Year: 2022

2021 Oscar Nominations Reaction

And at last… they’re out! After months of speculating on the blog (starting all the way back with my initial predictions in August), the Oscar nominations for the 94th Academy Awards were unveiled early this morning.

As always, there’s shocking omissions and surprising additions. There’s races that went as planned. And (for me at least) there’s always that one tricky category where I end up going 2/5. This year it was Documentary Feature which is notoriously tough to figure out. On the flip side, I projected 4 out of the 20 feature film competitions with 5/5 accuracy. All in all – I went 82 for 105 on the picks.

Some initial thoughts before I break it down race by race. The Power of the Dog was easily the winner of the morning with 12 nods (even more than anticipated). It led all nominees with Dune second (10).

Other movies that either met or exceeded expectations: Drive My Car, King Richard, and Nightmare Alley (which was the only somewhat surprising BP addition). For others, it was more of a mixed bag. Belfast garnered 7 mentions but came up short in key tech indicators like Cinematography and Editing. The same can be said for Licorice Pizza. Seven was also the number for West Side Story, but it missed screenplay. Being the Ricardos got 3 acting nods but no Picture or screenplay. And even Dune, with the 10 nods, somehow missed a director nomination for Denis Villeneuve.

Then there’s House of Gucci, which showed up only in Makeup and Hairstyling. No Jared Leto (I predicted he’d be left off), but no Lady Gaga in Actress was perhaps the shocker of the day.

Let’s get into it and I’ll offer my initial take on what/who could win (my final predictions will come shortly before the March 27th show).

Best Picture

Nominees:

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

King Richard

Licorice Pizza

Nightmare Alley

The Power of the Dog

West Side Story

How I Did: 9/10

Commentary: My one miss was Alley coming in over Being the Ricardos. Make no mistake. With its 12 mentions, The Power of the Dog is undoubtedly the frontrunner. Yes, the Twitterverse will offer alternate theories. Could Drive My Car‘s impressive haul give us our second foreign BP winner in three years? Could Belfast or West Side Story spoil? I doubt it.

Best Director

Nominees:

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Ryusuke Hamaguchi, Drive My Car

Steven Spielberg, West Side Story

How I Did: 4/5

Commentary: Hamaguchi getting in wasn’t unforeseen. If so, I figured he’d do so over Anderson, Branagh, or Spielberg and certainly not Villeneuve. That’s what happened. Campion made history today by becoming the first female nominee to get a second nomination. All signs point to her becoming the third (after Kathryn Bigelow and Chloe Zhao) to win.

Best Actress

Nominees:

Jessica Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Penelope Cruz, Parallel Mothers

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

How I Did: 4/5

Commentary: We now arrive at the biggest head scratcher of the major categories. Gaga’s aforementioned omission is truly unexpected (Cruz takes her slot). The precursors (BAFTA, Globes, SAG) have been all over the map and there’s no obvious favorite. I would say Cruz doesn’t stand much of a chance, but the other four do (it’s a lot like last year’s Actress derby). This is also the first time since 2005 where no Actress hopeful has their film in contention for Best Picture. Kidman’s Globe win could help and we’ll see what SAG does, but this is wide open.

Best Actor

Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, Tick, Tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

How I Did: 5/5

Commentary: That’s more like it! Smith (especially after Richard‘s good morning) is out ahead though I could see Cumberbatch definitely threatening after Dog‘s very good morning. Fun tidbit: not since 1980 has the Best Actor race consisted entirely of previous nominees until today.

Best Supporting Actress

Nominees:

Jessie Buckley, The Lost Daughter

Ariana DeBose, West Side Story

Judi Dench, Belfast

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

How I Did: 3/5

Commentary: This was the first race announced today and the jaws of prognosticators dropped immediately. Buckley and (especially) Dench were not anticipated by most. I didn’t even have either as my runner-up or second alternate. They displace Ruth Negga (Passing) and Dench’s costar Caitriona Balfe. While the lineup is different than we thought, the frontrunner (DeBose) remains the same with Dunst (getting her first nod) as a possible upset pick.

Best Supporting Actor

Nominees:

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Jesse Plemons, The Power of the Dog

J.K. Simmons, Being the Ricardos

Kodi Smit-McPhee, The Power of the Dog

How I Did: 4/5

Commentary: Simmons in over Bradley Cooper in Licorice Pizza. Mr. Cooper has two movies contending for BP but no singling out to show for it. Smit-McPhee may be out in front but a Kotsur victory is feasible.

Best Original Screenplay

Nominees:

Belfast

Don’t Look Up

King Richard

Licorice Pizza

The Worst Person in the World

How I Did: 3/5

Commentary: Worst Person is the surprise. I didn’t predict Richard though its  inclusion was expected. They’re in over Ricardos and Parallel Mothers (which was admittedly a bit of an upset pick from me). This should be between Belfast and Pizza and it may represent the best opportunity for either to grab a statue.

Tidbit: since 2001, there was at least one screenplay contender where it served as its only nomination. Until today.

Best Adapted Screenplay

Nominees:

CODA

Drive My Car

Dune

The Lost Daughter

The Power of the Dog

How I Did: 5/5

Commentary: Let’s not overcomplicate it when we don’t need to. Power is far and away the leader in this pack.

