In his first feature since dividing audiences and critics with Star Wars: The Last Jedi, Rian Johnson has come up with a comedic whodunit in Knives Out. The pic debuted at the Toronto Film Festival back in September and critics have pointed it out as a winner. Its Rotten Tomatoes score is 97%. Daniel Craig leads a cast of familiar faces including Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Jaeden Martell, and Christopher Plummer.
Rolling out over the long Thanksgiving holiday (with previews scheduled for this Friday to build anticipated word of mouth as an audience pleaser), Knives hopes to generate a #2 debut behind the second weekend of Frozen II. It will likely compete with the sophomore frame of A Beautiful Day in the Neighborhood and perhaps Ford v Ferrari for that distinction.
I believe this should serve as a solid option for adults over the Turkey Day period. A start in the mid to high teens for the traditional Friday to Sunday portion and mid 20s for the five-day looks probable. That doesn’t get it near the $28 million earned two years ago in November by Murder on the Orient Express. However, if moviegoers enjoy what they see, Knives should succeed in avoiding sharp declines in the weekends ahead.
Knives Out opening weekend prediction: $18.5 million (Friday to Sunday); $27.7 million (Wednesday to Sunday)
It bloats. That would be Chapter Two of the saga that was adapted from Stephen King’s novel to monstrous box office results in 2017. A rumination on childhood friendship and fears that happened to feature a demented clown (with a humdinger of a performance by Bill Skarsgard and his creepy eyes as Pennywise), it was easy to see why It cashed in. Set in the 1980s (when the book was released) as opposed to the 1950s, the pic had a retro vibe fitting the Stranger Things and Steven Spielberg mold. Featuring fine performances by its band of teens called The Losers, the scariest parts of It often involved what adults were capable of doing to the group as opposed to Pennywise in clown or other forms.
In Chapter Two, it’s The Losers who are the adults. They come together 27 years after the events of chapter one in the town of Derry, Maine. This was choreographed at the conclusion of It two years back, but the grownup Losers only have scant memories of warding off Pennywise in 1989. We as the audience remember it well, but it takes around an hour of the nearly three hour running time for nearly all of them to recall. And that’s a slog.
On the positive side, the casting here is impressive. James McAvoy is de facto leader Bill, now a successful horror author who can’t ever write a satisfactory ending to his works (something King himself is often accused of). In my It review, I speculated that Amy Adams could inhabit the part of Beverly, the lone female of the club who continues to suffer from physical abuse started by her demented father. Jessica Chastain got the role and she’s another obvious choice. The most memorable performances here, however, come from Bill Hader as Richie, now a standup comic and James Ransone as hypochondriac Eddie. They’re responsible for some much needed comic relief and occasional moments that are genuinely funny. And while Jay Ryan might not exactly physically resemble the younger overweight New Kids on the Block loving Ben (who still has a crush on Beverly), the casting club found a performer whose eyes match his youthful counterpart Jeremy Ray Taylor.
Of course, there’s also Skarsgard having a ball as Pennywise. It comes in many forms and in many situations. It comes at night. It comes during daytime. It comes as a creepy old lady who lives in Beverly’s old apartment. It comes as a giant spider. It comes as famous lumberjacks. It comes in ways that display decent CG and dodgy CG. It’s a mixed bag of appearances.
Chapter Two is overstuffed and overlong. It’s as if director Andy Muschietti and screenwriter Gary Dauberman (the team behind the first chapter) wanted to be as faithful as possible to King’s book and leave as little out as possible. A tightening of the screws might have been a wiser course of action. King himself (who cleverly cameos) has stated in interviews that the why of why monsters do what they do is fairly incidental. The time spent linking Pennywise to Native American rituals and the creature’s background feels just that. That Stephen King might be onto something.
The long continuation of this story does certainly feature a couple of spine tingling sequences, fine acting, and amusing bits. Unfortunately it does not represent a hefty portion of its 169 minutes and that’s why this chapter just can’t match the more tightly contained first one.
