Paws of Fury: The Legend of Hank Box Office Prediction

Paws of Fury: The Legend of Hank from Paramount and Nickelodeon hopes to bite into the family audience market when it opens July 15th. The animated martial arts comedy takes its inspiration from the classic 1974 Western spoof Blazing Saddles. Rob Minkoff (a former Disney vet who co-directed 1994’s The Lion King) helms along with Mark Koetsier. The voice cast includes Michael Cera, Ricky Gervais, Michelle Yeoh, Samuel L. Jackson, George Takei, Aasif Mandvi, Djimon Hounsou, Gabriel Iglesias, and Mr. Mel Brooks himself.

Originally titled Blazing Samurai, Legend arrives two weeks after Illumination’s massive Minions: The Rise of Gru and two weeks before DC League of Super-Pets. This isn’t based on known IP and I suspect it may get lost in the summer shuffle.

Even lower tier animated offerings can over perform, but I’m putting this barely over double digits for a quiet start.

Paws of Fury: The Legend of Hank opening weekend prediction: $10.5 million

For my Where the Crawdads Sing prediction, click here:

Where the Crawdads Sing Box Office Prediction

For my Mrs. Harris Goes to Paris prediction, click here:

Mrs. Harris Goes to Paris Box Office Prediction

Where the Crawdads Sing Box Office Prediction

The actual actors in Where the Crawdads Sing are not the most recognizable individuals involved in the production. Opening July 15th, the mystery drama is produced by Reese Witherspoon. It features an original song titled “Carolina” by Taylor Swift. Perhaps most important to the box office viability, it’s based on a huge bestseller by Delia Owens.

Directed by Olivia Newman, the cast includes Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson, and David Strathairn. With a budget of just over $40 million, Sony is banking on a sizable female audience that led the source material to eventually sell 12 million copies. In 2019, it sold more copies than any other adult novel.

I will cop to be unfamiliar with the book’s existence. However, I’m not the target demo. With those kind of sales, there should be a built-in crowd tailor-made for the adaptation. Estimates on other sites are as low as $10 million and as high as $25 million. This should at least place in the middle of that range.

Where the Crawdads Sing opening weekend prediction: $18.7 million

For my Paws of Fury: The Legend of Hank prediction, click here:

Paws of Fury: The Legend of Hank Box Office Prediction

For my Mrs. Harris Goes to Paris prediction, click here:

Mrs. Harris Goes to Paris Box Office Prediction

Best Picture 2010: The Final Five

After the 2008 Oscars, the Academy decided to expand the number of Best Picture nominees from five to ten. This rule would hold for 2009 and 2010 and then it shifted from anywhere between 5 and 10 (where it was typically 8 or 9). As of 2021, we’re back to a set 10.

Yet what if that had never happened? What if only five nominees from the last decade plus made the cut? My initial writeup where I predicted which five from 2009 would have done so can be found here:

Best Picture 2009: The Final Five

Now we move to 2010. It was a year in which Tom Hooper’s The King’s Speech led the evening with 11 nominations. It would win four – Director, Colin Firth for Best Actor, Original Screenplay, and the big prize Picture. So there’s 20% of our theoretical lineup.

As for the others, let’s take them one by one and I’ll give my thoughts on whether each would’ve made that other 80% of the quintet.

127 Hours

In 2010, Danny Boyle was coming off 2008’s Slumdog Millionaire. That little film that could cleaned up on Oscar night with 8 trophies including Picture. This survival drama with James Franco landed six nods. It won zero, but earned recognition in the Best Pic prerequisites that count like screenplay and editing.

Does It Make the Final Five?

Yes. This is a tough one. As you’ll see below, there are more than five pics that check important boxes. My hunch is that it would’ve nabbed the fifth slot (though you may feel differently when you read on and I tell you what doesn’t make my cut).

Black Swan

Darren Aronofsky’s intense balletic drama earned Natalie Portman an Actress statue and four other nods: Director, Cinematography, and Film Editing. Certainly the director and editing mentions are notable as is Portman’s victory.

Does It Make the Final Five?

