Month: November 2021

Oscar Predictions: Encanto

The Best Animated Feature category at the Oscars was established in 2001 and since then, Disney has won the race 14 out of 20 times (including 8 out of the past 9). It’s safe to say they have a distinct advantage in the competition and that’s why Encanto has long been seen as a frontrunner. From 2016 winner Zootopia makers Byron Howard and Jared Bush, it features the voices of Stephanie Beatriz, John Leguizamo, Diane Guerrero, and Wilmer Valderrama.

With songs by Lin-Manuel Miranda, the musical fantasy opens over Thanksgiving and the review embargo lifted today. The current 92% Rotten Tomatoes rating is encouraging. The track “Dos Oruguitas” could put Miranda in the running for an EGOT. For the unfamiliar, that’s winning an Emmy, Tony, Oscar, and Grammy and only 16 people have done it. My guess is that Beyonce and her King Richard song “Be Alive” could prevent that from occurring.

I do believe Encanto stands the best chance of the 2021 Mouse Factory offerings to take the prize over Luca and Raya and the Last Dragon (which may miss the top five altogether). Yet there is a sturdy competitor with Flee, the Danish critically lauded effort that could make history with nods in Animated Feature, Documentary Feature, International Feature Film, and maybe even Best Picture. It’s a guessing game at the moment as to which of the first three it wins (if any). My best guess is that the animated competition is where it could do so and that could leave Encanto as runner-up.

That said, betting against Disney has been the correct call just 30% of the time. My Oscar Prediction posts for the films of 2021 will continue…

Box Office Predictions: Weekend of November 19-21

**Blogger’s Note (11/18): On the eve of its premiere, I’m revising my King Richard estimate down from $11.2M to $9.2M

Ghostbusters: Afterlife looks to spook up a healthy #1 debut and Will Smith’s Oscar hopeful King Richard debuts in theaters and HBO Max. They’re the newbies out on the pre Thanksgiving frame and you can peruse my detailed prediction posts on them here:

Ghostbusters: Afterlife Box Office Prediction

King Richard Box Office Prediction

I’m on the lower end of estimates with Afterlife (high 30s) as I’m unsure how much anticipation is truly built up for the newest iteration of the franchise (just five years after a reboot failed to meet expectations). It’ll certainly open atop the charts and hope for a leggy run with the holidays almost underway.

King Richard could open anywhere from 2nd to 4th. The HBO Max simultaneous premiere will siphon away some viewers, but I’m actually on the higher end of the range here and think it could surpass double digits (placing it third behind the third frame of Eternals).

Clifford the Big Red Dog had a much better than anticipated start and its sophomore decline could be around 35-40% as it should experience a much smaller drop over Turkey Day. Dune should take the five spot.

Here’s how I see it going down:

1. Ghostbusters: Afterlife 

Predicted Gross: $38.1 million

2. Eternals

Predicted Gross: $12.6 million

3. Clifford the Big Red Dog

Predicted Gross: $10.5 million

4. King Richard

Predicted Gross: $9.2 million

5. Dune

Predicted Gross: $4.2 million

Box Office Results (November 12-14)

The sophomore fall for Eternals wasn’t quite as pronounced as I thought it might be. The MCU title, which has drawn mixed audience and critical notices, dropped 62% (not abnormal for its franchise) to $26.8 million. That’s ahead of my $23.2 million estimate. The ten-day gross is $118 million.

Clifford the Big Red Dog had a terrific start in second with $16.6 million from Friday to Sunday and $22.2 million since its Wednesday premiere – dwarfing my respective takes of $11.8 million and $17.6 million. With an A Cinemascore grade, look for Dog to leg out commendably with the holiday season nearly upon us.

Dune was third with $5.5 million compared to my $4.9 million prediction and it stands at $93 million.

No Time to Die took the four spot at $4.5 million (I said $4.3 million) to bring it to $150 million.

Venom: Let There Be Carnage rounded out the top five with $3.9 million, a bit ahead of my $3.4 million projection. The sequel hit a milestone as it’s up to $202 million.

Finally, Oscar hopeful Belfast (out on 580 screens) debuted in seventh with $1.7 million. I was a bit more generous with $2.3 million. Kenneth Branagh’s coming-of-age drama will look to stick around with awards season approaching.

