Harry Styles, Emma Corrin, and David Dawson headline the 1950s set romantic drama My Policeman, which has premiered at the Toronto Film Festival prior to its November 4th debut on Amazon Prime. An October 21st awards qualifying run is also slated. Michael Grandage directs the adaptation of the 2012 novel by Bethan Roberts. Costars include Linus Roache, Gina McKee, and Rupert Everett as the older versions of the aforementioned stars.
The tale of forbidden love is getting most of its ink due to Styles playing a homosexual policeman. Yet early reviews are quite mixed on the effectiveness of his performance (Corrin is being called best in show). The Rotten Tomatoes meter for the film itself is a mere 47%.
Unless it gets a random Costume Design or Production Design nod (which I doubt), we can likely discount My Policeman to get on the blotter of awards voters. My Oscar Prediction posts will continue…
Blogger’s Note (09/14): I’m revising my estimate up from $2.4 million to $3.4 million.
Shot in secret during the filming of this spring’s horror pic X, Ti West’s prequel Pearl is in theaters Friday. Mia Goth returns in the villainous title role with a supporting cast including David Corenswat, Tandi Wright, and Matthew Sunderland. It premiered at the Venice Film Festival days ago to pleasing reviews (87% on Rotten Tomatoes). That’s just slightly under the meter of its predecessor which nabbed 94%.
While X had the critics on its side, its box office performance was so-so. The $4.3 million opening culminated in an overall domestic gross of just under $12 million. While that might seem low, it’s a tidy profit for A24 considering the reported $1 million budget.
I’m sure Pearl wasn’t pricey either, but I suspect this won’t even reach X figures. I’ll say between $2-3 million sounds about right.
The Good Nurse from director Tobias Lindholm boasts a pair of Oscar winners leading the cast in Jessica Chastain (our reigning Best Actress for The Eyes of Tammy Faye) and Eddie Redmayne (who took leading actor gold for The Theory of Everything in 2015). The true life medical thriller has premiered at Toronto before its Netflix steaming bow in late October (a limited awards qualifying run will precede it). Costars include Nnamdi Asomugha, Noah Emmerich, and Kim Dickens.
Early reviews run from decent to above that and the Rotten Tomatoes score stands initially at 100%. I went to the premiere screening last night and can confirm it’s rock solid. However, Netflix would really need to campaign hard for this to attract Academy love.
My gut says Chastain, having won just last year, will miss out due to an already healthy Actress field. If its distributing streamer slots Redmayne in Supporting Actor for his creepy role (an argument could be made), he could warrant similar buzz to Jared Leto in The Little Things. Let’s not forget, however, that Leto’s Supporting Actor inclusion never ultimately materialized. My Oscar Prediction posts will continue…
Basing his directorial debut on his own experiences, Elegance Bratton has premiered The Inspection at the Toronto Film Festival prior to its November 18th domestic release. The A24 title features Jeremy Pope as a Marine at boot camp whose homosexuality is revealed. Costars include Raul Castillo, McCaul Lombardi, Bokeem Woodbine, and Gabrielle Union.
Reviews out of Canada are looking good for the most part and the Rotten Tomatoes meter is at 87%. Yet I’m doubtful this could play in Best Picture or for Bratton’s original screenplay. On the other hand, many critics are calling this a star making performance from Pope. He’s a recent Emmy nominee for the Netflix miniseries Hollywood (he’s also received Tony and Grammy nods for his stage work).
The studio will need to really push Pope for any hope of making the final five. Some of the those slots – Brendan Fraser (The Whale), Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Hugh Jackman (The Son) – may already be spoken for. It remains The Inspection‘s most realistic hope. My Oscar Prediction posts will continue…
The critics certainly don’t have their knives out for Glass Onion: A Knives Out Mystery. This is the eagerly awaited follow-up to Rian Johnson’s 2019 comedic murder mystery which grossed over $300 million worldwide and gave Daniel Craig another franchise. Johnson and Craig are back with a new supporting cast that includes Edward Norton, Janelle Monae, Kathryn Hahn, Leslie Odom Jr., Jessicas Henwick, Madelyn Cline, Kate Hudson, and Dave Bautista.
Slated for select cinemas in November before a December 23rd Netflix bow, Onion has premiered at the Toronto Film Festival with reviews saying it’s quite appealing. Some even claim it improves on the original. The Rotten Tomatoes score is 100%.
