Year: 2022

2021 SAG Awards Nominations Reaction

Hand it to the SAG Awards voting branch for providing more surprises than the Hollywood Foreign Press Association did with the Golden Globes! For their ceremony airing in February, nominations were announced this morning and there were shocking omissions and unexpected inclusions. I went 20 for 30 overall with my picks.

This is not the headline I was expecting to write, but I’d say House of Gucci was the big winner of the day. It showed up in every feasible category where it could while other heavyweight pics (Belfast, The Power of the Dog, West Side Story) saw snubs.

Let’s break it down race by race with how I did and what it means for the Oscar landscape (and there are implications, folks).

A * indicates that I correctly forecasted the nominee.

Outstanding Performance by a Cast in a Motion Picture

Nominees:

Belfast *

CODA *

Don’t Look Up *

House of Gucci

King Richard

How I Did: 3/5

Commentary – Of the three films most likely to take Best Picture from the Academy, only Belfast showed up here. That means my predictions of The Power of the Dog and West Side Story didn’t make the cut. My second alternate pick King Richard is not unexpected, but SAG clearly has a thing for Gucci and that proved itself today. There was some chatter that West Side sending out late screeners for voters could be a hindrance and its sole nod this morning could lend some credence to that. As for Power, that’s more of a head scratcher as it landed three individual acting mentions (I don’t think this hurts its BP chances at Oscar). I’m nowhere near finalizing winner forecasts, but you’d have to think Belfast is a possibility (though its omissions which I’ll discuss in a minute make me question that)…

Outstanding Performance by a Female Actor in a Leading Role

Nominees:

Jessica Chastain, The Eyes of Tammy Faye *

Olivia Colman, The Lost Daughter *

Lady Gaga, House of Gucci *

Jennifer Hudson, Respect

Nicole Kidman, Being the Ricardos *

How I Did: 4/5

Commentary – OK 4 for 5 is fine and all, but there is a major surprise with this lineup and that’s Kristen Stewart not making the list for Spencer. No one saw this coming. I’ve had Stewart listed in my #1 slot at the Oscars for months. So how many times has the Academy victor for lead actress not been nominated for SAG in the 27 years of its existence? Once and that’s with a huge caveat. In 2008, Kate Winslet took Oscar gold for The Reader. That year, SAG mentioned her for Revolutionary Road instead and the studio for The Reader submitted her in supporting at SAG.

Obviously this calls into question whether Stewart has any chance now of winning the Academy Award and it’s a safe bet that she’ll drop from her #1 perch in my rankings when I update them tomorrow. Hudson’s inclusion here is a little surprising, but this is more about who didn’t make it. Kidman took the Golden Globe. If she takes SAG, look out.

Outstanding Performance by a Male Actor in a Leading Role

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog *

Andrew Garfield, Tick, Tick… Boom! *

Will Smith, King Richard *

Denzel Washington, The Tragedy of Macbeth *

How I Did: 4/5

Commentary – Being the Ricardos got its two leads in (though not Ensemble or Supporting Actor for J.K. Simmons). That’s my miss in this derby as I had Peter Dinklage (Cyrano) in. As far as Oscar is concerned – Cumberbatch, Garfield, Smith, and Washington are looking safe (with Smith as the frontrunner). The fifth slot is up for grabs.

Outstanding Performance by a Female Actor in a Supporting Role

Nominees:

Caitriona Balfe, Belfast *

Cate Blanchett, Nightmare Alley

Ariana DeBose, West Side Story *

Kirsten Dunst, The Power of the Dog *

Ruth Negga, Passing

How I Did: 3/5

Commentary – Negga factoring in ups her Oscar viability (she got a Globes nod too). Blanchett is a surprise. I had Rita Moreno (West Side Story) in, but her omission is not unexpected. She hasn’t managed a Globe or SAG and I’d say her Academy chances are fading fast. Aunjanue Ellis (King Richard) missing here is pretty significant. DeBose probably stands the best chance, but the fact that this is the only nod for West Side makes me believe an upset is totally possible.

Outstanding Performance by a Male Actor in a Supporting Role

Nominees:

Ben Affleck, The Tender Bar

Bradley Cooper, Licorice Pizza

Troy Kotsur, CODA *

Jared Leto, House of Gucci

Kodi Smit-McPhee, The Power of the Dog *

How I Did: 2/5

Commentary – The Supporting Actor race has been unpredictable and did that ever show this morning! Yep, I went 2 for 5. Neither Belfast hopeful (Jamie Dornan, Ciaran Hinds) factored in nor did Mike Faist for West Side Story. I’ll note that Affleck, Kotsur, and Smit-McPhee are the three that managed Globe and SAG attention. While I didn’t have Cooper for SAG, his inclusion here makes me more confident picking him for an Oscar nod (where I’ve had him for weeks). Leto’s chances get a boost after missing the Globes. And at the end of the day – Smit-McPhee could be headed towards a sweep after taking the Globe.

Outstanding Performance by a Stunt Ensemble

Nominees:

Black Widow *

Dune *

The Matrix Resurrections

No Time to Die *

Shang-Chi and the Legend of the Ten Rings *

How I Did: 4/5

Commentary – Pretty simple as Matrix gets in over Spider-Man: No Way Home. This is likely a Dune win or maybe No Time to Die.

And there you have it! I won’t spend too much time expressing my amazement over the Stewart snub (I’m sure you’ll find plenty of that on Twitter). I’ll have my winner picks up on the blog shortly before the SAG Awards air on February 27th and I’ll have updated Oscar estimates up tomorrow!

January 14-17 Box Office Predictions

**Blogger’s Note (01/13): On the eve of its premiere, I am upping the 4-day tally for Scream from $29.4 million to $36.4M

**Blogger’s Update (01/11) – GKIDS has announced that Belle will open Friday on approximately 1300 screens. I believe that’s enough that it could post a $3-4 million showing and place fourth. Update is reflected below.

