Searchlight Pictures is hoping moviegoers check out The Menu when it opens November 18th. Mark Mylod, best known for small screens fare like Game of Thrones and Shameless, directs. The black comedy features a large cast of cooks and diners including Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, Judith Light, John Leguizamo, Reed Birney, Aimee Carrero, and Arturo Castro.
For the most part, critics like what they were served when this debuted at Toronto. The Rotten Tomatoes score is 88%. That said, The Menu is not generating much awards chatter which could’ve helped in appetizing an older audience.
A debut at or above $10 million would be quite an accomplishment. I don’t think it gets there with $7-9 million being more likely.
Will Ferrell, Ryan Reynolds, and Octavia Spencer headline Spirited, a musical comedy take on A Christmas Carol. Slated for an Apple TV rollout on November 18th, it has a limited theatrical release this Friday. Sean Anders, who collaborated with Ferrell on both Daddy’s Home pics, directs.
The brief cinematic run leaves it Oscar eligible, but don’t expect this spin on the Dickens classic to garner much attention. It is worth discussing whether the Hollywood Foreign Press Association puts it on their radar for the Golden Globes. They have Musical/Comedy designations and seeing it nominated for Picture and Actor (Ferrell or Reynolds) is feasible.
However, the current 59% Rotten Tomatoes meter is not encouraging. There are certainly years where the Musical/Comedy acting lists allow for performances from films with mixed reviews. I wouldn’t totally discount Ferrell. He’s a two-time GG hopeful in Supporting Actor for 2005’s The Producers and lead actor for Musical/Comedy for 2006’s Stranger Than Fiction. I would say the competition would need to be pretty weak for his third nod. My Oscar (and Golden Globe) prediction posts will continue…
Black Panther: Wakanda Forever hopes to land the biggest opening of 2022 when it debuts this weekend. Disney would also love to see the MCU sequel to 2018’s cultural phenomenon achieve the awards love that its predecessor got. It’s not out of the question that it could.
The review embargo is up today and the Rotten Tomatoes meter is an impressive 90% (under part 1’s 96%). Critics are praising the film’s treatment of the loss of its star Chadwick Boseman in 2020. There is some griping about it being overlong. Few reviews are saying it surpasses the original in terms of quality.
The first Panther was nominated for 7 Academy Awards including Best Picture. Still the only superhero pic to make the BP cut, it took 3 of 7 (Score, Production Design, Costume Design). The other nods were Original Song (“All the Stars” from Kendrick Lamar) and Sound Editing and Sound Mixing (these categories have since been combined).
All 3 races where it won four years ago could pop up this time around. Production Design and Costume Design seem like givens. Sound appears a fairly safe bet. Same with Original Song as Rihanna’s closing credits ballad “Lift Me Up” is a threat to win. Ironically, Mr. Lamar lost in 2018 to Lady Gaga and “Shallow”. Gaga could strike again with “Hold My Hand” from Top Gun: Maverick.
Panther did miss Visual Effects four years back and there were grumbles about the quality. The general consensus is that Wakanda‘s effects are a step up. I don’t think it’s guaranteed to make the VE quintet. However, I do think it has the best shot of the MCU’s 2022 slate (Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder are the others).
As for performances, I could see Angela Bassett nabbing some ink. Ultimately I don’t see a second nom materializing nearly 30 years after her first one for What’s Love Got to Do with It.
Now the major question – can Wakanda Forever get a BP nomination? Short answer is yes. Longer answer is more complicated. With Maverick, there’s already one sequel that looks pretty safe. We still have Avatar: The Way of Water and Glass Onion: A Knives Out Mystery waiting in the wings. I think it’s logical to say we won’t see four sequels in BP. Three seems like a stretch. While I wouldn’t discount Wakanda in the big race, I believe the more feasible scenario is tech nods and possibly 5 to even 7 of them. My Oscar Prediction posts will continue…
Blogger’s Note (11/09): I am revising my Black Panther: Wakanda Forever estimate down from $205.2M to $195.2M.
