Year: 2022

2022 Oscar Predictions: October 16th Edition

On the bright side for Netflix, I have Guillermo del Toro’s Pinocchio at #1 in Animated Feature where it’s been perched all along. That would mean the streamer could nab its first victory ever in that race.

Now the bad news as my current Best Picture nominees leaves Netflix on the cutting room floor. In 2018, Roma was the first hopeful in the big dance. It was expected to win, but lost to Green Book. 2019 brought double nominees with The Irishman and Marriage Story. Same in 2020 with Mank and The Trial of the Chicago 7. And there were two contenders again last year in Don’t Look Up and The Power of the Dog (a frontrunner until CODA fever emerged).

I had All Quiet on the Western Front in the mix 11 days ago. Yet I’ve had a nagging feeling that another blockbuster not named Top Gun: Maverick will get in. So for the first time, Elvis is in the top ten. That moneymaker spot could also be filled with Glass Onion: A Knives Out Mystery (from Netflix), Avatar: The Way of Water, or Black Panther: Wakanda Forever. Think could also be called the “Second Sequel” slot, I suppose.

Don’t be surprised if Netflix eventually gets back in. Quiet, the aforementioned Onion, Bardo, and Pinocchio are all viable (maybe even White Noise). For now, my BP hopefuls would mean a disappointing nomination morning for the streamer.

She Said received mostly positive notices when it was unveiled Thursday at the New York Film Festival. It could absolutely be a BP contender, but I’m got it just on the outside and feel more comfortable forecasting it as a lone screenplay nominee (I don’t love the current 76% RT meter for it). You’ll note I don’t have any of the cast in my top tens. Perhaps the eventual announcement of category placements could change that.

In other developments:

    • I’ve decided to move Babylon‘s Margot Robbie back in Best Actress instead of supporting (can we please get that placement announcement??). It means she’s back in and Olivia Colman (Empire of Light) is out.
    • Bill Nighy’s work in Living returns to Actor five with Diego Calva (Babylon) sliding into sixth position.
    • With Robbie returning to lead, Dolly De Leon (Triangle of Sadness) is elevated to fifth in Supporting Actress.
    • My Supporting Actor dual nominee projections of Brendan Gleeson and Barry Keoghan for The Banshees of Inisherin shifts to Paul Dano and Judd Hirsch for The Fabelmans. That means Hirsch rises while Keoghan falls.

You can read all the movement below!

Best Picture

Predicted Nominees:

1. The Fabelmans (Previous Rank: 1) (E)

2. Everything Everywhere All at Once (PR: 2) (E)

3. Babylon (PR: 4) (+1)

4. Women Talking (PR: 3) (-1)

5. The Banshees of Inisherin (PR: 5) (E)

6. Tar (PR: 6) (E)

7. Top Gun: Maverick (PR: 7) (E)

8. The Whale (PR: 8) (E)

9. Elvis (PR: 13) (+4)

10. Triangle of Sadness (PR: 9) (-1)

Other Possibilities: 

11. All Quiet on the Western Front (PR: 10) (-1)

12. She Said (PR: Not Ranked)

13. Avatar: The Way of Water (PR: 12) (-1)

14. Decision to Leave (PR: 11) (-3)

15. Glass Onion: A Knives Out Mystery (PR: Not Ranked)

Dropped Out:

Till

The Woman King 

Best Director

Predicted Nominees:

1. Steven Spielberg, The Fabelmans (PR: 1) (E)

2. Damien Chazelle, Babylon (PR: 2) (E)

3. Sarah Polley, Women Talking (PR: 3) (E)

4. Daniels, Everything Everywhere All at Once (PR: 4) (E)

5. Todd Field, Tar (PR: 5) (E)

Other Possibilities:

6. Martin McDonagh, The Banshees of Inisherin (PR: 8) (+2)

7. Edward Berger, All Quiet on the Western Front (PR: 6) (-1)

8. Park Chan-wook, Decision to Leave (PR: 7) (-1)

9. James Cameron, Avatar: The Way of Water (PR: 9) (E)

10. Ruben Ostlund, Triangle of Sadness (PR: 10) (E)

Best Actress

Predicted Nominees:

1. Cate Blanchett, Tar (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 3) (+1)

3. Danielle Deadwyler, Till (PR: 2) (-1)

4. Michelle Williams, The Fabelmans (PR: 4) (E)

5. Margot Robbie, Babylon (PR: Not Ranked) – moved from Supporting

Other Possibilities:

6. Olivia Colman, Empire of Light (PR: 5) (-1)

7. Viola Davis, The Woman King (PR: 6) (-1)

8. Ana de Armas, Blonde (PR: 8) (E)

9. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (-2)

10. Jennifer Lawrence, Causeway (PR: 9) (-1)

Dropped Out:

Carey Mulligan, She Said

Best Actor

Predicted Nominees:

1. Brendan Fraser, The Whale (PR: 1) (E)

2. Austin Butler, Elvis (PR: 2) (E)

3. Colin Farrell, The Banshees of Inisherin (PR: 3) (E)

4. Hugh Jackman, The Son (PR: 4) (E)

5. Bill Nighy, Living (PR: 6) (+1)

Other Possibilities:

6. Diego Calva, Babylon (PR: 5) (-1)

7. Tom Cruise, Top Gun: Maverick (PR: 7) (E)

8. Song Kang-ho, Broker (PR: 9) (+1)

9. Adam Driver, White Noise (PR: 8) (-1)

10. Jeremy Pope, The Inspection (PR: Not Ranked)

Dropped Out:

Will Smith, Emancipation 

Best Supporting Actress

Predicted Nominees:

1. Claire Foy, Women Talking (PR: 1) (E)

2. Jessie Buckley, Women Talking (PR: 2) (E)

3. Kerry Condon, The Banshees of Inisherin (PR: 4) (+1)

4. Hong Chau, The Whale (PR: 5) (+1)

5. Dolly De Leon, Triangle of Sadness (PR: 7) (+2)

Other Possibilities: 

6. Stephanie Hsu, Everything Everywhere All at Once (PR: 6) (E)

7. Nina Hoss, Tar (PR: 8) (+1)

8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: 9) (+1)

9. Thuso Mbedu, The Woman King (PR: 10) (+1)

10. Jamie Lee Curtis, Everything Everywhere All at Once (PR: Not Ranked)

Dropped Out:

Margot Robbie, Babylon (moved to Best Actress)

Best Supporting Actor

Predicted Nominees:

1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)

2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)

3. Paul Dano, The Fabelmans (PR: 3) (E)

4. Ben Whishaw, Women Talking (PR: 4) (E)

5. Judd Hirsch, The Fabelmans (PR: 7) (+2)

Other Possibilities: 

6. Barry Keoghan, The Banshees of Inisherin (PR: 5) (-1)

7. Brad Pitt, Babylon (PR: 6) (-1)

8. Woody Harrelson, Triangle of Sadness (PR: 9) (+1)

9. Tom Hanks, Elvis (PR: Not Ranked)

10. Brian Tyree Henry, Causeway (PR: Not Ranked)

Dropped Out:

Jeremy Strong, Armageddon Time

Micheal Ward, Empire of Light 

Best Original Screenplay

Predicted Nominees:

1. The Fabelmans (PR: 2) (+1)

2. Everything Everywhere All at Once (PR: 1) (-1)

3. The Banshees of Inisherin (PR: 3) (E)

4. Triangle of Sadness (PR: 4) (E)

5. Tar (PR: 5) (E)

Other Possibilities:

6. Babylon (PR: 6) (E)

7. Decision to Leave (PR: 7) (E)

8. Armageddon Time (PR: 8) (E)

9. Empire of Light (PR: 9) (E)

10. The Menu (PR: Not Ranked)

Dropped Out:

Broker 

Best Adapted Screenplay

Predicted Nominees:

1. Women Talking (PR: 1) (E)

2. The Whale (PR: 2) (E)

3. She Said (PR: 5) (+2)

4. Glass Onion: A Knives Out Mystery (PR: 3) (-1)

5. White Noise (PR: 4) (-1)

Other Possibilities:

6. Living (PR: 6) (E)

7. Till (PR: 10) (+3)

8. Bones and All (PR: 7) (-1)

9. Top Gun: Maverick (PR: 8) (-1)

10. The Son (PR: Not Ranked)

Dropped Out:

All Quiet on the Western Front 

Best Animated Feature

Predicted Nominees:

1. Guillermo del Toro’s Pinocchio (PR: 1) (E)

2. Turning Red (PR: 2) (E)

3. Strange World (PR: 3) (E)

4. Wendell and Wild (PR: 5) (+1)

5. Marcel the Shell with Shoes On (PR: 4) (-1)

Other Possibilities: 