Best Animated Feature

Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Raya and the Last Dragon

How I Did: 5/5

Commentary: This went as planned. There are three Disney products in the group, but the other two (Flee, Mitchells) are potential roadblocks to Encanto winning. Yet betting against Disney usually isn’t wise in this one and Encanto will probably take it.

Best International Feature Film

Nominees:

Drive My Car

Flee

The Hand of God

Lunana: A Yak in the Classroom

The Worst Person in the World

How I Did: 3/5

Commentary: I’m gonna go ahead and say Lunana is the first Oscar contender with Yak in its title without checking (correct me if wrong). It surprisingly gets in (along with far less surprising The Hand of God) over A Hero and Playground. This one’s simple: anything other than Car would be a massive upset.

Best Documentary Feature

Nominees:

Ascension

Attica

Flee

Summer of Soul

Writing with Fire

How I Did: 2/5

Commentary: There’s that blasted 2 for 5 race! Ascension, Attica, and Fire are up over my selections of Faye Dayi, Procession, and The Rescue (its omission is stunning considering it was a contender to win).

Flee made history by becoming the first film to be nominated for Animated Feature, International Feature Film, and here. This race probably marks its best chance to win, but I wouldn’t sleep on Summer of Soul. 

Best Cinematography

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

How I Did: 4/5

Commentary: Alley over Belfast. Get used to hearing this with the tech categories – Dune might be out in front. Dog could threaten.

Best Costume Design

Nominees:

Cruella

Cyrano

Dune

Nightmare Alley

West Side Story

How I Did: 4/5

Commentary: Cyrano‘s sole nod comes here. I had House of Gucci instead. Dune can’t win all the techs and Cruella could take this.

Best Film Editing

Nominees:

Don’t Look Up

Dune

King Richard

The Power of the Dog

Tick, Tick… Boom!

How I Did: 3/5

Commentary: Richard and Boom! over Belfast and Licorice Pizza. The Belfast omission is particularly notable as BP victors nearly always are nominated here. This could be more Dune gold.

Best Makeup and Hairstyling

Nominees:

Coming 2 America

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

How I Did: 4/5

Commentary: Went with Suicide Squad over Coming 2 America. Despite its bad performance this morning, Gucci could win this. Or it might just go to Dune.

Best Original Score

Nominees:

Don’t Look Up

Dune

No Time to Die

Parallel Mothers

The Power of the Dog

How I Did: 4/5

Commentary: Went with The French Dispatch (which goose egged) over Mothers. As for the winner (get ready for it) – expect Dune or Dog.

Best Original Song

Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“No Time to Die” from No Time to Die

“Somehow You Do” from Four Good Days

How I Did: 4/5

Commentary: Maybe the surprise here shouldn’t be with “Somehow You Do” over “Just Look Up” from Don’t Look Up. After all, this marks Diane Warren’s 13th nomination and sixth in the last seven years. She’s never won and won’t this time.

“Be Alive” from Beyonce or “Oruguitas” could get it, but “No Time to Die” from Billie Eilish could be the third Bond theme in a row to be celebrated.

Best Production Design

Nominees:

Dune

Nightmare Alley

The Power of the Dog

The Tragedy of Macbeth

West Side Story

How I Did: 4/5

Commentary: Another category where I said French Dispatch and missed. Power gets in instead. While Dune is strong, I wouldn’t be startled to see this as the lone victory for Nightmare Alley.

Best Sound

Nominees:

Belfast

Dune

No Time to Die

The Power of the Dog

West Side Story

How I Did: 5/5

Commentary: You should hear Dune‘s name called.

Best Visual Effects

Nominees:

Dune

Free Guy

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Spider-Man: No Way Home

How I Did: 3/5

Commentary: Free Guy and Spidey over The Matrix Resurrections and Godzilla vs. Kong. As for the winner: See Best Sound.

Here’s the overall nominations break down:

12 Nominations

The Power of the Dog

10 Nominations

Dune

7 Nominations

Belfast, West Side Story

6 Nominations

King Richard

4 Nominations

Don’t Look Up, Drive My Car, Nightmare Alley

3 Nominations

Being the Ricardos, CODA, Encanto, Flee, Licorice Pizza, The Lost Daughter, No Time to Die, The Tragedy of Macbeth

2 Nominations

Cruella, The Eyes of Tammy Faye, Parallel Mothers, Tick, Tick… Boom!, The Worst Person in the World

1 Nomination

Ascension, Attica, Coming 2 America, Cyrano, Four Good Days, Free Guy, The Hand of God, House of Gucci, Luca, Lunana: A Yak in the Classroom, The Mitchells vs. the Machines, Raya and the Last Dragon, Shang-Chi and the Legend of the Ten Rings, Spencer, Spider-Man: No Way Home, Summer of Soul, Writing with Fire

Starting very shortly, you can peruse my Case Of posts in which I write individualized posts for all the contenders in Picture, Director, and the four acting races!

Oscar Predictions: Death on the Nile

Tomorrow morning, Kenneth Branagh appears poised to land nominations for Best Picture, Director, and Original Screenplay for his passion project Belfast. Before he made that Oscar contender, he shot Death on the Nile. A follow-up to 2017’s Murder on the Orient Express, the pic has faced a turbulent journey to the big screen (it opens Friday).