There’s no doubt that Disney will rule the box office in this pre Thanksgiving frame as Frozen II blasts into theaters along with Tom Hanks as Mister Rogers in A Beautiful Day in the Neighborhood and Chadwick Boseman in the action thriller 21 Bridges. You can peruse my detailed prediction posts on each of them here:
For the sequel to the 2013 billion dollar plus phenomenon, it’s all about the number and how high I’m willing to let it go (my apologies). Estimates are all over the map with some in the $150 million plus range. That wouldn’t exactly be a shock, but I’m a bit skeptical it reaches that vicinity. Some families may wait until the long holiday weekend. My forecast puts it about $6 million ahead of what Toy Story 4 accomplished over the summer.
The real battle could be for #2 between Neighborhood and the second frame of Ford v Ferrari. The latter debuted at the top of its anticipated range and scored a scorching A+ Cinemascore grade. The second weekend drop could be minimal and put it in the high teens range. That’s just where I expect the neighborhood for Beautiful to be and I’ll give it the slight edge.
Bridges is lacking buzz despite the presence of Black Panther and my high single digits projection puts it in fourth with Playing with Fire rounding out the top five in its third weekend.
Here’s my take on how I see it playing out:
1. Frozen II
Predicted Gross: $126.7 million
2. A Beautiful Day in the Neighborhood
Predicted Gross: $18.6 million
3. Ford v Ferrari
Predicted Gross: $18.2 million
4. 21 Bridges
Predicted Gross: $9.8 million
5. Playing with Fire
Predicted Gross: $4.9 million
Box Office Results (November 15-17)
As mentioned, Ford v Ferrari had a rock solid showing and gave Disney its first #1 opening for a Fox owned property. The Oscar hopeful zoomed off with $31.4 million, ahead of my $24.4 million prediction. Expect sturdy holds in the weeks ahead.
An unexpected pileup happened for second place as Midway edged competitors out with $8.5 million. It didn’t reach my $10.2 million forecast and has taken in $34 million in two weeks.
Third place went to perhaps the story of the weekend as Charlie’s Angels absolutely tanked with a paltry $8.3 million, well under my projection of $14.2 million. It’s yet another example of serious 2019 franchise fatigue.
Playing with Fire was fourth and it also made $8.3 million. My guess? $8.3 million! Hey, I got something right! It’s at $25 million after ten days.
Last Christmas was fifth with $6.4 million (I said $7 million) for $22 million overall.
Finally, newcomer The Good Liar was seventh with just $5.6 million, in range with my take of $6 million.
The pleasing box office performance of Ford v Ferrari assists in putting it back in my top ten predicted Best Picture guesses. It does so by displacing Bombshell, which I still certainly consider to be a very viable candidate.
While my five Best Actor estimates remains the same, this is the most competitive field in ages and that’s without official advance word on Paul Walter Hauser in Richard Jewell (which screens this week). I truly believe all ten listed thespians could get in.
I’m starting to feel that the never nominated Scarlett Johansson is going to a double nominee. I’ve vaulted her into the top 5 for Supporting Actress for Jojo Rabbit, in addition to her already likely nod in lead for Marriage Story. In Supporting, she gets in over Annette Bening in The Report.
