Scott Cooper’s The Pale Blue Eye opens in select theaters this weekend prior to its January 6th Netflix bow. Set in 1830, the mystery casts Christian Bale as a detective working alongside Harry Melling’s Edgar Allan Poe. The supporting cast includes Gillian Anderson, Lucy Boynton, Charlotte Gainsbourg, Toby Jones, Timothy Spall, and Robert Duvall.
Marking the third collaboration between Cooper and Bale after Out of the Furnace and Hostiles, this is being greeted with decidedly mixed notices. The Rotten Tomatoes score is currently 57% with some writers praising the production value while criticizing the gloomy vibe.
Netflix clearly had no real plans to mount an awards campaign for this. They probably could’ve tried for Production and/or Costume Design. It showed up nowhere in the Globe or Critics Choice mentions. The Academy is highly likely to follow suit. My Oscar Prediction posts will continue…
My posts covering actors who had an impactful 2022 continues with a new Scream Queen.
Before we get to her, I came close to giving Jamie Lee Curtis her own dedicated write-up. The OG SQ might nab a first Oscar nomination for her supporting work in Everything Everywhere All at Once and she finished up her iconic role (probably right?) as Laurie Strode in Halloween Ends.
Just as Curtis was concluding her participation in a vaunted horror franchise, 20-year-old Jenna Ortega was making her presence known in another. Some viewers first saw her on the CW series Jane the Virgin. In 2021, Ortega drew acclaim for her more grown-up performance in the HBO Max drama The Fallout. It was this year that she broke out in another genre via January’s Scream. With over $80 million in its domestic coffers, she’ll be back in March for Scream VI.
More kudos followed in March for Ti West’s exploitation homage X. Ortega played a crew member on a porn set who gets more than she bargained for out of the experience. X marked the spot for many critics with its 94% on Rotten Tomatoes.
Ortega’s frighteningly good ’22 went into overdrive with Netflix’s Wednesday. From Tim Burton, the blend of comedy and horror and its 8 episodes cast the actress as Wednesday Addams from the The Addams Family. Debuting last month, it shot to #1 on the streamer in over 80 countries and holds the record for most hours viewed for a series in the first week of release. In others words, it’s a phenomenon every day of the week.
Needless to say, a second season is already in the planning stages. With her Scream sequel on deck and a role in the thriller Finestkind with Ben Foster and Tommy Lee Jones coming up, Ortega should continue to make her spooky presence known. My Year Of posts will continue with another actor who started out on the CW and had a whole lot shaking on the silver screen this year…
On the eve of its premiere, the embargo for Whitney Houston: I Wanna Dance with Somebody finally lifted. For those not familiar, waiting until December 21st for critics to weigh in is not a good sign for awards possibilities. The biopic comes from Kasi Lemmons, who last directed Cynthia Erivo to a Best Actress nod for 2019’s Harriet. Then there’s the screenwriter Anthony McCarten. He’s a bit of an awards whisperer. His screenplays for 2014’s The Theory of Everything, 2017’s Darkest Hour, and 2018’s Bohemian Rhapsody resulted in Best Actor victories for (respectively) Eddie Redmayne, Gary Oldman, and Rami Malek.
That’s why I was a tad surprised that Somebody was MIA at film festivals and that there were no early reviews to generate buzz. Now it makes more sense. The Rotten Tomatoes score is a mere 41%. That said, some write-ups are singing the praises of Naomi Ackie as the iconic and troubled legend. I don’t think it would’ve been impossible for Ackie to make the five in Best Actress. At this juncture, only Cate Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once) have guaranteed spots in my opinion. Michelle Williams in The Fabelmans and Danielle Deadwyler for Till are probably in as well. The fifth slot could be Margot Robbie (Babylon), Viola Davis (The Woman King), Olivia Colman (Empire of Light), or a surprise.
It is probably too late for Ackie to be a factor. The Critics Choice and Globes skipped her and the Academy is unlikely to make her queen of the night. My Oscar Prediction posts will continue…
Shortlists covering seven of the feature film races at the Oscars were unveiled this afternoon. We now know the 15 pictures that will contend for Best Original Score, Original Song, International Feature Film, and Documentary Feature. Additionally, we have our 10 finalists for Makeup and Hairstyling, Sound, and Visual Effects.