Three years ago, Knives had a sliver of hope to nab a Best Picture nomination, but it never materialized. An Original Screenplay mention was the reward for its success. This time around, it would contend in Adapted Screenplay since it’s based on existing IP. That could happen though let’s see how competitive that race is over the remainder of the year. I suspect if we see a sequel nominated for Best Picture in 2022, it’ll be Top Gun: Maverick and not this… and we still don’t know how solid Avatar: The Way of Water is. As for performances, Monae is being singled out in several write-ups as the MVP. However, Supporting Actress is already starting to looked stacked.
Where Onion could sizzle is at the Golden Globes with a Musical/Comedy Best Motion Picture nod and Best Actor in that category for Craig. That occurred in 2019 and could happen again. My Oscar Prediction posts will continue…
For several weeks, I have had Steven Spielberg’s The Fabelmans listed at the top in my predictions for Best Picture, Director, and Supporting Actress (Michelle Williams). Prior to its November 11th limited release and Thanksgiving holiday domestic expansion, the coming-of-age drama has screened in Toronto. That’s a first for the most famous director in the world and festival goers are celebrating what they’re seeing in his autobiographical tale.
Reviews are strong with a current 86% Rotten Tomatoes rating. Awards voters have always been fans of pictures centered on its industry and The Fabelmans is said to be a loving look back at Spielberg’s formative years. There’s little doubt that this has already done enough to become his 14th feature to nab a Best Picture nod (Schindler’s List remains the sole winner). This should also mark his 8th mention in Director (he’s won twice for List and Saving Private Ryan). An Original Screenplay nod (alongside Tony Kushner) is coming where it could be a battle with Everything Everywhere All at Once or others.
What of the cast? It appears Williams (essentially portraying the filmmaker’s mom) deserves that front runner status in Supporting Actress. Her fifth nomination (after Brokeback Mountain, Blue Valentine, My Week with Marilyn, Manchester by the Sea) could at last be the charm. As Dad, Paul Dano could be in the mix for his first nod in an impressive year that includes his turn as The Riddler in The Batman. Yet it could be Judd Hirsch (in what’s said to be about 10 minutes of screen time) that lands attention in that race. His scene is said to be a scene stealer and if there’s only one nominee in the Supporting Actor field, expect it to be Hirsch over Dano or Seth Rogen. If so, that would come 42 years following Hirsch’s sole nod for Ordinary People. As for 19-year-old newcomer lead Gabriel LaBelle, he’s absolutely a contender for Best Actor though I’d say his making the cut is less certain than Williams or Hirsch.
No surprise that tech nods are anticipated including Cinematography, Editing, Production Design, Sound, and so forth. Bottom line: The Fabelmans has begun its long Oscar journey north of the border. Not only will it be nominated in the major categories, but it could win. My Oscar Prediction posts will continue…
Viola Davis is the most nominated actress in history with four to her credit and one victory for 2016’s Fences. In The Woman King, the EOT recipient (missing that Grammy!) is in action heroine mode in this historical epic set in 19th century West Africa. Gina Prince-Bythewood directs with a supporting cast including Thuso Mbedu, Lashana Lynch, Sheila Atim, and John Boyega.
Prior to its September 16th premiere, King has debuted at the Toronto Film Festival and there’s not a negative review to be found. The Rotten Tomatoes meter is a clean 100%. Per usual, plenty of praise is going to Davis and it’s certainly possible she could join the five-timers club. I don’t believe that’s automatic as competition could be as fierce as the warrior she portrays.
A lot of King‘s feasibility for Oscar noms could come down to whether this hits at the box office. That remains to be seen. If so, we could see Davis in lead and either Mbedu or Lynch in supporting (both are being talked up for their contributions). I’m not so sure the critical reaction is strong enough for Best Picture to be a realistic nod. Tech nods are doable regardless like Costume Design and Production Design. It’s also just as possible that this is a solid genre flick that won’t catch the Academy’s attention. My Oscar Prediction posts will continue…
Bros has made quite the splash in its premiere at the Toronto Film Festival prior to its September 30th stateside rollout. This is the first rom com to feature a primarily LGBTQ+ cast. Nicholas Stoller, who’s helmed successful genre fare like Forgetting Sarah Marshall and Neighbors, directs. Billy Eichner and Luke Macfarlane are the lead couple with a supporting cast including Ts Madison, Monica Raymond, Guillermo Diaz, Guy Branum, Amanda Bearse, Bowen Yang, and Debra Messing.