And that does it for now, folks! Until next time…

Oscar Predictions: Eyes on Jessica Chastain

When I wrote my Oscar Predictions post for The Eyes of Tammy Faye back in September and talked about Jessica Chastain’s viability in Best Actress, I penned the following passage:

Bottom line: a couple of weeks back, I boldly declared that you could write Kristen Stewart’s Best Actress inclusion in pen. Here we go again for the second pronouncement… I think you can do the same with Chastain.

Two months later, I still feel the same about Kristen Stewart in Spencer. She remains the frontrunner for a nomination and a potential victory. And a solid argument can still be made that Chastain’s performance as Tammy Faye Bakker sits in the runner-up position for inclusion for the five actresses who will be up for consideration. That said, I’m not as declarative as I once was. Given a redo, I might say a sharpened pencil over a pen.

Why? The Best Actress race is stacked in 2021 and more realistic competitors continue to pop up. Just this week, there were three pictures screened that increased or helped solidify the chances for their leading ladies: Lady Gaga (House of Gucci), Nicole Kidman (Being the Ricardos), and Alana Haim (Licorice Pizza). That’s in addition to Olivia Colman (The Lost Daughter), Penelope Cruz (Parallel Mothers), and Frances McDormand (The Tragedy of Macbeth). They’ve been in the mix since festival season early this autumn.

That’s eight performances thus far. We can add others to the already released fold: Jodie Comer (The Last Duel), Jennifer Hudson (Respect), Renate Reinsve (The Worst Person in the World), and Tessa Thompson (Passing). 12. I can think of four more from the unscreened column: Sandra Bullock (The Unforgivable), Jennifer Lawrence (Don’t Look Up), Rooney Mara (Nightmare Alley) and Rachel Zegler (West Side Story). 16. I’m not really feeling a Bullock nod, but any of the others could bubble up.

Add to that the off chance that a surprise nominee could materialize of those I’ve basically written off: Halle Berry (Bruised), Marion Cotillard (Annette), Emilia Jones (CODA), or Charlotte Rampling (Benedetta).

20 possibilities (though some admittedly are far fetched). Still – there’s several realistic hopefuls and that’s reason enough to doubt anyone but Stewart making the eventual quintet.

Chastain faces other challenges for her third nomination (the previous two were supporting for 2011’s The Help and lead the following year in Zero Dark Thirty). Despite widespread acclaim for her acting, audiences completely tuned out to Tammy. It earned a tiny $2.4 million at the box office. Reviews for the pic itself were just so-so (66% on Rotten Tomatoes). I’ve heard comparisons made to Renee Zellweger’s victory in 2019 for Judy as far as poor box office and critical reaction. It’s not a totally unfair comp but Zellweger’s winning work garnered 82% on RT and made $24 million domestically.

When Tammy screened up north, the idea of Chastain and her costar Andrew Garfield (in Supporting Actor) both being up seemed feasible. I don’t feel Garfield has much of a shot now (though he definitely does in lead for Tick, Tick… Boom!).

Bottom line: I still have Chastain in my five, but with considerably less assuredness than before.

Oscar Predictions: Bruised

Twenty years ago, Halle Berry made history as the first (and still only) African-American performer to win Best Actress at the Oscars for Monster’s Ball. It remains her only nomination from the Academy. On November 24 via Netflix, Berry stars in and makes her directorial debut with the sports drama Bruised. She plays a former MMA fighter who decides to step back in the ring. Costars include Shamier Anderson, Adan Canto, Sheila Atim, and Stephen McKinley Henderson.

Bruised held a screening this weekend at AFI Fest after a rough cut was shown last year at Toronto. Early reviews are of the so-so variety and any thoughts of it garnering nods behind Berry are a moot point. The question is: could Berry enter the Oscar ring again?

It would appear the answer is no. The word-of-mouth is simply not strong enough for her to have a puncher’s chance in an Actress race where several contenders will be duking it out. My Oscar Prediction posts for the films of 2021 will continue…

Shang-Chi and the Legend of the Ten Rings Review

Shang-Chi and the Legend of the Ten Rings is planted firmly in mid-tier Marvel territory and that’s to say it’s quite an enjoyable origin spectacle with humorous moments sprinkled in. The formula is adhered to, but there’s enough quality entertainment to make it worthwhile. We expect an abundance of Daddy issues in our MCU tales and we sure get it. What makes it new(ish) is the patriarchal villain is given dimensions that prevent another franchise feature where the bad guy is the weakest character (an attribute that also pertained to Black Panther).

