Month: December 2019

L.A. Digs Parasite

You might think the Los Angeles Film Critics Association would bestow some love to Quentin Tarantino’s Once Upon a Time in Hollywood in a neighborly gesture. However, you would be incorrect as this West Coast branch went with a decidedly foreign flavor for several of today’s selections.

The Association clearly were huge fans of Bong Joon-Ho’s Parasite, which took home Best Picture, Director, and Supporting Actor (Song Kang-Ho). The L.A. Critics also name runners up. In each of these races, it was The Irishman, its maker Martin Scorsese, and Joe Pesci placing second.

In Best Actor, Antonio Banderas picked up another precursor for Best Actor with Adam Driver (Marriage Story) coming in behind.

There was an outside the box pick for Actress with Mary Kay Place winning for Diane and Lupita Nyong’o in Us as runner-up. This branch isn’t shy about naming unexpected recipients for lead female performers. Two recent examples are Kim Hye-Ja for 2010’s Mother and Yoon Jeong-hee for 2011’s Poetry.

Jennifer Lopez scored a victory here in Supporting Actress for Hustlers, followed by Zhao Shuzhen in The Farewell. 

Finally, in Screenplay (they don’t differentiate between adapted and original), it was Noah Baumbach’s script for Marriage Story taking honors over Parasite. 

This was clearly a big day for Parasite in Southern California and my precursor posts will continue tomorrow with the Golden Globe announcements and updated Oscar predictions!

The Critics Make Their Choices

One day ahead of the more highly publicized Golden Globe nominations, this Sunday saw the unveiling of the nods for the Critics Choice Movie Awards. And in looking over their selections in recent history, they serve as quite a harbinger for the choices that Oscar voters might make.

After a strong showing in early precursors, Martin Scorsese’s The Irishman led the way with 14 nominations. This is followed by 12 nods for Quentin Tarantino’s Once Upon a Time in Hollywood, 9 for Greta Gerwig’s Little Women, 8 for 1917 from Sam Mendes and Noah Baumbach’s Marriage Story, and 7 for Taika Waititi’s Jojo Rabbit, Joker from Todd Phillips and Bong Joon-Ho’s Parasite. 

This particular branch of voters utilizes an unpredictable scale for numbers of nominees in each category. For Best Picture, it’s always ten. Yet it fluctuates when it comes to director, the acting and screenplay races, and so forth.

Today I’ll break down the major categories and discuss each one and what it could mean come Oscar time. The ceremony airs on the CW this January 12th.

Best Picture

Nominees: 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, Once Upon a Time in Hollywood, Parasite, Uncut Gems

Reaction here is that the precursor love continues for Uncut Gems from Ben and Josh Safdie. This is probably the least expected feature to make the cut and the Adam Sandler led crime drama appears to be peaking at the right time. While this certainly doesn’t guarantee an Oscar nod, it’s now undoubtedly part of the conversation.

Some notable titles to miss the list: A Beautiful Day in the Neighborhood, Bombshell, The Farewell, Richard Jewell, and The Two Popes. It will be interesting tomorrow to see if the Globes finds room for Popes as part of its nominations, as it seems to be fading fast. It doesn’t help that Netflix could be primarily concerned with Irishman and Marriage Story. 

Over the last five years, there’s been four of them when eight of the Critics Choice list nabbed Best Picture attention at the Oscars. In 2017, it was nine of them. In other words, pay attention to this list.

Best Director

Nominees: Noah Baumbach (Marriage Story), Greta Gerwig (Little Women), Bong Joon-Ho  (Parasite), Sam Mendes (1917), Ben and Josh Safdie (Uncut Gems), Martin Scorsese (The Irishman), Quentin Tarantino (Once Upon a Time in Hollywood)

And another notch in the Uncut Gems arsenal. Most recent years have seen six nominees, but there’s seven nominees in 2019. In 2016, five of the Choice directors made up the Oscar list. In 2014 and 2015, it was three and for the past two years it’s been four.

Looking over this list, it’s very feasible that there’s a five match. Who could sneak in that’s not on here? One name that comes to mind is James Mangold for Ford v Ferrari. 

