As I do annually when the year winds down, it’s time to take a look at the performers who made significant impacts on the silver screen in the previous 12 months. I’ll do so with 6 of them in the coming days.
For 2022, that list has to begin with Tom Cruise. Before May, the biggest opening in the superstar’s near 40 years of headlining pictures was 2005’s War of the Worlds at $64 million. That’s right. Even though he’s consistently been one of Hollywood’s most bankable figures, there were no premieres north of $100 million. In fact, only three of his titles exceeded $200 million domestically: Mission: Impossible II, the aforementioned Worlds, and Mission: Impossible – Fallout.
There was understandable skepticism when Top Gun: Maverick was finally green lit. Would crowds turn out for the sequel to a relic from the mid 80s? It arrived in multiplexes after many COVID delays some three years plus after filming wrapped.
What it did at the box office was astounding and very important in preserving the viability of the theatrical experience. This wasn’t a superhero franchise entry with the dollars already built in. Maverick brought out moviegoers who hadn’t ventured out to the multiplex in a couple of years. Some of them went for repeat viewings.
It nearly doubled Cruise’s previous best with $126 million over the Friday to Sunday of the Memorial holiday weekend and $160 million for the four-day. Then the money kept holding on. It even returned to 1st place over two months after its release for the Labor Day frame. All in all, Maverick soared to $718 million domestically and nearly a billion and a half worldwide. The ripple effect of its success is evident even in humorous ways. Another continuation of an 80s blockbuster coming soon sees Eddie Murphy back in his signature role. The title? Beverly Hills Cop: Axel Foley (!!!).
In the year where he turned 60, Tom Cruise experienced easily the largest hit and cultural phenomenon of his career. Millions of people saw the preview for next summer’s Mission: Impossible – Dead Reckoning Part One play in front of it. It might be the most talked about trailer of 2022 that doesn’t involve a demonic doll dancing.
At a time when true movie stars are hard to come by, audiences turned to a reliable one in 2022. It was indeed his year. These posts will continue with another legend who turned 60 and got the role (multiples ones) of a lifetime…
It has been two weeks since I updated my Oscar predictions and a lot has transpired in those 14 days. We’ve had the National Board of Review and American Film Institute release their best of lists while the Golden Globes and Critics Choice voters unveiled their nominees.
There is a change in BP in the 10th spot. Triangle of Sadness is back in as I’ve taken out The Whale. The bad news for that pic continues as I’ve demoted Brendan Fraser from 1st to 3rd in Actor. Make no mistake – I do believe he can still win. However, the last Best Actor victor whose movie wasn’t nominated was 13 years ago with Jeff Bridges from Crazy Heart. That stat puts Austin Butler and Colin Farrell in the 1-2 spots as I do have their flicks in BP.
The various precursors have caused major movement in the wildly unpredictable Supporting Actress field. Claire Foy (Women Talking) missed the Globes and Critics Choice. She drops from 1st to 4th while Kerry Condon (who made both precursors) is now in 1st. Dolly de Leon (Triangle of Sadness) and Angela Bassett (Black Panther: Wakanda Forever) are in the quintet with Jessie Buckley (Women Talking) and Hong Chau (The Whale again) falling out.
While Director and Actress have the same five, there’s a shift in Supporting Actor as Judd Hirsch joins his Fabelmans costar Paul Dano with Women Talking‘s Ben Whishaw on the outside looking in.
I would also note that RRR has gone from unranked status to 11th (knocking right on the door for BP).
We also have new #1’s in Documentary, Cinematography, Makeup and Hairstyling, and Score. Scroll below to track all the movement!
