From 1992-1995, Emma Thompson scored a remarkable five Oscar nominations – winning twice. The first was for her lead role in 1992’s Howards End. The second was a screenplay win for 1995’s Sense and Sensibility. The other three nods were for The Remains of the Day and Sensibility (both lead) and supporting for In the Name of the Father.
In the quarter century plus since, the Academy has yet to call her name again. That could change with Good Luck to You, Leo Grande which premiered at Sundance. From director Sophie Hyde, the comedic drama finds Thompson as a retiree who enlists the services of a sex worker (Daryl McCormack of Peaky Blinders).
Early reviews are hailing the performances of both leads. With the right eventual distributor, I wouldn’t be surprised if Thompson in particular is in the mix for awards attention. If Oscar doesn’t bite, she could at least be in line for a Best Actress nod in the Musical/Comedy category at next year’s Golden Globes. Thompson made the cut with HFPA in 2019 for Late Night and the buzz for Grande might be larger. My Oscar Predictions posts will continue…
Based on a dozen reviews thus far out of Sundance, Phyllis Nagy’s Call Jane stands at 92% on Rotten Tomatoes. Focused on the real life Jane Collective from the 1960s (a group of women who fought for reproductive rights prior to Roe v Wade), Elizabeth Banks stars alongside Sigourney Weaver, Kate Mara, and Chris Messina.
While its rating is high, most reviews so far are in the three star range. Nagy makes her feature film debut after drawing acclaim for her Carol screenplay in 2015. Banks’s lead performance is drawing solid notices but it’s the supporting work from Weaver garnering a bit of buzz. Despite appearing in a whole lot of high profile pics over the decades, she hasn’t been nominated for an Oscar since 1988. She was actually up twice that year – in lead for Gorillas in the Mist and supporting for Working Girl. Her first nod came two years prior for Aliens. She’s never won.
A campaign for Weaver could be Jane‘s only real shot at awards recognition a year from now. Time will tell and my Oscar Prediction posts will continue…
The 2022 Sundance Film Festival is underway and, if history is any judge, we could see films and performances that may be talked about come Oscar time a year from now. In 2021, CODA premiered at the fest in January and it looks to be on its way to a Best Picture nod a couple weeks from now. In 2020, Judas and the Black Messiah also got its start and (with the elongated Academy schedule from that frame) hit the BP derby. In 2020, three BP nominees (The Father, Minari, Promising Young Woman) made their initial stops in Park City, Utah.
Sundance’s opening night selection is When You Finish Saving the World and it marks the directorial debut of Jesse Eisenberg. A Best Actor nominee back in 2010 for The Social Network, the dramedy stars Julianne Moore and Finn Wolfhard. Early buzz is mixed and the Rotten Tomatoes score sits at 73%. Most critical reaction indicates the characters are unpleasant to watch with reviews pretty divided on its overall effectiveness.
Eisenberg also wrote the screenplay and Emma Stone serves as a producer. And while World has received some praise, this is highly unlikely to be an awards breakout. My Oscar Prediction posts will continue…
In two weeks time, House of Gucci has gone from unranked in my top 15 Best Picture possibilities to making the cut in 10th. Whether it stays there – who knows? As I see it, the top 8 look relatively safe and then it could be a free for all for the last two spots. Gucci‘s rise means Tick, Tick… Boom! drops out.
I’ve also made way for The Lone Screenplay nominee which has occurred every year since 2001. C’Mon C’Mon is now included in Original Screenplay and that knocks out King Richard. I wrote about The Lone Screenplay history of the 21st century here:
You can read all the movement below and I’ll have a penultimate update next week before unveiling my final predictions shortly before the February 8th announcement!
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1) (E)
2. Belfast (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. Dune (PR: 4) (E)
5. Licorice Pizza (PR: 5) (E)
6. Don’t Look Up (PR: 8) (+2)
7. King Richard (PR: 6) (-1)
8. CODA (PR: 7) (-1)
9. The Tragedy of Macbeth (PR: 10) (+1)
10. House of Gucci (PR: 12) (+2)
Other Possibilities:
11. Tick, Tick… Boom! (PR: 9) (-2)
12. Being the Ricardos (PR: 11) (-1)
13. Drive My Car (PR: 13) (E)
14. The Lost Daughter (PR: 14) (E)
15. No Time to Die (PR: Not Ranked)
Dropped Out:
Nightmare Alley
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Steven Spielberg, West Side Story (PR: 4) (+1)
