Oscar Watch: Lucy in the Sky

Natalie Portman is an astronaut who seems to lose touch with reality when she becomes Earthbound again in Lucy in the Sky, which has screened at the Toronto Film Festival. And while many critics are praising her performance, their reception to the picture itself is having a problem.

Noah Hawley, who created the acclaimed TV adaptation of Fargo, makes his directorial debut with a supporting cast including Jon Hamm, Zazie Beetz, Dan Stevens, and Ellen Burstyn (who reportedly gets to spout some salty dialogue). As mentioned, Lucy did not fly in its rollout and it sits at just 31% on Rotten Tomatoes.

Portman is an Oscar winner from 2010’s Black Swan in addition to two other nods for Closer and Jackie. With tepid reaction to her latest, expect her nominations number to stay put at three. My Oscar Watch posts will continue…

Downton Abbey Box Office Prediction

Mister Rogers isn’t the only PBS star getting the silver screen treatment this fall as Downton Abbey hits theaters next weekend. Based on the acclaimed drama about an aristocratic British clan in the 1920s, the film picks up after the series finale from 2016. Julian Fellowes, creator of the program which aired stateside on the public access channel, did the screenplay. Michael Engler directs with numerous cast members returning including Hugh Bonneville, Michelle Dockery, Laura Carmichael, Jim Carter, Elizabeth McGovern, Matthew Goode, Penelope Wilton, and Maggie Smith.

Abbey had lots of dedicated followers to go with its multitude of Emmys and they should be curious to see the saga continue. While some could choose to wait and watch the family on the small screen like they’re accustomed to, I suspect a sizable amount will turn up in the cinema.

I was surprised to see this is set to premiere on over 3000 screens. That puts it in contention to compete with Rambo: Last Blood and Ad Astra as the weekend’s highest grossing newcomer. My estimate of just over $20 million puts it just ahead of Mr. Stallone and ahead of Mr. Pitt.

Downton Abbey opening weekend prediction: $20.8 million

For my Rambo: Last Blood prediction, click here:

https://toddmthatcher.com/2019/09/11/rambo-last-blood-box-office-prediction/

For my Ad Astra prediction, click here:

https://toddmthatcher.com/2019/09/11/ad-astra-box-office-prediction/

2019 Oscar Predictions: September 12th Edition

Well, a lot has certainly transpired on the Oscar prognostication front in the past week! Most notably would be the Toronto Film Festival and as usual, it helped some pictures and performers and threw shade on the hopes of others.

For blog followers, you’ve seen a whole bunch of Oscar Watch posts over the last few days. Various rankings in the eight major categories have shifted as we arrive at today’s predictions with some newcomers hitting predicted territory.

Let’s go through some highlights:

  • One of the more unexpected events from up north was the love for Hustlers, out tomorrow. The attention was particularly centered on the performance of Jennifer Lopez. She goes from unranked all the way to #3 in Supporting Actress.
  • The Two Popes is gathering more admirers as it plays the circuit. I now have it #4 in my BP derby (up five spots). This could change, but I think it’s one of a handful of pics that could win top prize.
  • Joker surprised many by emerging victorious for the Golden Lion at Venice. It now enters the fray as a predicted nominee in BP and Adapted Screenplay, in addition to Joaquin Phoenix.
  • Like Popes, Waves is also making a festival splash and it enters my projected BP recipients in ninth.
  • My projections in the lead acting categories remains the same ten, albeit with some jockeying from last week to this one.
  • In Supporting Actor, lots of movement. Tom Hanks was heralded for his portrayal of Mister Rogers in Toronto for Marielle Heller’s A Beautiful Day in the Neighborhood. I also have Sterling K. Brown in Waves pulling a J-Lo and going from not ranked to nominee. And Jamie Foxx in Just Mercy is drawing acclaim so he joins the shortlist. They replace Willem Dafoe, Al Pacino, and Taika Waititi in a crowded field.
  • Speaking of Waititi, Jojo Rabbit was met with wildly divergent opinions in Toronto. I now have it only receiving an Adapted Screenplay nod, but expect its journey to Oscar attention or no attention to be an ongoing story.
  • Harriet seemed to be a bit of a Toronto disappointment. While I’m still listing Cynthia Erivo’s work as the title character in Actress, the movie itself has dropped completely out of my top 25.
  • There is no doubt that the badly reviewed The Goldfinch has seen its Academy dreams totally vanish.