6. The Bad Guys (PR: 8) (+2)

7. The Sea Beast (PR: 6) (-1)

8. My Father’s Dragon (PR: 7) (-1)

9. Minions: The Rise of Gru (PR: 9) (E)

10. Lightyear (PR: 10) (E)

Best International Feature Film

Predicted Nominees:

1. All Quiet on the Western Front (PR: 1) (E)

2. Decision to Leave (PR: 2) (E)

3. Close (PR: 3) (E)

4. Bardo (PR: 5) (+1)

5. Saint Omer (PR: 4) (-1)

Other Possibilities:

6. Klondike (PR: 8) (+2)

7. Holy Spider (PR: 6) (-1)

8. Alcarras (PR: 9) (+1)

9. Argentina, 1985 (PR: 7) (-2)

10. Corsage (PR: 10) (E)

Best Documentary Feature

Predicted Nominees:

1. All the Beauty and the Bloodshed (PR: 2) (+1)

2. Descendant (PR: 1) (-1)

3. Navalny (PR: 3) (E)

4. All That Breathes (PR: 4) (E)

5. Fire of Love (PR: 6) (+1)

Other Possibilities:

6. The Territory (PR: 5) (-1)

7. Good Night Oppy (PR: 7) (E)

8. Moonage Daydream (PR: 9) (+1)

9. Last Flight Home (PR: 8) (-1)

10. Aftershock (PR: Not Ranked)

Dropped Out:

Sr. 

Best Cinematography

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Empire of Light (PR: 2) (E)

3. The Fabelmans (PR: 3) (E)

4. Bardo (PR: 5) (+1)

5. All Quiet on the Western Front (PR: 4) (-1)

Other Possibilities: 

6. Avatar: The Way of Water (PR: 6) (E)

7. Top Gun: Maverick (PR: 7) (E)

8. The Banshees of Inisherin (PR: 8) (E)

9. Everything Everywhere All at Once (PR: 9) (E)

10. Emancipation (PR: Not Ranked)

Dropped Out:

The Batman

Best Costume Design 

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Elvis (PR: 2) (E)

3. Black Panther: Wakanda Forever (PR: 3) (E)

4. Mrs. Harris Goes to Paris (PR: 5) (+1)

5. Corsage (PR: 7) (+2)

Other Possibilities:

6. The Woman King (PR: 5) (-1)

7. The Fabelmans (PR: 6) (-1)

8. Living (PR: 9) (+1)

9. Everything Everywhere All at Once (PR: 8) (-1)

10. Blonde (PR: Not Ranked)

Dropped Out:

Amsterdam

Best Film Editing 

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. Top Gun: Maverick (PR: 2) (E)

3. The Fabelmans (PR: 4) (+1)

4. Babylon (PR: 3) (-1)

5. Women Talking (PR: 8) (+3)

Other Possibilities: 

6. Elvis (PR: 6) (E)

7. Tar (PR: 9) (+2)

8. All Quiet on the Western Front (PR: 5) (-3)

9. Avatar: The Way of Water (PR: 7) (-2)

10. Bardo (PR: Not Ranked)

Dropped Out:

Decision to Leave

Best Makeup and Hairstyling

Predicted Nominees:

1. The Whale (PR: 1) (E)

2. Elvis (PR: 3) (+1)

3. Babylon (PR: 2) (-1)

4. The Batman (PR: 5) (+1)

5. Everything Everywhere All at Once (PR: 4) (-1)

Other Possibilities:

6. Black Panther: Wakanda Forever (PR: 6) (E)

7. The Woman King (PR: 10) (+3)

8. X (PR: 8) (E)

9. Blonde (PR: Not Ranked)

10. Three Thousand Years of Longing (PR: Not Ranked)

Dropped Out:

Amsterdam

Corsage

Best Original Score

Predicted Nominees:

1. The Fabelmans (PR: 1) (E)

2. Babylon (PR: 2) (E)

3. Empire of Light (PR: 3) (E)

4. Tar (PR: 6) (+2)

5. The Banshees of Inisherin (PR: 5) (E)

Other Possibilities: 

6. Guillermo del Toro’s Pinocchio (PR: Not Ranked)

7. Women Talking (PR: 4) (-3)

8. Bardo (PR: 10) (+2)

9. All Quiet on the Western Front (PR: 7) (-2)

10. Avatar: The Way of Water (PR: 8) (-2)

Dropped Out:

Top Gun: Maverick 

Best Original Song

Predicted Nominees:

1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)

2. “Nobody Like U” from Turning Red (PR: 2) (E)

3. “Naatu Naatu” from RRR (PR: 4) (+1)

4. “Applause” from Tell It Like a Woman (PR: 3) (-1)

5. “Stand Up” from Till (PR: Not Ranked)

Other Possibilities:

6. “Carolina” from Where the Crawdads Sing (PR: 5) (-1)

7. “This is a Life” from Everything Everywhere All at Once (PR: 8) (+1)

8. “New Body Rhumba” from White Noise (PR: 7) (-1)

9. “On My Way” from Marry Me (PR: 6) (-3)

10. “Love Is Not Love” from Bros (PR: Not Ranked)

Dropped Out:

“I Ain’t Worried” from Top Gun: Maverick

“Heartbeat” from Lyle, Lyle, Crocodile 

Best Production Design

Predicted Nominees:

1. Babylon (PR: 1) (E)

2. Elvis (PR: 4) (+2)

3. Avatar: The Way of Water (PR: 2) (-1)

4. Black Panther: Wakanda Forever (PR: 3) (-1)

5. Bardo (PR: 7) (+2)

Other Possibilities:

6. The Fabelmans (PR: 5) (-1)

7. Everything Everything All at Once (PR: 8) (+1)

8. Empire of Light (PR: 6) (-2)

9. Glass Onion: A Knives Out Mystery (PR: Not Ranked)

10. The Batman (PR: 10) (E)

Dropped Out:

All Quiet on the Western Front

Best Sound

Predicted Nominees:

1. Top Gun: Maverick (PR: 1) (E)

2. Avatar: The Way of Water (PR: 2) (E)

3. Elvis (PR: 3) (E)

4. Babylon (PR: 4) (E)

5. All Quiet on the Western Front (PR: 5) (E)

Other Possibilities:

6. The Batman (PR: 6) (E)

7. Black Panther: Wakanda Forever (PR: 7) (E)

8. Nope (PR: 9) (+1)

9. The Fabelmans (PR: Not Ranked)

10. Bardo (PR: Not Ranked)

Dropped Out:

Everything Everywhere All at Once

Thirteen Lives

Best Visual Effects

Predicted Nominees:

1. Avatar: The Way of Water (PR: 1) (E)

2. Top Gun: Maverick (PR: 2) (E)

3. Everything Everywhere All at Once (PR: 3) (E)

4. Doctor Strange in the Multiverse of Madness (PR: 5) (+1)

5. The Batman (PR: 6) (+1)

Other Possibilities: 

6. Guillermo del Toro’s Pinocchio (PR: 4) (-2)

7. Black Panther: Wakanda Forever (PR: 8) (+1)

8. RRR (PR: 7) (-1)

9. Good Night Oppy (PR: 9) (E)

10. All Quiet on the Western Front (PR: Not Ranked)

Dropped Out:

Nope 

That equates to these movies getting these numbers of nominations:

10 Nominations

Babylon

9 Nominations

The Fabelmans

8 Nominations

Everything Everywhere All at Once

7 Nominations

Women Talking

6 Nominations

The Banshees of Inisherin, Elvis

5 Nominations

Tar, Top Gun: Maverick, The Whale

3 Nominations

All Quiet on the Western Front, Avatar: The Way of Water, Bardo, Triangle of Sadness 

2 Nominations

The Batman, Black Panther: Wakanda Forever, Empire of Light, Till, Turning Red

1 Nomination

All That Breathes, All the Beauty and the Bloodshed, Close, Corsage, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Fire of Love, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, Living, Marcel the Shell with Shoes On, Mrs. Harris Goes to Paris, Navalny, RRR, Saint Omer, She Said, The Son, Strange World, Tell It Like a Woman, Wendell and Wild, White Noise

Oscar Predictions: Guillermo del Toro’s Pinocchio

2022 should be the year where Netflix makes significant waves in the Best Animated Feature category at the Oscars and Guillermo del Toro’s Pinocchio is its lead off hitter. The acclaimed filmmaker’s stop-motion passion project is out in select theaters next month with a streaming release on December 9th. Receiving a first look today at the London Film Festival, Pinocchio arrives a half decade after del Toro’s The Shape of Water took Best Picture (along with a directorial victory) and one year after his follow-up Nightmare Alley made the BP ten. Actors providing voiceovers include Ewan McGregor, David Bradley, Gregory Mann, Finn Wolfhard, Cate Blanchett, John Turturro, Ron Perlman, Tim Blake Nelson, Burn Gorman, Christoph Waltz, and Tilda Swinton.