Best Actor

Nominees: Antonio Banderas (Pain and Glory), Robert De Niro (The Irishman), Leonardo DiCaprio (Once Upon a Time in Hollywood), Adam Driver (Marriage Story), Eddie Murphy (Dolemite Is My Name), Joaquin Phoenix (Joker), Adam Sandler (Uncut Gems)

In a category that typically has six nominees, it should be no shocker that there’s seven this time around as Best Actor is packed. From 2015-2018, we have seen 5 nominees for two of the years (2015, 2018) make the Academy derby and two with 4 (2016, 2017). 2014 was a bit of an outlier with three.

As has been discussed on this blog, I believe there are 11 legitimate performers vying for 5 slots at the Oscars. The four that didn’t make the cut here are Christian Bale (Ford v Ferrari), Taron Egerton (Rocketman), Paul Walter Hauser (Richard Jewell), and Jonathan Pryce (The Two Popes). Here’s yet another example of Popes falling short.

Today’s announcements, in particular, could serve as a boost for Murphy and Sandler.

Best Actress

Nominees: Awkwafina (The Farewell), Cynthia Erivo (Harriet), Scarlett Johansson (Marriage Story), Lupita Nyong’o (Us), Saoirse Ronan (Little Women), Charlize Theron (Bombshell), Renee Zellweger (Judy)

There’s a serious correlation between these nominees and Oscar. In four of the past five years, we’ve seen five of the women getting Academy love. In 2016, it was four. That seems destined to repeat itself here as the only potential outlier in my mind is Alfre Woodard in Clemency. I would bank on five of these seven nominees being the Oscar list.

Best Supporting Actor

Nominees: Willem Dafoe (The Lighthouse), Tom Hanks (A Beautiful Day in the Neighborhood), Anthony Hopkins (The Two Popes), Al Pacino (The Irishman), Joe Pesci (The Irishman), Brad Pitt (Once Upon a Time in Hollywood)

These nominees are further proof of an Irishman double nod for Pacino and Pesci coming our way. We’ve seen five for five matchups in two of the past five years with this race. This also makes me think Hopkins has a much better chance for Popes attention than his lead costar Pryce.

If there’s one name not here that could factor into the Oscar mix – Shia LaBeouf in Honey Boy. All in all, no big surprises here.

Best Supporting Actress

Nominees: Laura Dern (Marriage Story), Scarlett Johansson (Jojo Rabbit), Jennifer Lopez (Hustlers), Florence Pugh (Little Women), Margot Robbie (Bombshell), Zhao Shuzhen (The Farewell)

This is indeed what I’d call the top 6 for Oscar viability. However, I wouldn’t sleep on Kathy Bates for Richard Jewell (a film these voters totally ignored). In the past half decade, we’ve never seen less than four of the nominees here getting Academy nods.

Best Original Screenplay

Nominees: The Farewell, Knives Out, Marriage Story, Once Upon a Time in Hollywood, Parasite

The noticeable item here is the inclusion of Knives Out. All the rest were basically foregone conclusions. It gets in instead of Bombshell, 1917, Pain and Glory, or Ford v Ferrari. Could Oscar follow suit? Definitely possible as the last two years have seen 5 for 5 matches.

Best Adapted Screenplay

Nominees: A Beautiful Day in the Neighborhood, The Irishman, Jojo Rabbit, Joker, Little Women, The Two Popes

We haven’t seen a total match with the Academy from 2014 to present. I suspect that will change this time around as I believe 5 of these 6 contenders will make the Oscar cut. What gets left out? Beautiful Day, Joker, and Popes are the likely contenders.

My precursor posts will roll along in rapid succession as my take on the Los Angeles critics is up next…

2019 Golden Globe Predictions

On Monday, one of the most significant Oscar precursors announces their nominations. Yes, we have the Golden Globe nods coming out with the SAG Awards following on Wednesday (except my predictions on them early this week).

While I’ve been updating my Oscar projections on a near weekly basis, I don’t do the same with the Globes. This will serve as my first and last batch of predictions for the ceremony airing in January with Ricky Gervais hosting.

As you’re likely aware, this show does it a bit different than the Oscars by splitting their film and lead actor categories into separate Drama and Musical/Comedy categories. For each race, I’m making my five predicted features or performers that I believe will make the cut as well as a first and second alternate.