Originally slated for October 2020, Nile experienced numerous COVID related delays. Then there was the matter of its costar Armie Hammer having a massive public relations fallout due to revelations about his personal life.

Four Oscars ago, I actually predicted Orient would receive a Costume Design nomination and it was certainly in the running for Production Design. It came up empty handed. The review embargo for Nile lapsed today and it currently stands at 71% on Rotten Tomatoes. That’s better than the 60% that its predecessor garnered and many critics are claiming that this is an improvement.

That said, I don’t envision any nods (even the aforementioned tech races) materializing for this. It will probably be long forgotten in voters minds a year from now. Branagh, on the glass full side, should be pleased with the forthcoming Belfast love. My Oscar Prediction posts will continue…

February 11-13 Box Office Predictions

It’s been pretty easy to predict each weekend’s #1 film for a while – a lot of Spidey, a one-week interruption by Scream, and Johnny Knoxville and his pranksters in Jackass Forever. That gets a little more complicated this time around as three new pics enter the marketplace: Kenneth Branagh’s Murder on the Orient Express follow-up Death on the Nile, the Jennifer Lopez/Owen Wilson musical rom com Marry Me, and the latest Liam Neeson revenge saga Blacklight. You can peruse my detailed prediction posts on the trio right here:

Death on the Nile Box Office Prediction

Marry Me Box Office Prediction

Blacklight Box Office Prediction

Let’s start with Blacklight. Had this Neeson led tale (his granddaughter gets taken in it) come out in February a decade ago, we might be having a different conversation. However, grosses for these genre exercises with the actor have dwindled over the past couple of years (see Honest Thief and The Marksman). Therefore my $3.8 million estimate puts it at the tail end of the top five.

Then there’s Marry Me. It’s shrewdly placed during Valentine’s Day weekend where couples could be searching out something to view on date night. They will have the opportunity to do so with Marry Me in the theater and on Peacock and that could eat into the earnings. I have it barely topping double digits, but will admit that it could over perform and even snatch the #1 spot.

Jackass Forever is the fifth feature in the 20-year-old franchise and the fifth to open at #1. Looking over previous sophomore frame dips for earlier pics, I was surprised at their low drops. For 2002’s Jackass: The Movie, it was 44%.  2006’s Jackass: Number Two fell 49% while 2010’s Jackass 3D was the steepest at 57% (it was coming off a massive $50 million premiere). Spinoff Bad Grandpa in 2013 only had a 37% decline. I’ll say Forever loses about 50% That could be good enough for anywhere from the 1-3 slot depending on how Nile and Marry pan out. There could be a photo finish for that two spot.

Murder on the Orient Express tracked a solid $28 million haul just over four years ago. Yet it didn’t leg out particularly well and I question whether audiences are truly excited for another dose of Hercule Poirot and his many suspects. I suspect it should still make around half of what its predecessor took in. That would get it to #1, but we’re in a situation where we could have three genuine contenders for the top spot.

Spider-Man should stay in the top five with Moonfall potentially dropping out. The Roland Emmerich disaster tale managed just a C+ Cinemascore grade to go with its weak opening. A sophomore fall in the 60% range appears likely.

It’s also worth noting that there’s a certain game between the Bengals and Rams taking place Sunday. We usually don’t see three high-profile releases on Super Bowl weekend and it’s fair to assume grosses will take a hit on that date.

Here’s how I see it shaking out for your top 6:

1. Death on the Nile

Predicted Gross: $14.3 million

2. Jackass Forever

Predicted Gross: $11.3 million

3. Marry Me

Predicted Gross: $11.2 million

4. Spider-Man: No Way Home

Predicted Gross: $7.1 million

5. Blacklight

Predicted Gross: $3.8 million

6. Moonfall

Predicted Gross: $3.5 million

Box Office Results (February 4-6)

The Jackass franchise is five for five when it comes to opening #1 at the box office. Jackass Forever performed in line with estimates at $23.1 million, a touch ahead of my $21.8 million projection. It ranks fourth in terms of the quintet of debuts (just ahead of the original), but it’s certainly an impressive number given the circumstances.

As for Roland Emmerich’s disaster pic Moonfall… not so much. The big budget ($140 million) lunar saga cratered with only $9.8 million (I went higher with $12.8 million). As mentioned above, expect a precipitous drop in its sophomore frame.

Spider-Man: No Way Home was third with $9.5 million, swinging a bit above my $8.1 million take. The total has reached $748 million as it inches ever closer to 3rd domestically all-time (currently held by Avatar with $760 million).

Scream was fourth with $4.7 million (I said $4.4 million) and it’s scared up an overall tally of $68 million.

Sing 2 rounded out the top five with $4.2 million compared to my $3.6 million estimate. Total is $139 million.

And that does it for now, folks! Until next time…

Spider-Man: No Way Home Review

Spider-Man’s neighborhood grows exponentially in No Way Home, our third iteration of Tom Holland’s web slinger adventures with Jon Watts back directing. Not all the visitors he encounters are of the friendly sort. As you may recall, the conclusion of predecessor Far From Home had the scheming Mysterio (Jake Gyllenhaal) reveal Peter Parker’s identity to the masses. That has serious repercussions as Peter/Spidey’s anonymity is gone and the Daily Bugle and others paint him as a bad guy.