No. When Picture and Director were both set at five, they rarely matched. 4 out of 5 directors matching the BP nominations was most common. Here’s an example where I don’t think a match would’ve occurred. The biggest reason? Of the 10 BP nominees, Swan is the only one that didn’t land a screenplay nod. That’s significant.

The Fighter

Mark Wahlberg’s passion project didn’t land him a nod, but it did for three of his costars. Christian Bale took home Supporting Actor while onscreen mother Melissa Leo won Supporting Actress (with Amy Adams also nominated). The direction, screenplay, and editing also were up for a total of 7 nominations.

Does It Make the Final Five?

Yes. The wins in the two acting races and the fact that it hit in all the key precursors give the relevant tale of the tape.

Inception

There’s speculation that the reason the Academy switched to 10 nominees is because Christopher Nolan’s The Dark Knight was omitted from the five in 2008. His follow-up two years later did not miss the expanded cut. It won Oscars for half of its 8 nominations – Sound Editing, Sound Mixing, Cinematography, and Visual Effects. The other three nods besides Picture were Original Screenplay, Score, and Art Direction.

Does It Make the Final Five?

No. And here’s where some readers may disagree. I’m giving 127 Hours an ever so slight edge over this. Why? The 8 nods don’t mean much to me because the bulk of them are in tech races. By the way, The Dark Knight also received 8 nominations. Its misses are what make me skeptical as Nolan didn’t get in for his direction and it also wasn’t up for editing.

The Kids Are All Right 

The family drama received acting mentions for Annette Bening and Mark Ruffalo and for its original screenplay.

Does It Make the Final Five?

No. Too many heavy hitters this year and it was probably toward the bottom of the ten that got in.

The Social Network

David Fincher’s saga about the founding of Facebook won three of its 8 nods in Adapted Screenplay, Film Editing, and Score.

Does It Make the Final Five?

Yes… easily. It was probably #2 behind King’s Speech in terms of winning Picture and Director.

Toy Story 3

The Pixar threequel holds the distinction of being the second animated title to make the BP list after Beauty and the Beast. On Oscar night, it won Animated Feature as well as Original Song and received an Adapted Screenplay nod.

Does It Make the Final Five?

No. The Academy probably would’ve been OK with it being a slam dunk Animated Feature winner if only five pics were in contention.

True Grit

The Coen Brothers Western remake was behind only King’s Speech in terms of nominations with 10. Beside Picture – you had Director(s), Actor (Jeff Bridges), Supporting Actress (Hailee Steinfeld), Adapted Screenplay, Sound Editing, Sound Mixing, Art Direction, Cinematography, and Costume Design. It went 0 for 10.

Does It Make the Final Five?

Yes. Despite the batting average, the sheer volume of nods indicates it would have still been included.

Winter’s Bone

This indie drama introduced the Academy and many moviegoers to Jennifer Lawrence. She received a nomination as did her costar John Hawkes in Supporting Actor. Adapted Screenplay was in the mix too.

Does It Make the Final Five? 

No but here is a prime example of a smaller film that received attention due to the broadening of the BP base.

So that means if there had been just five Best Picture nominees in 2010, I believe they would have been:

The King’s Speech

127 Hours

The Fighter

The Social Network

True Grit

I will be back soon with my final five take on 2011!

July 8-10 Box Office Predictions

Thor: Love and Thunder is the 29th entry in the Marvel Cinematic Universe and it will be the 29th to debut in first place when it opens Friday. My detailed prediction post on it can be accessed here:

Thor: Love and Thunder Box Office Prediction

The franchise is riding high off the success of Spider-Man: No Way Home and Doctor Strange in the Multiverse of Madness. The former King of Asgard’s fourth adventure is getting mixed reviews, but that didn’t hurt Multiverse and it shouldn’t matter much here. My projection in the mid 150s gives it a slightly better start than Guardians of the Galaxy Vol. 2 and Captain Marvel. 

As for holdovers, Minions: The Rise of Gru blew away expectations (more on that below). It should lose around 50-55% of the Friday to Sunday portion of its opening holiday weekend. Top Gun: Maverick will land in third displaying the smallest dip of the bunch with Elvis and Jurassic World: Dominion rounding out the top five at 40% range falls.