Best Picture
Predicted Nominees:
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Fabelmans (PR: 2) (E)
3. The Banshees of Inisherin (PR: 4) (+1)
4. Top Gun: Maverick (PR: 5) (+1)
5. Tár (PR: 6) (+1)
6. Elvis (PR: 9) (+3)
7. Women Talking (PR: 3) (-4)
8. Avatar: The Way of Water (PR: 10) (+2)
9. Babylon (PR: 7) (-2)
10. Triangle of Sadness (PR: 11) (+1)
Other Possibilities:
11. RRR (PR: Not Ranked)
12. Glass Onion: A Knives Out Mystery (PR: 13) (+1)
13. The Whale (PR: 8) (-5)
14. She Said (PR: 12) (-2)
15. The Woman King (PR: Not Ranked)
Dropped Out:
Guillermo del Toro’s Pinocchio
Decision to Leave
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 2) (E)
3. Martin McDonagh, The Banshees of Inisherin (PR: 5) (+2)
4. Todd Field, Tár (PR: 4) (E)
5. Sarah Polley, Women Talking (PR: 3) (-2)
Other Possibilities:
6. James Cameron, Avatar: The Way of Water (PR: 7) (+1)
7. Damien Chazelle, Babylon (PR: 6) (-1)
8. S.S. Rajamouli, RRR (PR: 10) (+2)
9. Ruben Ostlund, Triangle of Sadness (PR: Not Ranked)
10. Baz Luhrmann, Elvis (PR: Not Ranked)
Dropped Out:
Park Chan-wook, Decision to Leave
Edward Berger, All Quiet on the Western Front
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Michelle Williams, The Fabelmans (PR: 4) (+1)
4. Danielle Deadwyler, Till (PR: 3) (-1)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Viola Davis, The Woman King (PR: 7) (+1)
7. Olivia Colman, Empire of Light (PR: 6) (-1)
8. Jennifer Lawrence, Causeway (PR: 8) (E)
9. Naomi Ackie, Whitney Houston: I Wanna Dance with Somebody (PR: 9) (E)
10. Ana de Armas, Blonde (PR: Not Ranked)
Dropped Out:
Rooney Mara, Women Talking
Best Actor
Predicted Nominees:
1. Austin Butler, Elvis (PR: 3) (+2)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Brendan Fraser, The Whale (PR: 1) (-2)
4. Bill Nighy, Living (PR: 4) (E)
5. Hugh Jackman, The Son (PR: 5) (E)
Other Possibilities:
6. Paul Mescal, Aftersun (PR: 8) (+2)
7. Tom Cruise, Top Gun: Maverick (PR: 6) (-1)
8. Diego Calva, Babylon (PR: 7) (-1)
9. Jeremy Pope, The Inspection (PR: 9) (E)
10. Gabriel LaBelle, The Fabelmans (PR: Not Ranked)
Dropped Out:
Daniel Gimenez Cacho, Bardo
Best Supporting Actress
Predicted Nominees:
1. Kerry Condon, The Banshees of Inisherin (PR: 2) (+1)
2. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 5) (+3)
3. Dolly de Leon, Triangle of Sadness (PR: 8) (+5)
4. Claire Foy, Women Talking (PR: 1) (-3)
5. Angela Bassett, Black Panther: Wakanda Forever (PR: Not Ranked)
Other Possibilities:
6. Jessie Buckley, Women Talking (PR: 3) (-3)
7. Stephanie Hsu, Everything Everywhere All at Once (PR: 7) (E)
8. Janelle Monae, Glass Onion: A Knives Out Mystery (PR: Not Ranked)
9. Carey Mulligan, She Said (PR: 6) (-3)
10. Hong Chau, The Whale (PR: 4) (-6)
Dropped Out:
Nina Hoss, Tár
Keke Palmer, Nope
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Barry Keoghan, The Banshees of Inisherin (PR: 5) (+2)
4. Paul Dano, The Fabelmans (PR: 4) (E)
5. Judd Hirsch, The Fabelmans (PR: 6) (+1)
Other Possibilities:
6. Brian Tyree Henry, Causeway (PR: 7) (+1)
7. Ben Whishaw, Women Talking (PR: 3) (-4)
8. Brad Pitt, Babylon (PR: 8) (E)
9. Eddie Redmayne, The Good Nurse (PR: 10) (+1)
10. Tom Hanks, Elvis (PR: 9) (-1)
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Tár (PR: 4) (E)