It might be easier to erase that divulgence so Peter visits his old avenging buddy Doctor Strange (Benedict Cumberbatch) to cast a spell to accomplish that. It doesn’t go as planned and it opens to a portal to a multiverse of characters who knew of Spider-Man’s alter ego. THIS IS WHERE WE GO INTO SPOILERS SO CONSIDER YOURSELF WARNED.

Crashing into this trilogy are the antagonists from Spider-tales of old. As in the Tobey Maguire and Andrew Garfield entries that we witnessed from 2002-2014. The sinister company consists of the Green Goblin (Willem Dafoe), Doc Ock (Alfred Molina), Electro (Jamie Foxx), Lizard (Rhys Ifans), and Sandman (Thomas Haden Church).

With the great power of the Marvel Cinematic Universe comes a responsibility to tap into our nostalgic leanings and No Way Home does it in heavy doses. Seeing Dafoe’s maniacal Goblin and Molina’s Doc from the first two Maguire installments is a kick. As for the rest, they came from lesser pics (Maguire’s last and both Garfield excursions). That said, Foxx’s characterization is a lot more fun than what we saw in The Amazing Spider-Man 2.

My reviews of Homecoming and Far From Home concentrated on the best moments being the most grounded. Holland (the most effective Spidey in my view) and his interactions with love interest MJ (Zendaya), Aunt May (Marisa Tomei), and bestie Ned (Jacob Batalon) were highlights. That holds true here, but No Way Home is anything but grounded. The third go-round is bigger in every sense.

In many ways, it’s the most satisfying since Maguire’s original double feature. Is it gimmicky? Absolutely and there’s an overload of exposition to plow through in the first act. Yet it also reminds us how unique Spider-Man is in the realm of superheroes. It’s also a plus that the villains in this series are complicated ones (for the genre at least) whose motivations are varied and often understandable.

I could go even further down spoiler territory and it’s fair to say the most amazing moments are ones I won’t delve into. No Way Home does provide humorous retribution for one hero in particular (you’ll know when you see it). This is grand entertainment that occasionally approaches the scale of the wars and endgame of Spider-Man’s former team. He’s got a fresh troupe of buddies to collaborate with to save humanity in this trilogy capper. The teamwork provide multiple thrills.

*** (out of four)

Lamb Review

In cartoons and comedies, we’ve grown accustomed to watching animals with human qualities and it doesn’t phase us one bit. Same goes for horror movies and it’s usually played for laughs or with cartoonish violence. That is surely not the vibe of Valdamir Johannson’s fable Lamb, which treats its baby sheep and real baby hybrid with total tonal sincerity. It’s not the first movie to do it (though not with that combo). It’s jarring nonetheless.

Maria (Noomi Rapace) and Ingvar (Hilmir Snaer Guonason) are remote farmers who tend to their flock amidst the scenic mountains of Iceland. Their rather mundane days are given a jolt when the couple deliver a creature with anthropoid qualities.

The blended family scenario provides immediate joy to the parents who suffered a previous tragedy in their conception attempts. A disconcerting aspect of the screenplay is how normally their situation is treated. That’s until Ingvar’s deadbeat brother Pétur (Bjorn Hlynur Haraldsson) drops in and his reaction mirrors the WTFery of the viewer.

While Maria and Ingvar stubbornly adhere to maintaining the new routine, Ada (and the dog) sense an outside presence lurking. Mom and Dad aren’t questioning how this mythical being came to be. The animal instincts of others are on alert.

A24 specializes in artsy horror flicks though I struggle to say Lamb is of that genre. It’s not scary. Eerie, including its picturesque though foreboding atmosphere, is a better word for it. This is prime example of either buying the concept or wanting to run for the hills. For a while, I was intrigued by its bizarre nature. Rapace’s committed performance (I’m tempted to say she really has the chops) helps.

When some of the mysteries are clarified in the third act, it felt a bit sudden and anticlimactic. The presentation is certainly unique but the overriding theme of grief is recognizable. That’s not to say there aren’t genuine surprises that occur. The shock value seems a little diluted after watching this sweater clad wooly oddity assisting with breakfast.

**1/2 (out of four)

Swan Song Review

Benjamin Cleary’s Swan Song is told through the eyes of two characters in a near future setting. In years approaching, it seems that our contact lenses serve as cameras allowing remote bystanders to witness the interactions of others. This comes into play with a tale of clones and impending loss.

Cameron Turner (Mahershala Ali) is facing a quandary that’s slightly less believable than his disposable camcorders. Diagnosed with a terminal illness, he struggles with how to tell his wife Poppy (Ali’s Moonlight costar Naomie Harris in another fine performance). With a young child and another on the way, an alternative solution is presented. Kindly Dr. Scott (Glenn Close) can make an exact copy of him. Cameron would face his final days at a lush and remote medical facility. Poppy and the rest of the family would have no idea.