Since I added Animated Feature in my predictions a few weeks back, I’ve had del Toro’s tale of the iconic puppet turned real boy listed in first place. Part of that is due to its maker’s track record. That’s not the only reason why. The other is that it might be a rare off year for Disney, who have taken the gold statue 15 out of 21 times. This summer’s Lightyear was a high profile flop that is likely to be omitted from the final five altogether. Turning Red from the spring achieved solid enough notices to make the cut, but I certainly don’t see it as an automatic winner. The Mouse Factory still has next month’s Strange World in their arsenal so we’ll see if that emerges as a major threat.

Several critics from the London screenings are proclaiming this Pinocchio to be great or near great. On the other hand, some reviews aren’t quite as effusive. I do think the early word-of-mouth is enough to take comfort in the #1 ranking. Yet I wouldn’t say it’s a slam dunk pick to take gold like, say, 2020’s Soul was. I would also keep an eye on Original Score with Alexandre Desplat composing. Visual Effects is also doable (if perhaps a stretch).

A nomination seems assured and Netflix could hold 60% of the nominees this year. Wendell and Wild, another upcoming stop-motion pic from Henry Selick, should get in. Either The Sea Beast or My Father’s Dragon could as well (though probably not both). The streamer got their first contender in 2019 with Klaus and then Over the Moon in 2020 and The Mitchells vs. the Machines last year. They’re 0 for 3 in wins. That may change with del Toro in the company mix. My Oscar Prediction posts will continue…

Vengeance Review

After writing and directing episodes (and of course costarring) in The Office, B.J. Novak turns his triple threat talents to his big screen debut Vengeance. This dark comedy takes his Big Apple journalist Ben Manalowitz and bobs him into the Texas waters of Whataburgers, guns, and football. That’s where liking the wrong college gridiron squad is enough to get your car blown up (something that’s very believable to this reviewer typing this in Columbus, Ohio).

We meet Ben on the East Coast having a vapid conversation at a party with a guy named John played by none other than John Mayer. They extol the virtues of being single along with proper text etiquette for a late night booty call. His detachment to commitment is evidenced by the way he saves women in his phone. For example, there’s “Brunette Random House Party”. This eventually causes confusion because Ben can’t remember if that listing refers to a hookup from a casual gathering or a dark haired girl from an event put on by the publishing giant.

One of the entries is Abby Shaw. Ben hasn’t seen her for a little while and one night (while in bed with the aforementioned Random), he gets a call that she’s dead. Not only has she passed, but her brother Ty (Boyd Holbrook) suspects murder. And there’s no ifs, ands, or buts as Ben is expected to travel to Abby’s home Lone Star state for the funeral. The Shaw family, from sassy grandma to a little brother called El Stupido (he’s not offended because he doesn’t speak Spanish), were led to think their guest was her serious boyfriend. The Shaw clan also assumes Ben will be up for finding and extending Texas style justice to the killer.

Ben makes the trip for business and not revenge reasons as he believes this could make an intriguing and profitable podcast. His producer Eloise (Issa Rae) agrees. She reasons that dead white girls always sell. It’s not until Abby’s demise that Ben starts to learn about his former fling and maybe even care about her. He needs to figure out whether she was offed or if it was the opiate overdose that was offered as an official explanation. This means talking to the locals who are constantly quirky and consistently armed. Sometimes it feels like Novak’s screenplay has its characters act opposite of their caricatures for a quick and cheap chuckle.

One exception is Ashton Kutcher’s record producer where Abby was cutting demos. He has two big scenes and shines in both. The first is when the movie is on an upswing. The second occurs as this is collapsing under the weight of its admirable ambitions with an ending that rings false.

This isn’t a real story – it’s about how a faceless legion of podcast listeners will react to these characters (never mind that they’re actual people). At least that’s how Ben and his producer approach Abby’s demise. The script is filled with many fascinating ideas about divisions in the country represented by the lead’s New Yorker in this desolate setting. Novak doesn’t quite manage to bring it together though there’s plenty of genuinely funny dialogue and setups along the way. By the third act, his character’s actions defy believability.