Here’s how I see it looking:

1. Thor: Love and Thunder

Predicted Gross: $155.7 million

2. Minions: The Rise of Gru

Predicted Gross: $48.8 million

3. Top Gun: Maverick

Predicted Gross: $18.5 million

4. Elvis

Predicted Gross: $11.6 million

5. Jurassic World: Dominion

Predicted Gross: $9.1 million

Box Office Results (July 1-4)

Minions: The Rise of Gru set a pandemic era record for animated features with a bountiful $107 million. The fifth entry in the Despicable Me/Minions tales, Steve Carell and company soared past my (and everyone else’s) expectations. I had it making $86.4 million over the four-day Independence  Day weekend. With an A Cinemascore grade, it should perform well into the future and keep the series chugging along (the next one is slated for summer 2024 already).

Top Gun: Maverick remained in second with $32.2 million – above my $29.8 million take. On the weekend of his 60th birthday, Tom Cruise’s biggest hit ever is up to $570 million.

Elvis shimmied down to third after premiering in first with $22.7 million, right in line with my $23.2 million projection. Baz Luhrmann’s musical biopic is at an impressive $71 million with $100 million firmly in its sights.

Jurassic World: Dominion was fourth with $19.6 million compared to my guesstimate of $17.3 million. The sixth dino flick’s tally roared to $335 million.

The Black Phone rounded out the top five with $14.1 million (I said $14.5 million) as the low budget horror pic has rung up a pleasing $49 million.

Finally, Pixar’s Lightyear continued its uninspiring run with $7.6 million for a $106 million tally. I was more generous at $10.2 million.

And that does it for now, folks! Until next time…

Oscar Predictions – Thor: Love and Thunder

The Thor entries of the Marvel Cinematic Universe have yet to receive any attention at the Oscars. While that may not seem terribly surprising, it’s important to remember that 12 of the MCU blockbusters have nabbed Visual Effects nods. None have won.

Love and Thunder opens Friday and it’s the fourth adventure centered on Chris Hemworth’s Asgardian former King. Taika Waititi returns to direct after helming 2017’s Ragnarok. It was easily the most acclaimed of the series with a 93% Rotten Tomatoes score. It didn’t make the cut for its visuals though while fellow MCU entry Guardians of the Galaxy Vol. 2 did. Thunder‘s reviews don’t match its predecessor as it currently stands at 71%.

The MCU should get a 13th VE mention for Doctor Strange in the Multiverse of Madness. If Ragnarok couldn’t manage the final five for the visuals or Makeup or Hairstyling or Costume Design, I’m skeptical this follow-up will. My Oscar Prediction posts will continue…

2022 Oscar Predictions: July 4th Edition

It’s been a week and a half since I updated my estimates in the current eight Oscar races that I’m prognosticating. As July dawns, not much has changed. It’s still the same 10 Best Pic nominees though the ranking numbers have ebbed and flowed a bit.

The only actual shift is in Supporting Actress where I’m putting Zoe Kazan (She Said) back in over Audra McDonald (Rustin).

However, if you look below the predicted five in the acting derbies, you’ll see some names for the first time. They include Lesley Manville (Mrs. Harris Goes to Paris), Jennifer Lawrence (Red, White and Water), and Dolly De Leon and Woody Harrelson (both for Triangle of Sadness).

You can read all the movement below!

Best Picture

Predicted Nominees:

1. Babylon (Previous Ranking: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Killers of the Flower Moon (PR: 3) (E)

4. Everything Everywhere All at Once (PR: 4) (E)

5. Women Talking (PR: 5) (E)

6. Bardo (PR: 7) (+1)

7. The Son (PR: 6) (-1)

8. The Whale (PR: 9) (+1)

9. Empire of Light (PR: 8) (-1)

10. Rustin (PR: 10) (E)

Other Possibilities: 

