Ariana DeBose’s performance in West Side Story is next up with my Case Of posts for Supporting Actress. If you missed the first covering Jessie Buckley in The Lost Daughter, you can find it here:
Her performance as Anita has been consistently called the highlight among the cast. There’s Oscar history to be had as Rita Moreno won the same award 60 years ago in the same role. Even before its release, DeBose was correctly looked at as a strong contender and she’s already got a Golden Globe to show for it (in addition to SAG and Critics Choice nods and plenty of trophies from critics groups).
The Case Against Ariana DeBose:
The film itself was a box office disappointment and perhaps the Academy will honor a more seasoned competitor like Kirsten Dunst in The Power of the Dog (especially if that pic begins to run the table at the ceremony).
Previous Nominations:
None
The Verdict:
DeBose is unquestionably the frontrunner here and I’d say this is the easiest of the four acting derbies to forecast. That said, there’s been upsets in this race before.
My Case Of posts will continue with the supporting work of Troy Kotsur in CODA…
The SAG Awards air this Sunday night and I’m here to give you my take. For some context, I went 4/5 in my projections from 2017-2019 and 3/5 last year. The winners here will certainly help themselves if they’re nominated for Oscars (as you’ll see – not all are).
Let’s get to it!
Outstanding Performance by a Cast in a Motion Picture
Nominees:
Belfast
CODA
Don’t Look Up
House of Gucci
King Richard
Commentary:
I could offer an argument for anything but Gucci (partly because The Birdcage from 1996 is the only winner that wasn’t nominated for BP at the Oscars). The rest of the pics are BP players with the Academy. Belfast is the most likely to win (notice frontrunner The Power of the Dog isn’t here). Even though I’m not projecting its lone nominee (Balfe) to take the SAG and it was a surprise that Ciaran Hinds didn’t make it, I’ll say the cast is ultimately honored as a whole. CODA is right on its heels.
Predicted Winner: Belfast
Runner-Up: CODA
Outstanding Performance by a Female Actor in a Leading Role
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Lady Gaga, House of Gucci
Jennifer Hudson, Respect
Nicole Kidman, Being the Ricardos
Commentary:
Welcome to the confounding world of Best Actress in the 2021 awards season and this is easily the trickiest race to figure out. The Oscar/SAG match is 3/5. Gaga and Hudson didn’t make the Acadeny’s cut in favor of Penelope Cruz (Parallel Mothers) and Kristen Stewart (Spencer).
Let’s start with Gaga. The SAG winner in this race has never not been nominated for an Oscar so the superstar would certainly make history if she takes this. That stat discourages me from calling her name, but who knows? All hopefuls here would be first-time winners in this category (Hudson took Supporting Actress 15 years back in Dreamgirls). She seems least likely to win. So we’re down to Chastain, Colman, and Kidman. All could prevail. Kidman took the Golden Globe and a podium trip could solidify her status as the Oscar frontrunner. Chastain’s showy role could be honored and it’s a bit of a coin flip for me. I’ll give Kidman an ever so slight edge.
Predicted Winner: Nicole Kidman
Runner-Up: Jessica Chastain
Outstanding Performance by a Male Actor in a Leading Role
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick Tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
Commentary:
Not complicated like Actress as there’s a 5 for 5 lineup with the Academy’s nominees. Unlike the Oscars, I do buy into the theory that Garfield might be more of a spoiler than Cumberbatch to Smith. The SAG folks could reward Garfield’s showy role. That said, I’m not betting against Smith.
Predicted Winner: Will Smith
Runner-Up: Andrew Garfield
Outstanding Performance by a Female Actor in a Supporting Role
Nominees:
Caitriona Balfe, Belfast
Cate Blanchett, Nightmare Alley
Ariana DeBose, West Side Story
Kirsten Dunst, The Power of the Dog
Ruth Negga, Passing
Commentary:
There’s only a 2 for 5 symmetry with the big show and that’s DeBose and Dunst. Balfe, Blanchett, and Negga are in over Academy picks Jessie Buckley (The Lost Daughter), Judi Dench (Belfast), and Aunjanue Ellis (King Richard). I do think it’s between the Oscar contestants. Dunst is a threat though I’m going with DeBose sweeping until I see different.