Vengeance may eventually serve as our recording of a first time director somewhat clumsily finding his way. The targets hit are mostly in the comedic space while those with heftier themes tend to misfire. There’s times when I wanted to give the filmmaker a Texas sized toast for the attempt. When the script’s less effective elements pop up… well, bless his heart for trying.

**1/2 (out of four)

Halloween Ends Review

One of the most violent moments in Halloween Ends involves an actual record (as in the vinyl variety) skipping and it’s one of the cooler parts of this trilogy ender. There’s also many instances where a record skipping sound effect would’ve been appropriate. As in – what in the world is this movie doing?!?! 

Our final pairing of Laurie Strode (Jamie Lee Curtis) and Michael Myers after almost four and a half decades features some bewilderingly bad decisions. The odd choices that don’t work stack up higher than the body count. On the plus side, I at least found its unpredictable nature to be more intriguing than most of what occurred in predecessor Halloween Kills. Does that make it better? Probably not. It means neither were of much quality and 2018’s starter was just OK too. That could be the legacy of the 11th, 12th, and 13th overall franchise entries.

In Haddonfield, Illinois in 2019, there were tragedies on the spooky holiday not related to Mr. Myers. Corey (Rohan Campbell) is babysitting a young boy when their game of hide and seek takes an unplanned head banging turn. Though accidental in nature, Corey is looked upon as a pariah by the townspeople four years later. He does find a sympathetic figure in Allyson (Andi Matichak), granddaughter of Laurie who is accustomed to grief. Their blossoming romance concerns Grandma, who notices something is off with Corey in a way that reminds her of her tormentor (who’s been AWOL).

This previous paragraph could beg your question: why is a dude who accidentally offed a kid and his strange relationship with Allyson getting so much attention? Well, it’s what Halloween Ends is about for quite a while. On that level, there are problems. First and foremost, any character development of Allyson from the first two features is slashed as she inexplicably falls for Corey in about five minutes. I’m not asking for realism in this genre, but this romance is a badly developed one.

Myers is often a supporting player in Ends along with Laurie (though she has more to do than her bedridden hospital appearance in Kills). Instead we have the potential Natural Born Killers like union of Corey/Allyson and the former dealing with boring high school bullies and his domineering mother. What we expect from a Halloween flick, eh??

Truth be told, my interest piqued a little when I realized David Gordon Green and his three cowriters (including Danny McBride) were going off the rails. The diversionary tactics mostly stall. By the time we get to the showdown between Laurie and Myers, it seems almost anticlimactic. Even though this trilogy ignores everything after 1978’s brilliant original, we’ve kinda been there and done that with 1998’s Halloween: H2O. 

Curtis brings the tough survivor attitude that we’ve witnessed before and it helps in the final act. Campbell truly is the lead character and his performance is shaky at best. I’m not sure I buy the “ends” part of the title though Laurie and Michael’s saga does appear to have reached its conclusion. Maybe The Shape will take another form someday in the reboot/requel/prequel or whatever term comes next. The mediocrity of this three-arch journey dies here.

** (out of four)

Oscar Predictions: She Said

At the New York Film Festival this evening, the curtain went up on She Said. From director Maria Schrader, the film recounts The New York Times investigation in movie mogul Harvey Weinstein. Carey Mulligan and Zoe Kazan portray the two lead reporters with a supporting cast including Patricia Clarkson, Andre Braugher, Samantha Morton, Tom Pelphrey, and Jennifer Ehle.

Recent journalistic exposes such as 2015’s Spotlight went all the way to a Best Picture victory. On the other hand, 2019’s Bombshell managed acting nods but missed BP and screenplay. Based on the early reviews coming out of the Big Apple, She Said may land somewhere in the middle. The initial reactions indicate this could absolutely make the ten contenders in Picture. Winning appears highly unlikely (several write-ups are in the solid but not great realm). As for its script, Adapted Screenplay is pretty weak in 2022. There’s no reason to think this won’t get in. I’d continue to put it behind Women Talking and The Whale. 