Early word out of Canada is that this is an entertaining and alternately sweet and raunchy romp (something I can confirm having been at the world premiere last night). The Rotten Tomatoes meter stands at 89%. I’m not sure Bros is as much an Oscar player (where there’s a comedic allergy) as it is a Globes contender. Since they differentiate between Drama and Musical/Comedy, I could easily see the Hollywood Foreign Press nominating this for Best Picture and for Eichner in Best Actor.
That said, I wouldn’t say its Academy hopes are completely dashed. There’s usually a lone screenplay nominee that receives no other nods and Stoller and Eichner’s original screenplay could fit that particular bill. My Oscar Prediction posts will continue…
Before 2017, the Golden Lion winner (the Venice Film Festival’s top prize) rarely lined up with movies that received Best Picture nominations at the Oscars. In fact, you would have had to go back to 2005 and Brokeback Mountain. Then from 2017-2020 – every nominee did (The Shape of Water, Roma, Joker, Nomadland). Last year’s Happening did not. So it stands to reason that the eyes of prognosticators were heavily trained on today’s ceremony.
The jury’s selection was a bit of a surprise with the documentary All the Beauty and the Bloodshed. Not because it wasn’t acclaimed… it absolutely was. It’s unexpected because this is the only the second doc to take Venice’s biggest award. And that dates back to 1946. My guess is that this won’t translate to an Academy BP nod, but there’s no question it helps Beauty look good in the eyes of Oscar’s documentary branch.
France’s Saint Omer took the Grand Jury Prize (essentially second place). It will hope to follow in the footsteps of last year’s victor The Hand of God, which made the final cut in International Feature Film. Like Bloodshed, it’s also playing in Toronto where it hopes to grow the buzz.
The Silver Lion (the equivalent of Best Director) was bestowed upon Luca Guadagnino for Bones and All. The horror romance garnered loud cheers from the Italian faithful. Taylor Russell, who co-stars with Timothee Chalamet, picked up the Marcello Mastroianni Award, which is for an emerging performer. Though the genre doesn’t lend itself well to Academy attention, I wouldn’t sleep on this picture.
Best Screenplay went to Martin McDonagh’s The Banshees of Inisherin, which made a splash with its premiere and established itself as a firm candidate for possibilities throughout the coming season. The Banshees appreciation also included Colin Farrell as Best Actor. This is significant considering he beat out heavy hitters like Brendan Fraser (The Whale) and Hugh Jackman (The Son).
Finally, Cate Blanchett rather predictably took Best Actress for TAR. Get used to seeing her name at every awards show from now until the early months of 2023.
And there you have it! As a side note, I’m deep into screenings at Toronto. I’m trying to post as much as possible with any breaks I have, but that’s quite a challenge (anyone who’s attended a film festival will get it). Don’t get me wrong – I’m not complaining. This is my first TIFF and I’m continuously pinching myself. It’s not everyday you see Daniel Craig, Jennifer Lawrence, Billy Eichner, Judd Apatow, Paul Raci, Finn Wolfhard, and Sterling K. Brown within a 24 hour period. I’ll report back soon on all the happenings of awards season!
**Blogger’s Note (09/14): I am revising down estimate down from $4.8 million to $3.2 million.
Shades of Agatha Christie are said to inspire See How They Run, a whodunit slated to hit approximately 2200 venues on September 16th. Marking the directorial debut of Tom George, the cast includes Saoirse Ronan, Sam Rockwell, Adrien Brody, Ruth Wilson, Harris Dickinson, and David Oyelowo.
The Searchlight production has generated mostly positive reactions thus far (it opens in UK cinemas a week prior to the North American start). The Rotten Tomatoes score is 75%. Run‘s existence is likely due to the success of recent genre fare like Murder on the Orient Express and especially Knives Out.
Without significant star power and with buzz muted, I do believe this could struggle to find an audience. Murder mystery aficionados may wait to get their fix with the forthcoming Glass Onion: A Knives Out Mystery. An opening in double digits would be surprising. I think the range is more $4-6 million and my estimate is at the middle of it.
See How They Run opening weekend prediction: $3.2 million
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