Best Picture
Predicted Nominees:
1. The Irishman (Previous Ranking: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. Parasite (PR: 3)
4. Marriage Story (PR: 4)
5. Jojo Rabbit (PR: 5)
6. 1917 (PR: 7)
7. Little Women (PR: 6)
8. Joker (PR: 10)
9. The Two Popes (PR: 8)
10. Ford v Ferrari (PR: 11)
Other Possibilities:
11. Bombshell (PR: 9)
12. The Farewell (PR: 12)
13. A Beautiful Day in the Neighborhood (PR: 13)
14. Rocketman (PR: 14)
15. Waves (PR: 15)
Best Director
Predicted Nominees:
1. Martin Scorsese, The Irishman (PR: 1)
2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 3)
3. Bong Joon-Ho, Parasite (PR: 2)
4. Noah Baumbach, Marriage Story (PR: 4)
5. Sam Mendes, 1917 (PR: 5)
Other Possibilities:
6. Greta Gerwig, Little Women (PR: 6)
7. James Mangold, Ford v Ferrari (PR: 8)
8. Taika Waititi, Jojo Rabbit (PR: 7)
9. Todd Phillips, Joker (PR: Not Ranked)
10. Fernando Meirelles, The Two Popes (PR: 9)
Dropped Out:
Lulu Wang, The Farewell
Best Actress
Predicted Nominees:
1. Renee Zellweger, Judy (PR: 1)
2. Scarlett Johansson, Marriage Story (PR: 2)
3. Charlize Theron, Bombshell (PR: 3)
4. Saoirse Ronan, Little Women (PR: 4)
5. Cynthia Erivo, Harriet (PR: 5)
Other Possibilities:
6. Awkwafina, The Farewell (PR: 6)
7. Lupita Nyong’o, Us (PR: 7)
8. Alfre Woodard, Clemency (PR: 8)
9. Elisabeth Moss, Her Smell (PR: 9)
10. Jodie Turner-Smith, Queen and Slim (PR: Not Ranked)
Dropped Out:
Felicity Jones, The Aeronauts
Best Actor
Predicted Nominees:
1. Adam Driver, Marriage Story (PR: 1)
2. Joaquin Phoenix, Joker (PR: 2)
3. Robert De Niro, The Irishman (PR: 3)
4. Jonathan Pryce, The Two Popes (PR: 5)
5. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 4)
Other Possibilities:
6. Antonio Banderas, Pain and Glory (PR: 6)
7. Taron Egerton, Rocketman (PR: 8)
8. Eddie Murphy, Dolemite Is My Name (PR: 7)
9. Christian Bale, Ford v Ferrari (PR: 9)
10. Adam Sandler, Uncut Gems (PR: 10)
Best Supporting Actress
Predicted Nominees:
1. Laura Dern, Marriage Story (PR: 1)
2. Margot Robbie, Bombshell (PR: 3)
3. Jennifer Lopez, Hustlers (PR: 2)
4. Florence Pugh, Little Women (PR: 4)
5. Scarlett Johansson, Jojo Rabbit (PR: 7)
Other Possibilities:
6. Zhou Shuzhen, The Farewell (PR: 6)
7. Annette Bening, The Report (PR: 5)
8. Maggie Smith, Downton Abbey (PR: 8)
9. Thomasin McKenzie, Jojo Rabbit (PR: Not Ranked)
10. Margot Robbie, Once Upon a Time in Hollywood (PR: 9)
Dropped Out:
Nicole Kidman, Bombshell
Best Supporting Actor
Predicted Nominees:
1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)
2. Al Pacino, The Irishman (PR: 2)
3. Willem Dafoe, The Lighthouse (PR: 4)
4. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 3)
5. Anthony Hopkins, The Two Popes (PR: 5)
Other Possibilities:
6. Shia LaBeouf, Honey Boy (PR: 6)
7. Joe Pesci, The Irishman (PR: 7)
8. Song Kang-Ho, Parasite (PR: 8)
9. Sterling K. Brown, Waves (PR: 10)
10. Jamie Foxx, Just Mercy (PR: 9)
Best Adapted Screenplay
Predicted Nominees:
1. The Irishman (PR: 1)
2. Jojo Rabbit (PR: 2)
3. Little Women (PR: 3)
4. The Two Popes (PR: 4)
5. Joker (PR: 6)
Other Possibilities:
6. A Beautiful Day in the Neighborhood (PR: 5)
7. Just Mercy (PR: 7)
8. Richard Jewell (PR: 8)
9. Hustlers (PR: 10)
10. Downton Abbey (PR: 9)
Best Original Screenplay
Predicted Nominees:
1. Marriage Story (PR: 1)
2. Once Upon a Time in Hollywood (PR: 2)
3. Parasite (PR: 3)