5. Triangle of Sadness (PR: 5) (E)
Other Possibilities:
6. Aftersun (PR: 6) (E)
7. Babylon (PR: 7) (E)
8. Decision to Leave (PR: 9) (+1)
9. The Menu (PR: 8) (-1)
10. Elvis (PR: Not Ranked)
Dropped Out:
Bardo
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. She Said (PR: 3) (+1)
3. Glass Onion: A Knives Out Mystery (PR: 4) (+1)
4. The Whale (PR: 2) (-2)
5. Living (PR: 6) (+1)
Other Possibilities:
6. White Noise (PR: 5) (-1)
7. Top Gun: Maverick (PR: 7) (E)
8. All Quiet on the Western Front (PR: Not Ranked)
9. Guillermo del Toro’s Pinocchio (PR: 8) (-1)
10. The Son (PR: 10) (E)
Dropped Out:
Bones and All
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Marcel the Shell with Shoes On (PR: 3) (E)
4. Puss in Boots: The Last Wish (PR: 6) (+2)
5. My Father’s Dragon (PR: 5) (E)
Other Possibilities:
6. Wendell and Wild (PR: 7) (+1)
7. The Bad Guys (PR: 4) (-3)
8. Strange World (PR: 9) (+1)
9. The Sea Beast (PR: 8) (-1)
10. Lightyear (PR: 10) (E)
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 1) (E)
2. All Quiet on the Western Front (PR: 2) (E)
3. Close (PR: 6) (+3)
4. Saint Omer (PR: 3) (-1)
5. Argentina, 1985 (PR: 8) (+3)
Other Possibilities:
6. Bardo (PR: 5) (-1)
7. Holy Spider (PR: 4) (-3)
8. EO (PR: 7) (-1)
9. Joyland (PR: 9) (E)
10. Klondike (PR: Not Ranked)
Dropped Out:
Alcarras
Best Documentary Feature
Predicted Nominees:
1. All That Breathes (PR: 2) (+1)
2. Navalany (PR: 3) (+1)
3. Fire of Love (PR: 5) (+2)
4. All the Beauty and the Bloodshed (PR: 1) (-3)
5. Descendant (PR: 4) (-1)
Other Possibilities:
6. Good Night Oppy (PR: 8) (+2)
7. The Territory (PR: 7) (E)
8. Sr. (PR: 9) (+1)
9. Moonage Daydream (PR: 6) (-3)
10. Retrograde (PR: 10) (E)
Best Cinematography
Predicted Nominees:
1. Top Gun: Maverick (PR: 2) (+1)
2. Avatar: The Way of Water (PR: 3) (+1)
3. Babylon (PR: 1) (-2)
4. The Fabelmans (PR: 4) (E)
5. Empire of Light (PR: 5) (E)
Other Possibilities:
6. The Banshees of Inisherin (PR: 6) (E)
7. All Quiet on the Western Front (PR: 8) (+1)
8. Bardo (PR: 7) (-1)
9. Everything Everywhere All at Once (PR: 9) (E)
10. Nope (PR: Not Ranked)
Dropped Out:
The Batman
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Woman King (PR: 5) (+1)
5. Everything Everywhere All at Once (PR: 8) (+3)
Other Possibilities:
6. Mrs. Harris Goes to Paris (PR: 6) (E)
7. The Fabelmans (PR: 4) (-3)
8. Corsage (PR: Not Ranked)
9. Living (PR: 7) (-2)
10. The Banshees of Inisherin (PR: Not Ranked)
Dropped Out:
Women Talking
Three Thousand Years of Longing
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Elvis (PR: 4) (E)
5. Babylon (PR: 7) (+2)
Other Possibilities:
6. Avatar: The Way of Water (PR: 5) (-1)
7. The Banshees of Inisherin (PR: 9) (+2)
8. Women Talking (PR: 6) (-2)
9. Tár (PR: 10) (+1)
10. Decision to Leave (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
Best Makeup and Hairstyling
Predicted Nominees:
1. Elvis (PR: 2) (+1)
2. The Whale (PR: 1) (-1)
3. Babylon (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 6) (+2)
5. The Batman (PR: 4) (-1)
Other Possibilities:
6. Everything Everywhere All at Once (PR: 5) (-1)
7. The Woman King (PR: 8) (+1)
8. X (PR: -1)
9. All Quiet on the Western Front (PR: 10) (+1)
10. Corsage (PR: Not Ranked)
Dropped Out:
Amsterdam
Best Original Score
Predicted Nominees:
1. Women Talking (PR: 3) (+2)
2. Babylon (PR: 1) (-1)
3. The Fabelmans (PR: 2) (-1)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. The Banshees of Inisherin (PR: 5) (E)
Other Possibilities:
6. Empire of Light (PR: 6) (E)
7. The Batman (PR: 8) (+1)
8. Avatar: The Way of Water (PR: 7) (-1)
9. White Noise (PR: Not Ranked)
10. Tár (PR: Not Ranked)
Dropped Out:
Living
Black Panther: Wakanda Forever
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Naatu Naatu” from RRR (PR: 3) (+1)
3. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 2) (-1)
4. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 7) (+3)
5. “Applause” from Tell It Like a Woman (PR: 4) (-1)
Other Possibilities:
6. “Carolina” from Where the Crawdads Sing (PR: 9) (+3)
7. “New Body Rhumba” from White Noise (PR: 8) (+1)
8. “This Is A Life” from Everything Everywhere All at Once (PR: 5) (-3)
9. “Nobody Like U” from Turning Red (PR: 6) (-3)
10. “Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water (PR: 10) (E)
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. Black Panther: Wakanda Forever (PR: 6) (+2)
5. Glass Onion: A Knives Out Mystery (PR: 8) (+3)
Other Possibilities:
6. The Fabelmans (PR: 4) (-2)
7. Everything Everywhere All at Once (PR: 7) (E)
8. Guillermo del Toro’s Pinocchio (PR: 5) (-3)
9. The Woman King (PR: Not Ranked)
10. Empire of Light (PR: 9) (-1)
Dropped Out:
All Quiet on the Western Front
Best Sound
Predicted Nominees:
1 . Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 6) (+3)
4. The Batman (PR: 3) (-1)
5. Everything Everywhere All at Once (PR: 4) (-1)
Other Possibilities:
6. Babylon (PR: 7) (+1)
7. All Quiet on the Western Front (PR: 5) (-2)
8. Nope (PR: 9) (+1)
9. Black Panther: Wakanda Forever (PR: 10) (+1)
10. RRR (PR: Not Ranked)
Dropped Out:
The Fabelmans
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. RRR (PR: 8) (+4)
5. Doctor Strange in the Multiverse of Madness (PR: 5) (E)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Black Panther: Wakanda Forever (PR: 7) (E)
8. Guillermo del Toro’s Pinocchio (PR: 4) (-4)
9. Good Night Oppy (PR: 9) (E)
10. Nope (PR: 10) (E)
That equates to these movies hitting these numbers in terms of nominations:
10 Nominations
Everything Everywhere All at Once
9 Nominations
The Fabelmans
8 Nominations
Babylon, The Banshees of Inisherin
7 Nominations
Elvis
6 Nominations
Top Gun: Maverick
5 Nominations
Avatar: The Way of Water, Black Panther: Wakanda Forever, Women Talking
4 Nominations
Tár
3 Nominations
Guillermo del Toro’s Pinocchio, Triangle of Sadness, The Whale
2 Nominations
The Batman, Glass Onion: A Knives Out Mystery, Living, RRR
1 Nomination
All Quiet on the Western Front, All That Breathes, All the Beauty and the Bloodshed, Argentina, 1985, Close, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Empire of Light, Fire of Love, Marcel the Shell with Shoes On, My Father’s Dragon, Navalny, Puss in Boots: The Last Wish, Saint Omer, She Said, The Son, Tell It Like a Woman, Till, Turning Red, The Woman King
The nation of India has seen three of their movies up for Best International Feature Film at the Oscars – 1957’s Mother India, 1988’s Salaam Bombay!, and Lagaan from 2001. That averages out to a nod every 18 years or so. They should be due for another.