Let’s get to it!

Best Motion Picture – Drama

1917

Ford v Ferrari

The Irishman

Little Women

Marriage Story

1st Alternate – Joker

2nd Alternate – The Two Popes

Best Motion Picture – Musical or Comedy

Cats

Jojo Rabbit

Knives Out

Once Upon a Time in Hollywood

Rocketman

1st Alternate – Dolemite Is My Name

2nd Alternate – Hustlers

Best Director

Noah Baumbach, Marriage Story

Bong Joon-Ho, Parasite

Sam Mendes, 1917

Martin Scorsese, The Irishman

Quentin Tarantino, Once Upon a Time in Hollywood

1st Alternate – Greta Gerwig, Little Women

2nd Alternate – James Mangold, Ford v Ferrari

Best Actress – Drama

Cynthia Erivo, Harriet

Scarlett Johansson, Marriage Story

Saoirse Ronan, Little Women

Charlize Theron, Bombshell

Renee Zellweger, Judy

1st Alternate – Lupita Nyong’o, Us

2nd Alternate – Alfre Woodard, Clemency

Best Actor – Drama

Antonio Banderas, Pain and Glory

Robert De Niro, The Irishman

Adam Driver, Marriage Story

Joaquin Phoenix, Joker

Jonathan Pryce, The Two Popes

1st Alternate – Christian Bale, Ford v Ferrari

2nd Alternate – Adam Sandler, Uncut Gems

Best Actress – Comedy or Musical

Awkwafina, The Farewell

Ana de Armas, Knives Out

Beanie Feldstein, Booksmart

Emma Thompson, Late Night

Constance Wu, Hustlers

1st Alternate – Cate Blanchett, Where’d You Go, Bernadette

2nd Alternate – Kaitlyn Dever, Booksmart

https://www.youtube.com/watch?v=Uhd3lo_IWJc

Best Actor – Comedy or Musical

Daniel Craig, Knives Out

Roman Griffin Davis, Jojo Rabbit

Leonardo DiCaprio, Once Upon a Time in Hollywood

Taron Egerton, Rocketman

Eddie Murphy, Dolemite Is My Name

1st Alternate – Shia LaBeouf, The Peanut Butter Falcon

2nd Alternate – Himesh Patel, Yesterday 

Best Supporting Actress

Laura Dern, Marriage Story

Scarlett Johansson, Jojo Rabbit

Jennifer Lopez, Hustlers

Florence Pugh, Little Women

Margot Robbie, Bombshell

1st Alternate – Annette Bening, The Report

2nd Alternate – Zhao Shuzhen, The Farewell

Best Supporting Actor

Tom Hanks, A Beautiful Day in the Neighborhood

Anthony Hopkins, The Two Popes

Al Pacino, The Irishman

Joe Pesci, The Irishman

Brad Pitt, Once Upon a Time in Hollywood

1st Alternate – Willem Dafoe, The Lighthouse

2nd Alternate – Taika Waititi, Jojo Rabbit

Best Screenplay

The Irishman

Jojo Rabbit

Marriage Story

Once Upon a Time in Hollywood

Parasite

1st Alternate – The Two Popes

2nd Alternate – Knives Out

Best Motion Picture – Animated

Frozen II

How to Train Your Dragon: The Hidden World

I Lost My Body

Missing Link

Toy Story 4

1st Alternate – Weathering with You

2nd Alternate – Abominable

Best Motion Picture – Foreign Language

Atlantics

The Farewell

Pain and Glory

Parasite

Portrait of a Lady on Fire

1st Alternate – Les Miserables

2nd Alternate – Monos

Best Original Score

1917

Ford v Ferrari

Joker

Little Women

Marriage Story

1st Alternate – The Aeronauts

2nd Alternate – Us

Best Original Song

“Beautiful Ghosts” from Cats

“Daily Battles” from Motherless Brooklyn

“(I’m Gonna) Love Me Again” from Rocketman

“Into the Unknown” from Frozen II

“Spirit” from The Lion King

1st Alternate – “I Can’t Let You Throw Yourself Away” from Toy Story 4

2nd Alternate – “Stand Up” from Harriet

And that equates to the following features nabbing these numbers when it comes to nominations:

7 Nominations

Marriage Story

6 Nominations

The Irishman

5 Nominations

Once Upon a Time in Hollywood

4 Nominations

Jojo Rabbit, Little Women

3 Nominations

1917, Knives Out, Parasite, Rocketman

2 Nominations

Bombshell, Cats, The Farewell, Ford v Ferrari, Frozen II, Hustlers, Joker, Pain and Glory, The Two Popes

1 Nomination

A Beautiful Day in the Neighborhood, Atlantics, Booksmart, Dolemite Is My Name, Harriet, How to Train Your Dragon: The Hidden World, I Lost My Body, Judy, Late Night, The Lion King, Missing Link, Portrait of a Lady on Fire, Toy Story 4

Rest assured that I will have a post up with reaction to the Monday announcements with a recap on how I did! Until then…

Richard Jewell Box Office Prediction

Clint Eastwood continues to churn out film after film and his latest, Richard Jewell, keeps with his recent theme of fact based dramas recounting events of the past quarter century. Paul Walter Hauser (memorable in supporting roles in I, Tonya and BlacKkKlansman) stars in the title role of the security guard falsely accused of the 1996 Centennial Olympic Park bombing. Costars include Sam Rockwell, Kathy Bates, Jon Hamm, and Olivia Wilde.

Jewell looks to bring in an adult audience amidst Christmas fare geared towards family crowds. With Eastwood at the helm, it could succeed. The director’s previous work, The Mule, debuted over the same mid December weekend last year to $17.5 million. Critics are mostly on his side here with a current Rotten Tomatoes score of 88% and some awards chatter.

That said, I don’t believe Jewell will nab Mule numbers right away (it helped that Eastwood starred in the latter). This will hope to leg out as many grownup dramas do over subsequent holiday weekends. For its start, I believe low double digits to possibly low teens sounds about right.

Richard Jewell opening weekend prediction: $11 million

For my Jumanji: The Next Level prediction, click here:

https://toddmthatcher.com/2019/12/04/jumanji-the-next-level-box-office-prediction/

For my Black Christmas prediction, click here:

https://toddmthatcher.com/2019/12/05/black-christmas-box-office-prediction/

Black Christmas Box Office Prediction

Blumhouse Productions looks to scare up some Yuletide bucks this season with Black Christmas, the second remake of the 1974 slasher cult hit. Shot for a reported miserly $5 million (par for the course for its low cost and high profit studio), Sophia Takal directs with a cast including Imogen Poots, Aleyse Shannon, Lily Donoghue, Brittany O’Grady, and Cary Elwes.

Turning a tidy profit should be no trouble for the horror title. This genre is rather underserved at the moment and one would think this should at least double its budget out of the gate. That said, the 2006 Black Christmas rustled up only $16 million in its whole domestic run.

With the Blumhouse marketing machine behind this one, however, I expect Christmas to get past double digits for a solid start, especially considering the budget.

Black Christmas opening weekend prediction: $12.1 million

For my Jumanji: The Next Level prediction, click here:

https://toddmthatcher.com/2019/12/04/jumanji-the-next-level-box-office-prediction/

For my Richard Jewell prediction, click here:

https://toddmthatcher.com/2019/12/06/richard-jewell-box-office-prediction/

Jumanji: The Next Level Box Office Prediction

One of the biggest box office successes of 2017 was that of Jumanji: Welcome to the Jungle, the reboot of the 1995 Robin Williams family adventure. Considered to be a bit of a gamble at the time, Jungle ended up developing amazing legs at multiplexes and grossing just over $400 million domestically. In doing so, it edged out Spider-Man as Sony’s highest grossing stateside effort.

The inevitable sequel finds Dwayne Johnson, Kevin Hart, Jack Black, Karen Gillan, Nick Jonas, Alex Wolff, Morgan Turner, Se’Darious Blain, and Madison Iseman reprising their roles. Newcomers to the game include Danny DeVito, Danny Glover, and Awkwafina. Jake Kasdan returns to the director’s chair.

Before Jungle went on its moneymaking run, it opened at #2 to the sophomore frame of Star Wars: The Last Jedi. It opened over the long Christmas frame two years ago on a Wednesday, earning $36 million over the traditional Friday to Sunday portion with a six-day holiday haul of nearly $72 million.