Predicted Winner: Ariana DeBose
Runner-Up: Kirsten Dunst
Outstanding Performance by a Male Actor in a Supporting Role
Nominees:
Ben Affleck, The Tender Bar
Bradley Cooper, Licorice Pizza
Troy Kotsur, CODA
Jared Leto, House of Gucci
Kodi Smit-McPhee, The Power of the Dog
Commentary:
Like Supporting Actress, just a 2 for 5 (Kotsur, Smit-McPhee) match. Affleck, Cooper, and Leto got SAG love instead of Oscar selections Ciaran Hinds (Belfast), Jesse Plemons (The Power of the Dog), and J.K. Simmons (Being the Ricardos). And I’ll also say it’s between the two Academy players. This is difficult because I could easily see Smit-McPhee sweeping (he won the Globe). Yet I have a sneaking suspicion the thespians may go for Kotsur. With little confidence, I’ll pick that.
Predicted Winner: Troy Kotsur
Runner-Up: Kodi Smit-McPhee
I’ll have reaction up on the ceremony Sunday night!
Benedict Cumberbatch is the second Best Actor hopeful covered in my Case Of posts for that category. If you missed the first on Javier Bardem for Being the Ricardos, it’s here:
We might be witnessing a right year and right movie matchup for Cumberbatch to nab his first Oscar. After being previously nominated seven years back for The Imitation Game, he’s starring in the Best Picture frontrunner and garnered career best reviews. He’s been mentioned in all key precursors such as the Globes, SAG, BAFTA and Critics Choice. Furthermore, he had an impressive 2021 beyond Dog with kudos for the title role in The Electrical Life of Louis Wain and appearing as Doctor Strange in box office behemoth Spider-Man: No Way Home.
The Case Against Benedict Cumberbatch:
Only 3 Best Actor recipients in the 21st century came from the BP winner. Yet the most compelling case against comes courtesy of Will Smith, who stands as the favorite for King Richard. This is Smith’s third try and Benedict’s second. Voters may figure Cumberbatch will have other opportunities. The Academy has three other options to bestow gold on the Dog cast (with the best possibility being Kodi Smit-McPhee in supporting actor).
Previous Nominations: 1
The Imitation Game (2014 – Actor)
The Verdict:
I do believe Cumberbatch is a strong second to Smith at the moment. If Cumberbatch manages to grab the SAG or BAFTA, he could play the spoiler role that Anthony Hopkins (The Father) managed last year over the favored Chadwick Boseman in Ma Rainey’s Black Bottom.
My Case Of posts will continue with Supporting Actress and Ariana DeBose in West Side Story…
Another chapter for the Caped Crusader flies into theaters March 4th with The Batman. The franchise reboot comes with high expectations and pent up anticipation as Robert Pattinson takes over the title role. Matt Reeves, best known for Cloverfield and the last two Planet of the Apes pics, directs. The supporting cast includes Zoe Kravitz as Catwoman, Paul Dano as the Riddler, Jeffrey Wright as Commissioner Gordon, Andy Serkis as Alfred, and an unrecognizable Colin Farrell as the Penguin. Originally slated for summer 2021, it looks to rule the month of March after its COVID delay.
There is little competition in its way and its event picture status should propel it to huge numbers. How big? The Batman could be in line for a larger opening weekend than 2008’s The Dark Knight ($158 million) and 2012 follow-up The Dark Knight Rises ($160 million). And you may have forgotten that 2016’s Batman v Superman: Dawn of Justice actually holds the highest Bat premiere at $166 million.
Spider-Man: No Way Home showed that moviegoers were more than ready to turn out in force with the right product. Early IMAX offerings have already sold out for opening day. Estimates are wide. It could be as low as $100 million or approach $200 million. I’m thinking $145-$165 million is the likeliest range.
The Batman opening weekend prediction: $155.2 million
Olivia Colman’s turn in Netflix’s The Lost Daughter is the second Case Of post for the five women competing for Best Actress. If you missed the first on Jessica Chastain in The Eyes of Tammy Faye, you can find it here:
It’s another hailed performance from the Oscar winner who surprisingly took to the podium three years back for The Favourite (upsetting frontrunner Glenn Close in The Wife). Colman gets her third nod in four years. In addition to the victory from 2018, she was nominated last year in supporting for The Father. She nabbed precursor attention at the Globes, SAG, and Critics Choice. Daughter performed decently with the Academy with Jessie Buckley receiving an unexpected spot in Supporting Actress and director Maggie Gyllenhaal’s being recognized for her adapted screenplay. Furthermore, Best Actress looks wide open and anything could happen.
The Case Against Olivia Colman:
Had Daughter managed a Best Picture slot, I might feel more confident in calling for a potential second trophy for Colman. That said, none of the five Actress’s films are in the big dance. Critics liked this better than general audiences judging from Rotten Tomatoes. In an unexpected twist, BAFTA did not include Colman. What gives me the most pause is that Colman is the most recent recipient – Jessica Chastain and Kristen Stewart (Spencer) have never won, Penelope Cruz (Parallel Mothers) is a supporting winner from 13 years ago, and Nicole Kidman (Being the Ricardos) took Actress 19 years ago.