4. Kenneth Branagh, Belfast (PR: 3) (-1)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Adam McKay, Don’t Look Up (PR: 7) (+1)
7. Ryusuke Hamaguchi, Drive My Car (PR: 6) (-1)
8. Joel Coen, The Tragedy of Macbeth (PR: 8) (E)
9. Sian Heder, CODA (PR: 9) (E)
10. Maggie Gyllenhaal, The Lost Daughter (PR: Not Ranked)
Dropped Out:
Guillermo del Toro, Nightmare Alley
Best Actress
Predicted Nominees:
1. Nicole Kidman, Being the Ricardos (PR: 1) (E)
2. Olivia Colman, The Lost Daughter (PR: 3) (+1)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (-1)
4. Lady Gaga, House of Gucci (PR: 5) (+1)
5. Kristen Stewart, Spencer (PR: 4) (-1)
Other Possibilities:
6. Rachel Zegler, West Side Story (PR: 7) (+1)
7. Jennifer Hudson, Respect (PR: 6) (-1)
8. Penelope Cruz, Parallel Mothers (PR: 9) (+1)
9. Alana Haim, Licorice Pizza (PR: 8) (-1)
10. Emilia Jones, CODA (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Leonardo DiCaprio, Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. Javier Bardem, Being the Ricardos (PR: 6) (E)
7. Peter Dinklage, Cyrano (PR: 7) (E)
8. Nicolas Cage, Pig (PR: 8) (E)
9. Joaquin Phoenix, C’Mon C’Mon (PR: 9) (E)
10. Hidetoshi Nishijima, Drive My Car (PR: Not Ranked)
Dropped Out:
Clifton Collins, Jr., Jockey
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)
3. Caitriona Balfe, Belfast (PR: 3) (E)
4. Ruth Negga, Passing (PR: 4) (E)
5. Aunjanue Ellis, King Richard (PR: 5) (E)
Other Possibilities:
6. Marlee Matlin, CODA (PR: 6) (E)
7. Ann Dowd, Mass (PR: 7) (E)
8. Cate Blanchett, Nightmare Alley (PR: 9) (+1)
9. Rita Moreno, West Side Story (PR: 8) (-1)
10. Jessie Buckley, The Lost Daughter (PR: 10) (E)
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Troy Kotsur, CODA (PR: 2) (E)
3. Ciaran Hinds, Belfast (PR: 3) (E)
4. Bradley Cooper, Licorice Pizza (PR: 4) (E)
5. Jared Leto, House of Gucci (PR: 5) (E)
Other Possibilities:
6. Ben Affleck, The Tender Bar (PR: 6) (E)
7. Jamie Dornan, Belfast (PR: 7) (E)
8. Jesse Plemons, The Power of the Dog (PR: 8) (E)
9. J.K. Simmons, Being the Ricardos (PR: 9) (E)
10. Mike Faist, West Side Story (PR: 10) (E)
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. Being the Ricardos (PR: 5) (+1)
5. C’Mon C’Mon (PR: 6) (+1)
Other Possibilities:
6. King Richard (PR: 4) (-2)
7. Parallel Mothers (PR: 7) (E)
8. Mass (PR: 8) (E)
9. The French Dispatch (PR: 9) (E)
10. Pig (PR: Not Ranked)
Dropped Out:
A Hero
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. CODA (PR: 3) (E)
4. The Lost Daughter (PR: 5) (+1)
5. Dune (PR: 4) (-1)
Other Possibilities:
6. Drive My Car (PR: 6) (E)
7. The Tragedy of Macbeth (PR: 9) (+2)
8. Tick, Tick… Boom! (PR: 7) (-1)
9. Passing (PR: 8) (-1)
10. The Last Duel (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 3) (E)
4. Luca (PR: 4) (E)
5. Raya and the Last Dragon (PR: 5) (E)
Other Possibilities:
6. Belle (PR: 6) (E)
7. The Summit of the Gods (PR: 7) (E)
8. Vivo (PR: 9) (+1)
9. Ron’s Gone Wrong (PR: 10) (+1)
10. My Sunny Maad (PR: 8) (-2)
Best International Feature Film
Predicted Nominees:
1. Drive My Car (PR: 1) (E)
2. A Hero (PR: 2) (E)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. I’m Your Man (PR: 7) (+1)
7. Compartment No. 6 (PR: 6) (-1)
8. Prayers for the Stolen (PR: 8) (E)
9. Great Freedom (PR: 9) (E)
10. The Good Boss (PR: 10) (E)
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. The Rescue (PR: 2) (E)
3. Summer of Soul (PR: 4) (+1)
4. Procession (PR: 3) (-1)
5. The First Wave (PR: 7) (+2)
Other Possibilities:
6. Ascension (PR: 5) (-1)
7. Attica (PR: 6) (-1)
8. President (PR: 8) (E)
9. Faya Dayi (PR: 9) (E)
10. In the Same Breath (PR: Not Ranked)
Dropped Out:
Julia
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Belfast (PR: 4) (+1)
4. The Tragedy of Macbeth (PR: 5) (+1)
5. West Side Story (PR: 3) (-2)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. Licorice Pizza (PR: 9) (+2)
8. The French Dispatch (PR: 7) (-1)
9. C’Mon C’Mon (PR: 10) (+1)
10. Spencer (PR: 8) (-2)
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. Dune (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. House of Gucci (PR: 4) (E)
5. Spencer (PR: 5) (E)
Other Possibilities:
6. Licorice Pizza (PR: 9) (+3)
7. Nightmare Alley (PR: 6) (-1)
8. Cyrano (PR: 8) (E)
9. The French Dispatch (PR: 7) (-2)
10. Last Night in Soho (PR: 10) (E)
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. The Power of the Dog (PR: 4) (E)
5. Licorice Pizza (PR: 7) (+2)
Other Possibilities:
6. Don’t Look Up (PR: 6) (E)
7. Tick, Tick… Boom! (PR: 5) (-2)
8. King Richard (PR: 8) (E)
9. Being the Ricardos (PR: 9) (E)
10. Nightmare Alley (PR: Not Ranked)
Dropped Out:
The French Dispatch