In 2019, The Next Level gets the jump on Star Wars: The Rise of Skywalker by a week. And while this hopes to develop minor week to week drops like its predecessor, the sequel looks to make more than mid to high 30s out of the gate for the regular weekend.

Some estimates put this at around $40 million while others have it inching towards $50 million or possibly a bit more. I’ll say a gross in the high 40s is my range as this hopes for positive word-of-mouth and smooth sailing ahead like Jungle before it.

Jumanji: The Next Level opening weekend prediction: $48.7 million

For my Black Christmas prediction, click here:

https://toddmthatcher.com/2019/12/05/black-christmas-box-office-prediction/

For my Richard Jewell prediction, click here:

https://toddmthatcher.com/2019/12/06/richard-jewell-box-office-prediction/

AFI Sharpens The Oscar Focus

The AFI Film Awards came out with their 2019 honors today and they do things a little differently. This particular group names their favorite 10 pictures of the year without naming a winner. And their top films are the only category they bother with.

Today those ten movies were as follows: 1917, The Farewell, The Irishman, Jojo Rabbit, Joker, Knives Out, Little Women, Marriage Story, Once Upon a Time in Hollywood, and Richard Jewell. 

So what’s to learn when it comes to Oscar pontificating? Let’s start with comparing this list to yesterday’s announcement of the National Board of Review’s 10 honored titles… eleven actually because their winner was The Irishman. The NBR’s different titles were Dolemite Is My Name, Ford v Ferrari, Uncut Gems, and Waves. Not on NBR’s list from AFI:  The Farewell and Little Women. 

Shared AFI/NBR pics: The Irishman, 1917, Jojo Rabbit, Knives Out, Marriage Story, Once Upon a Time in Hollywood, and Richard Jewell. If you think getting Picture mentions in both guarantees Oscar love, 2018 proved otherwise. Five films did just that last year and didn’t land Best Pictures nods: Eighth Grade, First Reformed, If Beale Street Could Talk, Mary Poppins Returns, and A Quiet Place.

Confused? Welcome to the world of awards speculation. As I see it currently, there are only two shared 2019 AFI/NBR features that could miss out on the big race: Knives Out and Richard Jewell. I’ll also take this opportunity to note that Parasite (which is looking decent for Best Pic attention) is ineligible for AFI since it’s a foreign film.

As for Best Pic hopefuls that landed no love from these groups, we have A Beautiful Day in the Neighborhood (I believe its chances are fading quickly) and Bombshell (not as convinced that it cannot rebound). It could get the 2018 Vice slot, which was ignored by AFI/NBR. There’s also Rocketman, which can hang on to the thought that it could be this year’s Bohemian Rhapsody.

When you look at the AFI list’s history over the past half decade, it is a fairly reliable barometer on certain directions the Academy will take. Last year, five out of the eventual eight nominees were on their list and that’s the lowest percentage. In 2016 and 2017, it was 7 for 9. In 2014 and 2015, it was 6 for 8. So you can pretty much bank on at least half of AFI’s list and probably a bit more landing Oscar nominations.

I’ll leave you with this: while Knives Out is certainly one of the most obvious candidates for something that could miss a Picture nod, I like its chances better than I ever have before. This could be a case of perfect timing as it just opened, had a much bigger debut than expected, and audiences and critics are singing its praises. I wouldn’t count it out. In fact, I suspect when I update my estimates on Monday – it will rank higher than ever before and enter my top 15 possibilities. That will knock a candidate out and Mister Rogers could be the unfortunate victim.

The Irishman Takes New York

The awards precursors keep coming as the New York Film Critics Circle named their best of 2019 today. Yesterday’s discussion focused on the National Board of Review winners. I explained how a victory with them often doesn’t equate to Oscar glory. And the same holds true for the film reviewers in the Big Apple.

That said, it’s the second day in a row where The Irishman has been named Best Film. Yet the last NYFCC recipient to take Best Picture was back in 2011 with The Artist. It’s the only one of this decade and in the 2000s, there were only three matches: Lord of the Rings: The Return of the King, No Country for Old Men, and The Hurt Locker. 