4. The Farewell (PR: 4)
5. Pain and Glory (PR: 5)
Other Possibilities:
6. Bombshell (PR: 6)
7. Knives Out (PR: Not Ranked)
8. Booksmart (PR: 7)
9. Ford v Ferrari (PR: 9)
10. Waves (PR: 8)
Dropped Out:
Honey Boy
Best International Feature Film
Predicted Nominees:
1. Parasite (PR: 1)
2. Pain and Glory (PR: 2)
3. Les Miserables (PR: 3)
4. And Then We Danced (PR: 7)
5. Beanpole (PR: 5)
Other Possibilities:
6. Invisible Life (PR: Not Ranked)
7. Atlantics (PR: 4)
8. Monos (PR: 6)
9. Those Who Remained (PR: 9)
10. A White, White Day (PR: 8)
Dropped Out:
Papicha
Best Animated Feature
Predicted Nominees:
1. Toy Story 4 (PR: 1)
2. Frozen II (PR: 2)
3. How to Train Your Dragon: The Hidden World (PR: 3)
4. I Lost My Body (PR: 4)
5. Weathering with You (PR: 5)
Other Possibilities:
6. Abominable (PR: 6)
7. Missing Link (PR: 7)
8. Klaus (PR: 9)
9. Bunuel in the Labyrinth of the Turtles (PR: 8)
10. Funan (PR: Not Ranked)
Dropped Out:
Spies in Disguise
Best Documentary Feature
Predicted Nominees:
1. American Factory (PR: 1)
2. One Child Nation (PR: 2)
3. The Cave (PR: 3)
4. Honeyland (PR: 7)
5. Apollo 11 (PR: 5)
Other Possibilities:
6. Maiden (PR: 4)
7. The Biggest Little Farm (PR: 6)
8. Sea of Shadows (PR: 10)
9. The Edge of Democracy (PR: 9)
10. Knock Down the House (PR: 8)
Best Cinematography
Predicted Nominees:
1. 1917 (PR: 1)
2. Once Upon a Time in Hollywood (PR: 3)
3. The Irishman (PR: 2)
4. The Lighthouse (PR: 4)
5. Joker (PR: 5)
Other Possibilities:
6. Ad Astra (PR: 8)
7. A Hidden Life (PR: 7)
8. Ford v Ferrari (PR: 6)
9. Parasite (PR: 9)
10. Little Women (PR: Not Ranked)
Dropped Out:
Marriage Story
Best Costume Design
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 1)
2. Little Women (PR: 5)
3. Downton Abbey (PR: 2)
4. Dolemite Is My Name (PR: 4)
5. Rocketman (PR: 3)
Other Possibilities:
6. The Irishman (PR: 6)
7. The Aeronauts (PR: Not Ranked)
8. Jojo Rabbit (PR: 8)
9. Cats (PR: Not Ranked)
10. Judy (PR: 7)
Dropped Out:
Joker
Dumbo
Best Film Editing
Predicted Nominees:
1. The Irishman (PR: 1)
2. Ford v Ferrari (PR: 2)
3. Once Upon a Time in Hollywood (PR: 3)
4. 1917 (PR: 6)
5. Parasite (PR: 4)
Other Possibilities:
6. Marriage Story (PR: 5)
7. Jojo Rabbit (PR: 8)
8. Bombshell (PR: 7)
9. Joker (PR: 9)
10. Rocketman (PR: Not Ranked)
Dropped Out:
Avengers: Endgame
Best Makeup and Hairstyling
Predicted Nominees:
1. Bombshell (PR: 1)
2. The Irishman (PR: 2)
3. Judy (PR: 3)
4. Once Upon a Time in Hollywood (PR: 4)
5. Dolemite Is My Name (PR: 5)
Other Possibilities:
6. Joker (PR: 7)
7. Us (PR: 10)
8. The Aeronauts (PR: Not Ranked)
9. Star Wars: The Rise of Skywalker (PR: 8)
10. Cats (PR: Not Ranked)
Dropped Out:
Rocketman
The Two Popes
Best Production Design
Predicted Nominees:
1. Once Upon a Time in Hollywood (PR: 1)
2. Little Women (PR: 3)
3. The Irishman (PR: 2)
4. Jojo Rabbit (PR: 6)
5. 1917 (PR: 4)
Other Possibilities:
6. Parasite (PR: 5)
7. Joker (PR: 9)
8. Cats (PR: 7)
9. Downton Abbey (PR: 8)
10. The Two Popes (PR: Not Ranked)
Dropped Out:
The Aeronauts
Best Original Score
Predicted Nominees:
1. 1917 (PR: 1)
2. Little Women (PR: 2)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Joker (PR: 5)
5. Marriage Story (PR: 4)
Other Possibilities:
6. Jojo Rabbit (PR: 8)
7. A Hidden Life (PR: 7)
8. Ford v Ferrari (PR: 6)
9. The Aeronauts (PR: 9)
10. Ad Astra (PR: 10)
Best Original Song