Shaun (Simu Liu) has a fascinating backstory for a San Francisco valet. He’s rather aimless in his pursuits and seems content parking whips of the wealthy with his bestie Katy (Awkwafina, providing sturdy comic relief).   He grew up overseas as Shang-Chi, the heir to his father Wenwu’s (Tony Leung) world conquering dynasty. Dad is an immortal ruler who fooled around and fell in love with Ying Li (Fala Chen). Shang-Chi is the first born with sister Xi Xialing following. After some past associates of Wenwu off Mom, our teenage title character is eventually given the choice to exact revenge or abandon his birthright. He chooses the latter but can’t escape his upbringing when Papa comes calling.

That’s when Shang-Chi is forced to show Katy that he’s a well trained martial arts master and superhero in waiting during a meticulously choreographed action sequence aboard a bus. He also tracks down his estranged sister (Meng’er Zhang) who now runs an underground fighting circuit. They’re reunited with Wenwu, whose wrists are adorned with the ten rings that give him his otherworldly powers. If you need some context for MCU purposes, think of them as like Infinity Stones but they… actually just think Infinity Stones and you should be fine.

Wenwu is convinced that their departed matriarch is still alive and being held captive in Ta Lo, a mystical place filled with CG beasts that’s only reachable through an ever shifting forest. His kids aren’t buying it and they put it upon themselves to stop Dad, his henchmen, and his Stones (sorry… Rings) from their nefarious land acquisition. In Ta Lo, they are subject to more training from their aunt (the welcome sight of Michelle Yeoh).

Like the karaoke ditties that Shaun and Katy drunkenly belt after a day’s work, this material has been covered better before. We are in rare MCU territory with nearly all never before seen characters (though there’s a few recognizable surprise appearances that I won’t spoil). The faces may change yet their circumstances remain the same. Part of Rings is told through flashbacks that feel familiar. They’re brief enough that they generally don’t weigh down the forward momentum.

Shang-Chi and Xi Xialing are clearly being set up for further duty in this universe and I’d say the jury is still out on how effective they’ll be as leaders of the new Marvel school. Tony Leung, a legend in Chinese cinema, makes for a compelling villain with more layers than your run-of-the-mill MCU antagonist.

By the time we reach the climax, Rings is hampered with some indecipherable and visually unappealing CG mayhem. That serves as an unfortunate drag on the proceedings, but much of what precedes it is a pleasurable intro to some new players that I’m anxious to see again.

*** (out of four)

Oscar Predictions: Being the Ricardos

Nicole Kidman and Aaron Sorkin could be in line for their respective fifth acting and writing nods at the Oscars with Being the Ricardos. The biopic, out December 10 in limited fashion before its Amazon Prime premiere December 21, centers on Kidman’s Lucille Ball and Javier Bardem’s Desi.

After generating some casting controversy ink for its leads, an early screening this weekend has been met with positive social media reaction. It indicates Kidman has a better chance at making the top five in Best Actress than I originally anticipated. If so, this would mark her fifth nod overall after winning 19 years ago for The Hours (the others were in lead with Moulin Rouge! and Rabbit Hole and supporting for Lion).

Bardem’s inclusion could be a less likely scenario though not impossible if voters fall hard for the pic. A Supporting Actor victor for 2007’s No Country for Old Men, he’s a two-time Actor contestant with Before Nights Falls and Biutiful. 

In a Supporting Actor race that’s seemingly wide open, J.K. Simmons (playing William Frawley) could be back seven years after his gold statue for Whiplash. Same goes for Nina Arianda’s Vivian Vance though it is worth noting there’s several viable possibilities in Supporting Actress.

As for the writer/director, I’d say Sorkin’s original screenplay has a far better shot at making it than his behind the camera work. That’s similar to his trajectory last year when his penmanship of The Trial of the Chicago 7 received a nomination. He’s thrice been up before with his screenplays for The Social Network (where he won), Moneyball, and Molly’s Game. 

Last and certainly not least, the Academy often falls for fare about its own industry and a Best Picture nod is not out of the question. I’ve yet to list Ricardos in my top 15. Look for that to change on Thursday when I update and you can certainly anticipate its quartet of actors to rise. My Oscar Predictions for the films of 2021 will continue…

Oscar Predictions: Swan Song

Playing at AFI Fest ahead of its December 17th streaming premiere on Apple TV, early word is out for the futuristic drama Swan Song. Marking the feature length directorial debut for Benjamin Cleary (who won the Oscar for Live Action Short Film in 2015 for Stutterer), Mahershala Ali stars as a terminally ill man faced with decision of cloning himself. Naomie Harris, Glenn Close, and Awkwafina costar.