Familiar faces from the quarter century old Scream team are back with some fresh ones as Scream, the fourth sequel to the 1996 original hits multiplexes over the long MLK weekend. The scare fest follow-up looks to dethrone Spider-Man from his four week reign atop the charts. You can peruse my detailed prediction post on it here:

Scream Box Office Prediction

My high 20s estimate for Scream should get it to #1. While Omicron concerns could hinder it, Spidey has certainly proved that familiar products can thrive. Horror pics have also proven to be sturdy at the box office in recent times. If anything, I could envision Scream managing to top $30 million but I’ll hedge a bit.

The four-day weekend could mean smallish dips for holdovers as Spider-Man should place second in the low to possibly 20s with Sing 2, The 355, and The King’s Man filling out the high five.

Keep in mind that these projections are for Friday-Monday and this is how I see it:

1. Scream

Predicted Gross: $36.4 million

2. Spider-Man: No Way Home

Predicted Gross: $22.7 million

3. Sing 2

Predicted Gross: $9.4 million

4. Belle

Predicted Gross: $3.8 million

5. The 355

Predicted Gross: $3.1 million

Box Office Results (January 7-9)

The web slinger had no trouble staying in first as Spider-Man: No Way Home added $32.6 million to its coffers, a bit ahead of my $29.5 million prediction. The MCU phenomenon is up to $668 million and that places it 6th on the all-time domestic chart.

Sing 2 was once again the runner-up with $11.5 million, in line with my take of $11.9 million. The animated sequel crossed the century mark and stands at $108 million.

Spy thriller The 355 was 2022’s first wide release and, as expected, opened in third with $4.6 million. While nothing to brag about, it debuted in line with expectations and a smidge more than my $3.8 million forecast.

The King’s Man was fourth with $3.2 million compared to my $2.6 million projection. Total is $25 million.

American Underdog rounded out the top five with $2.3 million (I said $2.1 million) for $18 million overall.

And that does it for now, folks! Until next time…

 

2021 Golden Globes Reaction

This evening’s Golden Globes ceremony was certainly like no other in recent history. Due to controversies that have fallen upon the Hollywood Foreign Press Association in the past couple of years, the show was not broadcast, not streaming, and no celebrities attended. Reveals of the winners were available via Twitter.

The Globes could still provide a window for what might occur when Oscar nods are out next month. If so, there could be good things coming to the big winners of the evening – West Side Story and The Power of the Dog. They are likely the two that stand the greatest chance to take Best Picture (along with Belfast) and each had key wins tonight. And while Belfast only landed one victory, it was a rather key one.

So how’d I do with my predictions? 9 for 14. That’s about how I thought I’d perform to be honest as the HFPA is a little unpredictable.

Let’s start with what I got right:

West Side Story won Best Musical/Comedy and Ariana DeBose took Supporting Actress.

Kodi-Smit McPhee is Best Supporting Actor for The Power of the Dog. For DeBose and McPhee, it could be the start of healthy runs throughout the season.

Encanto is Best Animated Feature and Drive My Car took Foreign Film. I have both in my #1 positions for the Oscars.

Dune received Best Score and “No Time to Die” won Original Song. At the Academy Awards, I expect Billie vs. Beyonce (for “Be Alive” from King Richard). In round 1, Billie is victorious.

Will Smith’s turn as King Richard is your Best Actor (Drama) while Andrew Garfield in Tick, Tick… Boom! is Best Actor (Musical/Comedy). Both were widely expected and the two are anticipated to easily make the cut at the Oscars.

Where I went wrong:

My one true upset pick was Emma Stone in Best Actress (Musical/Comedy) for Cruella. I went with the upset because I couldn’t choose between Rachel Zegler (West Side Story) or Alana Haim (Licorice Pizza). Zegler took the prize.

I did have Pizza being delivered a Screenplay win, but that went to Belfast. I thought that early award might forecast its win for Best Drama (I picked it) but…

The Power of the Dog won and that’s a pretty significant boost for its Oscar chances. Its maker Jane Campion also was named Best Director and I went with Steven Spielberg for West Side Story. 

And perhaps the only true surprise of the evening was Best Actress (Drama) though I did make a point to say that any could win. I predicted Kristen Stewart in Spencer, but Nicole Kidman in Being the Ricardos was awarded. This points to a real competition at the other shows to come.

Quick take – Dog and Story had solid nights. Smith, DeBose, and Smit-McPhee may have solidified their frontrunner statuses. And Best Actress might be wide open.

2021 SAG Awards Nominee Predictions

The 28th Annual Screen Actors Guild (SAG) Awards airs February 27th and the nominations will be unveiled this Wednesday (01/12). It’s often a more reliable precursor to the acting nominations for the Oscars. Therefore it’s time to make my picks on who and what will grab the nods later this week.

As a reminder, the big prize here is Best Ensemble and not Best Picture. That often favors films with a larger cast though a potent mix with four or more actors can make the cut. Similar to Golden Globe estimates and my forthcoming final Oscar picks, I’ll give you my five contenders along with a runner-up and second alternate with a bit of commentary.

Here we go!

Outstanding Performance by a Cast in a Motion Picture

Predicted Nominees:

Belfast

CODA

Don’t Look Up

The Power of the Dog

West Side Story

Runner-Up: Licorice Pizza

Second Alternate: King Richard

Commentary – The three Best Picture frontrunners for the Academy (Belfast, Power, West Side) all seem like pretty safe bets here. If anything is vulnerable, it might be the quartet from Power considering it has a smaller troupe of performers. There’s also some chatter that West Side could be vulnerable because it sent out late screeners for voters, but I’ll give it the benefit of the doubt. For the other two spots, I’m favoring Don’t Look Up‘s large and sprawling cast should make it in. I’ll go with the CODA clan as well though I could easily see Licorice Pizza, King Richard or The Harder They Fall making the cut.

Outstanding Performance by a Female Actor in a Leading Role

Predicted Nominees:

Jessica Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Lady Gaga, House of Gucci

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Runner-Up: Penelope Cruz, Parallel Mothers

Second Alternate: Alana Haim, Licorice Pizza

Commentary – The last four years has seen a 4/5 match with SAG and Oscar when it comes to leading ladies. My current Academy lineup is the same as here (though that’s certainly subject to change). Quite honestly, I tried to make room for Cruz but couldn’t land on who to take out. The most vulnerable could be Chastain, Gaga, or Kidman. I also wouldn’t completely discount Jennifer Hudson for Respect and would have her ranked above Rachel Zegler (West Side Story) for SAG.