Black Panther: Wakanda Forever looks to achieve the largest opening of 2022 when it is unveiled Friday. The sequel to 2018’s $700 million domestic grosser is understandably the only new release this weekend. You can peruse my detailed prediction post on it here:
My estimate puts Wakanda at the higher end of its expected range and has it surpassing its predecessor for the 8th largest debut of all time. It needs to get beyond $191 million to topple the year’s best opening currently held by Doctor Strange in the Multiverse of Madness. I believe it can with room to spare.
After a three-week reign atop the charts and a better than anticipated 3rd frame hold (more on that below), Black Adam will drop to second. One Piece Film: Red should have the heftiest percentage fall of all holdovers (typical for its genre). That should allow Ticket to Paradise to remain in third. We could even see Smile or Lyle, Lyle, Crocodile in the four or five spot ahead of Red (it could be awfully close for those 4-6 positions).
Here’s how I see it all playing out:
1 . Black Panther: Wakanda Forever
Predicted Gross: $195.2 million
2. Black Adam
Predicted Gross: $8.7 million
3. Ticket to Paradise
Predicted Gross: $5.8 million
4. Lyle, Lyle, Crocodile
Predicted Gross: $2.5 million
5. Smile
Predicted Gross: $2.4 million
6. One Piece Film: Red
Predicted Gross: $2.2 million
Box Office Predictions (November 4-6)
Dwayne Johnson rocked another #1 weekend as Black Adam took in $18.2 million (besting my $14.4 million take). That’s a solid dip of 33% as its stateside tally stands at $137 million. The reported $200 million budget is preventing this from being considered a runaway success, but the total is decent in this marketplace.
One Piece Film: Red, the animated fantasy from Japan, premiered in line with its range at $9.3 million for runner-up status. I went slightly higher at $10.2 million. As mentioned above, a sophomore plummet of over 70% is likely.
Ticket to Paradise continued to prevent the death of the rom com in third with $8.5 million, holding up sturdier than my $6.8 million forecast. The three-week gross is $46 million.
Smile was fourth with $3.9 million (I said $3.4 million) as the sleeper horror hit is up to $99 million (with over $200 million already domestically). The Paramount release should join the century club tonight.
Prey for the Devil was right behind in firth as that scary movie earned $3.8 million in weekend #2. I said a little less with $3.1 million. It’s made $13 million.
Lyle, Lyle, Crocodile managed to jump up 23% for sixth place with $3.3 million. The kiddie pic is at $36 million.
Finally, Oscar hopeful The Banshees of Inisherin was seventh with $2 million. The Irish set black comedy with Colin Farrell and Brendan Gleeson came in a tad below my $2.2 million projection.
Mille Bobby Brown has battled plenty of otherworldly creatures on Netflix’s smash Stranger Things or Godzilla, King of the Monsters. In Enola Holmes, she fights with her wits inherited from her revolutionary minded mum and world famous brother. I suspect she’ll solve plenty more mysteries for the streaming pleasure of its young and female target audience.
Based on a series of novels from Nancy Springer, Brown’s title character is the youngest in her family. Dad has passed and her two older brothers are long gone. Mom Eudoria (Helena Bonham Carter) spends her days teaching Enola skills including martial arts and decoding. They come in handy when Eudoria vanishes on her daughter’s 16th birthday. The disappearance is not sweetened when it seems the matriarch has left on purpose.
This puts Enola back in contact with her siblings. Mycroft (Sam Claflin) is a stuffy politico now serving as her ward. He wants to send her to finishing school to sand down the rough edges. The middle child is the superstar of the clan (no Jan Brady issues here). That would be Sherlock Holmes (Henry Cavill) who’s distant from the brood due to all his investigative commitments.
Enola isn’t about to spend her days learning how to be a “proper” lady so she hits the road in search of Eudoria. Leaving some breadcrumbs as to her whereabouts, the trail leads to London where she may be part of a rogue women’s suffrage group. It’s the late 19th century and this is the center of political upheaval.
It turns out Enola has more capers to consider. She’s introduced to Viscount Tewkesbury (Louis Partridge) on the journey. The teenage British royal is on the run as someone is trying to kill him. He’s introduced to Enola hiding in an overhead bag on a train as he nearly falls on her. They soon fall for each other.