I’ll go over each competition below, but I went 62 for 90 in my overall picks. It was a good day for Black Panther: Wakanda Forever and All Quiet on the Western Front. They got in everywhere they reasonably could have.
With The Batman and Everything Everywhere All at Once, it was a mixed announcement as both made the cut for some and not others where they were expected to. The documentary Good Night Oppy had perhaps the worst day. It was widely anticipated to get in for Documentary and (to a lesser degree) Visual Effects and made neither.
Let’s break it down! **Selections that I correctly called are in bold
Best Original Score
Nominees:
All Quiet on the Western Front
Avatar: The Way of Water
Babylon
The Banshees of Inisherin
Black Panther: Wakanda Forever
Devotion
Don’t Worry Darling
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery
Guillermo del Toro’s Pinocchio
Nope
She Said
The Woman King
Women Talking
HOW I DID: 9/15
The most notable omissions here are Empire of Light and The Batman while Devotion in particular wasn’t expected to be included. I also incorrectly named Bardo, Living, RRR, and White Noise. My top 5 from my projections 3 days ago (Women Talking, Babylon, The Fabelmans, Guillermo del Toro’s Pinocchio, The Banshees of Inisherin) remain.
Best Original Song
“Applause” from Tell It Like a Woman
“Carolina” from Where the Crawdads Sing
“Ciao Papa” from Guillermo del Toro’s Pinocchio
“Dust and Ash” from The Voice of Dust and Ash
“Good Afternoon” from Spirited
“Hold My Hand” from Top Gun: Maverick
“Lift Me Up” from Black Panther: Wakanda Forever
“My Mind & Me” from Selena Gomez: My Mind & Me
“Naatu” from RRR
“New Body Rhumba” from White Noise
“Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water
“Stand Up” from Till
“This Is a Life” from Everything Everywhere All at Once
“Til You’re Home” from A Man Called Otto
“Time” from Amsterdam
HOW I DID: 10/15
As expected, there’s some heavy hitters in the mix with Lady Gaga, Rihanna, Taylor Swift, The Weeknd, and Selena Gomez (who I didn’t predict). The highest profile omission is Billie Eilish for “Nobody Like U” in Turning Red. My other misses were “Keep Rising” from The Woman King, “On My Way (Marry Me)” from Marry Me (a miss for Jennifer Lopez), and “Ready As I’ll Ever Be” from The Return of Tanya Tucker – Featuring Brandi Carlile.
Best International Feature Film
All Quiet on the Western Front (Germany)
Argentina, 1985 (Argentina)
Bardo (Mexico)
The Blue Caftan (Morocco)
Cairo Conspiracy (Sweden)
Close (Belgium)
Corsage (Austria)
Decision to Leave (South Korea)
EO (Poland)
Holy Spider (Denmark)
Joyland (Pakistan)
Last Film Show (India)
The Quiet Girl (Ireland)
Return to Seoul (Cambodia)
Saint Omer (France)
HOW I DID: 13/15
My best showing as I incorrectly had Spain’s Alcarras and Mars One from Brazil. India saved a little face with Last Film Show getting in. They didn’t select RRR and it could have won. There are really no major surprises here.
Best Documentary Feature
All That Breathes
All the Beauty and the Bloodshed
Bad Axe
Children of the Mist
Descendant
Fire of Love
Hallelujah: Leonardo Cohen, a Journey, a Song
Hidden Letters
A House Made of Splinters
The Janes
Last Flight Home
Moonage Daydream
Navalny
Retrograde
The Territory
HOW I DID: 10/15
I took a swing by not including The Territory and it got in. As forthe aforementioned Good Night Oppy and Sr., they were anticipated to be here and are not. My other whiffs were Gabby Giffords Won’t Back Down, Riotsville, U.S.A., and Wildcat. My high five from December 18th – All That Breathes, Navalny, Fire of Love, All the Beauty and the Bloodshed, Descendant – remain.