However, it appears a gigantic opportunity was missed when India opted not to submit RRR for consideration. S.S. Rajamouli’s epic action pic (available on Netflix) has its enthusiastic champions among reviewers and audiences. Just this week, it was named in the foreign competition at the Golden Globes and for Best Picture at the Critics Choice Awards. There is growing buzz that it could land a nod with the Academy in BP. In other words, its home country should’ve made it their horse in the international derby. If they had, not only would RRR be close to a shoo-in for the quintet, it would be a favorite to take the prize over Decision to Leave and All Quiet on the Western Front and others.
India instead went with Pan Nalin’s Last Film Show. The coming-of-age drama premiered all the way back in the summer of 2021 at the Tribeca Film Festival. On paper, it makes sense why it was selected. Film sounds like more of a traditional pick than the wild RRR. The Rotten Tomatoes score is an impressive 95%. It has picked up kudos playing the festival circuit. However, it simply hasn’t picked up much steam and hasn’t shown up with any precursors.
Bottom line: India would be positioned for a fourth nominee (and potential victor) with RRR. Not with this. My Oscar Prediction posts will continue…
Avatar: The Way of Water is both visually sparkling and narratively flat. In that sense, James Cameron’s sequel is much like the 2009 original (which happens to be worldwide highest grosser in history). The effects thirteen years ago were revolutionary and kicked off a mostly unfortunate trend of tentpoles getting the three-dimensional treatment. That sense of wonder from Avatar is present occasionally below the surface in a few astounding underwater sequences. Many blockbusters have competed with this franchise in visual splendor and come up short and that includes some shoddy MCU battles. Cameron and his crew can still wow, but subpar writing and a lack of tight editing remains a problem. If you loved the forests of Pandora in part 1 and didn’t want to leave, you’ll likely love lounging in the aquatic action of this follow-up. If your feelings were mixed like mine were, expect a similar reaction.
Former Marine Jake Sully (Sam Worthington) and Na’vi spiritual leader in waiting Neytiri (Zoe Saldana) are married with four kids as Water begins (it’s set a decade and a half plus post Avatar). Adopted teenage daughter Kiri (voiced by Sigourney Weaver) is miraculously spawned from Sigourney’s scientist in the original. We suspect she might have special powers if she can get over her Jan Brady lot in life. Older brother Neteyam (Jamie Flatters) is the responsible one while second born boy Lo’ak (Britain Dalton) is the rebel. Youngest girl Tuk (Trinity Jo-Li Bliss) is eight and precocious. The Sully tribe are living a peaceful existence until those mean corporate Earthlings return to Pandora. On their list of plays is total colonization as the home planet is dying.
Due to a memory implant system, Stephen Lang’s villainous Colonel is leading the charge in the guise of a Na’vi big blue boy. He has revenge on his mind since it was Neytiri who arrowed him to death years ago. There’s also a son he left behind that the Sully’s are raising who goes by Spider (Jack Champion). Clad in a loincloth, his character comes off as a cartoonish plot device. He’s got about as much depth as Bam Bam Rubble. The dynamic between Spider and his father is one of a few daddy issues happening. I half expected a sky complected Maury Povich to interrupt and start moderating.
Since Jake is being targeted for his skill in fighting off the Sky People, he relocates his brood to the tropical island of At’wa Attu. They feel out of place among the residents who spend much of their day submerged. The chief of their clan known as the Metkayina is Tonwari (Cliff Curtis). He and his pregnant wife Ronal (Kate Winslet) are skeptical about harboring their guests. It’s in and around the island where some memorable moments happen. The Metkayina share a spiritual connection with the giant mammals swimming below. Lo’ak befriends one of them and it’s a subplot that clicks.