Keep reading on to see how I have everything shaking out at the moment and I’ll have updates forecasts next Thursday!

BEST PICTURE

Predicted Nominees:

1. The Irishman (PR: 1)

2. Marriage Story (PR: 2)

3. Once Upon a Time in Hollywood (PR: 3)

4. The Two Popes (PR: 9)

5. Ford v Ferrari (PR: 4)

6. Parasite (PR: 5)

7. Little Women (PR: 7)

8. Joker (PR: 15)

9. Waves (PR: 12)

10. 1917 (PR: 6)

Other Possibilities:

11. A Beautiful Day in the Neighborhood (PR: 14)

12. The Farewell (PR: 11)

13. Just Mercy (PR: 21)

14. Jojo Rabbit (PR: 8)

15. The Report (PR: 10)

16. Pain and Glory (PR: 13)

17. Dark Waters (PR: 17)

18. Bombshell (PR: 18)

19. A Hidden Life (PR: 16)

20. The Lighthouse (PR: 19)

21. Knives Out (PR: Not Ranked)

22. Booksmart (PR: Not Ranked)

23. Queen and Slim (PR: 23)

24. Rocketman (PR: 22)

25. Ad Astra (PR: 25)

Dropped Out:

Harriet

The Laundromat

BEST DIRECTOR

Predicted Nominees:

1. Martin Scorsese, The Irishman (PR: 1)

2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)

3. Noah Baumbach, Marriage Story (PR: 3)

4. Bong Joon-Ho, Parasite (PR: 4)

5. James Mangold, Ford v Ferrari (PR: 6)

Other Possibilities:

6. Sam Mendes, 1917 (PR: 5)

7. Greta Gerwig, Little Women (PR: 8)

8. Pedro Almodovar, Pain and Glory (PR: 7)

9. Fernando Meirelles, The Two Popes (PR: 11)

10. Trey Edward Shults, Waves (PR: 9)

11. Marielle Heller, A Beautiful Day in the Neighborhood (PR: 12)

12. Terrence Malick, A Hidden Life (PR: 13)

13. Taika Waititi, Jojo Rabbit (PR: 10)

14. Todd Haynes, Dark Waters (PR: 14)

15. Lulu Wang, The Farewell (PR: 15)

BEST ACTOR

Predicted Nominees:

1. Adam Driver, Marriage Story (PR: 1)

2. Jonathan Pryce, The Two Popes (PR: 4)

3. Joaquin Phoenix, Joker (PR: 5)

4. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 2)

5. Antonio Banderas, Pain and Glory (PR: 3)

Other Possibilities:

6. Robert De Niro, The Irishman (PR: 6)

7. Christian Bale, Ford v Ferrari (PR: 6)

8. Eddie Murphy, Dolemite Is My Name (PR: 9)

9. Taron Egerton, Rocketman (PR: 8)

10. Michael B. Jordan, Just Mercy (PR: 15)

11. Ian McKellen, The Good Liar (PR: 11)

12. Mark Ruffalo, Dark Waters (PR: 10)

13. Adam Sandler, Uncut Gems (PR: 12)

14. Daniel Kaluuya, Queen and Slim (PR: 13)

15. Robert Pattinson, The Lighthouse (PR: 14)

BEST ACTRESS

Predicted Nominees:

1. Scarlett Johansson, Marriage Story (PR: 1)

2. Renee Zellweger, Judy (PR: 2)

3. Saoirse Ronan, Little Women (PR: 3)

4. Cynthia Erivo, Harriet (PR: 4)

5. Alfre Woodard, Clemency (PR: 5)

Other Possibilities:

6. Awkwafina, The Farewell (PR: 6)

7. Charlize Theron, Bombshell (PR: 7)

8. Lupita Nyong’o, Us (PR: 9)

9. Helen Mirren, The Good Liar (PR: 10)

10. Lesley Manville, Ordinary Love (PR: 13)

11. Jodie Turner-Smith, Queen and Slim (PR: 11)

12. Elisabeth Moss, Her Smell (PR: 15)

13. Kristen Stewart, Seberg (PR: 12)

14. Felicity Jones, The Aeronauts (PR: 14)

15. Elle Fanning, Teen Spirit (PR: Not Ranked)

Dropped Out:

Natalie Portman, Lucy in the Sky

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 6)

3. Jamie Foxx, Just Mercy (PR: 11)

4. Anthony Hopkins, The Two Popes (PR: 4)

5. Sterling K. Brown, Waves (PR: Not Ranked)

Other Possibilities:

6. Willem Dafoe, The Lighthouse (PR: 2)

7. Al Pacino, The Irishman (PR: 3)

8. Alan Alda, Marriage Story (PR: 7)

9. John Lithgow, Bombshell (PR: 12)

10. Joe Pesci, The Irishman (PR: 8)

11. Taika Waititi, Jojo Rabbit (PR: 5)

12. Tracy Letts, Ford v Ferrari (PR: 15)

13. Jamie Bell, Rocketman (PR: 10)

14. Chris Evans, Knives Out (PR: Not Ranked)

15. Aldis Hodge, Clemency (PR: Not Ranked)

Dropped Out:

Kelvin Harrison, Jr., Waves

Gary Oldman, The Laundromat

Matt Damon, Ford v Ferrari

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Laura Dern, Marriage Story (PR: 1)

2. Annette Bening, The Report (PR: 2)

3. Jennifer Lopez, Hustlers (PR: Not Ranked)

4. Shuzhen Zhou, The Farewell (PR: 4)

5. Margot Robbie, Once Upon a Time in Hollywood (PR: 3)

Other Possibilities:

6. Florence Pugh, Little Women (PR: 5)

7. Meryl Streep, The Laundromat (PR: 6)

8. Meryl Streep, Little Women (PR: 7)

9. Nicole Kidman, Bombshell (PR: 11)

10. Penelope Cruz, Pain and Glory (PR: 8)

11. Jennifer Hudson, Cats (PR: 12)

12. Anne Hathaway, Dark Waters (PR: 14)

13. Anna Paquin, The Irishman (PR: 13)

14. Ana de Armas, Knives Out (PR: Not Ranked)

15. Renee Elise Goldsberry, Waves (PR: Not Ranked)

Dropped Out:

Janelle Monae, Harriet

Scarlett Johansson, Jojo Rabbit

Taylor Russell, Waves

BEST ADAPTED SCREENPLAY

Predicted Nominees:

1. The Irishman (PR: 1)

2. Little Women (PR: 3)

3. A Beautiful Day in the Neighborhood (PR: 6)

4. Joker (PR: 7)

5. Jojo Rabbit (PR: 2)

Other Possibilities:

6. Just Mercy (PR: 8)

7. Dark Waters (PR: 4)

8. The Laundromat (PR: 5)

9. Hustlers (PR: Not Ranked)

10. Luce (PR: Not Ranked)

11. Judy (PR: 15)

12. Toy Story 4 (PR: 11)

13. Downton Abbey (PR: 14)

14. Motherless Brooklyn (PR: 12)

15. The Good Liar (PR: 10)

Dropped Out:

The Goldfinch

The King

BEST ORIGINAL SCREENPLAY

Predicted Nominees:

1. Marriage Story (PR: 1)

2. Once Upon a Time in Hollywood (PR: 3)

3. The Two Popes (PR: 3)

4. Parasite (PR: 4)

5. Waves (PR: 8)

Other Possibilities:

6. The Farewell (PR: 6)

7. The Report (PR: 5)

8. Pain and Glory (PR: 7)

9. Ford v Ferrari (PR: 9)

10. Booksmart (PR: 10)

11. Knives Out (PR: Not Ranked)

12. Bombshell (PR: 12)

13. The Lighthouse (PR: 11)

14. 1917 (PR: 14)

15. Queen and Slim (PR: Not Ranked)

Dropped Out:

Harriet

Dolemite Is My Name

Rambo: Last Blood Box Office Prediction

Sylvester Stallone returns to his second most popular signature role for the fifth time next weekend in Rambo: Last Blood. Arriving 37 years after First Blood, the pic finds the aging vet battling a Mexican drug cartel after they kidnap a friend’s daughter. Adrian Grunberg directs with Paz Vega, Sergio Peris-Mencheta, and Adriana Barraza among the costars.