Outstanding Performance by a Male Actor in Leading Role

Predicted Nominees:

Benedict Cumberbatch, The Power of the Dog

Peter Dinklage, Cyrano

Andrew Garfield, Tick, Tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Runner-Up: Leonardo DiCaprio, Don’t Look Up

Second Alternate: Nicolas Cage, Pig

Commentary – Just as I am with the Oscars – feeling confident about Cumberbatch, Garfield, Smith, and Washington. It’s that fifth slot that’s tricky. I’ll give Dinklage the ever so slight nod over Leo (who’s currently my fifth with the Academy). I also wouldn’t be surprised to see Cage sneak in.

Outstanding Performance by a Female Actor in a Supporting Role

Predicted Nominees:

Caitriona Balfe, Belfast

Ariana DeBose, West Side Story

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Rita Moreno, West Side Story

Runner-Up: Marlee Matlin, CODA

Second Alternate: Ann Dowd, Mass

Commentary – I’m banking on the Guild not passing up a chance to put the legendary Moreno in with her costar DeBose. Speaking of Passing, you’ll notice Ruth Negga (my fifth Oscar player at the moment) isn’t here but she could certainly surface.

Outstanding Performance by a Male Actor in a Supporting Role

Predicted Nominees:

Jamie Dornan, Belfast

Mike Faist, West Side Story

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Kodi Smit-McPhee, The Power of the Dog

Runner-Up: Jared Leto, House of Gucci

Second Alternate: Bradley Cooper, Licorice Pizza

Commentary – Bit of a guessing game as Supporting Actor is a head scratcher for 2021 pics. Going with both Belfast boys and the love continuing for West Side Story with Faist. As for the winner, that could be between Kotsur and Smit-McPhee (I also wouldn’t discount his costar Jesse Plemons getting in). If Leto misses here (and with the Globes omission), his Oscar chances probably disappear.

Outstanding Performance by a Stunt Ensemble

Predicted Nominees:

Black Widow

Dune

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

Runner-Up: The Matrix Resurrections

Second Alternate: The Harder They Fall

This means I’m projecting 4 nominations apiece for Belfast, The Power of the Dog, and West Side Story. I’ll have a recap up Wednesday with my reaction and how well (or not) I did!

P.S. – Golden Globe reactions coming up this evening…

2021 Oscar Predictions: January 8th Edition

My first 2022 predictions for the 2021 Oscar season comes on the eve of the Golden Globes and four days before SAG announces their nominees. By my next update, we will have those useful bits of information to consider.

If you missed my predictions for the Globe winners, you can find them here:

2021 Golden Globe Winner Predictions

I’ll have my forecast for the SAG nominees up on the blog tomorrow so stay tuned! In the meantime, there are numerous changes to point out:

    • I keep going back and forth on whether momentum for Japan’s Drive My Car is still revving up or perhaps stalling. I’ve taken it out of my ten predicted BP contenders and put The Tragedy of Macbeth back in.
    • While I continue to struggle with all 5 Best Actress hopefuls representing non BP nominees, I’m back to that lineup. That means Lady Gaga (House of Gucci) returns with Alana Haim (Licorice Pizza) falling out.
    • For many weeks, I’ve held to same Best Actor five. That changes today with Leonardo DiCaprio (Don’t Look Up) joining the quintet and Peter Dinklage (Cyrano) dropping.
    • In Supporting Actor, both Belfast boys are in so Jamie Dornan is back in the mix. That takes out Jesse Plemons (The Power of the Dog).
    • Drive My Car is also out for Adapted Screenplay with Dune in.
    • The Beyonce vs. Billie battle in Original Song switches places. Beyonce’s track “Be Alive” from King Richard has been my #1 for months, but I’ve now vaulted Billie’s “No Time to Die” to top position.

You can read all the movement below and keep an eye out for a Globes recap and SAG prognostications.

Best Picture

Predicted Nominees:

1. The Power of the Dog (Previous Ranking: 1) (E)

2. Belfast (PR: 2) (E)

3. West Side Story (PR: 3) (E)

4. Dune (PR: 5) (+1)

5. Licorice Pizza (PR: 4) (-1)

6. King Richard (PR: 6) (E)

7. Don’t Look Up (PR: 9) (+2)

8. CODA (PR: 7) (-1)

9. Tick, Tick… Boom! (PR: 8) (-1)

10. The Tragedy of Macbeth (PR: 11) (+1)

Other Possibilities:

11. Drive My Car (PR: 10) (-1)

12. The Lost Daughter (PR: 14) (+2)

13. Nightmare Alley (PR: 13) (E)

14. Being the Ricardos (PR: 12) (-2)

15. Spider-Man: No Way Home (PR: 15) (E)

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 1) (E)

2. Denis Villeneuve, Dune (PR: 2) (E)

3. Steven Spielberg, West Side Story (PR: 3) (E)

4. Kenneth Branagh, Belfast (PR: 4) (E)

5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)

Other Possibilities:

6. Ryusuke Hamaguchi, Drive My Car (PR: 6) (E)

7. Adam McKay, Don’t Look Up (PR: 10) (+3)

8. Joel Coen, The Tragedy of Macbeth (PR: 7) (-1)

9. Guillermo del Toro, Nightmare Alley (PR: 8) (-1)

10. Sian Heder, CODA (PR: Not Ranked)

Dropped Out:

Asghar Farhadi, A Hero

Best Actress

Predicted Nominees:

1. Kristen Stewart, Spencer (PR: 1) (E)

2. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (E)

3. Nicole Kidman, Being the Ricardos (PR: 3) (E)

4. Olivia Colman, The Lost Daughter (PR: 4) (E)

5. Lady Gaga, House of Gucci (PR: 6) (+1)

Other Possibilities:

6. Alana Haim, Licorice Pizza (PR: 5) (-1)

7. Rachel Zegler, West Side Story (PR: 7) (E)

8. Penelope Cruz, Parallel Mothers (PR: 8) (E)

9. Jennifer Hudson, Respect (PR: 9) (E)

10. Emilia Jones, CODA (PR: 10) (E)

Best Actor

Predicted Nominees:

1. Will Smith, King Richard (PR: 1) (E)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)

3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)

4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)

5. Leonardo DiCaprio, Don’t Look Up (PR: 6) (+1)

Other Possibilities:

6. Peter Dinklage, Cyrano (PR: 5) (-1)

7. Nicolas Cage, Pig (PR: 7) (E)

8. Joaquin Phoenix, C’Mon C’Mon (PR: 8) (E)

9. Javier Bardem, Being the Ricardos (PR: 10) (+1)

10. Clifton Collins, Jr., Jockey (PR: 9) (-1)

Best Supporting Actress

Predicted Nominees:

1. Ariana DeBose, West Side Story (PR: 1) (E)

2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)

3. Aunjanue Ellis, King Richard (PR: 4) (+1)

4. Caitriona Balfe, Belfast (PR: 3) (-1)

5. Ruth Negga, Passing (PR: 5) (E)

Other Possibilities:

6. Ann Dowd, Mass (PR: 8) (+2)

7. Marlee Matlin, CODA (PR: 6) (-1)

8. Rita Moreno, West Side Story (PR: 7) (-1)

9. Jessie Buckley, The Lost Daughter (PR: Not Ranked)

10. Judi Dench, Belfast (PR: Not Ranked)

Dropped Out:

Meryl Streep, Don’t Look Up

Cate Blanchett, Nightmare Alley

Best Supporting Actor

Predicted Nominees:

1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)

2. Troy Kotsur, CODA (PR: 3) (+1)

3. Ciaran Hinds, Belfast (PR: 2) (-1)

4. Jamie Dornan, Belfast (PR: 6) (+2)

5. Bradley Cooper, Licorice Pizza (PR: 4) (-1)

Other Possibilities:

6. Jesse Plemons, The Power of the Dog (PR: 5) (-1)

7. Jared Leto, House of Gucci (PR: 7) (E)

8. Mike Faist, West Side Story (PR: 8) (E)

9. J.K. Simmons, Being the Ricardos (PR: 10) (+1)

10. Ben Affleck, The Tender Bar (PR: 9) (-1)

Best Original Screenplay

Predicted Nominees:

1. Licorice Pizza (PR: 1) (E)

2. Belfast (PR: 2) (E)

3. Don’t Look Up (PR: 4) (+1)

4. King Richard (PR: 3) (-1)

5. Being the Ricardos (PR: 5) (E)

Other Possibilities:

6. Mass (PR: 6) (E)

7. C’Mon C’Mon (PR: 7) (E)

8. Parallel Mothers (PR: 9) (+1)

9. A Hero (PR: 8) (-1)

10. The French Dispatch (PR: 10) (E)

Best Adapted Screenplay

Predicted Nominees:

1. The Power of the Dog (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. CODA (PR: 3) (E)

4. The Lost Daughter (PR: 4) (E)

5. Dune (PR: 6) (+1)

Other Possibilities:

6. Drive My Car (PR: 5) (-1)

7. Tick, Tick… Boom! (PR: 7) (E)

8. The Tragedy of Macbeth (PR: 9) (+1)

9. Passing (PR: 8) (-1)

10. The Last Duel (PR: 10) (E)

Best Animated Feature

Predicted Nominees:

1. Encanto (PR: 1) (E)

2. Flee (PR: 2) (E)

3. Luca (PR: 4) (+1)

4. The Mitchells vs. the Machines (PR: 3) (-1)

5. Raya and the Last Dragon (PR: 5) (E)

Other Possibilities:

6. Belle (PR: 6) (E)

7. The Summit of the Gods (PR: 7) (E)

8. Vivo (PR: 8) (E)

9. Ron’s Gone Wrong (PR: 9) (E)

10. My Sunny Maad (PR: Not Ranked)

Dropped Out:

Sing 2

Best International Feature Film

Predicted Nominees:

1. Drive My Car (PR: 1) (E)

2. A Hero (PR: 2) (E)

3. The Worst Person in the World (PR: 3) (E)

4. Flee (PR: 4) (E)

5. The Hand of God (PR: 5) (E)

Other Possibilities:

6. I’m Your Man (PR: 6) (E)

7. Compartment No. 6 (PR: 7) (E)

8. Great Freedom (PR: 9) (+1)

9. Prayers for the Stolen (PR: 8) (-1)

10. The Good Boss (PR: Not Ranked)

Dropped Out:

Lamb

Best Documentary Feature

Predicted Nominees:

1. Flee (PR: 1) (E)

2. Summer of Soul (PR: 3) (+1)

3. The Rescue (PR: 2) (-1)

4. Procession (PR: 4) (E)

5. Ascension (PR: 7) (+2)

Other Possibilities:

6. Attica (PR: 5) (-1)

7. The First Wave (PR: 6) (-1)

8. President (PR: 9) (+1)

9. Faya Dayi (PR: 8) (-1)

10. In the Same Breath (PR: 10) (E)

Best Cinematography

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Power of the Dog (PR: 2) (E)

3. West Side Story (PR: 3) (E)

4. The Tragedy of Macbeth (PR: 4) (E)

5. Belfast (PR: 5) (E)

Other Possibilities:

6. Nightmare Alley (PR: 6) (E)

7. Licorice Pizza (PR: 7) (E)

8. The French Dispatch (PR: 8) (E)

9. No Time to Die (PR: Not Ranked)

10. C’Mon C’Mon (PR: 9) (-1)

Best Costume Design

Predicted Nominees:

1. Cruella (PR: 1) (E)

2. Dune (PR: 2) (E)

3. Spencer (PR: 5) (+2)

4. West Side Story (PR: 3) (-1)

5. House of Gucci (PR: 4) (-1)

Other Possibilities:

6. Cyrano (PR: 7) (+1)

7. Nightmare Alley (PR: 6) (-1)

8. The French Dispatch (PR: Not Ranked)

9. Licorice Pizza (PR: 9) (E)

10. Last Night in Soho (PR: 8) (-2)

Dropped Out:

The Tragedy of Macbeth 

Best Film Editing

Predicted Nominees:

1. Dune (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. Belfast (PR: 3) (E)

4. The Power of the Dog (PR: 6) (+2)

5. Licorice Pizza (PR: 5) (E)

Other Possibilities:

6. Don’t Look Up (PR: 4) (-2)

7. Nightmare Alley (PR: Not Ranked)

8. Tick, Tick… Boom! (PR: 8) (E)

9. King Richard (PR: 7) (-2)

10. The French Dispatch (PR: Not Ranked)

Dropped Out:

Being the Ricardos

Last Night in Soho

Best Makeup and Hairstyling

Predicted Nominees:

1. Dune (PR: 1) (E)

2. House of Gucci (PR: 2) (E)

3. The Eyes of Tammy Faye (PR: 3) (E)

4. Cruella (PR: 4) (E)

5. Nightmare Alley (PR: 6) (+1)

Other Possibilities:

6. Coming 2 America (PR: 5) (-1)

7. West Side Story (PR: 9) (+2)

8. Cyrano (PR: 8) (E)

9. The Suicide Squad (PR: 7) (-2)

10. No Time to Die (PR: 10) (E)

Best Original Score

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Power of the Dog (PR: 2) (E)

3. Don’t Look Up (PR: 3) (E)

4. Spencer (PR: 5) (+1)

5. Parallel Mothers (PR: 7) (+2)

Other Possibilities:

6. The French Dispatch (PR: 4) (-2)

7. The Tragedy of Macbeth (PR: 6) (-1)

8. King Richard (PR: 8) (E)

9. Encanto (PR: 9) (E)

10. Being the Ricardos (PR: Not Ranked)

Dropped Out:

The Green Knight

Best Original Song

Predicted Nominees:

1. “No Time to Die” from No Time to Die (PR: 2) (+1)

2. “Be Alive” from King Richard (PR: 1) (-1)

3. “Dos Oruguitas” from Encanto (PR: 3) (E)

4. “Down to Joy” from Belfast (PR: 4) (E)

5. “Just Look Up” from Don’t Look Up (PR: 5) (E)

Other Possibilities:

6. “Beyond the Shore” from CODA (PR: 6) (E)

7. “Guns Go Bang” from The Harder They Fall (PR: 7) (E)

8. “Here I Am” from Respect (PR: 9) (+1)

9. “So May We Start” from Annette (PR: 8) (-1)

10. “Right Where I Belong” from Brian Wilson: Long Promised Road (PR: Not Ranked)

Dropped Out:

“Somehow You Do” from Four Good Days

Best Production Design

Predicted Nominees:

1. Dune (PR: 1) (E)

2. Nightmare Alley (PR: 3) (+1)

3. West Side Story (PR: 2) (-1)

4. The French Dispatch (PR: 4) (E)

5. The Tragedy of Macbeth (PR: 6) (+1)

Other Possibilities:

6. Belfast (PR: 5) (-1)

7. Cyrano (PR: 7) (E)

8. Spencer (PR: 9) (+1)

9. The Power of the Dog (PR: 8) (-1)

10. Cruella (PR: Not Ranked)

Best Sound

Predicted Nominees

1. Dune (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. Belfast (PR: 3) (E)

4. No Time to Die (PR: 4) (E)

5. Tick, Tick… Boom! (PR: 5) (E)

Other Possibilities:

6. Spider-Man: No Way Home (PR: 6) (E)

7. A Quiet Place Part II (PR: 7) (E)

8. The Power of the Dog (PR: 9) (+1)

9. The Matrix Resurrections (PR: 8) (-1)

10. Last Night in Soho (PR: 10) (E)

Best Visual Effects

Predicted Nominees:

1. Dune (PR: 1) (E)

2. Spider-Man: No Way Home (PR: 2) (E)

3. Godzilla vs. Kong (PR: 4) (+1)

4. The Matrix Resurrections (PR: 3) (-1)

5. Free Guy (PR: 6) (+1)

Other Possibilities:

6. Shang-Chi and the Legend of the Ten Rings (PR: 5) (-1)

7. No Time to Die (PR: 9) (+2)

8. Eternals (PR: 8) (E)

9. Ghostbusters: Afterlife (PR: 7) (-2)

10. Black Widow (PR: 10) (E)

And that boils down to these pictures garnering these numbers for nominations:

11 Nominations

Dune

10 Nominations

Belfast

9 Nominations

The Power of the Dog, West Side Story

5 Nominations

Don’t Look Up, King Richard, Licorice Pizza

4 Nominations

The Tragedy of Macbeth

3 Nominations

CODA, Flee, House of Gucci, Spencer, Tick, Tick… Boom!

2 Nominations

Being the Ricardos, Cruella, Encanto, The Eyes of Tammy Faye, The Lost Daughter, Nightmare Alley, No Time to Die

1 Nomination

Ascension, Drive My Car, Free Guy, The French Dispatch, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Parallel Mothers, Passing, Procession, Raya and the Last Dragon, The Rescue, Spider-Man: No Way Home, Summer of Soul, The Worst Person in the World

2021 Golden Globe Winner Predictions

I’m used to saying the Golden Globes will air Sunday evening, but that’s not the case in 2022. The ceremony honoring the best of 2021 will come to us in an as yet undetermined format. This is due to various controversies brought to light recently about the Hollywood Foreign Press Association and NBC’s decision not to broadcast the show.

However, the show will go on (possibly streaming on your computer) and the Globes still serve as a barometer for what Oscar voters could be thinking in coming weeks. That said, the HFPA is certainly capable of providing surprises. Just last year, Andra Day’s victory in Best Actress (Drama) for The United States vs. Billie Holiday and Jodie Foster as Supporting Actress for The Mauritanian were legitimate upsets.

As a reminder, the Globes split their picture and lead acting races into Drama and Musical/Comedy though not with the supporting derbies or screenplay. I will be making my picks along with runner-up selections while also providing numbers showing the correlation of Globe winners to Oscar recipients in each respective category for the last ten years.