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 1) (E)
2. House of Gucci (PR: 2) (E)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Cruella (PR: 5) (+1)
5. Coming 2 America (PR: 4) (-1)
Other Possibilities:
6. West Side Story (PR: 8) (+2)
7. The Suicide Squad (PR: 6) (-1)
8. Nightmare Alley (PR: 7) (-1)
9. Cyrano (PR: 9) (E)
10. No Time to Die (PR: 10) (E)
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. The French Dispatch (PR: 4) (E)
5. Parallel Mothers (PR: 6) (+1)
Other Possibilities:
6. Spencer (PR: 5) (-1)
7. Encanto (PR: 9) (+2)
8. The Tragedy of Macbeth (PR: 7) (-1)
9. King Richard (PR: 8) (-1)
10. Being the Ricardos (PR: 10) (E)
Best Original Song
Predicted Nominees:
1. “No Time to Die” from No Time to Die (PR: 1) (E)
2. “Be Alive” from King Richard (PR: 2) (E)
3. “Dos Oruguitas” from Encanto (PR: 3) (E)
4. “Down to Joy” from Belfast (PR: 4) (E)
5. “Here I Am” from Respect (PR: 6) (+1)
Other Possibilities:
6. “Just Look Up” from Don’t Look Up (PR: 5) (-1)
7. “Guns Go Bang” from The Harder They Fall (PR: 9) (+2)
8. “Beyond the Shore” from CODA (PR: 7) (-1)
9. “So May We Start” from Annette (PR: 8) (-1)
10. “Somehow You Do” from Four Good Days (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Nightmare Alley (PR: 3) (E)
4. The French Dispatch (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 5) (E)
Other Possibilities:
6. Belfast (PR: 6) (E)
7. Licorice Pizza (PR: Not Ranked)
8. Spencer (PR: 7) (-1)
9. The Power of the Dog (PR: 9) (E)
10. Cyrano (PR: 8) (-2)
Dropped Out:
Cruella
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. No Time to Die (PR: 4) (E)
5. Tick, Tick… Boom! (PR: 5) (E)
Other Possibilities:
6. Spider-Man: No Way Home (PR: 8) (+2)
7. The Power of the Dog (PR: 6) (-1)
8. The Matrix Resurrections (PR: 9) (+1)
9. A Quiet Place Part II (PR: 8) (-1)
10. Last Night in Soho (PR: 10) (E)
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 2) (E)
3. Godzilla vs. Kong (PR: 4) (+1)
4. Shang-Chi and the Legend of the Ten Rings (PR: 5) (+1)
5. No Time to Die (PR: 6) (+1)
Other Possibilities:
6. Spider-Man: No Way Home (PR: 3) (-3)
7. Free Guy (PR: 7) (E)
8. Eternals (PR: 9) (+1)
9. Ghostbusters: Afterlife (PR: 8) (-1)
10. Black Widow (PR: 10) (E)
That equates to these films achieving these numbers of nominations:
11 Nominations
Dune
9 Nominations
Belfast, The Power of the Dog, West Side Story
5 Nominations
House of Gucci, Licorice Pizza
4 Nominations
Don’t Look Up, King Richard, The Tragedy of Macbeth
3 Nominations
CODA, Flee, No Time to Die
2 Nominations
Being the Ricardos, Cruella, Encanto, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, Spencer, Tick, Tick… Boom!
1 Nomination
C’Mon C’Mon, Coming 2 America, Drive My Car, The First Wave, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Nightmare Alley, Parallel Mothers, Passing, Procession, Raya and the Last Dragon, The Rescue, Respect, Shang-Chi and the Legend of the Ten Rings, Summer of Soul, The Worst Person in the World
We are getting the nitty gritty on nailing down Oscar predictions on this blog and it’s time to consider a prevailing trend in the 21st century when it comes to the Adapted and Original Screenplay contests. That would be The Lone Screenplay Nominee.
What’s that you ask? For the last 20 award ceremonies, at least one movie has been nominated in its screenplay race and in no other additional category. That’s a rather startling statistic, but it’s true. You have to go all the way to 2000 to find a year in which the ten nominated films in those two derbies didn’t get a nod elsewhere.
Here’s the list from 2001-2020 of pictures that got The Lone Screenplay nomination (abbreviation are AS for Adapted and OS for Original):
2001 – Ghost World (AS), The Royal Tenenbaums (OS)
2002 – About a Boy (AS), My Big Fat Greek Wedding, Y Tu Mama Tambien (OS)
2003 – American Splendor (AS), Dirty Pretty Things (OS)
2004 – Before Sunset (AS)
2005 – Match Point, The Squid and the Whale (OS)
2006 – Borat (AS)
2007 – Lars and the Real Girl (OS)
2008 – Happy-Go-Lucky, In Bruges (OS)
2009 – In the Loop (AS)
2010 – Another Year (OS)
2011 – The Ides of March (AS), Margin Call (OS)
2012 – Moonrise Kingdom (OS)
2013 – Before Midnight (AS)
2014 – Nightcrawler (OS)
2015 – Straight Outta Compton (OS)
2016 – 20th Century Women, The Lobster (OS)
2017 – The Disaster Artist, Logan, Molly’s Game (AS), The Big Sick (OS)
2018 – First Reformed (OS)
2019 – Knives Out (OS)
2020 – The White Tiger (AS)
Clearly the writing branch of the Academy enjoy singling out a pic or two that doesn’t get any love elsewhere. And it’s a tradition that I haven’t really factored into my predictions for 2021’s hopefuls. That changes today.