Based on a rather small sampling of critical reaction, the buzz seems mixed. Some reviewers are hailing it as an effective weepie while others are more soft in their praise. The bulk of write-ups are quick to point out the fine work from Ali and Harris. This isn’t their first collaboration. Five years ago, Ali knocked out all competitors to win Supporting Actor for Moonlight. Two years later, he would again be victorious in the same race for Green Book. Harris made the cut in Supporting Actress for Moonlight, but ultimately lost to Viola Davis for Fences. 

With two gold statues to his name, it’s hard to fathom this is Ali’s inaugural sole lead cinematic part. Apple will probably mount an awards push for him and Harris. However, I suspect it could be too late in the game for either to have a legit chance and the varied reaction to the quality of the pic itself won’t help. My Oscar Prediction posts for the films of 2021 will continue…

Passing Review

Much of the drama in Rebecca Hall’s debut feature, based on a 1929 novel by Nella Larsen, is elevated by passing glances and comments overheard at gatherings. The term Passing refers to light skinned African-Americans who are deemed white to unsuspecting individuals. It’s a disguise that Clare Bellew (Ruth Negga) is living in and during the early moments of the picture, she has a chance encounter with Irene Redfield (Tessa Thompson). They are childhood friends who’ve lost touch and their reconnection leaves Irene bewildered. She’s never left Harlem and has married successful but weary doctor Brian (Andre Holland). Irene fills her days with civic duties and some nights entertaining an author (Bill Camp) who’s endeared himself to the black community (though perhaps not for purely endearing reasons).

While Irene seems to have a nice upper class life going in a 1920s era filled with despair, a closer look is warranted. Her marriage is bordering on loveless. The couple struggle with proper child rearing to their two boys in a subplot that’s barely there (it should have been either explored in greater detail or dropped altogether).

Clare’s sudden presence reminds Irene of some chinks in the armor of her perceived blissful existence. That goes both ways. Clare is married to a vocal racist (Alexander Skarsgard) who has no clue what lies beneath. She’s a free spirit whose wings appear to grow when placed back in familiar territory. One of the strengths with this screenplay is that Clare’s reaction to her bonds rekindling is unexpected. Instead of substantiating her choice to pass as Caucasian, it fills her with a longing to return to her roots. In doing so, a strange and often unclear romantic dynamic emerges between Clare, Irene, and Brian. Jealousies and frailties come to the forefront. And those passing glances and comments take on deeper meaning as time goes by. Irene’s perception of Clare soon turns as cold as the wintry night air while Brian’s has blown in a warmer and cozier direction.

This is a picture that sneaks up on you with how powerful it ultimately becomes. Hall, a fine actress recently seen in The Night House, has her own complicated and for years unknown racial history that surely influenced her delicate handling of the subject matter. The performances are terrific across the board. This is not a story that over explains character motivation and it’s sometimes up to Thompson and Negga in particular to convey what’s really cooking in this tinderbox of a stew. They achieve that mission and Hall’s filmmaking prowess (shot in black and white with an aspect ratio of its era) accentuates that. By the climax, we are presented potential outcomes that occur in a flash and you may find yourself pondering them far longer. It all passes for a richly rewarding experience.

***1/2 (out of four)

Oscar Predictions: Licorice Pizza

When Paul Thomas Anderson writes and directs, the Academy takes notice and that won’t change with Licorice Pizza. Out in limited release November 26th before a Christmas Day expansion, the social media embargo is lapsed. Early word indicates the coming-of-age dramedy set in the Valley circa 1973 is one of the filmmaker’s most accessible and lighter works. And there are certainly categories where Oscar voters may bite.

Six out of the last seven PTA pictures have nabbed nominations. Two (There Will Be Blood, Phantom Thread) contended for Best Picture and its maker made it both times for his direction. He has been nominated five times for screenwriting with the aforementioned titles as well as Boogie Nights, Magnolia, and Inherent Vice. Despite the multiple ballot appearances, PTA has yet to get his hands on a gold statue.

That could change here, but it’s no guarantee. I do believe the initial buzz suggests a Best Picture nod is likely and he could certainly be recognized for directing. I don’t foresee wins in either race.