Predicted Nominees:
1. “Into the Unknown” from Frozen II (PR: 1)
2. “(I’m Gonna) Love Me Again” from Rocketman (PR: 2)
3. “Beautiful Ghosts” from Cats (PR: 4)
4. “Stand Up” from Harriet (PR: 3)
5. “Spirit” from The Lion King (PR: 5)
Other Possibilities:
6. “Daily Battles” from Motherless Brooklyn (PR: 7)
7. “Speechless” from Aladdin (PR: 6)
8. “Show Yourself” from Frozen II (PR: Not Ranked)
9. “Together From Afar” from How to Train Your Dragon: The Hidden World (PR: 9)
10. “I Can’t Let You Throw Yourself Away” from Toy Story 4 (PR: 10)
Dropped Out:
“I’m Standing with You” from Breakthrough
Best Sound Editing
Predicted Nominees:
1. Ford v Ferrari (PR: 2)
2. 1917 (PR: 1)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Ad Astra (PR: 5)
5. Avengers: Endgame (PR: 4)
Other Possibilities:
6. Rocketman (PR: 6)
7. The Irishman (PR: 8)
8. Once Upon a Time in Hollywood (PR: 7)
9. Cats (PR: 9)
10. The Aeronauts (PR: Not Ranked)
Dropped Out:
Richard Jewell
Best Sound Mixing
Predicted Nominees:
1. 1917 (PR: 1)
2. Ford v Ferrari (PR: 2)
3. Star Wars: The Rise of Skywalker (PR: 3)
4. Rocketman (PR: 4)
5. Ad Astra (PR: 6)
Other Possibilities:
6. Avengers: Endgame (PR: 5)
7. Once Upon a Time in Hollywood (PR: 7)
8. Cats (PR: 8)
9. Joker (PR: 10)
10. Judy (PR: Not Ranked)
Dropped Out:
The Irishman
Best Visual Effects
Predicted Nominees:
1. The Irishman (PR: 1)
2. Star Wars: The Rise of Skywalker (PR: 2)
3. Avengers: Endgame (PR: 4)
4. The Lion King (PR: 3)
5. The Aeronauts (PR: 5)
Other Possibilities:
6. Ad Astra (PR: 6)
7. Gemini Man (PR: 7)
8. Alita: Battle Angel (PR: 9)
9. Aladdin (PR: Not Ranked)
10. 1917 (PR: 8)
Dropped Out:
Dumbo
And that equates to the following features obtaining these numbers come nomination time:
10 Nominations
The Irishman, Once Upon a Time in Hollywood
8 Nominations
1917
7 Nominations
Little Women, Marriage Story
5 Nominations
Joker, Parasite
4 Nominations
Ford v Ferrari, Jojo Rabbit, Star Wars: The Rise of Skywalker, The Two Popes
3 Nominations
Bombshell, Rocketman
2 Nominations
Ad Astra, Avengers: Endgame, Dolemite Is My Name, Frozen II, Harriet, Judy, The Lighthouse, The Lion King, Pain and Glory
1 Nomination
A Beautiful Day in the Neighborhood, The Aeronauts, American Factory, And Then We Danced, Apollo 11, Beanpole, Cats, The Cave, Downton Abbey, The Farewell, Honeyland, How to Train Your Dragon: The Hidden World, Hustlers, I Lost My Body, Les Miserables, One Child Nation, Toy Story 4, Weathering with You
Based upon Alvin Schwartz’s three horror short tale collections from the 1980s and early 1990s (with some celebrated illustrations by Stephen Gammell), Scary Stories to Tell in the Dark has caught the attention of Guillermo del Toro. He has, of course, turned his monster material into Oscar winning work. Mr. del Toro didn’t direct this and he shares a producer and story credit. However, this reminds one of Steven Spielberg’s output at the time when Schwartz’s works were originally being released. Films like Poltergeist, Gremlins, and The Goonies came from other filmmakers, but they might as well have been made by Spielberg because his fingerprints are all over them. Andre Øvredal directed this and he’s proved his genre chops previously with effective material like The Autopsy of Jane Doe. Yet you get the feeling this is del Toro’s vision through and through.