Best Makeup and Hairstyling
All Quiet on the Western Front
Amsterdam
Babylon
The Batman
Black Panther: Wakanda Forever
Blonde
Crimes of the Future
Elvis
Emancipation
The Whale
HOW I DID: 7/10
Here’s a race where Everything Everywhere isn’t to be found. I also went with Three Thousand Years of Longing and The Woman King. Once again my top five from the weekend is in. The Crimes of the Future nod is truly unexpected.
Best Sound
All Quiet on the Western Front
Avatar: The Way of Water
Babylon
The Batman
Black Panther: Wakanda Forever
Elvis
Everything Everywhere All at Once
Guillermo del Toro’s Pinocchio
Moonage Daydream
Top Gun: Maverick
HOW I DID: 7/10
Once again my quintet of picks from 3 days ago are safe. Nope is a significant omission as is RRR (Thirteen Lives is my other miss). The unexpected addition of the Bowie doc Moonage Daydream is being praised.
Best Visual Effects
All Quiet on the Western Front
Avatar: The Way of Water
The Batman
Black Panther: Wakanda Forever
Doctor Strange in the Multiverse of Madness
Fantastic Beasts: The Secrets of Dumbledore
Jurassic World: Dominion
Nope
ThirteenLives
Top Gun: Maverick
HOW I DID: 6/10
Here’s where my predicted five will undoubtedly be altered when I make my update. I had Everything Everywhere and RRR at 3rd and 4th, respectively. They are gone. I also incorrectly called Good Night Oppy and Thor: Love and Thunder. This means Avatar (which should win), Maverick, and Multiverse are the trio remaining that I projected. In my view, this bodes well for Panther getting in. The fifth slot is far trickier to estimate at the moment.
And that does it for now, folks! I’ll have updated predictions in all races up before Christmas!
Nearly everyone is a member of the Naughty List in Tommy Wirkola’s Violent Night and that includes Santa Claus (David Harbour) for a stretch. We meet a more tipsy than jolly St. Nick on Christmas Eve at an English pub. He’s lamenting kids these days on a short break from chimney diving.
By the time he makes it over to Connecticut, he stumbles into a home invasion of the über rich Lightstone family. That includes matriarch Gertrude (Beverly D’Angelo), wine swigging daughter Alva (Edi Patterson) and her wannabe action star beau (Cam Gigandet) and constantly v-logging son (Alexander Elliot). The Christmas vacation turned hostage situation is joined by “#1 son” Jason (Alex Hassell), estranged wife Linda (Alexis Louder), and adorable daughter Trudy (Leah Brady). Named after her ruthless grandmother, she doesn’t yet share the traits of her haughty elders.
While she believes in Santa, Trudy cannot imagine the vicious ex-warrior that he turns out to be until they team up. The bad guys are led by John Leguizamo. He goes by Mr. Scrooge and all his henchmen are given seasonal aliases like Frosty and Candy Cane. Krampus (Brendan Fletcher) is the most sadistic and the funniest. They’re searching for a massive gift: $300 million said to be on premise. When Santa is stranded by his reindeer, he becomes the evening’s John McClane. He says ho-ho-ho, there are machine guns, and we have plenty of makeshift weapons that inflict maximum pain. Trudy is kind of a mini Al Powell to keep the Die Hard references up. She communicates with our very real icon via walkie talkie in what no doubt is a Christmas movie stuffed with carnage.
Violent Night shouldn’t end up on any best of or worst of lists. Harbour lends demented spirit to Mr. Kringle, but the script dampens the overall experience. There’s a brutally humorous twist on Home Alone style pranks in one sequence. A lot of the mayhem unfortunately has a repetitive feel. A tightened runtime of 90 minutes would be a bonus. It clocks in at 112 minutes. You will believe this could’ve been superior though this anus kicking Santa occasionally delivers.
The Academy, as they do every year, whittles down a few of their races to a set 10-15 contenders before announcing the final five on January 24th. This occurs tomorrow. For Original Score and Song and International Feature Film and Documentary Feature, the list goes down to 15. For Makeup and Hairstyling, Sound, and Visual Effects – it drops to 10. There are surprises every year. In 2021, Titane was shockingly left out of International Feature Film.
I’m giving you my predicted shortlists for all 7 feature film derbies with some commentary. I’ll have a recap up tomorrow!