Original Screenplay is a different story. Belfast is the main competition at the moment and that’s significant considering it’s the frontrunner for Picture. However, I could see a narrative developing where Anderson could emerge victorious partly as a career achievement/overdue honor.

Down the line recognition for Editing might be its strongest opportunity in tech derbies. For the actors, PTA’s filmography has resulted in nine nominations for its performers. There’s just one win with Daniel Day-Lewis  in Blood. Interestingly, we’ve seen three nominees each in Actor, Supporting Actor, and Supporting Actress. None for Best Actress, but that’s where Pizza has perhaps the most feasible chance.

Alana Haim’s performance is already getting raves. The downside is that Best Actress looks awfully competitive in 2021 and it could be an uphill battle. She’ll need some critics awards love and precursors. Same goes for Cooper Hoffman who makes his big screen debut. He’s the son of the late Philip, who PTA featured in Hard Eight, Boogie Nights, Magnolia, Punch-Drunk Love, and The Master. He too is being lauded though breaking into Actor could be an even taller order for him.

Finally, that brings us to Bradley Cooper. Playing film producer and Barbra Streisand’s former hairdresser Jon Peters, this looked like the kind of juicy role that might finally get the four-time acting contender some hardware. I’ve had Cooper listed at #1 in my Supporting Actor predictions since I began doing them over the summer (even in my updated estimates from earlier in the evening). It seems that Cooper’s screen time is quite limited in this… enough so that he might miss the dance altogether. One bright side is that Supporting Actor is so wide open that even his brief appearance could make enough of an impression on the Academy. I do suspect that Cooper will, at the least, not be in the top spot when I update next week.

Bottom line: the Pizza party at the Oscars could involve Picture, Director, and absolutely Original Screenplay. The cast faces some challenges. My Oscar Prediction posts for the films of 2021 will continue…

2021 Oscar Predictions: November 11th Edition

My Oscar predictions in all feature film categories are updated and there’s movement to discuss! There’s been a change in my ten Best Picture nominees for the first time in several weeks as House of Gucci has fallen and I’m putting Don’t Look Up in. The social media reaction to Gucci has resulted in it dropping for multiple categories. I still have Lady Gaga garnering an Actress nod (though she drops from 2nd to 4th) as well as Costume Design and Makeup and Hairstyling.

In other developments:

    • Andrew Garfield vaults from 6th to 3rd in Best Actor for Tick, Tick… Boom! That’s to the detriment of Joaquin Phoenix for C’Mon C’Mon
    • Two changes in the ever evolving Supporting Actor derby with Jason Isaacs (Mass) and Kodi Smit-McPhee (The Power of the Dog) making the cut and displacing Jared Leto (Gucci) and Ciaran Hinds (Belfast)
    • Ariana DeBose (West Side Story) is on the outside looking in for Supporting Actress with Aunjanue Ellis (King Richard) rising
    • Don’t Look Up also enters Original Screenplay with Mass falling out of the top five

You can read all the updates right here!

Best Picture

Predicted Nominees:

1. Belfast (Previous Ranking: 1) (E)

2. The Power of the Dog (PR: 2) (E)

3. King Richard (PR: 3) (E)

4. Licorice Pizza (PR: 5) (+1)

5. Dune (PR: 4) (-1)

6. Nightmare Alley (PR: 6) (E)

7. West Side Story (PR: 7) (E)

8. Don’t Look Up (PR: 12) (+4)

9. The Tragedy of Macbeth (PR: 10) (+1)

10. Spencer (PR: 9) (-1)

Other Possibilities:

11. Flee (PR: 11) (E)

12. Tick, Tick… Boom! (PR: 14) (+2)

13. House of Gucci (PR: 8) (-5)

14. CODA (PR: 15) (+1)

15. Mass (PR: 13) (-2)

Best Director

Predicted Nominees:

1. Jane Campion, The Power of the Dog (PR: 1) (E)

2. Kenneth Branagh, Belfast (PR: 2) (E)

3. Paul Thomas Anderson, Licorice Pizza (PR: 5) (+2)

4. Denis Villeneuve, Dune (PR: 3) (-1)

5. Guillermo del Toro, Nightmare Alley (PR: 4) (-1)

Other Possibilities:

6. Steven Spielberg, West Side Story (PR: 7) (+1)

7. Pablo Larrain, Spencer (PR: 6) (-1)

8. Adam McKay, Don’t Look Up (PR: Not Ranked)

9. Reinaldo Marcus Green, King Richard (PR: 9) (E)

10. Jonas Poher Rasmussen, Flee (PR: 8) (-2)

Dropped Out:

Ridley Scott, House of Gucci

Best Actress

Predicted Nominees:

1. Kristen Stewart, Spencer (PR: 1) (E)

2. Jessica Chastain, The Eyes of Tammy Faye (PR: 3) (+1)

3. Olivia Colman, The Lost Daughter (PR: 4) (+1)

4. Lady Gaga, House of Gucci (PR: 2) (-2)

5. Jennifer Hudson, Respect (PR: 5) (E)

Other Possibilities:

6. Penelope Cruz, Parallel Mothers (PR: 6) (E)

7. Frances McDormand, The Tragedy of Macbeth (PR: 7) (E)

8. Alana Haim, Licorice Pizza (PR: Not Ranked)

9. Rachel Zegler, West Side Story (PR: Not Ranked)

10. Nicole Kidman, Being the Ricardos (PR: 9) (-1)

Dropped Out:

Jodie Comer, The Last Duel

Tessa Thompson, Passing 

Best Actor

Predicted Nominees:

1. Will Smith, King Richard (PR: 1) (E)

2. Benedict Cumberbatch, The Power of the Dog (PR: 2) (E)

3. Andrew Garfield, Tick, Tick… Boom! (PR: 6) (+3)

4. Denzel Washington, The Tragedy of Macbeth (PR: 3) (-1)

5. Peter Dinklage, Cyrano (PR: 4) (-1)

Other Possibilities:

6. Joaquin Phoenix, C’Mon C’Mon (PR: 5) (-1)

7. Bradley Cooper, Nightmare Alley (PR: 7) (E)

8. Nicolas Cage, Pig (PR: 8) (E)

9. Leonardo DiCaprio, Don’t Look Up (PR: 10) (+1)

10. Jude Hill, Belfast (PR: Not Ranked)

Dropped Out:

Adam Driver, House of Gucci 

Best Supporting Actress

Predicted Nominees:

1. Caitriona Balfe, Belfast (PR: 1) (E)

2. Kirsten Dunst, The Power of the Dog (PR: 2) (E)

3. Ann Dowd, Mass (PR: 3) (E)

4. Ruth Negga, Passing (PR: 5) (+1)

5. Aunjanue Ellis, King Richard (PR: 6) (+1)

Other Possibilities:

6. Ariana DeBose, West Side Story (PR: 4) (-2)

7. Judi Dench, Belfast (PR: 7) (E)

8. Marlee Matlin, CODA (PR: 8) (E)

9. Meryl Streep, Don’t Look Up (PR: 9) (E)

10. Jayne Houdyshell, The Humans (PR: 10) (E)

Best Supporting Actor

Predicted Nominees:

1. Bradley Cooper, Licorice Pizza (PR: 1) (E)

2. Richard Jenkins, The Humans (PR: 2) (E)

3. Jamie Dornan, Belfast (PR: 3) (E)

4. Jason Isaacs, Mass (PR: 6) (+2)

5. Kodi Smit-McPhee, The Power of the Dog (PR: 8) (+3)

Other Possibilities:

6. Jared Leto, House of Gucci (PR: 4) (-2)

7. Ciaran Hinds, Belfast (PR: 5) (-2)

8. Jon Bernthal, King Richard (PR: 7) (-1)

9. Troy Kotsur, CODA (PR: 10) (+1)

10. Ben Affleck, The Tender Bar (PR: Not Ranked)

Dropped Out:

Al Pacino, House of Gucci

Best Original Screenplay

Predicted Nominees:

1. Belfast (PR: 1) (E)

2. Licorice Pizza (PR: 2) (E)

3. King Richard (PR: 4) (E)

4. Don’t Look Up (PR: 7) (+3)

5. C’Mon C’Mon (PR: 5) (E)

Other Possibilities:

6. Mass (PR: 4) (-2)

7. Spencer (PR: 6) (-1)

8. A Hero (PR: 10) (+2)

9. The Worst Person in the World (PR: 8) (-1)

10. Parallel Mothers (PR: 9) (-1)

Best Adapted Screenplay

Predicted Nominees:

1. The Power of the Dog (PR: 1) (E)

2. Nightmare Alley (PR: 2) (E)

3. The Humans (PR: 3) (E)

4. The Lost Daughter (PR: 4) (E)

5. The Tragedy of Macbeth (PR: 5) (E)

Other Possibilities:

6. Passing (PR: 9) (+3)

7. West Side Story (PR: 8) (+1)

8. Dune (PR: 7) (-1)

9. CODA (PR: Not Ranked)

10. House of Gucci (PR: 6) (-4)

Dropped Out:

The Last Duel

Best Animated Feature

Predicted Nominees:

1. Flee (PR: 1) (E)

2. Encanto (PR: 2) (E)

3. The Mitchells vs. the Machines (PR: 3) (E)

4. Luca (PR: 4) (E)

5. Belle (PR: 5) (E)

Other Possibilities:

6. The Summit of the Gods (PR: 7) (+1)

7. Raya and the Last Dragon (PR: 6) (-1)

8. Ron’s Gone Wrong (PR: 10) (+2)

9. Who Is Anne Frank (PR: 8) (-1)

10. Charlotte (PR: Not Ranked)

Dropped Out:

Vivo

Best International Feature Film

Predicted Nominees:

1. A Hero (PR: 1) (E)

2. The Worst Person in the World (PR: 2) (E)

3. Flee (PR: 3) (E)

4. Drive My Car (PR: 6) (+2)

5. Titane (PR: 5) (E)

Other Possibilities:

6. The Hand of God (PR: 4) (-2)

7. I’m Your Man (PR: 7) (E)

8. Compartment No. 6 (PR: 8) (E)

9. Great Freedom (PR: 9) (E)

10. Memoria (PR: 10) (E)

Best Documentary Feature

Predicted Nominees:

1. The Rescue (PR: 1) (E)

2. Flee (PR: 2) (E)

3. Summer of Soul (PR: 3) (E)

4. Attica (PR: 4) (E)

5. The Lost Leonardo (PR: 5) (E)

Other Possibilities:

6. The First Wave (PR: 9) (+3)

7. President (PR: 6) (-1)

8. Ailey (PR: Not Ranked)

9. Procession (PR: Not Ranked)

10. Becoming Cousteau (PR: 7) (-3)

Dropped Out:

Ascension

The Velvet Underground 

Best Cinematography

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Tragedy of Macbeth (PR: 2) (E)

3. The Power of the Dog (PR: 5) (+2)

4. Belfast (PR: 3) (-1)

5. Nightmare Alley (PR: 4) (-1)

Other Possibilities:

6. West Side Story (PR: 6) (E)

7. Spencer (PR: 7) (E)

8. Licorice Pizza (PR: 9) (+1)

9. The French Dispatch (PR: 8) (-1)

10. C’Mon C’Mon (PR: Not Ranked)

Dropped Out:

The Last Duel

Best Costume Design

Predicted Nominees:

1. Cruella (PR: 2) (+1)

2. Spencer (PR: 1) (-1)

3. Dune (PR: 4) (+1)

4. House of Gucci (PR: 3) (-1)

5. Nightmare Alley (PR: 7) (+2)

Other Possibilities:

6. West Side Story (PR: 6) (E)

7. The French Dispatch (PR: 5) (-2)

8. Cyrano (PR: 8) (E)

9. Licorice Pizza (PR: 9) (E)

10. The Electrical Life of Louis Wain (PR: Not Ranked)

Dropped Out:

The Tragedy of Macbeth

Best Film Editing

Predicted Nominees:

1. Dune (PR: 1) (E)

2. Belfast (PR: 2) (E)

3. Don’t Look Up (PR: 7) (+4)

4. Licorice Pizza (PR: 4) (E)

5. West Side Story (PR: 5) (E)

Other Possibilities:

6. The Power of the Dog (PR: 3) (-3)

7. Nightmare Alley (PR: 6) (-1)

8. King Richard (PR: 8) (E)

9. Tick, Tick… Boom! (PR: Not Ranked)

10. House of Gucci (PR: 9) (-1)

Best Makeup and Hairstyling

Predicted Nominees:

1. House of Gucci (PR: 1) (E)

2. Dune (PR: 2) (E)

3. The Eyes of Tammy Faye (PR: 5) (+2)

4. Cruella (PR: 4) (E)

5. Spencer (PR: 3) (-2)

Other Possibilities:

6. Nightmare Alley (PR: 6) (E)

7. The Suicide Squad (PR: 7) (E)

8. Being the Ricardos (PR: Not Ranked)

9. Licorice Pizza (PR: 10) (+1)

10. The Green Knight (PR: 8) (-2)

Dropped Out:

The Last Duel

Best Original Score

Predicted Nominees:

1. Dune (PR: 1) (E)

2. Spencer (PR: 3) (+1)

3. Nightmare Alley (PR: 6) (+3)

4. The Power of the Dog (PR: 2) (-2)

5. The French Dispatch (PR: 5) (E)

Other Possibilities:

6. The Tragedy of Macbeth (PR: 4) (-2)

7. Don’t Look Up (PR: Not Ranked)

8. Cyrano (PR: 10) (+2)

9. King Richard (PR: 8) (-1)

10. Belfast (PR: 7) (-3)

Dropped Out:

Licorice Pizza

Best Original Song

Predicted Nominees:

1. “Be Alive” from King Richard (PR: 1) (E)

2. “Dos Oruguitas” from Encanto (PR: Not Ranked)

3. “No Time to Die” from No Time to Die (PR: 2) (-1)

4. “Down to Joy” from Belfast (PR: 4) (E)

5. “Every Letter” from Cyrano (PR: 8) (+3)

Other Possibilities:

6. “So May We Start” from Annette (PR: 6) (E)

7. “Just Look Up” from Don’t Look Up (PR: Not Ranked)

8. “Believe” from The Rescue (PR: 7) (-1)

9. “Here I Am” from Respect (PR: 5) (-4)

10. “Guns Go Bang” from The Harder They Fall (PR: 10) (E)

Best Production Design

Predicted Nominees:

1. Nightmare Alley (PR: 2) (+1)

2. Dune (PR: 1) (-1)

3. The French Dispatch (PR: 4) (+1)

4. West Side Story (PR: 3) (-1)

5. Spencer (PR: 8) (+3)

Other Possibilities:

6. The Tragedy of Macbeth (PR: 6) (E)

7. Cyrano (PR: 5) (-2)

8. Belfast (PR: 7) (-1)

9. House of Gucci (PR: Not Ranked)

10. Licorice Pizza (PR: 9) (-1)

Dropped Out:

The Power of the Dog

Best Sound

Predicted Nominees:

1. Dune (PR: 1) (E)

2. West Side Story (PR: 2) (E)

3. Belfast (PR: 3) (E)

4. Nightmare Alley (PR: 4) (E)

5. No Time to Die (PR: 5) (E)

Other Possibilities:

6. Tick, Tick… Boom! (PR: Not Ranked)

7. A Quiet Place Part II (PR: 9) (+2)

8. The Last Duel (PR: 7) (-1)

9. The Tragedy of Macbeth (PR: 6) (-3)

10. Cyrano (PR: 10) (E)

Dropped Out:

The Matrix Resurrections

Best Visual Effects

Predicted Nominees:

1. Dune (PR: 1) (E)

2. The Matrix Resurrections (PR: 2) (E)

3. Godzilla vs. Kong (PR: 3) (E)

4. Don’t Look Up (PR: 5) (+1)

5. Shang-Chi and the Legend of the Ten Rings (PR: 4) (-1)

Other Possibilities:

6. Free Guy (PR: 7) (+1)

7. Eternals (PR: 6) (-1)

8. Finch (PR: Not Ranked)

9. Spider-Man: Far From Home (PR: 8) (-1)

10. The Suicide Squad (PR: 10) (E)

And that equates to the following pictures nabbing these numbers in terms of nominations:

10 Nominations

Dune

9 Nominations

Belfast

8 Nominations

Nightmare Alley, The Power of the Dog

6 Nominations

Spencer

5 Nominations

King Richard, Licorice Pizza

4 Nominations

Don’t Look Up, The Tragedy of Macbeth, West Side Story

3 Nominations

Flee, House of Gucci

2 Nominations

Cruella, Cyrano, Encanto, The Eyes of Tammy Faye, The French Dispatch, The Humans, The Lost Daughter, Mass, No Time to Die

1 Nomination

Attica, Belle, C’Mon C’Mon, Drive My Car, Godzilla vs. Kong, A Hero, The Lost Leonardo, Luca, The Matrix Resurrections, The Mitchells vs. the Machines, Passing, The Rescue, Respect, Shang-Chi and the Legend of the Ten Rings, Summer of Soul, Tick, Tick… Boom!, Titane, The Worst Person in the World