The dual cases of the Missing Mother and Tewkesbury becoming a Missing Person fill an overstuffed two hours. Brown carries the material even though neither mystery is particularly absorbing. She also talks to and mugs for the camera… a lot. As in probably too much. Sherlock is relegated to the sideline in this tale of his little sister harnessing her girl power. This might be an elementary introduction to her, but it’s got appeal.
Over the past week, I posted deep dives into 6 major categories: Picture, Director, and the four acting derbies. If you missed them, you can access them right there:
The numbers for those competitions are reflected below (therefore you won’t see Previous Rankings for them). For every other race, these are projections updated for the first time since October 23rd.
There’s less than two months left in the calendar year! We’re entering crunch time and here’s my state of the races as we sprint to the finish…
Best Picture
Predicted Nominees:
1. The Fabelmans
2. Everything Everywhere All at Once
3. Babylon
4. Women Talking
5. The Banshees of Inisherin
6. Top Gun: Maverick
7. Tár
8. The Whale
9. Triangle of Sadness
10. She Said
Other Possibilities:
11. All Quiet on the Western Front
12. Decision to Leave
13. Avatar: The Way of Water
14. Elvis
15. Glass Onion: A Knives Out Mystery
Best Director
Predicted Nominees:
1 . Steven Spielberg, The Fabelmans
2. Damien Chazelle, Babylon
3. Daniels, Everything Everywhere All at Once
4. Sarah Polley, Women Talking
5. Todd Field, Tár
Other Possibilities:
6. Edward Berger, All Quiet on the Western Front
7. Park Chan-wook, Decision to Leave
8. Martin McDonagh, The Banshees of Inisherin
9. James Cameron, Avatar: The Way of Water
10. Ruben Ostlund, Triangle of Sadness
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár
2. Michelle Yeoh, Everything Everywhere All at Once
3. Danielle Deadwyler, Till
4. Michelle Williams, The Fabelmans
5. Margot Robbie, Babylon
Other Possibilities:
6. Olivia Colman, Empire of Light
7. Naomi Ackie, I Wanna Dance with Somebody
8. Viola Davis, The Woman King
9. Jennifer Lawrence, Causeway
10. Rooney Mara, Women Talking
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale
2. Colin Farrell, The Banshees of Inisherin
3. Austin Butler, Elvis
4. Bill Nighy, Living
5. Hugh Jackman, The Son
Other Possibilities:
6. Diego Calva, Babylon
7. Tom Cruise, Top Gun: Maverick
8. Jeremy Pope, The Inspection
9. Adam Driver, White Noise
10. Paul Mescal, Aftersun
Best Supporting Actress
Predicted Nominees:
1 . Claire Foy, Women Talking
2. Kerry Condon, The Banshees of Inisherin
3. Jessie Buckley, Women Talking
4. Hong Chau, The Whale
5. Carey Mulligan, She Said
Other Possibilities:
6. Stephanie Hsu, Everything Everywhere All at Once
7. Dolly De Leon, Triangle of Sadness
8. Nina Hoss, Tár
9. Jamie Lee Curtis, Everything Everywhere All at Once
10. Jean Smart, Babylon
Best Supporting Actor
Predicted Nominees:
1 . Ke Huy Quan, Everything Everywhere All at Once
2. Brendan Gleeson, The Banshees of Inisherin
3. Ben Whishaw, Women Talking
4. Judd Hirsch, The Fabelmans
5. Barry Keoghan, The Banshees of Inisherin
Other Possibilities:
6. Paul Dano, The Fabelmans
7. Brad Pitt, Babylon
8. Mark Rylance, Bones & All
9. Woody Harrelson, Triangle of Sadness
10. Eddie Redmayne, The Good Nurse
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Banshees of Inisherin (PR: 3) (+1)
3. The Fabelmans (PR: 2) (-1)
4. Triangle of Sadness (PR: 4) (E)
5. Tár (PR: 5) (E)
Other Possibilities:
6. Babylon (PR: 6) (E)
7. Decision to Leave (PR: 7) (E)
8. Aftersun (PR: Not Ranked)
9. Broker (PR: 9) (E)