Best Original Score
Predicted Shortlist:
Avatar: The Way of Water
Babylon
The Banshees of Inisherin
Bardo
The Batman
Black Panther: Wakanda Forever
Empire of Light
The Fabelmans
Guillermo del Toro’s Pinocchio
Living
Nope
RRR
White Noise
The Woman King
Women Talking
***She Said was just on the outside looking in and I wouldn’t discount A Man Called Otto either.
Best Original Song
Predicted Shortlist:
“Applause” from Tell It Like a Woman
“Carolina” from Where the Crawdads Sing
“Ciao Papa” from Guillermo del Toro’s Pinocchio
“Good Tonight” from The Bad Guys
“Hold My Hand” from Top Gun: Maverick
“Keep Rising” from The Woman King
“Lift Me Up” from Black Panther: Wakanda Forever
“Naatu Naatu” from RRR
“New Body Rhumba” from White Noise
“Nobody Like U” from Turning Red
“Nothing Is Lost (You Give Me Strength)” from Avatar: The Way of Water
“On My Way (Marry Me)” from Marry Me
“Ready As I’ll Ever Be” from The Return of Tanya Tucker – Featuring Brandi Carlile
“Stand Up” from Till
“This Is a Life” from Everything Everywhere All at Once
***Leaving “Love Is Not Love” from Bros off was tough and don’t discount a tune (probably “Carried Away”) from Lyle Lyle Crocodile.
Best International Feature Film
Predicted Shortlist:
Alcarras (Spain)
All Quiet on the Western Front (Germany)
Argentina, 1985 (Argentina)
Bardo (Mexico)
Cairo Conspiracy (Sweden)
Close (Belgium)
Corsage (Austria)
Decision to Leave (South Korea)
EO (Poland)
Holy Spider (Denmark)
Joyland (Pakistan)
Mars One (Netherlands)
The Quiet Girl (Ireland)
Return to Seoul (Cambodia)
Saint Omer (France)
***No love for Japan’s Plan 75 or Ukraine’s Klondike (which would be a surprise omission), but both could easily surface. I also don’t have India’s Last Film Show making the cut. If it doesn’t, that would confirm that nation’s error in not putting up RRR.
Best Documentary Feature
Predicted Shortlist:
All That Breathes
All the Beauty and the Bloodshed
Bad Axe
Descendant
Fire of Love
Gabby Giffords Won’t Back Down
Good Night Oppy
The Janes
Last Flight Home
Moonage Daydream
Navalny
Retrograde
Riotsville U.S.A.
Sr.
Wildcat
***My major snub here is The Territory. I also left Sidney (about the legendary Poitier) out which is certainly risky.
Best Makeup and Hairstyling
Predicted Shortist:
Amsterdam
Babylon
The Batman
Black Panther: Wakanda Forever
Blonde
Elvis
Everything Everywhere All at Once
Three Thousand Years of Longing
The Whale
The Woman King
***I so wanted to put X here, but didn’t pull the trigger. All Quiet on the Western Front, Emancipation, and The Fabelmans are all viable too.
Best Sound
Predicted Shortlist:
All Quiet on the Western Front
Avatar: The Way of Water
Babylon
The Batman
Elvis
Everything Everywhere All at Once
Nope
RRR
Thirteen Lives
Top Gun: Maverick
***Leaving out Black Panther: Wakanda Forever is risky and this is another category where The Fabelmans is possible. Same goes for The Woman King.
Best Visuasl Effects
Predicted Shortlist:
Avatar: The Way of Water
The Batman
Black Panther: Wakanda Forever
Doctor Strange in the Multiverse of Madness
Everything Everywhere All at Once
Good Night Oppy
Nope
RRR
Thor: Love and Thunder
Top Gun: Maverick
***Look out for All Quiet on the Western Front and maybe Guillermo del Toro’s Pinocchio.
Colin Farrell may have lost a friend in Brendan Gleeson’s character during The Banshees of Inisherin, but he seems poised to gain some with Oscar voters.