My latest round of predictions from last week were the following for Adapted Screenplay and Original Screenplay:
Adapted – CODA, Dune, The Lost Daughter, The Power of the Dog, West Side Story
Original – Being the Ricardos, Belfast, Don’t Look Up, King Richard, Licorice Pizza
Here’s the problem – all ten of those pictures are highly likely to find nominations elsewhere.
So… what’s vulnerable and what are the movies that could fit the Lone Screenplay Nominee mold when the announcement is made on February 8?
Glad you asked. In Adapted, Dune could absolutely miss. The voters in the screenplay race could decide that it’ll get plenty of tech nods (it will) as well as Picture and Director mentions (highly probable). Its screenplay nod could wait until its sequel.
So what are the contenders in Adapted that may not get nods elsewhere? There’s The Last Duel, which could get points for its unique script that tells its medieval tale from three differing perspectives. It appears to have little chance at Picture or even Jodie Comer’s acclaimed performance in lead actress.
There’s also Passing, but that’s assuming Ruth Negga misses out in Supporting Actress (and I’ve got her in). Other possibilities are Nightmare Alley (though it should at least be recognized for Production Design) and Tick, Tick… Boom! (which could be in line for Picture but especially for Andrew Garfield in lead actor). The Lost Daughter could be the one. However, I have a hard time seeing Olivia Colman not getting in for Best Actress.
Moving to Original Screenplay, my five current nominees all seem destined to achieve mentions elsewhere. I look at King Richard and Being the Ricardos as potentially being two that could miss the screenplay cut.
There are three pictures with original scripts that could fill the slots and be The Lone Nominee and they are:
C’Mon C’Mon. And there’s history here. Mike Mills was the writer/director for the aforementioned 20th Century Women from 2016. With Joaquin Phoenix as a long shot for Best Actor inclusion, this is the type of nominee that the writers might celebrate.
Mass. It looked like a potential BP nominee for some time but it has fallen (it’s not even in my top 15). Ann Dowd could score a Supporting Actress nomination, but I currently have her ranked 7th. It’s a pic that’s all dialogue between four actors and that could strike the voters fancies.
Parallel Mothers. The Pedro Almodovar pic was not Spain’s selection for International Feature Film and is therefore not eligible. Penelope Cruz is a possibility for Actress, but I have her outside the top five.
When I update my estimates for all categories this weekend, expect to see one of these titles (either in Adapted or Original or maybe both) selected. History says it’s the right call. Stay tuned!
The trio of S sequels – Scream, Spider-Man: No Way Home, Sing 2 – should continue to dominate the box office charts despite the arrival of two newcomers this weekend. We have the historical romance Redeeming Love and long in the can fantasy adventure The King’s Daughter debuting. You can peruse my detailed prediction posts on them here:
The real drama could be for the #1 spot and that depends on how far Scream drops in its sophomore weekend and how well Spidey holds in its sixth. For some context, Scream 3 back in 2000 fell 53% in its second frame while 2011’s Scream 4 dip was steeper at 62%. With little competition, the fifth installment could see a drop more in part 3’s range, but it could also come close to 60%. No Way Home, if it descends in the mid 30s range, might give it a run for its money at the top. In fact, I’m giving the web slinger an ever so slight edge.
My projection of $2.4 million for Redeeming Love should mean a fourth place showing behind the fifth weekend for Sing 2. The five spot could go to The King’s Man, not the The King’s Daughter.
As mentioned, The King’s Daughter has been collecting dust on the shelf since the fifth year of the Obama administration (read my full post for all the details). I’m forecasting a measly $1 million and that should keep it outside the high five.
Here’s how I’m seeing the top five breaking down:
1. Spider-Man: No Way Home
Predicted Gross: $13 million
2. Scream
Predicted Gross: $12.7 million
3. Sing 2
Predicted Gross: $5.3 million
4. Redeeming Love
Predicted Gross: $2.4 million
5. The King’s Man
Predicted Gross: $1.6 million
Box Office Results (January 14-17)
The four-day MLK weekend knocked Spider-Man off his perch at #1 and delivered pleasing results for Scream. The well-reviewed fifth entry in the quarter century old series took in $33.8 million over the long frame, coming in a bit under my $36.4 million prediction. That’s good for the third best 3-day traditional start in the franchise after Scream 3 ($34 million) and Scream 2 ($32 million) as it made $30 million from Friday to Sunday.
After four weeks at #1, Spider-Man: No Way Home was second with $24.6 million, slightly ahead of my $22.7 million projection. The MCU juggernaut stands at $702 million and passed Black Panther to become the 4th highest domestic earner in history.
Sing 2 was third with $10.3 million (in range with my $9.4 million take) for $121 million overall.
The 355 was fourth in its sophomore outing with $2.7 million (I went with $3.1 million) for $8 million total.
The five spot belonged to The King’s Man at $2.6 million. I incorrectly had it outside the top five. It’s made $29 million.
Over the past two years, we’ve become accustomed to movies experiencing significant delays. The King’s Daughter takes the crown. Not to be confused with the recently out The King’s Man, this was actually filmed before the first Kingsman was released. The principal photography was done during the early part of the fifth year of the Obama administration.