10. The Menu (PR: 10) (E)
Dropped Out:
Armageddon Time
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. Living (PR: 5) (E)
Other Possibilities:
6. White Noise (PR: 6) (E)
7. Bones & All (PR: 7) (E)
8. Top Gun: Maverick (PR: 8) (E)
9. Guillermo del Toro’s Pinocchio (PR: Not Ranked)
10. All Quiet on the Western Front (PR: 9) (-1)
Dropped Out:
The Son
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Wendell and Wild (PR: 3) (E)
4. Strange World (PR: 4) (E)
5. The Bad Guys (PR: 7) (+2)
Other Possibilities:
6. Marcel the Shell with Shoes On (PR: 5) (-1)
7. The Sea Beast (PR: 6) (-1)
8. My Father’s Dragon (PR: 8) (E)
9. Lightyear (PR: 10) (+1)
10. Minions: The Rise of Gru (PR: 9) (-1)
Best International Feature Film
Predicted Nominees:
1. All Quiet on the Western Front (PR: 2) (+1)
2. Decision to Leave (PR: 1) (-1)
3. Close (PR: 3) (E)
4. Bardo (PR: 4) (E)
5. Saint Omer (PR: 5) (E)
Other Possibilities:
6. Klondike (PR: 9) (+3)
7. Holy Spider (PR: 7) (E)
8. Argentina, 1985 (PR: 6) (-2)
9. EO (PR: 10) (+1)
10. Alcarras (PR: 8) (-2)
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. Descendant (PR: 2) (E)
3. Navalny (PR: 3) (E)
4. All That Breathes (PR: 4) (E)
5. Last Flight Home (PR: 6) (+1)
Other Possibilities:
6. Fire of Love (PR: 5) (-1)
7. The Territory (PR: 7) (E)
8. Moonage Daydream (PR: 8) (E)
9. Good Night Oppy (PR: 9) (E)
10. Sr. (PR: Not Ranked)
Dropped Out:
Aftershock
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Avatar: The Way of Water (PR: 6) (+3)
4. Empire of Light (PR: 3) (-1)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Bardo (PR: 4) (-2)
7. Top Gun: Maverick (PR: 8) (+1)
8. The Banshees of Inisherin (PR: 7) (-1)
9. Black Panther: Wakanda Forever (PR: Not Ranked)
10. Everything Everywhere All at Once (PR: 10) (E)
Dropped Out:
Tár
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. Mrs. Harris Goes to Paris (PR: 4) (E)
5. The Woman King (PR: 7) (+2)
Other Possibilities:
6. Living (PR: 5) (-1)
7. The Fabelmans (PR: 6) (-1)
8. Three Thousand Years of Longing (PR: 9) (+1)
9. Corsage (PR: 8) (-1)
10. Everything Everywhere All at Once (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Babylon (PR: 3) (+1)
3. Top Gun: Maverick (PR: 2) (-1)
4. The Fabelmans (PR: 4) (E)
5. Women Talking (PR: 7) (+2)
Other Possibilities:
6. Elvis (PR: 5) (-1)
7. All Quiet on the Western Front (PR: 9) (+2)
8. Avatar: The Way of Water (PR: 8) (E)
9. The Banshees of Inisherin (PR: Not Ranked)
10. Decision to Leave (PR: 10) (E)
Dropped Out:
Tár
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Babylon (PR: 3) (+1)
3. Elvis (PR: 2) (-1)
4. The Batman (PR: 4) (E)
5. Black Panther: Wakanda Forever (PR: 6) (+1)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 5) (-1)
7. X (PR: 10) (+3)
8. Three Thousand Years of Longing (PR: 8) (E)
9. All Quiet on the Western Front (PR: 7) (-1)
10. The Woman King (PR: 9) (-1)
Best Original Score
Predicted Nominees:
1. The Fabelmans (PR: 1) (E)
2. Babylon (PR: 2) (E)
3. Empire of Light (PR: 3) (E)
4. The Banshees of Inisherin (PR: 7) (+3)
5. Women Talking (PR: 4) (-1)
Other Possibilities:
6. Tár (PR: 6) (E)
7. Guillermo del Toro’s Pinocchio (PR: 5) (-2)
8. Bardo (PR: Not Ranked)
9. Avatar: The Way of Water (PR: 8) (-1)
10. All Quiet on the Western Front (PR: 10 (E)
Dropped Out:
The Batman
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: Not Ranked)
3. “Naatu Naatu” from RRR (PR: 2) (-1)
4. “Nobody Like U” from Turning Red (PR: 3) (-1)
5. “This Is a Life” from Everything Everywhere All at Once (PR: 6) (+1)
Other Possibilities:
6. “Applause” from Tell It Like a Woman (PR: 4) (-2)