At Dr. Scott’s locale, he meets patient #2 Kate (Awkwafina). He would be third. Away from it, Cameron is introduced to her engineered doppelgänger. That interaction helps push him to the yes column. Yet when he meets the clone called Jack (also played by Ali, naturally) – doubts are cast.

Song features plenty of flashbacks showing Cameron’s existence in healthier days. This includes his meet cute with Poppy involving a candy bar. It gets more dramatic when his eventual spouse is dealt a devastating loss.

The new technology would prevent that from happening and Cleary’s screenplay mostly succeeds in navigating the sticky wicket ethical issues presented. A two-time Oscar winner given his first sole leading role, Ali is excellent. He has the assignment of playing two characters. They may be the same person, but they have different motivations at various times. That’s not an easy feat to pull off and Ali passes the test impressively with subtle grace.

Swan Song is indeed with a tearjerker that manages to earn them with much credit to its lead(s). Cleary is not overly clear about how this enterprise of Xeroxing yourself came to be. It actually works in the picture’s favor. I’m not sure those explorations could have been more revelatory from those we’ve seen in other sci-fi tales with similar themes. Instead we are presented with Cameron’s predicament in real time and with the understandable conflicts he undergoes as his decision clock winds down before our eyes.

***1/2 (out of four)

 

Blacklight Box Office Prediction

Some 13 years after Taken kicked off a whole new action phase for its star, Liam Neeson is back in revenge mode with Blacklight (out February 11th). And this time… wait for it!… it’s his granddaughter who’s been snatched by nefarious criminals. Mark Williams, who worked with Neeson in Honest Thief, directs and the supporting cast includes Emmy Raver-Lampman, Taylor John Smith, and Aidan Quinn.

One look at the Blacklight trailer illuminates Neeson in his late career comfort zone. Post Taken, that’s resulted in moneymakers like Unknown, Non-Stop and, of course, the Taken sequels.

Lately, however, the grosses have slowed. Some of that might have been a result of releases that occurred in this COVID era. The aforementioned Thief in fall 2020 premiered to only $3.6 million. Last year, The Marksman took in $3.7 million over the four-day MLK frame. Pre pandemic, in 2019, Cold Pursuit started with $11 million (still far off from earlier efforts).

I don’t see a compelling why Blacklight would approach double digits (or even high single ones) and it won’t help that male viewers will be distracted by the Bengals vs. Rams on Sunday of its debut weekend. It might outdo Thief and The Marksman, but maybe not.

Blacklight opening weekend: $3.8 million

For my Death on the Nile prediction, click here:

Death on the Nile Box Office Prediction

For my Marry Me prediction, click here:

Marry Me Box Office Prediction

2021 Final Oscar Predictions

This is it! After months of speculation that began all the way back in a time known as August 2021, the guesswork grinds to a halt. It’s time for my FINAL Oscar predictions for the 94th Academy Awards. Nominations are out Tuesday (February 8th) with the big show airing March 27th.

I’ve penned thousands of words discussing the various feature film categories that will be revealed. The speculation ends today. For each race, I will give you my picks along with a runner-up and a second alternate. On Tuesday, I’ll have reaction up with my thoughts and, of course, how I did with the prognostications. I’m also giving you how I fared in the previous two years with each category.

So… pencils down. Let’s get to it!

Best Picture

2019 Performance: 9/9

2020 Performance: 7/9

***There are 10 fixed nominees now***

Predicted Nominees:

Being the Ricardos

Belfast

CODA

Don’t Look Up

Drive My Car

Dune

King Richard

Licorice Pizza

The Power of the Dog

West Side Story

Runner-Up: Tick, Tick… Boom!

Second Alternate: The Tragedy of Macbeth

Best Director

2019 Performance: 4/5

2020 Performance: 4/5

Predicted Nominees:

Paul Thomas Anderson, Licorice Pizza

Kenneth Branagh, Belfast

Jane Campion, The Power of the Dog

Steven Spielberg, West Side Story

Denis Villeneuve, Dune

Runner-Up: Ryusuke Hamaguchi, Drive My Car

Second Alternate: Sian Heder, CODA

Best Actress

2019 Performance: 5/5

2020 Performance: 5/5

Predicted Nominees:

Jessica Chastain, The Eyes of Tammy Faye

Olivia Colman, The Lost Daughter

Lady Gaga, House of Gucci

Nicole Kidman, Being the Ricardos

Kristen Stewart, Spencer

Runner-Up: Penelope Cruz, Parallel Mothers

Second Alternate: Alana Haim, Licorice Pizza

Best Actor

2019 Performance: 4/5

2020 Performance: 5/5

Predicted Nominees:

Javier Bardem, Being the Ricardos

Benedict Cumberbatch, The Power of the Dog

Andrew Garfield, Tick, Tick… Boom!