You didn’t read that incorrectly. The adventure fantasy from director Sean McNamara was completed in the spring of 2014 and has set on the shelf since. Pierce Brosnan plays King Louis XIV and the plot involves him stealing a mermaid’s life force to become immortal (you did read that correctly). Costars include Kara Scodelario, Benjamin Walker, William Hurt, Rachel Griffiths, Fan Bingbing, and Julie Andrews (who narrates).
The fact that Gravitas Ventures is even putting this out theatrically is surprising as the distributor usually goes the PVOD route. It’s reportedly not much of a release with an output of around 1000 screens. I certainly wouldn’t anticipate this making a splash. I’ll say it gets to a million bucks and that might be generous.
The King’s Daughter opening weekend prediction: $1 million
**Blogger’s Update (01/18): Already souring on this and revising estimate from $3.2 million to $2.4 million
A historical romance set during the California gold rush, Redeeming Love will attempt to cash in with a female crowd on January 21st. It’s directed by D.J. Caruso, trying on a different genre after helming thrillers and action fare such as Disturbia and xXx: Return of Xander Cage. The cast is headlined by Abigail Cowen and Tom Lewis with a supporting cast including Logan Marshall-Green, Famke Janssen, Nina Dobrev, and Eric Dane.
Love is based on a 1991 novel by Francine Rivers (her and the director share screenplay credit). Pinnacle Peak Pictures is the distributor, known for their faith-based efforts like God’s Not Dead and Do You Believe? The production team is responsible for the sleeper hit I Can Only Imagine.
Slated to premiere on around 1800 screens, the combo of appeal to women and the possibility of Christian audiences turning out could cause this to over perform. We’ve seen it before (Pinnacle’s Unplanned from 2019 made over $6 million in its first weekend). I do question how widely this has been promoted and the relatively small screen count could be a hindrance. Redeeming might manage a gross of over $5 million, but I’ll say $3-4 million is more likely.
Redeeming Love opening weekend prediction: $2.4 million
For my The King’s Daughter prediction, click here:
My first Oscar predictions following the Golden Globes bestowing their winners and the SAG Award nods comes with not a whole lot of changes in who and what I’m actually predicting in the major categories.
However, there is a significant alteration in placement for Best Actress as Kristen Stewart’s shocking omission in Spencer from the SAG five drops her from 1st (where she’s been perched for months) to 4th. Rising to #1 is Globes victor Nicole Kidman for Being the Ricardos. This competition is beginning to resemble the unpredictable Actress lineup from 2020 and it should be fun to witness.
In Best Picture, I’m (perhaps stubbornly) sticking to the same ten. Yet there’s no doubt that Ricardos and House of Gucci could be on the rise and either or both could crack the lineup soon.
The only significant change is in Supporting Actor where I’m finally putting Jared Leto for Gucci in the mix. He’s in over Jamie Dornan (Belfast).
I’m also adding a new feature which shows how many eventual nominees from 2020 were correctly picked at this same juncture. I’ll keep that up until I make my final picks shortly before the February 8th announcement. This will be listed as 2020 Count.
You can read all the movement below.
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1) (E)
2. Belfast (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. Dune (PR: 4) (E)
5. Licorice Pizza (PR: 5) (E)
6. King Richard (PR: 6) (E)
7. CODA (PR: 8) (+1)
8. Don’t Look Up (PR: 7) (-1)
9. Tick, Tick… Boom! (PR: 9) (E)
10. The Tragedy of Macbeth (PR: 10) (E)
Other Possibilities:
11. Being the Ricardos (PR: 14) (+3)
12. House of Gucci (PR: Not Ranked)
13. Drive My Car (PR: 11) (-2)
14. The Lost Daughter (PR: 12) (-2)
15. Nightmare Alley (PR: 13) (-2)
Dropped Out:
Spider-Man: No Way Home
2020 Count: 7 of 8 eventual nominees
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1) (E)
2. Denis Villeneuve, Dune (PR: 2) (E)
3. Kenneth Branagh, Belfast (PR: 4) (+1)
4. Steven Spielberg, West Side Story (PR: 3) (-1)
5. Paul Thomas Anderson, Licorice Pizza (PR: 5) (E)
Other Possibilities:
6. Ryusuke Hamaguchi, Drive My Car (PR: 6) (E)
7. Adam McKay, Don’t Look Up (PR: 7) (E)
8. Joel Coen, The Tragedy of Macbeth (PR: 8) (E)
9. Sian Heder, CODA (PR: 10) (+1)
10. Guillermo del Toro, Nightmare Alley (PR: 9) (-1)
2020 Count: 2 of 5 eventual nominees
Best Actress
Predicted Nominees:
1. Nicole Kidman, Being the Ricardos (PR: 3) (+2)