7. “Stand Up” from Till (PR: 7) (E)
8. “Carolina” from Where the Crawdads Sing (PR: 5) (-3)
9. “New Body Rhumba” from White Noise (PR: 8) (-1)
10. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: Not Ranked)
Dropped Out:
“On My Way” from Marry Me
“At the Automat” from The Automat
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 3) (+1)
3. Black Panther: Wakanda Forever (PR: 4) (+1)
4. Elvis (PR: 2) (-2)
5. The Fabelmans (PR: 5) (E)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 8) (+2)
7. Guillermo del Toro’s Pinocchio (PR: 6) (-1)
8. Empire of Light (PR: 7) (-1)
9. Glass Onion: A Knives Out Mystery (PR: 9) (E)
10. All Quiet on the Western Front (PR: Not Ranked)
Dropped Out:
Bardo
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 7) (+3)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. The Batman (PR: 4) (-2)
7. Elvis (PR: 6) (-1)
8. Everything Everywhere All at Once (PR: 8) (E)
9. The Fabelmans (PR: Not Ranked)
10. Nope (PR: 10) (E)
Dropped Out:
Tár
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 7) (+3)
5. Guillermo del Toro’s Pinocchio (PR: 4) (-1)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. RRR (PR: 8) (+1)
8. Doctor Strange in the Multiverse of Madness (PR: 5) (-3)
9. All Quiet on the Western Front (PR: 9) (E)
10. Good Night Oppy (PR: 10) (E)
That equates to these movies garnering these numbers in terms of nominations:
10 Nominations
Babylon
9 Nominations
The Fabelmans
8 Nominations
Everything Everywhere All at Once, Women Talking
7 Nominations
The Banshees of Inisherin
6 Nominations
Black Panther: Wakanda Forever
5 Nominations
Top Gun: Maverick, The Whale
4 Nominations
Avatar: The Way of Water, Elvis, Tár
3 Nominations
All Quiet on the Western Front, She Said
2 Nominations
Empire of Light, Guillermo del Toro’s Pinocchio, Living, Triangle of Sadness, Turning Red
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, The Batman, Close, Decision to Leave, Descendant, Glass Onion: A Knives Out Mystery, Last Flight Home, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, The Son, Strange World, Till, The Woman King, Wendell and Wild
The buddy action comedy shenanigans of The Man from Toronto are as generic as the title. Kevin Hart and Woody Harrelson can’t save a lazy script that could’ve used a potent punch up. The stars are dropped into scenarios we’ve seen on countless occasions in this mistaken identity caper where a wimpy everyman must masquerade as a tough guy. There’s not a new ingredient to be found unless you count the hitman secretly hoping to be a chef.
Woody Harrelson is The Man from Toronto, that culinary minded assassin with a legendary reputation for extracting sensitive information from his captors. His methods of doing so aren’t any more creative than your run-of-the-mill bad guy. However, he’s got a conscience and a story about a bear mauling his grandpa on a frozen lake. It’s as pointlessly strange as it sounds.
Kevin Hart is struggling fitness instructor Teddy, who can’t sell his get rich quick idea of contactless boxing. While treating his wife Lori (Jasmine Mathews) to a birthday celebration weekend, the hapless entrepreneur checks into the wrong cabin. This is due to a low toner issue printing off a smudgy address. To the best of my knowledge, Toronto was not shot over a decade ago. That’s when Teddy might have actually printed off directions instead of having them handy on his phone or programmed into the GPS. The Man from Toronto is scheduled for interrogation of a hostage at the cabin. When Teddy arrives first, he is forced to play the part.