Let’s get to it!

Best Motion Picture (Drama)

Nominees:

Belfast

CODA

Dune

King Richard

The Power of the Dog

Predicted Winner: Belfast

Runner-Up: The Power of the Dog

Globe Winner to Oscar Winner Ratio: 4 out of last 10 years

Commentary: The HFPA competition for the drama prize is the first major showdown between Oscar frontrunners Belfast and The Power of the Dog. With the international flavor and feel good vibes of the former, I’m picking Kenneth Branagh’s coming-of-age drama to come out ahead. If there’s a shocker in store, it could be CODA (which seems to picking up more steam on a weekly basis).

I will admit that picking Belfast to win Drama and take no other awards (as you’ll see below) feels strange. There is recent precedent, however, with 2016’s Moonlight. 

Best Motion Picture (Musical/Comedy)

Nominees:

Cyrano

Don’t Look Up

Licorice Pizza

Tick, Tick… Boom!

West Side Story

Predicted Winner: West Side Story

Runner-Up: Licorice Pizza

Globe Winner to Oscar Winner ratio: 2 out of the last 10 years

Commentary: I wouldn’t count out Licorice Pizza but its miss in Best Director could be telling. West Side Story should be right up HFPA’s alley and its the only feature where its maker made the director cut.

Best Director

Nominees:

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Maggie Gyllenhaal, The Lost Daughter

Steven Spielberg, West Side Story

Denis Villeneuve, Dune

Predicted Winner: Steven Spielberg, West Side Story

Runner-Up: Jane Campion, The Power of the Dog

Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years

Commentary: This is a tough one. Maggie Gyllenhaal’s nod for The Lost Daughter was unexpected and she’s the only contender that I feel stands no chance of winning. Branagh could certainly ride a wave of Belfast love. Villeneuve could be honored for the technical mastery of Dune. And Campion is the hopeful picking up the bulk of critics prizes. Yet I’ll go with the HFPA honoring the legendary Spielberg.

Best Performance in a Motion Picture – Drama (Actress)

Nominees:

Jessica Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Lady Gaga, House of Gucci

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Predicted Winner: Kristen Stewart, Spencer

Runner-Up: Jessica Chastain, The Eyes of Tammy Faye

Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years

Commentary: This is the first test to see whether Stewart really is the frontrunner that could sweep through the season. I’m skeptical and I honestly believe any of the performers could take this (I struggled to pick the runner-up as it could be any of them). I wouldn’t put money on it, but I’ll say Stewart manages to nab the crown.

Best Performance in a Motion Picture – Drama (Actor)

Nominees:

Mahershala Ali, Swan Song

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Predicted Winner: Will Smith, King Richard

Runner-Up: Benedict Cumberbatch, The Power of the Dog

Globe Winner to Oscar Winner Ratio: 8 out of the last 10 years

Commentary: As you can see, this is a rather reliable predictor of where the Academy could go. For 2021’s features, the ceremonies should boil down to Smith v. Cumberbatch. I don’t think HFPA will pass up a chance to honor one of cinema’s most durable draws for the last 25 years in one of his most acclaimed performances.

Best Performance in a Motion Picture – Musical/Comedy (Actress)

Nominees:

Marion Cotillard, Annette

Alana Haim, Licorice Pizza

Jennifer Lawrence, Don’t Look Up

Emma Stone, Cruella

Rachel Zegler, West Side Story

Predicted Winner: Emma Stone, Cruella

Runner-Up: Rachel Zegler, West Side Story

Globe Winner to Oscar Winner Ratio: 3 out of the last 10 years

Commentary: There was an upset last year when Rosamund Pike (I Care a Lot) emerged over the favored Maria Bakalova for Borat Subsequent Moviefilm. The West Side love extending to Zegler is probably the smartest pick to make. Alana Haim’s work in Pizza could deliver her a victory and she probably should be listed as the runner-up. Yet if there’s any upset, I could see Stone surprising and there’s almost always one during the Globes. Perhaps against my better judgment, I’m going with it.

Best Performance in a Motion Picture – Musical/Comedy (Actor)

Nominees:

Leonardo DiCaprio, Don’t Look Up

Peter Dinklage, Cyrano

Andrew Garfield, Tick, Tick… Boom!

Cooper Hoffman, Licorice Pizza

Anthony Ramos, In the Heights

Predicted Winner: Andrew Garfield, Tick, Tick… Boom!

Runner-Up: Leonardo DiCaprio, Don’t Look Up

Globe Winner to Oscar Winner Ratio: 1 out of the last 10 years

Commentary: Dinklage is a threat though I’ll go with DiCaprio as the runner-up since he’s arguably the biggest star in Hollywood. That said, Garfield (he’s likely #3 in the Oscar contest at the moment) is the most likely winner.

Best Supporting Performance in a Motion Picture (Actress)

Nominees:

Caitriona Balfe, Belfast

Ariana DeBose, West Side Story

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Ruth Negga, Passing

Predicted Winner: Ariana DeBose, West Side Story

Runner-Up: Aunjanue Ellis, King Richard

Globe Winner to Oscar Winner Ratio: 7 out of the last 10 years

Commentary: Jodie Foster’s win for 2020 came out of nowhere so who really knows? I’ll go with a West Side pick and DeBose. Other than Negga, I could foresee any of these candidates making (theoretical) podium trips.

Best Supporting Performance in a Motion Picture (Actor)

Nominees:

Ben Affleck, The Tender Bar

Jamie Dornan, Belfast

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Kodi Smit-McPhee, The Power of the Dog

Predicted Winner: Kodi Smit-McPhee, The Power of the Dog

Runner-Up: Troy Kotsur, CODA

Globe Winner to Oscar Winner Ratio: 8 out of the last 10 years

Commentary: Another tricky one in a race where the Globes and Academy typically match. Assuming the Belfast boys split and Affleck isn’t a factor, this comes down to Smit-McPhee vs. Kotsur. A win for either could propel them to a glorious season ahead. I’m really tempted to go with Kotsur, but I’ll say this marks the best opportunity for HFPA to bestow an honor for Dog. This is a coin flip.

