross: $5.8 million
5. Missing
Predicted Gross: $5.1 million
Box Office Results (January 20-22)
A six-peat greeted Avatar: The Way of Water with a take of $20.1 million, a bit under my $23.9 million forecast. James Cameron’s sequel crossed the $2 billion mark worldwide and neared $600 million domestically at $598 million.
Puss in Boots: The Last Wish is showing its multiple lives as it impressed in second with a mere 18% drop. Earning $11.8 million in its fifth outing (I was lower with $8.7 million), the animated follow-up has amassed $126 million.
M3GAN was third in weekend 3 with $9.7 million, on pace with my $9.5 million projection. The campy horror effort hit $73 million.
Missing, the stand-alone sequel to thriller Searching, found some fans in fourth with $9.1 million, surpassing my $6.8 million prediction. Considering the reported $7 million price tag, this should turn a tidy profit.
A Man Called Otto rounded out the top five at $8.8 million (I said $9.3 million). In its second weekend of wide release, it dipped a commendable 31%.
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