It’s been nearly 12 years since the character graced the silver screen and Rambo earned $18.2 million for starters back in early 2008. Since then, Stallone had a resurgence with his Rocky character with Creed and its sequel. His increased visibility and a nostalgia factor could help this outperform part 4.

To hit the best debut of the franchise, this would need to top the $20.1 million made by 1985’s Rambo: First Blood Part II. Worth noting is that its number is not adjusted for inflation.

There is some competition in the form of Brad Pitt’s Ad Astra, but I’ll say Blood gets the better of it and barely manages to set that unadjusted record.

Rambo: Last Blood opening weekend prediction: $20.4 million

For my Ad Astra prediction, click here:

https://toddmthatcher.com/2019/09/11/ad-astra-box-office-prediction/

For my Downton Abbey prediction, click here:

https://toddmthatcher.com/2019/09/13/downton-abbey-box-office-prediction/

Ad Astra Box Office Prediction

Mr. Pitt goes to space next weekend in James Gray’s Ad Astra and the reported $80 million plus budgeted sci fi pic hopes for a stealthy launch. Brad Pitt is an astronaut who leaves Earth to find his lost father (Tommy Lee Jones). Costars include Ruth Negga, Liv Tyler, and Donald Sutherland.

Astra premiered last month at the Venice Film Festival to mostly positive critical reaction. It stands at 86% on Rotten Tomatoes, but seems to lack the awards buzz that could help its grosses. Competition for male moviegoers could be hindered a bit by the opening of Rambo: Last Blood.

A debut above $20 million is certainly feasible and Pitt is fresh off Quentin Tarantino’s hit Once Upon a Time in Hollywood, which is earning him Oscar chatter. However, I’ll say high teens is where this lands with a similar number to last fall’s First Man.

Ad Astra opening weekend prediction: $16.9 million

For my Rambo: Last Blood prediction, click here:

https://toddmthatcher.com/2019/09/11/rambo-last-blood-box-office-prediction/

For my Downton Abbey prediction, click here,

https://toddmthatcher.com/2019/09/13/downton-abbey-box-office-prediction/

Oscar Watch: Harriet

Harriet has been a circled possibility for Oscar attention since the project was announced and it’s now screened in Toronto. The biopic of abolitionist Harriet Tubman is from director Kasi Lemmons, whose debut Eve’s Bayou garnered acclaim over two decades ago. Cynthia Erivo, who received her own critical kudos in last year’s Widows, plays the heroic title character. The supporting cast includes Leslie Odom Jr., Joe Alwyn, and Janelle Monae.

A first glance at the current 91% Rotten Tomatoes score indicates it might be the Best Picture contender it was anticipated to be. Yet a deeper dive shows even the mostly positive reviews have significant reservations. Few writers are calling it great and there’s more using words like standard.

Erivo still has a major chance at a Best Actress nod, though I don’t think it’s guaranteed. Critics have singled out her work. That’s probably the extent of acting notices at the Oscars and I’m now relatively confident Best Picture will be elusive. My Oscar Watch posts will continue…

Jojo Rabbit Movie Review

Taika Waititi is a tightrope walker when it comes to the execution of Jojo Rabbit, the kind of picture that few directors might be permitted to make. It helps when you’re coming off Thor: Ragnarok, the best received of that sub franchise in the MCU. This is a tale of atrocities and those involved in it. And it’s handled with a primarily light tone that eventually doesn’t shy away from the horrors of Nazi Germany.

The premise, based on a novel from Christine Leunens, sounds high concept in description. A boy with an imaginary friend that happens to be Adolf Hitler. That sentence could provide a visceral reaction for many and it’s up to Waititi to justify it. He does so in large measure.