Will Smith, King Richard

Denzel Washington, The Tragedy of Macbeth

Runner-Up: Leonardo DiCaprio, Don’t Look Up

Second Alternate: Peter Dinklage, Cyrano

Best Supporting Actress

2019 Performance: 4/5

2020 Performance: 4/5

Predicted Nominees:

Caitriona Balfe, Belfast

Ariana DeBose, West Side Story

Kirsten Dunst, The Power of the Dog

Aunjanue Ellis, King Richard

Ruth Negga, Passing

Runner-Up: Ann Dowd, Mass

Second Alternate: Cate Blanchett, Nightmare Alley

Best Supporting Actor

2019 Performance: 5/5

2020 Performance: 4/5

Predicted Nominees:

Bradley Cooper, Licorice Pizza

Ciaran Hinds, Belfast

Troy Kotsur, CODA

Jesse Plemons, The Power of the Dog

Kodi Smit-McPhee, The Power of the Dog

Runner-Up: Jared Leto, House of Gucci

Second Alternate: Ben Affleck, The Tender Bar

Best Original Screenplay

2019 Performance: 4/5

2020 Performance: 4/5

Predicted Nominees:

Being the Ricardos

Belfast

Don’t Look Up

Licorice Pizza

Parallel Mothers

Runner-Up: King Richard

Second Alternate: C’Mon C’Mon

Best Adapted Screenplay

2019 Performance: 5/5

2020 Performance: 3/5

Predicted Nominees:

CODA

Drive My Car

Dune

The Lost Daughter

The Power of the Dog

Runner-Up: West Side Story

Second Alternate: Passing

Best Animated Feature

2019 Performance: 4/5

2020 Performance: 4/5

Predicted Nominees:

Encanto

Flee

Luca

The Mitchells vs. the Machines

Raya and the Last Dragon

Runner-Up: Belle

Second Alternate: Sing 2

Best International Feature Film

2019 Performance: 3/5

2020 Performance: 2/5

Predicted Nominees:

Drive My Car

Flee

A Hero

Playground

The Worst Person in the World

Runner-Up: The Hand of God

Second Alternate: Prayers for the Stolen

Best Documentary Feature

2019 Performance: 3/5

2020 Performance: 3/5

Predicted Nominees:

Faya Dayi

Flee

Procession

The Rescue 

Summer of Soul

Runner-Up: The First Wave

Second Alternate: Ascension

Best Cinematography

2019 Performance: 4/5

2020 Performance: 4/5

Predicted Nominees:

Belfast

Dune

The Power of the Dog

The Tragedy of Macbeth

West Side Story

Runner-Up: Nightmare Alley

Second Alternate: Licorice Pizza

Best Costume Design

2019 Performance: 3/5

2020 Performance: 4/5

Predicted Nominees:

Cruella

Dune

House of Gucci

Nightmare Alley

West Side Story

Runner-Up: Cyrano

Second Alternate: Licorice Pizza

Best Film Editing

2019 Performance: 4/5

2020 Performance: 4/5

Predicted Nominees:

Belfast

Don’t Look Up

Dune

Licorice Pizza

The Power of the Dog

Runner-Up: West Side Story

Second Alternate: King Richard

Best Makeup and Hairstyling 

2019 Performance: 3/5

2020 Performance: 4/5

Predicted Nominees:

Cruella

Dune

The Eyes of Tammy Faye

House of Gucci

The Suicide Squad

Runner-Up: Coming 2 America

Second Alternate: Cyrano

Best Original Score

2019 Performance: 5/5

2020 Performance: 4/5

Predicted Nominees:

Don’t Look Up

Dune

Encanto

The French Dispatch

The Power of the Dog

Runner-Up: Parallel Mothers

Second Alternate: Spencer

Best Original Song

2019 Performance: 3/5

2020 Performance: 4/5

Predicted Nominees:

“Be Alive” from King Richard

“Dos Oruguitas” from Encanto

“Down to Joy” from Belfast

“Just Look Up” from Don’t Look Up

“No Time to Die” from No Time to Die

Runner-Up: “Here I Am” from Respect 

Second Alternate: “Beyond the Shore” from CODA

Best Production Design

2019 Performance: 4/5

2020 Performance: 3/5

Predicted Nominees:

Dune

The French Dispatch

Nightmare Alley

The Tragedy of Macbeth

West Side Story

Runner-Up: Belfast

Second Alternate: Licorice Pizza

Best Sound

2020 Performance: 5/5

***Sound races were split into Editing and Mixing prior to 2020

Predicted Nominees:

Belfast

Dune

No Time to Die

The Power of the Dog

West Side Story

Runner-Up: A Quiet Place Part II

Second Alternate: Spider-Man: No Way Home

Best Visual Effects

2019 Performance: 5/5

2020 Performance: 3/5

Predicted Nominees:

Dune

Godzilla vs. Kong

The Matrix Resurrections

No Time to Die

Shang-Chi and the Legend of the Ten Rings

Runner-Up: Spider-Man: No Way Home

Second Alternate: Ghostbusters: Afterlife

And this means my FINAL tally of total nominations for these films are as follows:

11 Nominations

Dune, The Power of the Dog

9 Nominations

Belfast

7 Nominations

West Side Story

5 Nominations

Don’t Look Up, Licorice Pizza

4 Nominations

Being the Ricardos, King Richard

3 Nominations

CODA, Drive My Car, Encanto, Flee, House of Gucci, No Time to Die, The Tragedy of Macbeth

2 Nominations

Cruella, The Eyes of Tammy Faye, The French Dispatch, The Lost Daughter, Nightmare Alley

1 Nomination

Faya Dayi, Godzilla vs. Kong, A Hero, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Parallel Mothers, Passing, Playground, Procession, Raya and the Last Dragon, The Rescue, Shang-Chi and the Legend of the Ten Rings, Spencer, The Suicide Squad, Summer of Soul, Tick, Tick… Boom!, The Worst Person in the World

Come Tuesday – visit the blog for reaction to the nominations!