Best Screenplay

Nominees:

Being the Ricardos

Belfast

Don’t Look Up

Licorice Pizza

The Power of the Dog

Predicted Winner: Licorice Pizza

Runner-Up: Belfast

Globe Winner to Oscar Winner Ratio: 5 out of the last 10 years (counting both Original and Adapted Screenplays at the Oscars)

Commentary: Your guess is as good as mine here. I’m going with a bit of an upset with Pizza, but the smart money is probably on Belfast or Dog. I also wouldn’t count out Aaron Sorkin for Ricardos (he took this category last year for The Trial of the Chicago 7). And Adam McKay could be called up for Don’t Look Up which (despite its mixed reviews) is drawing plenty of ink.

Best Animated Feature

Nominees:

Encanto

Flee

Luca

My Sunny Maad

Raya and the Last Dragon

Predicted Winner: Encanto

Runner-Up: Flee

Globe Winner to Oscar Winner Ratio: 7 out of the last years

Commentary: The Globes are capable of unexpected picks here (2019’s Missing Link for example). Don’t be surprised if Flee from Iran gets this, but I’ll go with Disney’s likeliest hopeful of its trio of nominees and that’s Encanto.

Best Foreign Language Film

Nominees:

Compartment No. 6

Drive My Car

The Hand of God

A Hero

Parallel Mothers

Predicted Winner: Drive My Car

Runner-Up: Parallel Mothers

Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years

Commentary: Watch out for Mothers to pull off an upset, but this is Drive My Car‘s race to lose. The Japanese drama has established itself as the frontrunner in international competitions at all ceremonies.

Best Original Score

Nominees:

Dune

Encanto

The French Dispatch

Parallel Mothers

The Power of the Dog

Predicted Winner: Dune

Runner-Up: Parallel Mothers

Globe Winner to Oscar Winner Ratio: 7 out of the last 10 years

Commentary: Another race that Mothers could unexpectedly take, I also wouldn’t discount Dispatch or Dog. This should be Dune‘s best opportunity to take a prize though.

Best Original Song

Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“Here I Am” from Respect

“No Time to Die” from No Time to Die

Predicted Winner: “No Time to Die” from No Time to Die

Runner-Up: “Be Alive” from King Richard

Globe Winner to Oscar Winner Ratio: 6 out of the last 10 years

Commentary: This should be the battle of Billie (Eilish) for “Die” vs. Beyonce (it’s just Beyonce) for “Alive” and that should be the dynamic for the Oscars. The HFPA has honored the last two Bond themes for Skyfall and Spectre. I’ll give it a very slight edge.

And there you have it! The Golden Globes will air, err happen, Sunday. I’ll have reaction up on the blog shortly thereafter.

Scream Box Office Prediction

**Blogger’s Note (01/13): On the eve of its premiere, I am upping the 4-day tally for Scream from $29.4 million to $36.4M

The fifth installment of the Scream franchise slashes its way into theaters on January 14th, hoping to bring in a sizable horror fan base. Matt Bettinelli-Olpin and Tyler Gillett, makers of V/H/S and Ready or Not, direct as they take reigns of the series from scare master Wes Craven (who helmed the first four and passed away in 2015). Neve Campbell, Courtney Cox, David Arquette, Marley Shelton, and Roger L. Jackson (as the iconic voice of Ghostface) reprise roles from previous entries. Newcomers include Melissa Barrera, Mason Gooding, Jenna Ortega, and Jack Quaid.

Nearly a quarter century ago, the low-budget original became a cultural phenomenon and revitalized the genre. Two sequels followed in quick succession in 1997 and 2000 while part 4 hit in 2011. It was a commercial disappointment – taking in only $38 million at the domestic box office (with a $19 million start).

Paramount and Dimension Films are hoping that nostalgia will bring audiences back to the fold. Fright fests, more than any other type of pic in 2021, proved immune to challenges faced in the COVID era in terms of solid openings. The third Conjuring and Candyman each premiered in the low to mid 20s range. Scream will have an extra day of earnings when factoring in the long MLK frame.

January is very desolate in terms of high profile debuts and Scream is by far the biggest one. It marks a major test for theaters as the Omicron variant sweeps across the country. If this fails to perform, don’t be surprised to see delays for upcoming releases. Even with that potential barrier and the underperformance of its predecessor, I envision this managing a mid to possibly late 20s haul when including Monday.

Scream opening weekend prediction: $36.4 million (Friday to Monday estimate)

Ghostbusters: Afterlife Review

The original Ghostbusters, lest we forget, was filled with ribald humor coming from SNL vets that were in the prime of their careers. Overloading the reboot/sequel Afterlife with gooey family drama feels, in many ways, as misplaced as the missteps that 2016’s version took or that 1989’s traditional follow-up was a fairly weak retread of the first. This franchise hasn’t succeeded in their attempts to capitalize on what made 1984’s pic special and that extends to this.

It’s not for a lack of trying as the 2021 iteration goes to extreme lengths to get our nostalgia radars working into overdrive. Jason Reitman takes over directorial duties from his father Ivan, who made the 80s blockbusters. There’s not a piece of attire or Twinkie or demonic marshmallow from 1984 that isn’t placed with the clear purpose of inspiring wild cheers. Sometimes you wanna go where everybody knows the name of every nearly four decade old artifact, vehicle or gadget. In this Afterlife, it more often feels forced than welcome.

We shift from the Big Apple to the sleepy town of Summerville, Oklahoma. Egon Spangler, Harold Ramis’s nerdy scientist from the OG ‘Busters, has relocated to a dilapidated farmhouse and cut off contact with his family and former colleagues. His demise in the prologue causes his heirs to inhabit the dusty domicile. This includes down on her luck daughter Callie (Carrie Coon) and her two kids. Since I think it’s now contactually necessary for Stranger Things players to participate in these reboots, Finn Wolfhard is her teenage son Trevor. Mckenna Grace is the real lead as 12-year-old daughter Phoebe, who resembles her granddad in looks and interests. An outcast at school, she bonds with fellow geek Podcast (Logan Kim) and her summer school teacher Mr. Grooberson (Paul Rudd).