2. Jessica Chastain, The Eyes of Tammy Faye (PR: 2) (E)
3. Olivia Colman, The Lost Daughter (PR: 4) (+1)
4. Kristen Stewart, Spencer (PR: 1) (-3)
5. Lady Gaga, House of Gucci (PR: 5) (E)
Other Possibilities:
6. Jennifer Hudson, Respect (PR: 9) (+3)
7. Rachel Zegler, West Side Story (PR: 7) (E)
8. Alana Haim, Licorice Pizza (PR: 6) (-2)
9. Penelope Cruz, Parallel Mothers (PR: 8) (-1)
10. Emilia Jones, CODA (PR: 10) (E)
2020 Count: 4 of 5 eventual nominees
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1) (E)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)
3. Andrew Garfield, Tick, Tick… Boom! (PR: 3) (E)
4. Denzel Washington, The Tragedy of Macbeth (PR: 4) (E)
5. Leonardo DiCaprio, Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. Javier Bardem, Being the Ricardos (PR: 9) (+3)
7. Peter Dinklage, Cyrano (PR: 6) (-1)
8. Nicolas Cage, Pig (PR: 7) (-1)
9. Joaquin Phoenix, C’Mon C’Mon (PR: 8) (-1)
10. Clifton Collins, Jr., Jockey (PR: 10) (E)
2020 Count: 4 of 5 eventual nominees
Best Supporting Actress
Predicted Nominees:
1. Ariana DeBose, West Side Story (PR: 1) (E)
2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)
3. Caitriona Balfe, Belfast (PR: 4) (+1)
4. Ruth Negga, Passing (PR: 5) (+1)
5. Aunjanue Ellis, King Richard (PR: 3) (-2)
Other Possibilities:
6. Marlee Matlin, CODA (PR: 7) (+1)
7. Ann Dowd, Mass (PR: 6) (-1)
8. Rita Moreno, West Side Story (PR: 8) (E)
9. Cate Blanchett, Nightmare Alley (PR: Not Ranked)
10. Jessie Buckley, The Lost Daughter (PR: 9) (-1)
Dropped Out:
Judi Dench, Belfast
2020 Count: 4 of 5 eventual nominees
Best Supporting Actor
Predicted Nominees:
1. Kodi Smit-McPhee, The Power of the Dog (PR: 1) (E)
2. Troy Kotsur, CODA (PR: 2) (E)
3. Ciaran Hinds, Belfast (PR: 3) (E)
4. Bradley Cooper, Licorice Pizza (PR: 5) (+1)
5. Jared Leto, House of Gucci (PR: 7) (+2)
Other Possibilities:
6. Ben Affleck, The Tender Bar (PR: 10) (+4)
7. Jamie Dornan, Belfast (PR: 4) (-3)
8. Jesse Plemons, The Power of the Dog (PR: 6) (-2)
9. J.K. Simmons, Being the Ricardos (PR: 9) (E)
10. Mike Faist, West Side Story (PR: 8) (-2)
2020 Count: 4 of 5 eventual nominees
Best Original Screenplay
Predicted Nominees:
1. Licorice Pizza (PR: 1) (E)
2. Belfast (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. King Richard (PR: 4) (E)
5. Being the Ricardos (PR: 5) (E)
Other Possibilities:
6. C’Mon C’Mon (PR: 7) (+1)
7. Parallel Mothers (PR: 8) (+1)
8. Mass (PR: 6) (-2)
9. The French Dispatch (PR: 10) (+1)
10. A Hero (PR: 9) (-1)
2020 Count: 3 of 5 eventual nominees
Best Adapted Screenplay
Predicted Nominees:
1. The Power of the Dog (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. CODA (PR: 3) (E)
4. Dune (PR: 5) (+1)
5. The Lost Daughter (PR: 4) (-1)
Other Possibilities:
6. Drive My Car (PR: 6) (E)
7. Tick, Tick… Boom! (PR: 7) (E)
8. Passing (PR: 9) (+1)
9. The Tragedy of Macbeth (PR: 8) (-1)
10. The Last Duel (PR: 10) (E)
2020 Count: 3 of 5 eventual nominees
Best Animated Feature
Predicted Nominees:
1. Encanto (PR: 1) (E)
2. Flee (PR: 2) (E)
3. The Mitchells vs. the Machines (PR: 4) (+1)
4. Luca (PR: 3) (-1)
5. Raya and the Last Dragon (PR: 5) (E)
Other Possibilities:
6. Belle (PR: 6) (E)
7. The Summit of the Gods (PR: 7) (E)
8. My Sunny Maad (PR: 10) (+2)
9. Vivo (PR: 8) (-1)
10. Ron’s Gone Wrong (PR: 9) (-1)
2020 Count: 4 of 5 eventual nominees
Best International Feature Film
Predicted Nominees:
1. Drive My Car (PR: 1) (E)
2. A Hero (PR: 2) (E)
3. The Worst Person in the World (PR: 3) (E)
4. Flee (PR: 4) (E)
5. The Hand of God (PR: 5) (E)
Other Possibilities:
6. Compartment No. 6 (PR: 7) (+1)
7. I’m Your Man (PR: 6) (-1)
8. Prayers for the Stolen (PR: 9) (+1)
9. Great Freedom (PR: 8) (-1)
10. The Good Boss (PR: 10) (E)
2020 Count: 3 of 5 eventual nominees
Best Documentary Feature
Predicted Nominees:
1. Flee (PR: 1) (E)
2. The Rescue (PR: 3) (+1)
3. Procession (PR: 4) (+1)
4. Summer of Soul (PR: 2) (-2)
5. Ascension (PR: 5) (E)
Other Possibilities:
6. Attica (PR: 6) (E)
7. The First Wave (PR: 7) (E)
8. President (PR: 8) (E)
9. Faya Dayi (PR: 9) (E)
10. Julia (PR: Not Ranked)
Dropped Out:
In the Same Breath
2020 Count: 1 of 5 eventual nominees
Best Cinematography
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. West Side Story (PR: 3) (E)
4. Belfast (PR: 5) (+1)
5. The Tragedy of Macbeth (PR: 4) (-1)
Other Possibilities:
6. Nightmare Alley (PR: 6) (E)
7. The French Dispatch (PR: 8) (+1)
8. Spencer (PR: Not Ranked)
9. Licorice Pizza (PR: 7) (-2)
10. C’Mon C’Mon (PR: 10) (E)
Dropped Out:
No Time to Die
2020 Count: 4 of 5 eventual nominees
Best Costume Design
Predicted Nominees:
1. Cruella (PR: 1) (E)