One might think that these critics in particular might name Martin Scorsese as Best Director. You would be wrong. It is Ben and Josh Safdie for Uncut Gems. This Adam Sandler crime pic is picking up steam at the right moment, but it could be a reach for them to be included in Director with the Academy.

While Mr. Sandler picked up Best Actor with the NBR trophy yesterday, the New York bunch went with Antonio Banderas in Pain and Glory. He’s an on the bubble candidate in an ultra crowded Oscar derby. If Banderas continues to rack up critical kudos, it could certainly help him make the final five.

For the second year in a row, the NYFCC had a surprise victor in Actress. Last year, they went quite outside the box with Regina Hall in Support the Girls. Today it’s Lupita Nyong’o in Us. While this isn’t as much of a shocker, she’s generally been seen as an unlikely candidate for Oscar attention. However, this category isn’t as packed as Actor and she could factor into the mix.

More Irishman love came in Supporting Actor and not for Al Pacino. No, it was Joe Pesci taking the prize and I’m becoming more and more convinced he gets the Academy nod along with his co-star Pacino. Interestingly, this leads me to think voice splitting could occur and that may help Brad Pitt’s chances even more for Once Upon a Time in Hollywood.

Supporting Actress is perhaps the only category where New York seems to match the Oscar front-runner with Laura Dern. NYFCC threw in a caveat, though, by naming her for both Marriage Story and Little Women. Oscar voters are nearly certain to only notice her in the former.

This critics do not divide original and adapted written works and it was Quentin Tarantino taking Screenplay for Hollywood. When it comes to the big show in Original Screenplay, he appears to have an edge over competitors like Marriage Story and Parasite. 

Bottom line: New York spread the love around with their news today, but it’s another solid showing for The Irishman. 

The Irishman Movie Review

There are the types of characters we have met before in Martin Scorsese’s gangster genre works, but never quite like this. There are characters we never really meet here, but we’re introduced to the way they die. There are characters that never speak, but we’re aware of their thought process. And it’s that time consuming process that the filmmaker goes through here that makes The Irishman feel both invigorating and melancholy.

The thought of reuniting this director, Robert De Niro, Joe Pesci, and anything involving the Mob is enough to get many running to the theater or, in this case for most, Netflix. Add Al Pacino to the mix (working with Scorsese somehow for the first time) and there’s more incentive. Yet this is far from a rehash of previous material. It’s an often stunning work that stands on its own merits. There is no coasting happening with De Niro or Pacino and that’s something they can rightfully be accused of in the past quarter century or so. The pair (who shared just a couple of scenes in Michael Mann’s masterful Heat and greater screen time in the unfortunate Righteous Kill) contribute some of their finest work in years. For Pesci, he hasn’t worked in years and his return finds him playing a Mafia boss but in a way you won’t expect.

The unexpected is key here and welcome. Just as GoodFellas gave audiences a final act kinetically viewed from Ray Liotta’s coked out perspective, the last segment of The Irishman is made from a considerably lower dosage. As De Niro’s character enters his final act, we witness him finally pause to consider his existence. And it’s not of a glorified nature.

In this tale based on certain truths and possible myths, De Niro is Frank Sheeran. He’s a World War II vet and truck driver residing in Philadelphia. Frank saw plenty of combat overseas and he’s willing to have a career of killing back stateside. His employer becomes Russell Bufalino (Pesci), the area crime boss and confidante of labor leader Jimmy Hoffa (Pacino). Frank soon becomes Hoffa’s body man, enforcer, and trusted friend. Whether on assignment from Bufalino or Jimmy, Frank’s speciality is to “paint houses” (code for taking out whomever he’s ordered to). He’s skilled at it and the screenplay from Steven Zaillian gets into the occasional minutia and necessary strategy of carrying out such tasks.

Hoffa’s bigger than life personality (something Pacino is perfect to portray) often conflicts with the more buttoned down approach of Bufalino (something Pesci is more surprisingly adept at). This frequently leaves Frank in the position of mediator of murder or no murder. There’s plenty of it here, but The Irishman is noticeably less bloody than GoodFellas or Casino. 