One of this season’s mysteries has been speculating on which performers here might rise to contention. Much of this could come down to Universal’s category placement decisions. It would seem that Mulligan and Kazan are both leads and that should mean Best Actress campaigns for both. Yet that lead derby (as has been discussed many times on this blog) is packed. That doesn’t hold true for Supporting Actress which appears far more open to possibilities. Both are generating good ink with Mulligan said to perhaps have a more clip friendly role. If the call is made for both to go supporting, one or either could get in. I wouldn’t say the same in Actress. Both Morton and Ehle are scoring kudos for their brief roles, but they could be too brief for consideration.

Bottom line: Picture and Adapted Screenplay are in the mix for She Said. We have to hear the studio’s plans for the cast before that becomes clearer. My Oscar Prediction posts will continue…

Ticket to Paradise Box Office Prediction

There’s a good chance that Ticket to Paradise would’ve been the top grossing romantic comedy of about anywhere from 1998-2004. Its success in the fall of 2022 is less assured but achievable (though not in the range of its potential earnings years ago). George Clooney and Julia Roberts are a divorced couple on a mission to prevent their daughter (Kaitlyn Dever) from tying the knot. Ol Parker, director of Mamma Mia! Here We Go Again, is behind the camera. Costars include Billie Lourd, Maxime Bouttier, and Lucas Bravo.

In a somewhat rare release pattern, Ticket was made available to various other international markets in September. The results have been pleasing with $60 million around the globe. Reviews are mixed/positive with 71% on Rotten Tomatoes.

Rom coms have been challenged at multiplexes lately and a little hard to come by. Many have gone the streaming route instead. Pics like The Lost City have featured an action dynamic that Paradise doesn’t have.

It does have two high wattage leads and a return to Julia’s most beloved genre after two decades. She’s been a stalwart of this material with gigantic blockbusters such as Pretty Woman, My Best Friend’s Wedding, Notting Hill, and Runaway Bride. Having her Ocean’s Eleven ex-hubby along for the ride only helps.

The chance of this over performing its projection of low to highish teens is doable. Yet I suspect this won’t be a runaway huge premiere and instead do respectable business.

Ticket to Paradise opening weekend prediction: $13.9 million

For my Black Adam prediction, click here:

Black Adam Box Office Prediction

Black Adam Box Office Prediction

Dwayne Johnson looks to bring his often rock solid box office bonafides to the DC Extended Universe with Black Adam on October 21st. The 11th feature in the franchise that began with Man of Steel nearly a decade ago is a spinoff of 2019’s Shazam! Like that pic, it is centered on a less widely known hero in the DC arsenal. Jaume Collet-Serra (who worked with Johnson recently in Jungle Cruise) directs. The supporting cast includes Aldis Hodge, Noah Centineo, Sarah Shahi, Marwan Kenzari, Quintessa Swindell, Viola Davis, and Pierce Brosnan.

It’s somewhat surprising that we’ve waited this long to see the live-action comic book genre and this leading man hook up. While this should perform well, Adam is unlikely to approach the opening grosses of the DCEU’s earlier titles like Steel, Batman v Superman: Dawn of Justice, Suicide Squad, Wonder Woman, and Justice League. They all made over $100 million (or close to it) out of the gate. Yet this should top the $53 million earned by Shazam! The best comp I see is Aquaman, which made $67 million during its traditional Friday to Sunday rollout. I’ll say it makes a little less.

Black Adam opening weekend prediction: $64.7 million

For my Ticket to Paradise prediction, click here:

Ticket to Paradise Box Office Prediction

Oscar Predictions: Matilda the Musical

Based on the 1988 Roald Dahl book as well as the musical stage show that followed years later, the cinematic rendering of Matilda the Musical streams on Netflix December 9th. That’s about two weeks after the UK rollout. It already made its festival debut in London to harmonious praise and a 100% rating on Rotten Tomatoes.

Matthew Warchus is behind the camera, adapting from his own onstage direction in England and on Broadway (where Olivier and Tony Awards abounded). This is the second reworking of the Dahl book behind 1996’s version helmed by Danny DeVito. Alisha Weir plays the title character with a supporting cast including Lashana Lynch, Emma Thompson, Andrea Riseborough, and Stephen Graham.

Despite the praise, it’s a stretch to consider this an Academy contender. That is with the possible exception of Best Original Song where there are reported to be tunes separate from the stage version that could be eligible for consideration.