Trevor and Phoebe are completely unaware that Egon was a Ghostbuster (we’ll just go with that I suppose). Paranormal activities start revealing his life’s work including Phoebe’s ongoing chess game with an unseen spirit. The iconic car (yay!) is stored on the property. Of course, the late Egon was in Summerville for a reason and it has to do with familiar haunters from ’84 and preventing them from returning.

This all leads to familiar heroic faces eventually turning up (though not with significant screen time). With their limited participation, the question is whether the new and much younger generation of spirit crushers is compelling enough to warrant a feature. I didn’t think so, but there are some positives. Grace’s performance is terrific (while Wolfhard and his budding romance with his bellhop coworker Celeste O’Connor adds little). Rudd’s considerable talents (he takes a liking to Callie) add a bit of fun. The sight of Bill Murray randomly turning up anywhere is good for a smile (though not much more here than reading about how he does so in real life).

However, the tone in general struck me as off. It’s hard not to be touched by its tribute to the late Harold Ramis (a man responsible for so many laughs in landmark comedies of the past). I felt the sentiment because of that and not the absence of Egon. Afterlife seems trapped in the notion that our emotional connections to these characters run deeper than they do. Like many reboots nowadays, the mere presence of something old is meant to provide the requisite entertainment value. It made me feel mostly dispirited.

** (out of four)

Antlers Review

As long as you feed The Beast and give it enough of what it wants, that might prevent it from harming others. That’s the prevailing message of Scott Cooper’s Antlers and it’s not a particularly fresh one as the foul stenches and stretches of the storyline play out. It attempts to balance body horror and creature feature elements with an abuse allegory and a tale of moral and environmental decay. With an assist from Guillermo del Toro on the production side, the pic ultimately bites off more than it can chew. This is also an issue for the title character terrorizer who leaves half devoured carcasses lying around.

The setting is the desolate Oregon town of Cispus Falls where lines for store front recovery centers appear to outnumber any other facade. In the opening, Frank Weaver (Scott Haze) has taken his youngest son Aiden (Sawyer Jones) his workplace of an abandoned mine shaft turned meth lab. Frank and his buddy leave the youngster waiting in the truck while they break up their bad deeds below. An attack by an unseen animal force begins the carnage that leaves longstanding marks on the Weaver family.

Flash forwarding above ground and weeks later, Aiden’s older brother Lucas (Jeremy T. Thomas) is an outcast who rushes to collect roadkill as his after school activity. Bringing the critters home with him, what lies behind a locked door shows the current condition of dad and Aiden. It’s not for the faint of heart or those who just feasted.

Lucas’s behavior catches the attention of his teacher Julia (Keri Russell). She’s recently moved back from California after two decades and in with her brother Paul (Jesse Plemons), who’s the Sheriff around these parts. The two share a caring but sometimes strained bond in their family home. Their mother passed long ago and their father more recently. Brief flashbacks and more expository dialogue reveal an abusive past. Julia recognizes signs of mistreatment in her pupil while not imagining the extent of it.

I did appreciate much about the atmospheric touches and gorgeous cinematography in Antlers – even if it’s focused on some grisly occurrences. The Weavers fall prey to an ancient Native American evil spirit known as a Wendigo which causes the cursed subjects to become cannibalistic and ravenous. This is mostly explained by the town’s ex-sheriff played by Graham Greene and it’s not a tale that the picture seems preoccupied in mining for material. There is a tone of seriousness that prevents this from ever becoming campy. Perhaps a little of that could have helped.

There’s no faulting the performances as Russell and Plemons commit and Thomas is believable as the malnourished child who must become an adult before he should. The problem lies with committing to too many ideas and giving the short shrift to all of them. There are worse flaws to be had and Antlers never feels like a regurgitation of previous works (though its themes are familiar). Devotees of highbrow horror might be satiated, but I found myself hungering for Cooper, del Toro, and company to pick a plot line and explore it a little more.

**1/2 (out of four)

January 7-9 Box Office Predictions

2022 should look a lot like the final two weekends of 2021 at the box office with Spider-Man: No Way Home and Sing 2 easily in the top two positions.

There is only one newbie entering the marketplace – the female led spy thriller The 355 with Jessica Chastain, Lupita Nyong’o, and Penelope Cruz. You can peruse my detailed prediction post on it here:

The 355 Box Office Prediction

My $3.8 million estimate doesn’t inspire much confidence in its potency and I’ve got it pegged for a third place showing.

Holdovers Spidey and Sing 2 should maintain their chart rankings with the former in mid 20s to possibly $30 million and the latter still above double digits and perhaps reaching low teens. The King’s Man and American Underdog, meanwhile, should round out the top five with both in the $2-3 million range.

Overall it’s a rather quiet frame as we await Scream hitting next weekend and this is how I see it:

1. Spider-Man: No Way Home

Predicted Gross: $29.5 million

2. Sing 2

Predicted Gross: $11.9 million

3. The 355

Predicted Gross: $3.8 million

4. The King’s Man

Predicted Gross: $2.6 million

5. American Underdog

Predicted Gross: $2.1 million

Box Office Results (December 31-January 2)

Spider-Man: No Way Home easily closed out 2021 and began 2022 in first place with $56 million, a bit ahead of my $52.5 million forecast. In three weeks, the MCU mega blockbuster is up to $613 million and that’s already good for 10th domestically all-time.

Sing 2 held the runner-up spot again with $20.1 million – in range with my $19.6 million estimate. The animated sequel has taken in $90 million during its two weeks and should join the century club in short order.

The King’s Man jumped from #4 to #3 with $4.5 million (an estimate since 20th Century Studios hasn’t released a final gross). I said $4.5 million (!) and it’s made $19 million in two weeks of action.

Fourth place belonged to American Underdog in its sophomore outing with $3.9 million, not matching my take of $5.7 million. Total is $14 million.

Finally, The Matrix Resurrections plunged a steep 64% in its second weekend with $3.8 million compared to my $4.8 million projection. The fourth entry in the sci-fi saga has downloaded a weak $30 million thus far.

And that does it for now, folks! Until next time…