2021 BAFTA Nominations Reaction

For the second year in a row, the British Academy Film Awards (or BAFTAs) showed its unpredictable nature with some shocking omissions and unexpected inclusions. The last major precursor before Oscar nominations are unveiled Tuesday, I went 63 of 99 when it comes to races with a correlation to the Academy’s competitions. Truth be told – it coulda been worse considering the surprises we witnessed today.

Let’s break them down one by one with some commentary, shall we?

Film

Nominees: Belfast, Don’t Look Up, Dune, Licorice Pizza, The Power of the Dog

How I Did: 3/5

Commentary: The BAFTAs delivered a great haul for Pizza. It and Don’t Look Up got in over my picks of The Tragedy of Macbeth and West Side Story (which both underwhelmed). Gut reaction says Power is in the lead.

Director

Nominees: Paul Thomas Anderson (Licorice Pizza), Jane Campion (The Power of the Dog), Audrey Diwan (Happening), Julia Ducournau (Titane), Ryusuke Hamaguchi (Drive My Car), Aleem Khan (After Love)

How I Did: 4/6

Commentary: Wow – no Kenneth Branagh for Belfast or Denis Villeneuve for Dune! They miss with Anderson and Diwan taking the spots. Like with Film, Campion could be out in front.

Leading Actress

Nominees: Lady Gaga (House of Gucci), Alana Haim (Licorice Pizza), Emilia Jones (CODA), Renate Reinsve (The Worst Person in the World), Joanna Scanlan (After Love), Tessa Thompson (Passing)

How I Did: 3/6

Commentary: Surprises galore here! No Nicole Kidman for Being the Ricardos or Olivia Colman in The Lost Daughter. I predicted both along with Claire Rushbrook for Ali & Ava. In their slots are Haim (continuing the Licorice love), Jones, and Thompson. I would also note no Kristen Stewart in Spencer after her SAG snub.

Now here’s an interesting stat – since 2013, the BAFTA Leading Actress recipient has matched the Oscar winner. So… are Kidman and Colman in trouble? Could Gaga be on her way to a gold statue? Does this show Haim’s potential strength at getting an Academy mention? Questions abound, but I know one thing – this year’s Actress race is as intriguing as last year’s.

Leading Actor

Nominees: Adeel Akhtar (Ali & Ava), Mahershala Ali (Swan Song), Benedict Cumberbatch (The Power of the Dog), Leonardo DiCaprio (Don’t Look Up), Stephen Graham (Boiling Point), Will Smith (King Richard)

How I Did: 3/6

Commentary: Smith’s inclusion here (which I didn’t project) just might solidify him as the Oscar frontrunner (with Cumberbatch pretty close behind). Academy hopefuls Andrew Garfield (Tick, Tick… Boom!) and Denzel Washington (Macbeth) were left out as was Daniel Craig in his swan song as Bond in No Time to Die. In their place – Smith, Ali (following up on his Globe nominated turn), and DiCaprio.

Side note – somehow, Denzel has never been nominated for a BAFTA.

Supporting Actress

Nominees: Caitriona Balfe (Belfast), Jessie Buckley (The Lost Daughter), Ariana DeBose (West Side Story), Ann Dowd (Mass), Aunjanue Ellis (King Richard), Ruth Negga (Passing)

How I Did: 4/6

Commentary: Dowd finally shows up! I must say – no huge shockers here as she and Ellis made it over Kirsten Dunst (The Power of the Dog) and Kathryn Hunter (Macbeth). We’ll see if DeBose’s potential sweep continues here.

Supporting Actor

Nominees: Mike Faist (West Side Story), Ciaran Hinds (Belfast), Troy Kotsur (CODA), Woody Norman (C’Mon C’Mon), Jesse Plemons (The Power of the Dog), Kodi Smit-McPhee (The Power of the Dog)

How I Did: 3/6

Commentary: There was a double dose of Dog love for Plemons (who I didn’t predict) and Smit-McPhee (who I did and he could certainly win). I also went with Faist’s costar David Alvarez instead in a last minute switch that I now regret. And young Norman is responsible for the only nod for C’Mon C’Mon. I also went with Benicio del Toro for The French Dispatch and Jamie Dornan in Belfast. At this point, an Oscar nod for Dornan seems like a reach. Also worth noting is that, despite Pizza over performing, no Bradley Cooper.

Original Screenplay

Nominees: Being the Ricardos, Belfast, Don’t Look Up, King Richard, Licorice Pizza

How I Did: 4/5

Commentary: Here’s a list that may absolutely match the Oscar one. I said After Love over Richard (which had a solid day). Like with the Academy, this might be a Belfast v. Pizza showdown and considering how well the latter did, I might lean that way.

Adapted Screenplay

Nominees: CODA, Drive My Car, Dune, The Lost Daughter, The Power of the Dog

How I Did: 4/5

Commentary: Went with West Side Story over Dune. This is Power‘s to lose.