I wouldn’t sleep on Matilda‘s chances at the Golden Globes. The Musical/Comedy category could have room for a couple of surprises and this would fit the bill. Of the actors, Thompson is getting lots of love. However, I suspect Globes voters may honor her in lead Actress in Musical/Comedy for Good Luck to You, Leo Grande (which premiered earlier this year). My Oscar (and Globe) Prediction posts will continue…

October 14-16 Box Office Predictions

Horror should rule the box office with Halloween Ends debuting and Smile continuing its impressive run. Jamie Lee Curtis’s alleged final battle with Michael Myers is the only new release this weekend and you can peruse my detailed prediction post on it here:

Halloween Ends Box Office Prediction

Predecessor Halloween Kills from last year made considerably less out of the gate than its predecessor from 2018. Even with a simultaneous release on Peacock (same as Kills), I will give Ends a start in the mid to high 40s. That’s on pace with Kills. 

Smile should easily hold the #2 spot after a very sturdy hold in its sophomore outing (more on that below). Lyle, Lyle, Crocodile (after a unimpressive opening) may experience a high 30s second weekend fall while The Woman King and bomb Amsterdam round out the top five.

Here’s how I see it:

1. Halloween Ends

Predicted Gross: $47.6 million

2. Smile

Predicted Gross: $11.8 million

3. Lyle, Lyle, Crocodile

Predicted Gross: $7.2 million

4. The Woman King

Predicted Gross: $4.1 million

5. Amsterdam

Predicted Gross: $3 million

Box Office Results (October 7-9)

I expected Lyle, Lyle, Crocodile to take a bigger bite out of the charts and open in first place. That didn’t occur as the family friendly musical took in $11.4 million for second place. This is well below my prediction of $17.6 million.

That’s because Smile had a remarkable hold (especially for its genre) at $18.4 million. I was lower at $13.3 million. The low budget Paramount scare fest has amassed $50 million in ten days and looks like a solid contender to make nine digits domestically.

Despite the star power of Christian Bale, Margot Robbie, and many more, David O. Russell’s critically lambasted Amsterdam was a dud with $6.4 million, under my $8.4 million take. Look for this see a drop in the mid 50s (at least) and sink fast.

The Woman King was fourth with $5.1 million (I said $4.7 million) and it’s reached $54 million total.

Don’t Worry Darling rounded out the top five with $3.5 million (I was right there with $3.4 million) for $38 million overall.

And that does it for now, folks! Until next time…

Oscar Predictions: My Father’s Dragon

It could be time to admit that I’ve slept on My Father’s Dragon when it comes to Oscar consideration. Based on the 1948 children’s book by Ruth Stiles Gannett, the 2-D fantasy makes its way to Netflix on November 11th. It had its unveiling at the London Film Festival. Dragon is the fifth animated feature from Cartoon Saloon and their track record is, shall we say, fire.

The Irish outlet is 4 for 4 when it comes to getting their pics nominated for Best Animated Feature: 2010’s The Secret of Kells, 2014’s Song of the Sea, The Breadwinner from 2017, and 2020’s Wolfwalkers. Despite their success rate getting their product in the final quintet, they’ve yet to win.

Dragon is directed by Nora Twomey, who co-directed Kells and solo helmed The Breadwinner. The sprawling voice cast includes Jacob Tremblay, Gaten Matarazzo, Golshifteh Farahani, Jackie Earle Haley, Whoopi Goldberg, Dianne Wiest, Rita Moreno, Chris O’Dowd, Judy Greer, Alan Cumming, Yara Shahidi, Mary Kay Place, Leighton Meester, and Ian McShane.

Reviews are just beginning to trickle out of London and so far so good. The initial buzz indicates this should be a contender. Like its earlier efforts, I’d say it’s a viable film for nomination and not a victory. My last estimates had it ranked seventh… pretty low for a production company with the aforementioned history.

Yet there could be roadblocks on the Saloon’s road to five in a row. The main one is internal competition from Netflix itself. Most prognosticators (myself included) have Guillermo del Toro’s Pinocchio from the streamer listed in first place. Even though that’s sight unseen, the pedigree would suggest it’ll be Netflix’s biggest push for the gold statue. Others that the company could be focused on include this summer’s acclaimed The Sea Beast and Wendell and Wild from Jordan Peele, which debuts later this month and nabbed positive feedback at the Toronto Film Festival.

That’s four legit contenders from Netflix and Disney (for one) will have something to say about them achieving four nominations (they won’t). Something’s gotta give and we’ll see how the next few weeks play out to determine which movies from the quartet don’t make the dance. My Oscar Prediction posts will continue…