Part 2 relegates Jake and Neytiri to the sidelines for much of its three hours and 12 minutes. A larger focus is on their offspring and how they feel like fish out of water. The filmmaker’s own well-documented fascination with the deep comes in handy with the whale tale portions and beyond. The bulk of its themes, on the other hand, are heavily borrowed from before. Cameron and his tech wizards can enthrall us and exasperate us in this new habitat that questions our humanity.
This year’s crop of Supporting Actress hopefuls is a vast one and easily the toughest to predict of the four acting races. Earlier in the week, the Golden Globes and the Critics Choice Awards named their nominees. For Supporting Actress, only three performers managed nods in both: Angela Bassett for Black Panther: Wakanda Forever, Kerry Condon in The Banshees of Inisherin, and Jamie Lee Curtis for Everything Everywhere All at Once. Additional contenders for the Globe are Dolly de Leon (Triangle of Sadness) and Carey Mulligan (She Said). For Critics Choice – it is Jessie Buckley (Women Talking), Stephanie Hsu (Everything Everywhere All at Once), and Janelle Monae (Glass Onion: A Knives Out Mystery).
Of the 8 actresses vying for victory, there are two surprising women not being talked about. Hong Chau (The Whale) and Claire Foy (Women Talking) were snubbed by the Globes and Critics Choice. I have had Foy listed at #1 in my Oscar picks for many weeks and I’ve had Chau in and out of my high five. Their double omissions put them at a disadvantage. There are only six Supporting Actress Oscar nominees in the past decade who missed both the Globes and Critics Choice: Jacki Weaver (Silver Linings Playbook), Laura Dern (Wild), Lesley Manville (Phantom Thread), and Marina de Tavira (Roma). It is worthy of note the other two were from just last year – Jessie Buckley (The Lost Daughter) and Judi Dench (Belfast). None of them won the Oscar so you can bet Foy will at least drop from #1 when I update my predictions this weekend.
On the flip side, there are also 6 women who did land Globe and Critics mentions and were ignored by the Academy. They are Jessica Chastain in A Most Violent Year, Helen Mirren from Trumbo, Jennifer Lopez in Hustlers, and Caitriona Balfe for Belfast.
The two I’m holding back on are quite interesting…
Hong Chau in 2017’s Downsizing and Claire Foy in 2018’s First Man. They were both expected to pick up nods from the Oscar voters and didn’t. In 2022, they find themselves in the opposite situation. After being left off the ballots for two major precursors, they could miss a nomination and no one would be taken aback. Yet as the Academy showed with Foy’s Women Talking costar Jessie Buckley last year and Dame Judi, this branch could go their own way and include either (especially after noticeably ignoring them a few years back).
I’d rather be Bassett, Condon, and Curtis right now when it comes to viability. For Chau and Foy – the odds aren’t in their favor like they were five and four years back. Those odds didn’t help them then. Perhaps their longer ones will prove to their benefit this time around.
Blogger’s Update (12/20): I am revising my prediction from $14.5 million to $11.5 million
Sony Pictures is hoping audiences wanna run to Whitney Houston: I Wanna Dance with Somebody when its drops December 23rd. The biopic of the legendary late singer stars Naomi Ackie as the title character with Stanley Tucci, Ashton Sanders, Tamara Tunie, Nafessa Williams, and Clarke Peters among the supporting cast. Kasi Lemmons (who last made the 2019 biopic Harriet) directs. Anthony McCarten wrote the screenplay. He’s no stranger to the genre having scripted The Theory of Everything, Darkest Hour and Bohemian Rhapsody.
Just last week, the film’s name was expanded to add “Whitney Houston” in front of one of her signature tunes. Perhaps Sony was nervous that awareness wasn’t high enough for the project. The marketing campaign doesn’t seem quite as robust as it could be. Its review embargo has yet to lift and Somebody skipped the autumn festival circuit. McCarten’s aforementioned works resulted in Oscar wins for stars Eddie Redmayne (Theory), Gary Oldman (Darkest Hour), and Rami Malek (Rhapsody). Ackie has yet to show up anywhere in the Academy’s precursors.
Even with the somewhat muted buzz, I still believe African-American and especially female viewers should turn out. This might result in a low teens beginning for the three-day gross.