When the FBI show up, the charade must continue. I might forget why as I’m typing because the screenplay is so forgettable. It involves the potential assassination of the Venezuelan President who’s visiting Washington D.C. Woody (I’m not going to keep saying The Man from Toronto) takes his orders from The Handler (Ellen Barkin), who has employees all over the globe. There’s The Man from Miami (Pierson Fode), who’s called in when Woody is busy dealing with Teddy’s intrusion. There’s Moscow and Tokyo! There’s the Men from Tacoma because they are siblings. Maybe a compelling picture could be made about how they’re selected. Do major metro areas get more than one Man? Why would Cody, Wyoming with its population of 10,000 get the same number as Beijing which has 24 million citizens? Shouldn’t they have more contract killers? What’s the nepotism backstory that allowed the brothers Tacoma to have double the hitmen as Tokyo?
These burning questions aside, The Man from Toronto would be far more tolerable if Hart and Harrelson had a scintilla of funny dialogue. Or if the action sequences were choreographed with more precision. The rare laughs come from (I suspect) Hart’s ad libbing and delivery. They don’t come from Kaley Cuoco, a talented comedienne who appears for about 5 minutes as Lori’s fun seeking friend. I wonder if her part got cut down? Cuoco never finds the entertainment she’s looking for and we can relate.
There is an ultrahigh funny consistency in Weird: The Al Yankovic Story before the hilarity frequency is turned down a notch as it plays on. Focused on pop’s most famous parody artist, it’s appropriate that the film is a sendup of the musical biopic genre. Director Eric Appel and Yankovic himself penned the screenplay which cheekily casts Daniel Radcliffe as the man with the accordion.
As a youngster, Al’s father (Toby Huss) would rather see his boy working in the factory (where they make mysterious “things”) than making songs. Mom (Julianne Nicholson) buys him the harmonious box organ behind Dad’s back. Soon a teenage Al is busted for experimenting with the instrument at a party (the accordion uproariously stands in for hard drugs) and he’s on his own. At college and with the encouragement of three roommates turned bandmates, he becomes the biggest pop star in the world with his spoof tracks.
Similar to Bohemian Rhapsody, we take a journey through the creation of “My Bologna”, “Another One Rides the Bus”, “Eat It”, and “Like a Surgeon”. These segments are more exaggerated (slightly) than those in Rhapsody. The latter tune is manifested through his whirlwind tryst with the ambitious and conniving Madonna (Evan Rachel Wood, doing a fine impersonation). As for his largest smash “Eat It”, the script cleverly insists it was Michael Jackson ripping off Al.
Radcliffe is a pleasure to watch (the real Al plays a music exec) as he makes the tragic rock star journey. There are cameos galore including Jack Black as a taunting Wolfman Jack and a noted late night host as Andy Warhol (pay attention). Rainn Wilson is Dr. Demento, the radio host who gave the Weird one his big break (no exaggeration).
When we reach a Hot Shots! level of silliness with Al going Rambo at Pablo Escobar’s birthday bash, it all begins to wear a bit thin. Most of the time this is as fun and irreverent as its subject’s creations. No bologna.
My deep dives into 6 high profile Oscar races reaches the top one with Best Picture. If you missed my posts on Director and the four acting competitions, you can find them here:
At this early November period from 2019-21, here’s how accurate I was with my BP forecast. Three years ago, I correctly called 8 of the 9 eventual nominees. That includes the winner Parasite, 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Little Women, Marriage Story, and Once Upon a Time in Hollywood. The ninth hopeful was Joker and it was listed in Other Possibilities. In the wildly unpredictable 2020, I was right about 5 of 8 with two months left in the calendar – Nomadland (which won), The Father, Mank, Minari, and The Trial of the Chicago 7. Judas and the Black Messiah was named in Other Possibilities while Promising Young Woman and Sound of Metal were not yet in my top 15. In 2021, the Academy went back to a set number of 10 BP nominees. I rightly identified 7 of the 10 with Belfast, Dune, King Richard, Licorice Pizza, Nightmare Alley, The Power of the Dog, and West Side Story. The film that emerged victorious – CODA was not yet predicted but in Other Possibilities. So was Don’t Look Up while Drive My Car wasn’t among the 15.