2. Dune (PR: 2) (E)
3. West Side Story (PR: 4) (+1)
4. House of Gucci (PR: 5) (+1)
5. Spencer (PR: 3) (-2)
Other Possibilities:
6. Nightmare Alley (PR: 7) (+1)
7. The French Dispatch (PR: 8) (+1)
8. Cyrano (PR: 6) (-2)
9. Licorice Pizza (PR: 9) (E)
10. Last Night in Soho (PR: 10) (E)
2020 Count: 4 of 5 eventual nominees
Best Film Editing
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. The Power of the Dog (PR: 4) (E)
5. Tick, Tick… Boom! (PR: 8) (+3)
Other Possibilities:
6. Don’t Look Up (PR: 6) (E)
7. Licorice Pizza (PR: 5) (-2)
8. King Richard (PR: 9) (+1)
9. Being the Ricardos (PR: Not Ranked)
10. The French Dispatch (PR: 10) (E)
Dropped Out:
Nightmare Alley
2020 Count: 3 of 5 eventual nominees
Best Makeup and Hairstyling
Predicted Nominees:
1. Dune (PR: 1) (E)
2. House of Gucci (PR: 2) (E)
3. The Eyes of Tammy Faye (PR: 3) (E)
4. Coming 2 America (PR: 6) (+2)
5. Cruella (PR: 4) (-1)
Other Possibilities:
6. The Suicide Squad (PR: 9) (+3)
7. Nightmare Alley (PR: 5) (-2)
8. West Side Story (PR: 7) (-1)
9. Cyrano (PR: 8) (-1)
10. No Time to Die (PR: 10) (E)
2020 Count: 4 of 5 eventual nominees
Best Original Score
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Power of the Dog (PR: 2) (E)
3. Don’t Look Up (PR: 3) (E)
4. The French Dispatch (PR: 6) (+2)
5. Spencer (PR: 4) (-1)
Other Possibilities:
6. Parallel Mothers (PR: 5) (-1)
7. The Tragedy of Macbeth (PR: 7) (E)
8. King Richard (PR: 8) (E)
9. Encanto (PR: 9) (E)
10. Being the Ricardos (PR: 10) (E)
2020 Count: 4 of 5 eventual nominees
Best Original Song
Predicted Nominees:
1. “No Time to Die” from No Time to Die (PR: 1) (E)
2. “Be Alive” from King Richard (PR: 2) (E)
3. “Dos Oruguitas” from Encanto (PR: 3) (E)
4. “Down to Joy” from Belfast (PR: 4) (E)
5. “Just Look Up” from Don’t Look Up (PR: 5) (E)
Other Possibilities:
6. “Here I Am” from Respect (PR: 8) (+2)
7. “Beyond the Shore” from CODA (PR: 6) (-1)
8. “So May We Start” from Annette (PR: 9) (+1)
9. “Guns Go Bang” from The Harder They Fall (PR: 7) (-2)
10. “Somehow You Do” from Four Good Days (PR: Not Ranked)
Dropped Out:
“Right Where I Belong” from Brian Wilson: Long Promised Road
2020 Count: 3 of 5 eventual nominees
Best Production Design
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 3) (+1)
3. Nightmare Alley (PR: 2) (-1)
4. The French Dispatch (PR: 4) (E)
5. The Tragedy of Macbeth (PR: 5) (E)
Other Possibilities:
6. Belfast (PR: 6) (E)
7. Spencer (PR: 8) (+1)
8. Cyrano (PR: 7) (-1)
9. The Power of the Dog (PR: 9) (E)
10. Cruella (PR: 10) (E)
2020 Count: 3 of 5 eventual nominees
Best Sound
Predicted Nominees:
1. Dune (PR: 1) (E)
2. West Side Story (PR: 2) (E)
3. Belfast (PR: 3) (E)
4. No Time to Die (PR: 4) (E)
5. Tick, Tick… Boom! (PR: 5) (E)
Other Possibilities:
6. The Power of the Dog (PR: 8) (+2)
7. A Quiet Place Part II (PR: 7) (E)
8. Spider-Man: No Way Home (PR: 6) (-2)
9. The Matrix Resurrections (PR: 9) (E)
10. Last Night in Soho (PR: 10) (E)
2020 Count: 3 of 5 eventual nominees
Best Visual Effects
Predicted Nominees:
1. Dune (PR: 1) (E)
2. The Matrix Resurrections (PR: 4) (+2)
3. Spider-Man: No Way Home (PR: 2) (-1)
4. Godzilla vs. Kong (PR: 3) (-1)
5. Shang-Chi and the Legend of the Ten Rings (PR: 6) (+1)
Other Possibilities:
6. No Time to Die (PR: 7) (+1)
7. Free Guy (PR: 5) (-2)
8. Ghostbusters: Afterlife (PR: 9) (+1)
9. Eternals (PR: 8) (-1)
10. Black Widow (PR: 10) (E)
2020 Count: 3 of 5 eventual nominees
And that equates to these movies hitting these numbers for their nominations:
11 Nominations
Dune
9 Nominations
Belfast, The Power of the Dog, West Side Story
5 Nominations
Don’t Look Up, King Richard
4 Nominations
House of Gucci, Licorice Pizza, Tick, Tick… Boom!, The Tragedy of Macbeth
3 Nominations
CODA, Flee, Spencer
2 Nominations
Being the Ricardos, Cruella, Encanto, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, No Time to Die
1 Nomination
Ascension, Coming 2 America, Drive My Car, Godzilla vs. Kong, The Hand of God, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Passing, Procession, Raya and the Last Dragon, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spider-Man: No Way Home, The Worst Person in the World
When the core group of Avengers assembled in their climactic battle for that classic shot from the 2012 film, it held power because we’d come to know them in previous MCU entries. By the time we got to 2019 as seemingly half of Hollywood was ready to take on Thanos in Avengers: Endgame, the same emotions were present. The mere fact that we were witnessing many members of Marvel’s extensive roster ready for action via high quality predecessors was impressive.