Whitney Houston: I Wanna Dance with Somebody opening weekend prediction: $11.5 million (REVISED)
For my Puss in Boots: The Last Wish prediction, click here:
Blogger’s Update (12/20): I am revising my Babylon prediction down to $8.7 million
The La La Land man turns his attention to the debauchery of Hollywood’s early days in Babylon. Damien Chazelle directs the epic dramedy that rivals Avatar: The Way of Water (188 minutes) in terms of length. Brad Pitt, Margot Robbie, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, Lukas Haas, Max Minghella, Samara Weaving, Olivia Wilde, and Tobey Maguire are among the sprawling cast.
While the review embargo hasn’t officially lifted, social media reactions are all over the map. There’s praise and contempt for the hard R rated extravaganza. This week it received five Golden Globes nods (including Best Picture – Musical/Comedy) and nine mentions from the Critics Choice Awards (including Best Picture). Oscar attention is anticipated.
There’s comparisons in terms of tone (and rampant drug use) to The Wolf of Wall Street from 2013. It also was presented during the Christmas season to a traditional three-day haul of just over $18 million. That’s probably the ceiling of where Babylon would manage.
I’ll project lower double digits is where this starts as it hopes the buzz keeps it going into the new year.
Babylon opening weekend prediction: $8.7 million (REVISED)
For my Puss in Boots: The Last Wish prediction, click here:
Blogger’s Update (12/20): I am revising my estimates down from $23.3 million to $18.3 million for the three-day and $37.4 million to $28.5 million for the five-day
Avatar: The Way of Water isn’t the only sequel that some critics say improves on the original during this holiday season. Puss in Boots: The Last Wish steps into theaters on December 21st eleven years after its predecessor. The DreamWorks Animation adventure finds Antonio Banderas reprising his voice work as the feline fugitive alongside Salma Hayek’s Kitty Softpaws. Other performers behind the mic include Harvey Guillén, Florence Pugh, Olivia Colman, Ray Winstone, Samson Kayo, John Mulaney, Wagner Moura, and Da’Vine Joy Randolph. Joel Crawford, who last helmed The Croods: A New Age, directs.
You may recall the first Boots arrived in 2011 as a spin-off for the massive Shrek franchise. The title character was introduced in 2004 with Shrek 2. Opening in October, Puss grossed with $34 million during its opening weekend with a $149 million eventual domestic haul.
If a decade plus seems like a long time between sequels, you’d be correct. That could be a demerit for its earnings potential. There was a Netflix animated series from 2015-2018 starring the character (without Banderas purring the lines). What will help its case is the word-of-mouth. Boots currently sports a 96% Rotten Tomatoes score and that tops part 1’s 86%. It has already nabbed a Best Animated Feature nomination at the Golden Globes. This is also the only feature not named Avatar catering to a family audience. Obviously this should also bring in very young viewers not looking to wade into Mr. Cameron’s pool.
A second place start behind Water is a given. I believe this could manage a five-day premiere in the mid to possibly high 30s. While that’s not hitting what the original accomplished in 3 days, Wish appears poised to hold up well in future weekends.
Puss in Boots: The Last Wish opening weekend prediction: $18.3 million (Friday to Sunday); $28.5 million (Wednesday to Sunday)
Avatar: The Way of Water surfaces on your 3D and IMAX screens this Friday. It is, of course, James Cameron’s follow-up to 2009’s original which still stands as the biggest worldwide grosser of all time (and third overall domestically). The social media embargo lifted last week and the common refrain was “don’t bet against James Cameron”. I held off on my Oscar speculation until the official review embargo lapsed. That happened today.
Currently at 85% on Rotten Tomatoes (part 1 ended up at 82%), many critics are claiming this is an improvement over the first. Some of the same gripes remain including that it is overlong (3 hours and 12 minutes) and underdeveloped in its screenplay. Praise for its technical work is more universal.