Previous Nominations: 2
The Favourite (2018 – Actress, WON); The Father (2020 – Supporting Actress)
The Verdict:
This is a tricky one and good luck figuring out Best Actress in 2021. The counterargument to the recency bias is that it didn’t hurt Frances McDormand (Nomadland) last year. However, that was a frontrunner for BP and that narrative doesn’t exist this time around. If Colman can get a win at SAG this weekend or Critics Choice later on, it increases her viability with the Academy. If not, I doubt she gets her second Oscar.
My Case Of posts will continue with Benedict Cumberbatch in The Power of the Dog…
Blogger’s Update (02/23): The theater count for Studio 666 has been announced and it’s higher than expected with just over 2300 screens. I’m upping my estimate a bit from $1.4 million to $2.1 million.
As February closes out and we await the massive release of The Batman to begin March, the top five may look the same this weekend. There are two new titles: the musical romantic drama Cyrano with Peter Dinklage and the Foo Fighters led horror comedy Studio 666. You can peruse my detailed prediction posts on them here:
I’ve got both of the newcomers posting debuts in the $2 million range- $1.8 million for Cyrano and $2.1 million for 666. That would put both outside of the top five.
As for the holdovers, the post President’s Day weekend usually sees rather large drops for those returnees. After as its terrific debut (more on that below), Uncharted could be headed for a slide in the 50 percent range with Dog in the low to mid 40s. Spider-Man: No Way Home, Death on the Nile, and Jackass Forever should hold their spots in the 3-5 positions.
So as the Caped Crusader readies for his closeup and a nine figure start (my box office prediction for it will be up tomorrow), here’s how I see things happening this weekend:
1. Uncharted
Predicted Gross: $21.8 million
2. Dog
Predicted Gross: $8.4 million
3. Spider-Man: No Way Home
Predicted Gross: $6 million
4. Death on the Nile
Predicted Gross: $3.7 million
5. Jackass Forever
Predicted Gross: $2.8 million
Box Office Results (February 18-21)
It’s Tom Holland’s world and we’re just living in it as his adventure flick Uncharted with Mark Wahlberg dominated the four-day holiday frame with a much bigger than anticipated $51.3 million. That blows away my forecast of $33.7 million and shows that its lead’s star power extends beyond him in the Spidey suit. Expect a sequel to be fast tracked.
Channing Tatum received a welcome return after a lengthy starring role absence as his directorial debut Dog took in $17.3 million, lapping my $13.3 million estimate. With an A- Cinemascore grade, this could perform well over subsequent weeks as Tatum has The Lost City lined up with Sandra Bullock a month from now.
That other franchise of Holland’s – Spider-Man: No Way Home – was third with $9.2 million as it swung past my $7.3 million take. At $772 million, it’s perched at #3 domestically all-time.
Death on the Nile stalled in its sophomore frame and fell from first to fourth with $7.7 million (I went higher at $9.8 million). The underwhelming two week total is $26 million.
Jackass Forever was fifth with $6 million (I said $5.7 million) for a three week tally of $47 million.
Finally, Jennifer Lopez’s rom com Marry Me was sixth in its second go-round with $4.3 million compared to my more generous $6 million prediction. It’s made $17 million.
Blogger’s Update (02/23): A higher than expected theater count of just over 2300 screens has been announced. However, I’m not upping my estimate by too much – $1.4 million to $2.1 million.
Dave Grohl and his bandmates take a break from fighting foo to battle evil spirits in Studio 666 this Friday. The comedic horror tale comes from an idea hatched by the Foo Fighters frontman (its existence wasn’t even known until November of last year). B.J. McDonnell directs and the supporting cast (apart from the recently inducted Rock and Roll Hall of Famers) includes Whitney Cummings, Leslie Grossman, Will Forte, Jenna Ortega, and Jeff Garlin.
Distributed by Open Road, I’ve yet to see a reliable theater count for 666 (my forecast could change when I do). While the film’s leads are certainly popular onstage, I question how many of their fans will rush to see them in this. Early reviews are solid with an 83% Rotten Tomatoes score.
This might be the type of project that gets noticed when it’s available for streaming. As far as multiplex business, I’ll project it scares up less than $2 million.
Studio 666 opening weekend prediction: $2.1 million
After premiering at Telluride nearly six months ago, Cyrano has experienced a bumpy ride to multiplexes. From Joe Wright, the latest version of Cyrano de Bergerac features Peter Dinklage in the title role and Haley Bennett, Kelvin Harrison, Jr., and Ben Mendelsohn among the supporting cast.