Set in 1968 when political upheaval and the Vietnam War were true scary stories of their own, this brings us to a small Pennsylvania town in a year where Night of the Living Dead is just out. Teenage Stella (Zoe Colletti) is obsessed with the living dead as a horror enthusiast and aspiring writer. Her seemingly only friends are Auggie (Gabriel Rush) and Chuck (Austin Zajur) and the trio gets their kicks by playing Halloween themed pranks on the school bullies. They are soon joined in this quest by drifter Ramon (Michael Garza), who appears to be living out of his car. Their exploits lead them to an alleged haunted house once lived in by the wealthy and mysterious Bellows family. Their daughter Sarah was a writer like Stella. The difference is that Sarah’s writing hasn’t stopped after death and her words describe the PG-13 horror antics that follow.
This plot line allows for a small number of Schwartz’s old tales to come to life. And the CG creature effects due to that are as solid as we’d expect from anything with del Toro’s name attached. A couple of sequences radiate with a ghoulish vibe that impresses. Those are scary, but there’s not a lot of them. The screenwriters occasionally bring the turbulent late 1960s happenings to the mix, but that feels a bit clumsy and tacked on as they don’t really commit to it.
Instead we have a novel concept from source material of anthological form. Perhaps Sarah and Schwartz’s short stories could have worked a little better had this been adapted into a series on Netflix or another streaming service. After all, it’s probably Stranger Things and its retro goldmine of success that sped up the green light here. There’s no doubt that those involved (particularly one) have deep affection for what they’re adapting. Despite its moments, it’s the format that’s limiting.
2019 is shaping up to be the breakout year for Netflix when it comes to awards visibility with legitimate Best Picture contenders like The Irishman, Marriage Story, and The Two Popes. A smaller story is that it might have a contender in the Animated Feature race with the just released Yuletide comedy Klaus. It comes from director Sergio Plablos, who’s best known for creating the Despicable Me franchise. The voice cast includes Jason Schwartzman, J.K. Simmons, Rashida Jones, Joan Cusack, Will Sasso, and Norm Macdonald.
In order to nab a nomination, Klaus looks to compete for the fourth or fifth slot as I believe three are already spoken for by higher profile theatrical release sequels – Toy Story 4 (the front runner), Frozen II, and How to Train Your Dragon: The Hidden World. Other efforts vying for those slots include Weathering with You, I Lost My Body, Missing Link, Abominable, and (perhaps) the yet to be released Spies in Disguise.
The pic currently sports a 90% rating on Rotten Tomatoes and that’s actually higher than the number (82%) for Frozen II. Yet Disney should have little trouble getting that about to be massive blockbuster in the mix.
Bottom line: I wouldn’t count Klaus out, but competition is significant. My Oscar Watch posts will continue…
The Los Angeles based AFI Fest is the last major calendar year opportunity for Oscar hopefuls to strut their stuff and there’s always a few premieres to go along with it. In 2019, that includes Clint Eastwood’s Richard Jewell and The Banker with Samuel L. Jackson and Anthony Mackie. The opener is Queen & Slim from director Melina Matsoukas, who’s been known for her visionary music videos for Beyonce and Rihanna.