Animated Film

Nominees: Encanto, Flee, Luca, The Mitchells vs. the Machines

How I Did: 3/4

Commentary: Rather predictable list though I said Ron’s Gone Wrong instead of Luca.

Film Not in the English Language

Nominees: Drive My Car, The Hand of God, Parallel Mothers, Petite Maman, The Worst Person in the World

How I Did: 3/5

Commentary: No Flee here or Titane with God and Mothers in. Drive My Car is the favorite.

Documentary

Nominees: Becoming Cousteau, Cow, Flee, The Rescue, Summer of Soul

How I Did: 3/5

Commentary: Summer of Soul did well when factoring in the surprise Editing nod. It made it along with Cousteau over my picks of The Sparks Brothers and The Velvet Underground.

Cinematography

Nominees: Dune, Nightmare Alley, No Time to Die, The Power of the Dog, The Tragedy of Macbeth

How I Did: 4/5

Commentary: Well – Macbeth got something (!) Only miss here was going with Belfast instead of Alley.

Costume Design

Nominees: Cruella, Cyrano, Dune, The French Dispatch, Nightmare Alley

How I Did: 2/5

Commentary: There’s always a pesky 2/5 race where I just whiff. I got Cyrano and Dune right but the others popped up over House of Gucci, Last Night in Soho, and West Side Story. I didn’t predict it, but Cruella could be the main competition for Dune.

Editing

Nominees: Belfast, Dune, Licorice Pizza, No Time to Die, Summer of Soul

How I Did: 3/5

Commentary: Soul‘s aforementioned placement is unexpected – could it possibly follow suit with the Academy? Also didn’t project Pizza. They are in over Last Night in Soho and (you guessed it) West Side Story.

Makeup and Hair

Nominees: Cruella, Cyrano, Dune, The Eyes of Tammy Faye, House of Gucci

How I Did: 4/5

Commentary: Cyrano over The Electrical Life of Louis Wain. Honestly, other than Cyrano, I think any of the hopefuls could take this.

Original Score

Nominees: Being the Ricardos, Don’t Look Up, Dune, The French Dispatch, The Power of the Dog

How I Did: 3/5

Commentary: Ricardos and Don’t Look Up in; The Green Knight and Spencer out. Probably a showdown of Dune v. Dog. 

Production Design

Nominees: Cyrano, Dune, The French Dispatch, Nightmare Alley, West Side Story

How I Did: 3/5

Commentary: Here’s a rare category where I incorrectly had West Side missing. It’s in, along with Cyrano (which had a decent haul with tech races) over Belfast and Macbeth.

Sound

Nominees: Dune, Last Night in Soho, No Time to Die, A Quiet Place Part II, West Side Story

How I Did: 4/5

Commentary: Place over Belfast. Expect Dune to reign supreme.

Special Visual Effects

Nominees: Dune, Free Guy, Ghostbusters: Afterlife, The Matrix Resurrections, No Time to Die

How I Did: 3/5

Commentary: Should be another victory for Dune as Free Guy and Ghostbusters made it over my selections of The King’s Man and Shang-Chi and the Legend of the Ten Rings.

And there’s your recap. As a reminder, my FINAL Oscar predictions (which I’m currently beating myself up over) will be posted tomorrow! Stay tuned…

Movie Perfection: You’re Safe Now

It’s a scene I’ve returned to many times and one that can’t escape my mind since I saw it over nine years ago. The concluding sequence to Captain Phillips floors me each time I view it. It is simultaneously uplifting and devastating and features quite possibly the best three minutes of acting from Tom Hanks (and that’s saying a lot).

The scene also frustrates me to this day. Not because of anything in it. It reminds me that Hanks was snubbed of an Oscar nomination for the picture. That’s a travesty. I don’t care that he’s won two gold statues and was nominated for four more. He deserved recognition for what he did here.

As a reminder, Phillips from director Paul Greengrass recounts the Somali hijacking of the Maersk Alabama with Hanks in the title role. One of the pirates is played in an Academy nominated performance from Barkhad Abdi and the denoument finds him surviving after U.S. marksmen take out his cohorts. Phillips lives too after begging for his life in a scene that’s expertly constructed and nail bitingly tense (even though we know the outcome).

Yet it’s the aftermath that sticks with me. Phillips is taken to an infirmary after the ordeal. Clearly in shock, the confused Captain is cared for by a Naval medic. What you might not know is that the “actress” playing her (Danielle Albert) was a real sailor enlisted for the scene on the day of the shoot. Her interaction with one of the biggest stars in the world is unforgettable. However, there’s not a moment in it where you’re thinking of Hanks. It feels like you’re experiencing his trauma and his bewilderment when trying to articulate the blood on his body and the pain he feels.

Albert’s work is understandably authentic. This took a few viewings to appreciate her matter-of-fact style. The way she simply and flatly says You’re welcome when Phillips expresses gratitude. He needs to hear a common response to shake him from his nightmare.

This closing chapter wasn’t even in the script. Greengrass and his collaborators figured out that they needed a more potent ending. Mission accomplished and then some. The long journey to safety for Captain Phillips is undoubtedly an example of Movie Perfection.