That’s all part of a busy 2022 for the actor and he’s my 3rd entry for six posts covering performers who had an impressive 2022 at the movies. If you missed the entries covering Farrell’s Minority Report costar Tom Cruise and Michelle Yeoh, you can find them here:
20 years after Minority Report, Farrell turned up in a quartet of pictures which all drew acclaim. The spring gave us Kogonada’s contemplative sci-fi drama After Yang where he showed off some sweet Dad dance moves in the opening credits. That same month, an unrecognizable Farrell played the Penguin in The Batman from Matt Reeves. The makeup was impressive. So was his performance and an HBO Max limited series focused on the character is in the works.
On a side note, another villain from The Batman came close to making my list of six. Paul Dano, who played the Riddler, could be in line for a Supporting Actor mention in Minority Report director Steven Spielberg’s The Fabelmans. AND we have Farrell’s Banshees costar Barry Keoghan (SPOILER ALERT: he cameos as Joker in The Batman). He might turn up in Supporting Actor as well.
Back to Farrell. In the summer, he was among the ensemble for Ron Howard’s Tham Luang cave rescue saga Thirteen Lives. Reviews were solid for all three films and they all showcased his skills.
The capper came in the fall with Banshees. Reuniting with his In Bruges director Martin McDonagh and costar Gleeson, Farrell nabbed some career best notices as the naive Irish drinking buddy who inexplicably loses his best buddy. He’s close to a guarantee for a first Oscar nomination and he could win.
Critics and moviegoers were not in the minority appreciating the veteran performer and I’m pleased to report his inclusion as someone who can cheer to a fruitful 2022. My Year Of posts will continue with a new Scream Queen who made her presence known every day of the week…
After a domestic debut that unquestionably fell on the lower end of expectations, Avatar: The Way of Water hopes for a strong sophomore outing and smoother sailing throughout the season. It will remain in first while three newcomers should populate the 2-4 slots.
They are DreamWorks Animation’s sequel Puss in Boots: The Last Wish, musical biopic Whitney Houston: I Wanna Dance with Somebody, and Damien Chazelle’s once upon a time in Hollywood dramedy Babylon with Margot Robbie and Brad Pitt. My detailed prediction posts on the trio can be accessed here:
The box office range of Yuletide releases can be tied to how the dates work out on the calendar. Christmas Eve is Saturday and it can be limited as potential moviegoers are preparing the big day. On the other hand, Christmas itself can be potent. Bottom line: it’s important to remember that weekdays at this time of year can be just as booming as weekends as people are taking time off.
Boots gets a jump on Wednesday while Babylon and Somebody drop Friday. Sporting impressive reviews, Puss is poised to be the runner-up to Water. The three-day might fall in the high teens to low 20s range with close to $30 million for the five-day.
Third place is going to one of the other openers. I’m forecasting that a solid African-American and female turnout could give the Whitney flick the edge. I expect Somebody to double digits while Babylon falls just under. The five spot should be close between holdovers Black Panther: Wakanda Forever and Violent Night.
Now we return to Avatar. There’s more chatter below on the lesser than anticipated start. Yet it’s also fair to say that future weekends will ultimately determine whether it’s a success or not. The A Cinemascore grade (same as part 1) should help. I’ll say a mid to high 40s decline happens over Christmas while the leveling off might be far less pronounced in the 3rd frame and beyond.
Here’s how I’m seeing the top 6 playing out:
1 . Avatar: The Way of Water
Predicted Gross: $73.4 million
2. Puss in Boots: The Last Wish
Predicted Gross: $18.3 million (Friday to Sunday); $28.5 million (Wednesday to Sunday)
3. Whitney Houston: I Wanna Dance with Somebody
Predicted Gross: $11.5 million
4. Babylon
Predicted Gross: $8.7 million
5. Violent Night
Predicted Gross: $3.3 million
6. Black Panther: Wakanda Forever
Predicted Gross: $3.2 million
Box Office Results (December 16-18)
The general consensus was that Avatar: The Way of Water, the long awaited sequel to James Cameron’s largest worldwide earner in history, would amass a stateside start of around $175 million. I projected $173.1 million. That didn’t happen. Water made $134.1 million and that’s the fifth highest debut of 2022 (a hair ahead of The Batman). As mentioned, success will not be judged here it if manages to develop sturdy legs in the next several weeks (as the filmmaker’s predecessors Titanic and Avatar certainly did). For now the jury is out while the expected mark wasn’t achieved domestically out of the gate. On a global basis – it brought in another $300 million. The $435 million tally is second only to May’s Doctor Strange in the Multiverse of Madness.