Slim centers on a couple (Daniel Kaluuya of Get Out fame and newcomer Jodie Turner-Smith) whose first date becomes intertwined with a police brutality incident. Early critical reaction is strong and it stands at 100% on Rotten Tomatoes. Indications are that this could turn into a cult hit and perhaps even a real one, with an insightful and politically charged screenplay from Lena Waithe. She’s known primarily for acclaimed TV projects Master of None and The Chi.
Despite the praise, Oscar attention could be… well, slim. Anything arriving this late in the game would need to be a game changer for Picture visibility and some reviews are positive but with some reservation. Turner-Smith is garnering a lot of chatter, but it could be a leap to think she’ll factor into an already crowded Best Actress race.
Bottom line: look for Queen to become a conversation piece upon its November 27th release. I’m just not confident that will include talk about Academy nods. My Oscar Watch posts will continue…
For a time, Chadwick Boseman was best known for inhabiting real life figures in pictures such as 42, Get On Up, and Marshall. That all changed last year when he became Black Panther in that phenomenon and has played the superhero twice since in Avengers: Infinity War and Avengers: Endgame. His latest effort 21 Bridges (out next weekend) finds him in neither type of role. Boseman is a NYC cop chasing down two killers in this action thriller from director Brian Kirk. Joe and Anthony Russo, who made those last two massive Avengers flicks, are producers. Costars include Sienna Miller, Stephan James, Taylor Kitsch, Keith David, snd J.K. Simmons.
Bridges should prove to be a legitimate test of its lead performer’s box office prowess. The trailers and TV spots have struggled to suggest it’s much more than a run of the mill genre piece (no reviews are out at press time). With little buzz, I believe this will have an unexceptional start. Unless I’m underestimating Boseman’s bankability, this may even have a tough time hitting double digits.
21 Bridges opening weekend prediction: $9.8 million
One week ahead of its massive launch, the review embargo has lifted for Disney’s Frozen II, the sequel to the 2013 animated smash that grossed over a billion dollars worldwide. Financial expectations are understandably enormous and a big question was whether it matches the quality of the original.
Early critical reaction suggests… not quite. Frozen achieved a 90% Rotten Tomatoes rating while the follow-up is currently at 81%. Part 1 was nominated for two Oscars and won both – Animated Feature and Best Original Song for the omnipresent “Let It Go” as sung by Idina Menzel (or whatever John Travolta called her at the Academy ceremony).
Frozen II is very likely to be nominated in both races like its predecessor. The tune is likely to be the ballad “Into the Unknown”. However, unlike the original, it may not be the favorite to win in either category. The biggest competition in Animated Feature comes from another Mouse Factory sequel with this summer’s Toy Story 4 (which I still believe to be the frontrunner). Another non-Disney sequel, How to Train Your Dragon: The Hidden World, could also be a factor – albeit less so than Woody and Buzz. In Original Song, there’s serious competitors in the form of Elton John and Taylor Swift tracks from Rocketman and Cats, respectively.
Bottom line: Frozen II should nab the same nods that Frozen did. Victories are another story. My Oscar Watch posts will continue…
Director Todd Haynes has guided Julianne Moore and Cate Blanchett to previous acting nominations in Far From Heaven, I’m Not There, and Carol. His latest effort is the corporate legal thriller Dark Waters, based on a true story. Mark Ruffalo stars and produces, playing a lawyer taking on the DuPont conglomerate.
Somewhat surprisingly, Waters skipped the late summer and autumn festival circuit ahead of its November 22nd release and reviews are just trickling out. They’re decent and the Rotten Tomatoes score is currently 75%.
Critics have praised Ruffalo’s work. He is thrice nominated in the Supporting Actor race for 2010’s The Kids Are All Right, 2014’s Foxcatcher, and 2015’s Spotlight. He would stand the best chance at recognition for the first time in lead – over the film itself and costars including Anne Hathaway, Tim Robbins, and Bill Pullman. Yet, as has been discussed before on the blog, Best Actor is packed. I believe there’s eight thespians at the moment with legit shots at nods. Ruffalo isn’t in that mix.
Bottom line: chances for Dark Waters in the awards conversation are murky at best.
All My Life... I Wanted To Be A Blogster 