De Niro has by far the most screen time and his work is perhaps the most impressive in a picture loaded with two other heavyweights in excellent form. It’s ultimately his film to carry and he does so with an ability he hasn’t shown in a long while. There’s plenty of other familiar faces from Harvey Keitel as another boss to Ray Romano as the group’s very busy attorney. Frank’s family is given the short shrift, but that’s no accident as he doesn’t have much time for them. His relationship with one daughter played by Anna Paquin is a constant thread and it’s a quiet and powerful one.

The Irishman transpires over several decades and Scorsese made the choice not to use younger actors to play the main roles in their 30s and beyond. This is done through de-aging visual effects that, while certainly not perfect, are the best I’ve seen yet. Most importantly, I didn’t find it as a distraction after a couple of minutes.

Just as Hoffa is obsessed with punctuality, The Irishman is about time. In this world of criminals and betrayal and violence, time moves fast. The film itself doesn’t at three and a half hours. That didn’t feel overly padded to me. This is good company. However, as this draws to a close, time slows down for some characters as well. And as Scorsese and three legendary actors expertly show for 209 minutes, some doors for reflection are slammed shut with a bang. Others are left slightly open for it.

**** (out of four)

The Irishman Takes The NBR

The National Board of Review announced its victors this afternoon for their best of 2019. For the pictures and performers who were named as winners, you could say that it’s a double edged sword.

Allow me to explain. In this 2010’s, only one of their Best Film recipients took home Best Picture at the Oscars. That was last year with Green Book. This year, the award goes to Martin Scorsese’s The Irishman. So from an odds perspective, that could mean it faces an uphill battle for the big gold statue. On the other hand, all of the NBR Film winners from this decade, with the exception of 2014’s A Most Violent Year, have scored an Academy nod. This isn’t really in doubt for The Irishman so expect that trend to continue.

The Board always goes on to name their additional favorite 10 motion pictures and this year they are: 1917, Dolemite Is My Name, Ford v Ferrari, Jojo Rabbit, Knives Out, Marriage Story, Once Upon a Time in Hollywood, Richard Jewell, Uncut Gems, and Waves. In 2018, only three of the ten additional NBR selections got Picture noms: Black Panther, Roma and A Star Is Born. Some notable titles that didn’t make the NBR cut for 2019: A Beautiful Day in the Neighborhood, Bombshell, The Farewell, Joker, Little Women, Parasite, and The Two Popes. 

When it comes to Best Director, the news is even worse for the NBR recipient. No movie this decade has seen that winner match with Oscar. In fact, the last direct match was in 2006 for… Irishman maker Scorsese for The Departed. The NBR named Quentin Tarantino today for Once Upon a Time in Hollywood. He’s got history against his side for a walk up the Academy steps.

In Best Actor, it’s the same story as only Casey Affleck for 2016’s Manchester by the Sea won NBR and Oscar in the 2010s. Adam Sandler is the winner for Uncut Gems. He’s part of a packed Best Actor race where there’s about a dozen viable candidates looking for five spots. This victory could at least help him get in as only Oscar Isaac (Violent Year in 2014) and Tom Hanks (2017’s The Post) didn’t land nods.

The numbers improve only slightly for Best Actress with two matches: Julianne Moore for 2014’s Still Alice and Brie Larson for 2015’s Room. The NBR bestowed the award this year to Renee Zellweger for Judy, who could be considered a soft front-runner for Oscar.

This brings us to Brad Pitt, winner today for Supporting Actor in Once Upon a Time in Hollywood. He also holds the status of apparent favorite to win the Academy’s love. Yet there’s just two matches this decade between them and NBR: Christian Bale in 2010’s The Fighter and Christopher Plummer from 2011’s Beginners. 

Last year was the only match of the decade for Supporting Actress: Regina King in If Beale Street Could Talk. Kathy Bates took the NBR for Richard Jewell. I don’t see her winning the Oscar, but it could help her nomination odds.

In Original Screenplay, it’s interesting to note that 7 of the past nine NBR winners didn’t even get an Oscar nomination. Could that be a sign of trouble for honoree Uncut Gems? Time will tell…

And for Adapted Screenplay, the NBR went with The Irishman. Par for the course, just two matches here: 2010’s The Social Network and 2011’s The Descendants. 

Bottom line: the NBR announcements might help with fleshing out who certain nominees will be. As far as winners, that’s a whole different story…