Festival reviews indicated this could have been an Oscar player and the Rotten Tomatoes score is 87%. However, the musical romance was delayed by MGM from Christmas to the February 25th release. It still managed a brief qualifying run in 2021, but that resulted in a lone Costume Design nod with Dinklage (once thought to a sturdy contender) left out.
With zero awards buzz and a reported screen count of only 750, it seems like the studio is not confident in their product. A gross of approximately $1.5-$2.5 million could mean it won’t even translate to the top five.
Kenneth Branagh’s passion project Belfast is next up in my Case Of posts for Best Director. If you missed the first covering Paul Thomas Anderson with Licorice Pizza, it’s here:
The veteran actor/director originally caught the attention of the Academy in 1989 with Henry V and he was nominated for Director and Actor (winning neither). He’s actually been nominated in seven separate races – the other being Picture with this, Adapted Screenplay with Hamlet, Live-Action Short Film for Swan Song, Supporting Actor (My Week with Marilyn), and Original Screenplay here. Despite that impressive feat, he’s 0 for 5 going into the ceremony and voters may feel he’s overdue.
The Case Against Kenneth Branagh:
That overdue feeling should materialize in Original Screenplay and not in this race where Jane Campion (The Power of the Dog) is out front. In the former competition, Branagh appears to be neck-and-neck with none other than Paul Thomas Anderson, who could pick up his first hardware after several previous nods.
Previous Nominations: 1 (for directing only)
Henry V (1989)
The Verdict:
It’s a near certainty that Mr. Branagh or Mr. Anderson are headed for their inaugural statue. However, expect that to happen with their writing and not their direction.
My Case Of posts will continue with the second Best Actress write-up: Olivia Colman in The Lost Daughter…
I wouldn’t necessarily say I totally bought into Ridley Scott’s House of Gucci, but it’s a lively and garish world to play in for much of the duration. There were also moments where I just stared blankly at its bewildering tonal swings, not wanting to purchase this overblown product anymore. All the money and Oscar nominees and winners and well placed pop banger needle drops in the world can’t completely save it. Yet it’s hard to look away from.
We meet Patrizia Reggiani (Lady Gaga) in the late 1970s. A receptionist at her dad’s trucking business in Italy, she meets Maurizio (Adam Driver) at a nightspot where they awkwardly interact until she hears his last name. Gucci. Her demeanor changes and the awkward interaction turns to awkward flirtation. Maurizio is fickle when it comes to involving himself in the legendary upscale family fashion business. Patrizia is laser focused on inserting herself. Soon to be father-in-law Rodolfo (Jeremy Irons), an ailing former screen star, doesn’t think she’s up to snuff. His brother Aldo (Al Pacino) takes to her and eventually the couple jet from their native country to New York armed with a 50% interest in the corporation.
From the moment back in the club where Patrizia meets her eventual hubby, she takes his surname and schemes with it. No one appears safe from her calculations. That includes Aldo and his – I guess we’ll say eccentric – son Paolo (Jared Leto). Unrecognizable under a balding wig, a fat suit, and a mound of makeup, Leto is alternately hilarious and dumbfounding. I struggle how to describe this performance. During the first hour, Leto seems right at home with the campy vibe. By the time the company intrigue grows more serious, Paolo’s appearances are equivalent to a highly insecure Muppet crashing a serious conversation. Pacino, surprisingly, is far more toned down (though he does get a chance to yell late in the proceedings).
Driver’s character (and in turn his performance as a whole) is more of a blank slate. There’s a bit of a Michael Corleone arc happening with Maurizio. He starts out wishing to be on the outside looking in but can’t escape all the trappings of the business and is soon consumed by it. Unlike Corleone, that shift seems sudden and without much context. And that’s where The Godfather comparisons will and should end.
Patrizia wants to be consumed it all. Gaga is terrific as the wily outsider who outfoxes her new clan. She’ll do anything to get ahead including consorting with a crime minded psychic (Salma Hayek). After impressing with her vulnerability in A Star Is Born, she’s a force of nature as she never stops maneuvering. That’s until she’s reminded that being born with the Gucci name has more advantages than marrying into it.
Gucci‘s final act gets bogged down in boardroom shenanigans that aren’t as frothy like the early portions that have a guilty pleasure soapy appeal. This will not be remembered highly atop Ridley Scott’s filmography and he made a far better picture (The Last Duel) that was out a month prior. This is more of a curiosity and a well-tailored one (expect for when Jared Leto lumbers in to do whatever the filmmakers somehow allowed him to do).
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