Moving to 2022 – I can’t recall a year where four sequels were viable for inclusion. That’s where we stand at the moment. The top grosser of the year is Top Gun: Maverick and I do believe the Academy will reward it for bringing older audiences back to multiplexes (and of course for its quality). In a few weeks, we’ll have a better idea about Avatar: The Way of Water. I’m not ready to vault into my ten, but that could change soon. Knives Out missed out on BP in 2019 so I’m skeptical for Glass Onion: A Knives Out Mystery. And while Black Panther made the lineup in 2018, Wakanda Forever seems like a stretch despite the solid buzz. Nevertheless it’s not crazy to think that 40% of the BP players could be sequels.
On the non-sequel front, we begin with The Fabelmans. Steven Spielberg’s autobiographical coming-of-age tale has been listed at #1 for weeks on the blog. Only one of the filmmaker’s works – 1993’s Schindler’s List – has won BP. Shakespeare in Love was a surprise recipient in 1998 over the favored Saving Private Ryan. Nearly 30 years later, Fabelmans could have the credentials to be the second.
However, the frontrunner at this stage often doesn’t cross the finish line and Spielberg’s latest feels like a soft frontrunner. I could easily envision a scenario where the voters go outside the box with Everything Everywhere All at Once. A24’s multi-genre pic achieved wide acclaim and did great business at the box office. While spring releases rarely make the journey all the way through the awards calendar, Everything could buck that trend.
Other spoilers include The Banshees of Inisherin and Women Talking, which both garnered kudos at film festivals and will have their ardent admirers. I believe that logic also applies to Tár and The Whale though I don’t see either having a shot to win. And we are still waiting to see if Damien Chazelle’s Babylon is as viable as its pedigree suggests (we’ll know in a few days when it screens).
It’s become more common for an international feature film to get in and the two most likely to do so are All Quiet on the Western Front (which might just be Netflix’s most serious hopeful) and Decision to Leave. The reviews for Alejandro Gonzalez Inarritu’s Bardo should leave it out (it might not even make the separate international race).
While Guillermo del Toro’s Pinocchio is the favorite to be Best Animated Feature, I don’t see it breaking into the big dance. It’s probably the only animated title with any sort of chance.
The festival circuit always lessens the viability of some pics. In 2022, I would put the following on that list: Empire of Light, The Son, and Armageddon Time.
The Academy could choose to honor some moneymakers like Elvis and The Woman King (though putting Maverick in could check that box). Till may only show up in Best Actress for Danielle Deadwyler. And it’s tough to know what to make of the upcoming Emancipation considering it’s led by Will Smith (who has some, um, recent history with the ceremony).
Bottom line: there is a lot of uncertainty about BP. I feel fairly confident about The Fabelmans, Everything Everywhere, Women Talking, The Banshees of Inisherin, Top Gun: Maverick,Tár, and The Whale (more than others with that one). We’ll know about Babylon shortly so that leaves two spots. I could definitely see a sequel or a foreign flick jumping up. For now, the 9th and 10th entries go to Triangle of Sadness and She Said. Expect movement as the weeks roll along.
Best Picture
Predicted Nominees:
1 . The Fabelmans (Previous Ranking: 1) (Even)
2. Everything Everywhere All at Once (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. Women Talking (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
6. Top Gun: Maverick (PR: 6) (E)
7. Tár (PR: 7) (E)
8. The Whale (PR: 8) (E)
9. Triangle of Sadness (PR: 9) (E)
10. She Said (PR: 12) (+2)
Other Possibilities:
11. All Quiet on the Western Front (PR: 11) (E)
12. Decision to Leave (PR: 10) (-2)
13. Avatar: The Way of Water (PR: 14) (+1)
14. Elvis (PR: 13) (-1)
15. Glass Onion: A Knives Out Mystery (PR: 15) (E)
Stay tuned for estimates on all the races coming up soon!