In 2009, Avatar made an Oscar splash with nine nominations: Picture, Director, Art Direction (now Production Design), Cinematography, Film Editing, Original Score, Sound Editing, Sound Mixing (the Sound races are now combined), and Visual Effects. It won 3 – Art Direction, Cinematography, and Visual Effects.
Water has a chance of receiving the same number of nods. On Monday, the Golden Globes put it in their five for Picture (Drama) and Director. I already believe the Academy will make room for this in BP. It should be the second massive international blockbuster (alongside Top Gun: Maverick) in the mix. Cameron showing up in the directing quintet is not as automatic.
Let’s dispense with the easiest items. This is going to win Visual Effects just like its predecessor. That’s one of the slam dunk categories you can cross off already. Production Design and Cinematography and Sound are all probable inclusions. I’m less certain about the score and editing. Then there’s the Weeknd, who contributed the song “Nothing Is Lost (You Give Me Strength)”. I’m not so sure about its strength in that competition. He needs to overcome other superstars such as Lady Gaga, Rihanna, Taylor Swift, and Billie Eilish and that could be a tall order.
You’ll notice I haven’t discussed the performances or the screenplay. While there’s kudos for returnees like Zoe Saldana and Sigourney Weaver (in a different role than in 2009), don’t expect the acting to capture the attention of voters. Given that the writing is the most faulted aspect, don’t hold your breath expecting Cameron and cowriters Rick Jaffa and Amanda Silver to contend.
Bottom line: Avatar: The Way of Water looks to be Cameron’s third movie in a row (after Titanic and Avatar) to be in the BP race. Look for its nomination total to be at least 4-5 and maybe more. In other words, to borrow a phrase from most of Twitter last week, don’t bet against James Cameron. My Oscar Prediction posts will continue…
Theaters owners are counting on Avatar: The Way of Water to save them from drowning in red ink following the second lowest box office frame of 2022. James Cameron’s long in the making sequel is the only new release out and you can peruse my detailed prediction post on it here:
With Oscar buzz (like the 2009 original) and solid reviews, Water could potentially surface with the largest premiere of the year. To do so, it would need to surpass the $187 million that Doctor Strange in the Multiverse of Madness achieved in May. Considering the runtime of over three hours, it may fall a bit short of that. My projection has it behind Multiverse and Black Panther: Wakanda Forever for the third heftiest ’22 haul and the 18th highest debut of all time.
Speaking of Wakanda, it will finally fall to second after five weeks atop the charts. Fellow holdovers Violent Night, Strange World, and The Menu should all slide a spot as well. All of these returnees experienced small declines this weekend, but may dip a tad more due to Avatar overtaking multiplexes.
Here’s how I see the top 5 shaking out:
1. Avatar: The Way of Water
Predicted Gross: $173.1 million
2. Black Panther: Wakanda Forever
Predicted Gross: $5.5 million
3. Violent Night
Predicted Gross: $4.9 million
4. Strange World
Predicted Gross: $2.6 million
5. The Menu
Predicted Gross: $1.9 million
Box Office Results (December 9-11)
As mentioned, it was a sluggish time in theaters as Avatar is on deck to make a splash. Black Panther: Wakanda Forever made it a handful of weekends in first place with $11.2 million. That’s on pace with my $10.6 million prediction as the MCU sequel is up to $409 million.
Violent Night remained in second with a sturdy 35% drop at $8.7 million, in line with my $8.5 million take. The Yuletide shoot-em-up has grossed $26 million in ten days.
Disney’s flop Strange World was third with $3.7 million compared to my $3.1 million estimate. Overall tally is just $30 million.
The Menu was fourth with $2.7 million (I said $2.8 million) for $29 million total.
Devotion rounded out the top five with $2 million. I went with $1.7 million and the aviation drama is at $17 million.
Finally, there was a bit of good news in a bad weekend. A24’s The Whale, in which Brendan Fraser is expected to vie for the Best Actor Oscar, achieved 2022’s best per screen performance. In only six venues, it earned approximately $360k. That $60k average tops Everything Everywhere All at Once, which previously had the year’s strongest average at $50k. It expands across wider on December 21st.
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