That’s a testament to what Kevin Feige and team had pulled off. For all the nitpicking about the franchise, it’s easy to forget the monumental achievement in bringing these heroes to life in 20 plus pictures and getting us back to care about them. That’s not an easy assignment and they pulled it off.
This brings us to Eternals, the 26th entry in the series. And it often feels like we are meant to feel the same sentiments that I’ve described above. There’s a problem with that. Chloe Zhao’s immersion into the MCU is tasked with introducing us to a brand new team of heroes in its 156 minutes. Most of them, quite frankly, aren’t very compelling. Comic book lovers may be familiar, but the masses aren’t. When Iron Man got the gang together nearly a decade ago, we knew the gang. Eternals, which loves it landscapes and sunsets silhouetting its protagonists, strains to properly introduce them. For a movie that feels long, it’s still short on character development and getting us to care about this team in ways we previously did. I admired plenty about this latest adventure, but it still stands as one of the MCU’s overall weakest experiences.
A prologue set in 5000 B.C. establishes the players. The Eternals are a group of immortals tasked with saving planets from Deviants, a lot of monstrous CGI creations. Their leader is Ajak (Salma Hayek), who takes her orders from the almighty Arishem. Each Eternal has their own set of powers. Sersi (Gemma Chan) can transform matter. Her love interest Ikaris (Richard Madden) can shoot freakin lasers from his eyeballs (think Cyclops). Phastos (Brian Tyree Henry) is the science nerd capable of advancing technology centuries ahead of time. And… we’re gonna be here all day if I keep this up, but a couple more. Sprite (Lia McHugh) can create illusions, but can’t hide the fact that she’ll look like a 12-year-old girl for eternity. Thena (Angelina Jolie) is capable of creating weapons from thin air. Yet she’s a weapon herself because she has a condition that causes her to turn against her counterparts and try to kill them.
The Eternals spend centuries on Earth taking on the Deviants and appear to achieve their mission in 1521. The band breaks up and they’re free to roam free on our Earthly soil, which Nomadland director Zhao frames in loving travelogue mode. Importantly, Ajak orders them not to interfere with the many conflicts that will transpire over the coming centuries. That means the Eternals are not involved when Thanos wipes out half the population in Avengers: Infinity War. They’re not showing up for house calls with Doctor Strange or assisting Hulk smash anything.
In present day, the Deviants resurface and they must assemble (!) again. Some have taken on unexpected careers. Kingo (Kumail Nanjiani) is a Bollywood leading man with a trusty assistant (Harish Patel). He’s been a superstar for decades with the public believing his dad, granddad, and so on were different people. The real function for Nanjiani is to provide some comic relief in a story that needs it.. The actor and the superb Patel are up to the assignment. They might be the two characters I’d be excited to see return in future MCU tales.
On the flip side, the failed romance between Sersi and Ikaris is a yawner. And familiar faces like Hayek and Jolie aren’t given enough screen time to register. Barry Keoghan, always a compelling actor to watch, is Druig. He can manipulate minds and his superpower runs counter to his orders. Druig has the potential for a fascinating character arc yet, once again, the packed nature of the screenplay prevents it.
The look of Eternals is undoubtedly different than the MCU sheen we’re accustomed to. It has more of a real location feel as opposed to video game extravaganza. Some of the action sequences are well constructed. Others fall into the confused CGI jumble that’s hampered even some of the finest franchise flicks.
Here’s the bottom line – Eternals is by no means bad (even the middling stories in this series are quite watchable). It feels unnecessary because it never fully succeeds at making us understand why we need to be invested. Ajak’s hideaway in the present day is in South Dakota. Nothing that happens here made me think any Eternal will be carved into the Mt. Rushmore of Marvel’s cinematic universe.
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