Best Director is on deck for my closeup looks at six major categories at the Oscars. If you missed my posts covering the four acting derbies, you can find them here:
As I have with the other competitions, let’s see how accurate my estimates were from 2019-21 at the same early November time period. In 2019, I correctly had 4 of the 5 eventual directors: winner Bong Joon-ho (Parasite), Sam Mendes (1917), Martin Scorsese (The Irishman), and Quentin Tarantino (Once Upon a Time in Hollywood). Todd Phillips (Joker) was identified in Other Possibilities. 2020 was a trickier year due to COVID complications and I had 2 of the contenders rightly pegged: Chloe Zhao for Nomadland (who won) and David Fincher for Mank. Lee Isaac Chung (Minari) was in Other Possibilities while Emerald Fennell (Promising Young Woman) and Thomas Vinterberg (Another Round) were not yet in my top ten. Last year, I had 3 of 5 with the victorious Jane Campion (The Power of the Dog), Kenneth Branagh (Belfast), and Paul Thomas Anderson (Licorice Pizza). Steven Spielberg (West Side Story) was in Other Possibilities and I didn’t have Ryusuke Hamaguchi (Drive My Car) yet in the mix.
I don’t have Spielberg down as an Other Possibility in 2022. This time around, he could be in line for his third Best Director statue behind 1993’s Schindler’s List and 1998’s Saving Private Ryan. It would mark his ninth overall nom. If he wins, he would become only the fourth filmmaker with three or more victories. John Ford has 4 while Frank Capra and William Wyler have 3.
The last four years have given us a nominee with an International Feature Film contender. In addition to Joon-ho in 2019 and Vinterberg and Hamaguchi the following years, Alfonso Cuaron took the prize in 2018 for Roma. There are two in 2022 that stand the best shot: Edward Berger (All Quiet on the Western Front) and Park Chan-wook (Decision to Leave). If you want to be brave and predict an out of nowhere selection (like Vinterberg kinda was in 2020), look to Lukas Dhont (Close) or Jerzy Skolimowski (EO). Maybe even Alejandro Gonzalez Inarritu for Bardo though he faces a tough road due to mixed critical reception.
However, I’m not quite ready to elevate any of them to the forecasted quintet. Damien Chazelle’s Babylon will soon screen prior to its December bow. It has the looks of a contender and he’s in unless the buzz tells me differently in a few days.
I’m also feeling good about the Daniels (Dan Kwan and Daniel Scheinert) for Everything Everywhere All at Once. Same goes for Sarah Polley (Women Talking). Both appear to be surefire BP selections and would mark the Academy’s first mentions for them in this race.
As for the fifth spot, there’s plenty of names beyond the aforementioned international auteurs. Todd Field for Tár tops that list with Martin McDonagh (The Banshees of Inisherin) not far behind. If Avatar: The Way of Water approaches the reception that the original received, James Cameron could enter the conversation.
If She Said or The Whale pick up even more steam in BP, I wouldn’t discount Maria Schrader or Darren Aronofsky respectively. That same logic applies to Ruben Ostlund for Triangle of Sadness. I’ve had him in my five previously.
Perhaps the voters will honor the maker of the year’s biggest blockbuster with Joseph Kosinski for Top Gun: Maverick. The more likely path is a BP nom and a few tech inclusions.
This race can and will evolve over the next couple of months. Here’s the state of the race right now:
Best Director
Predicted Nominees:
1 . Steven Spielberg, The Fabelmans (Previous Ranking: 1) (Even)
2. Damien Chazelle, Babylon (PR: 2) (E)
3. Daniels, Everything Everywhere All at Once (PR: 3) (E)
4. Sarah Polley, Women Talking (PR: 4) (E)
5. Todd Field, Tár (PR: 5) (E)
Other Possibilities:
6. Edward Berger, All Quiet on the Western Front (PR: 7) (+1)
7. Park Chan-wook, Decision to Leave (PR: 6) (-1)
8. Martin McDonagh, The Banshees of Inisherin (PR: 8) (E)
9. James Cameron, Avatar: The Way of Water (PR: 10) (+1)
10. Ruben Ostlund, Triangle of Sadness (PR: 9) (-1)
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