11. She Said (PR: 11) (E)

12. White Noise (PR: 13) (+1)

13. Top Gun: Maverick (PR: 12) (-1)

14. Tar (PR: 17) (+3)

15. Avatar: The Way of Water (PR: 16) (+1)

16. Broker (PR: 14) (-2)

17. Elvis (PR: 18) (+1)

18. Next Goal Wins (PR: 20) (+2)

19. Thirteen Lives (PR: 21) (+2)

20. Amsterdam (PR: 15) (-5)

21. Triangle of Sadness (PR: 22) (+1)

22. The Banshees of Inisherin (PR: 23) (+1)

23. Decision to Leave (PR: 19) (-4)

24. Till (PR: 24) (E)

25. The Killer (PR: 25) (E)

Best Director

Predicted Nominees:

1. Damien Chazelle, Babylon (PR: 1) (E)

2. Steven Spielberg, The Fabelmans (PR: 2) (E)

3. Martin Scorsese, Killers of the Flower Moon (PR: 3) (E)

4. Daniels, Everything Everywhere All at Once (PR: 4) (E)

5. Alejandro Gonzalez Inarritu, Bardo (PR: 5) (E)

Other Possibilities:

6. Sarah Polley, Women Talking (PR: 6) (E)

7. Sam Mendes, Empire of Light (PR: 7) (E)

8. Darren Aronofsky, The Whale (PR: 9) (+1)

9. James Cameron, Avatar: The Way of Water (PR: 11) (+2)

10. Florian Zeller, The Son (PR: 8) (-2)

11. Noah Baumbach, White Noise (PR: 12) (+1)

12. Hirokazu Kore-ada, Broker (PR: 10) (-2)

13. Todd Field, Tar (PR: 15) (+2)

14. George C. Wolfe, Rustin (PR: Not Ranked)

15. Ruben Ostlund, Triangle of Sadness (PR: Not Ranked)

Dropped Out:

Park Chan-wook, Decision to Leave

Maria Schrader, She Said 

Best Actress

Predicted Nominees:

1. Margot Robbie, Babylon (PR: 1) (E)

2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)

3. Regina King, Shirley (PR: 4) (+1)

4. Olivia Colman, Empire of Light (PR: 3) (-1)

5. Danielle Deadwyler, Till (PR: 5) (E)

Other Possibilities:

6. Cate Blanchett, Tar (PR: 6) (E)

7. Naomi Ackie, I Wanna Dance with Somebody (PR: 7) (E)

8. Carey Mulligan, She Said (PR: 8) (E)

9. Ana de Armas, Blonde (PR: 10) (+1)

10. Viola Davis, The Woman King (PR: 9) (-1)

11. Helen Mirren, Golda (PR: 11) (E)

12. Jessica Chastain, The Good Nurse (PR: 12) (E)

13. Lesley Manville, Mrs. Harris Goes to Paris (PR: Not Ranked)

14. Michelle Williams, Showing Up (PR: 14) (E)

15. Jennifer Lawrence, Red, White, and Water (PR: Not Ranked)

Dropped Out:

Florence Pugh, Don’t Worry Darling

Saoirse Ronan, See How They Run 

Best Actor

Predicted Nominees:

1. Hugh Jackman, The Son (PR: 1) (E)

2. Brendan Fraser, The Whale (PR: 2) (E)

3. Colman Domingo, Rustin (PR: 3) (E)

4. Austin Butler, Elvis (PR: 5) (+1)

5. Leonardo DiCaprio, Killers of the Flower Moon (PR: 4) (-1)

Other Possibilities:

6. Adam Driver, White Noise (PR: 6) (E)

7. Daniel Gimenez Cacho, Bardo (PR: 7) (E)

8. Diego Calva, Babylon (PR: 8) (E)

9. Michael Fassbender, Next Goal Wins (PR: 10) (+1)

10. Colin Farrell, The Banshees of Inisherin (PR: 12) (+2)

11. Viggo Mortensen, Thirteen Lives (PR: 15) (+4)

12. Christian Bale, Amsterdam (PR: 9) (-3)

13. Song Kang-ho, Broker (PR: 11) (-2)

14. Gabriel LaBelle, The Fabelmans (PR: 14) (E)

15. Tom Cruise, Top Gun: Maverick (PR: 13) (-2)

Best Supporting Actress

Predicted Nominees:

1. Michelle Williams, The Fabelmans (PR: 1) (E)

2. Lily Gladstone, Killers of the Flower Moon (PR: 2) (E)

3. Jessie Buckley, Women Talking (PR: 3) (E)

4. Hong Chau, The Whale (PR: 4) (E)

5. Zoe Kazan, She Said (PR: 7) (+2)

Other Possibilities:

6. Laura Dern, The Son (PR: 6) (E)

7. Audra McDonald, Rustin (PR: 5) (-2)

8. Jean Smart, Babylon (PR: 9) (+1)

9. Stephanie Hsu, Everything Everywhere All at Once (PR: 13) (+4)

10. Patricia Clarkson, She Said (PR: 10) (E)

11. Sadie Sink, The Whale (PR: 12) (+1)

12. Vanessa Kirby, The Son (PR: 8) (-4)

13. Nina Hoss, Tar (PR: 15) (+2)

14. Dakota Johnson, Cha Cha Real Smooth (PR: 11) (-3)

15. Dolly De Leon, Triangle of Sadness (PR: Not Ranked)

Dropped Out:

Margot Robbie, Amsterdam 

Best Supporting Actor

Predicted Nominees:

1. Robert De Niro, Killers of the Flower Moon (PR: 1) (E)

2. Paul Dano, The Fabelmans (PR: 2) (E)

3. Ke Huy Quan, Everything Everywhere All at Once (PR: 3) (E)

4. Brad Pitt, Babylon (PR: 4) (E)

5. Jesse Plemons, Killers of the Flower Moon (PR: 5) (E)

Other Possibilities:

6. Colin Firth, Empire of Light (PR: 7) (+1)

7. Glynn Turman, Rustin (PR: 6) (-1)

8. Ben Whishaw, Women Talking (PR: 8) (E)

9. Anthony Hopkins, Armageddon Time (PR: 9) (E)

10. Seth Rogen, The Fabelmans (PR: 10) (E)

11. Colin Farrell, Thirteen Lives (PR: Not Ranked)

12. Brendan Gleeson, The Banshees of Inisherin (PR: 11) (-1)

13. Woody Harrelson, Triangle of Sadness (PR: Not Ranked)

14. John David Washington, Amsterdam (PR: 13) (-1)

15. Russell Crowe, The Greatest Beer Run Ever (PR: 12) (-3)

Dropped Out:

Don Cheadle, White Noise

Tom Hanks, Elvis 

Best Original Screenplay

Predicted Nominees:

1. Everything Everywhere All at Once (PR: 1) (E)

2. The Fabelmans (PR: 2) (E)

3. Babylon (PR: 3) (E)

4. Empire of Light (PR: 4) (E)

5. Triangle of Sadness (PR: 5) (E)

Other Possibilities:

6. The Banshees of Inisherin (PR: 9) (+3)

7. Bardo (PR: 6) (-1)

8. Rustin (PR: 7) (-1)

9. Broker (PR: 8) (-1)

10. Tar (PR: 10) (E)

11. Amsterdam (PR: 11) (E)

12. Aftersun (PR: Not Ranked)

13. Decision to Leave (PR: 12) (-1)

14. Cha Cha Real Smooth (PR: 13) (-1)

15. Bros (PR: 15) (E)

Dropped Out:

Don’t Worry Darling

Best Adapted Screenplay

Predicted Nominees:

1. Killers of the Flower Moon (PR: 1) (E)

2. The Son (PR: 2) (E)

3. Women Talking (PR: 3) (E)

4. The Whale (PR: 4) (E)

5. White Noise (PR: 5) (E)

Other Possibilities:

6. She Said (PR: 6) (E)

7. Next Goal Wins (PR: 7) (E)

8. Thirteen Lives (PR: 14) (+6)

9. Till (PR: 8) (-1)

10. The Greatest Beer Run Ever (PR: 10) (E)

11. The Good Nurse (PR: 12) (+1)

12. The Killer (PR: 11) (-1)

13. Bones and All (PR: 9) (-4)

14. The Pale Blue Eye (PR: Not Ranked)

15. Top Gun: Maverick (PR: 13) (-2)

Dropped Out:

Avatar: The Way of Water