Unsurprisingly nothing else wanted to open opposite Avatar as the rest of the chart was stuffed with holdovers. Black Panther: Wakanda Forever, after five weeks on top, was second with $5.3 million. On pace with my $5.5 million call, the six-week total is $418 million.
Violent Night was right behind in third with $5 million, on target with my $4.9 million projection. The three-week gross is $35 million.
Disney dud Strange World was fourth with $2.2 million, a smidge below my $2.6 million take for a dull $33 million overall.
The Menu completed the top five at $1.6 million (I said $1.9 million) for $32 million it its coffers.
My Year Of posts focusing on a half dozen performers who had us feeling ’22 continues with our second icon who turned the big 6-0 this year. The first was Tom Cruise and if you missed that post, you can find it here:
The next sexagenarian is Michelle Yeoh. For the past three decades, U.S. audiences have seen the Malaysian legend fighting alongside Jackie Chan in the Supercop pics, James Bond in Tomorrow Never Dies, and Chow Yun-fat in Ang Lee’s acclaimed Crouching Tiger, Hidden Dragon. In recent years, she probably came close to a Supporting Actress nomination as the overbearing mother in Crazy Rich Asians. Last year, she joined the MCU in Shang-Chi and the Legend of the Ten Rings.
There were plenty of projects in 2022. She lent her voice to Minions: The Rise of Gru and Paws of Fury: The Legend of Hank. A small role popped up in Netflix’s YA fantasy The School for Good and Evil. None of those projects are why Yeoh made this cut.
Everything Everywhere All at Once is. The sophomore effort of the Daniels (Dan Kwan and Daniel Scheinert) is the multi-genre rumination on life that casts Yeoh as frazzled laundromat owner Evelyn. She also (due to a seemingly infinite multiverse) plays the role in many other iterations including a movie star, a woman with hot dogs for fingers, and a rock. It’s a one-of-a-kind picture with the role of a lifetime for its lead.
An Oscar nomination is a near certainty and a win is quite possible. The box office was impressive with $70 million domestically against a considerably smaller budget. Costars Ke Huy Quan, Stephanie Hsu, and Jamie Lee Curtis could all be headed for their own awards nods. I currently have Everything listed in 1st to take Best Picture.
A busy 2023 and beyond awaits Yeoh. More voice work is on deck with Transformers: Rise of the Beasts and Kenneth Branagh has put her in the ensemble of his third Poirot mystery A Haunting in Venice. Her Crazy Rich Asians director Jon M. Chu will be collaborating with her again on the two planned Wicked films (slated for 2024 and 2025). James Cameron has her showing up (apparently in human form) in the third and fourth Avatar pics.
Yeoh’s part in Everything was originally considered for her old costar Jackie Chan. That’s hard to picture now given her fantastic portrayal. She easily earns a spot in this series. My Year Of posts will continue with an actor who might’ve lost a friend in his Oscar contender, but gained plenty of praise for his body work throughout the year.
The psychological drama Alice, Darling takes Anna Kendrick out of Pitch Perfect mode and into darker territory. Marking the directorial debut of Mary Nighy (daughter of Bill), Kendrick plays a domestic abuse victim coming to terms with the danger of her circumstances. The supporting cast includes Kaniehtiio Horn, Charlie Carrick, and Wunmi Mosaku.
Darling premiered at the Toronto Film Festival. Early reviews have given it an 86% Rotten Tomatoes rating. It debuts December 30th for an awards qualifying run before an AMC Theatres exclusive release beginning January 20th.
Kendrick is a previous Oscar nominee in Supporting Actress 13 years ago for Up in the Air. Initial critical reaction has praised her work. However, distributor Lionsgate has not mounted a visible campaign in an Actress field that’s already crowded.
Bottom line: the director’s dad appears headed for an Actor nod for Living. Darling‘s prospects aren’t up in the air. They’re non-existent. My Oscar Predictions posts will continue…
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