The boy is Jojo (Roman Griffin Davis), a 10-year-old Hitler youth living with his single mother (Scarlett Johansson) in the waning days of World War II. All he really knows is the propaganda of his nation’s leaders and he’s part of the Nazi youth camps. They’re taught by an alcoholic Captain (Sam Rockwell) and a no nonsense Fräulein (Rebel Wilson). Jojo reveres Hitler so much that he acts as his imaginary companion. Waititi pulls double duty as the monstrous Chancellor and plays him as a total nincompoop. Yet like most fictitious companions (even if they’re based on evil real life figures), Jojo’s Hitler serves to reinforce his misguided feelings toward the Jewish people. Also because he’s lonely.

When he discovers that his mom is sheltering young Jewish Elsa (Thomasin McKenzie) upstairs, his adolescent worldview is shattered. The witless Hitler doesn’t know what to make of it. Therefore Jojo struggles with how to handle this until his humanity starts to shine through.

To call this movie is a delicate balance is an understatement. There are satirical tones, but there’s a lot more heart. Anyone expecting a Mel Brooks style Producers exercise should look elsewhere. The humor is abundant for the first two acts especially, but always imbued with a level of pathos that comes into sharper focus as it goes on.

Jojo Rabbit is mostly an inventive case study in showing one child learning not to hate. It could fall apart without the casting of Davis. He’s rarely off screen and his performance is fantastic. Not fantastic for a child actor. Fantastic. Not many youngsters could pull off the range of emotions he has to go through and he nails it. McKenzie, in many ways, has an equally challenging role as Elsa navigates teaching Jojo not to fear her. The humanity of her character and the actress playing her convinces us and him. As you might imagine, Waititi has a tricky part as well. He’s got some of the best lines and reactions of all in his campy take. The more recognizable actors are all first-rate. In one of the most powerful scenes not involving Jojo, Johansson has a heart to heart about adulthood with Elsa (on the cusp of entering that status). And speaking of highlights, Jojo’s actual best friend Yorki, played by Archie Yates, is a scene stealer.

So… does this all work? Mostly yes. I also can’t deny that Rabbit never quite reaches the emotional impact that it’s trying to land. The concept doesn’t block that possibility. It’s more that the tonal shifts can be somewhat jarring in a couple of cases. It’s practically unavoidable. I never doubted that Waititi’s heart is in the right place and he’s assembled a superb cast to provide numerous laughs and a lot of warmth. Most importantly, it’s told through a child’s eyes who doesn’t recognize his idols are as false as can be until those eyes are opened.

*** (out of four )

Oscar Watch: Downton Abbey

Fans of the British period piece series Downton Abbey, which aired stateside on PBS, will get their fix nearly four years after its conclusion with a film version. Written by its creator Julian Fellowes, Abbey picks up shortly after the events of the series finale with many cast members (Hugh Bonneville, Maggie Smith, and more) returning to their roles.

The show was no stranger to major awards attention, including Golden Globes, BAFTAs, SAGs, and dozens of Emmy nods. Could that TV love translate to Oscar voters noticing the cinematic rendering?

Probably not in major categories. Abbey has a current Rotten Tomatoes score of 80% and while reviews are solid, I don’t see this getting attention in Picture or the acting derbies. On the other hand, Production Design and especially Costume Design could be doable. My Oscar Watch posts will continue…

Oscar Watch: Jojo Rabbit

Jojo Rabbit is undoubtedly one of Toronto’s most eagerly awaited screenings and it held its unveiling last night. The latest from writer/director Taika Waititi (who hit the big time with 2017’s Thor: Ragnarok), Jojo is a comedy that involves a child with an imaginary friend who happens to be Adolf Hitler. The child is played by newcomer Roman Griffin Davis while the filmmaker himself plays Hitler. Other costars include Thomasin McKenzie, Rebel Wilson, Stephen Merchant, Sam Rockwell, and Scarlett Johansson.

It’s tough to gauge if this odd concoction will work based on the trailer. Early critical reaction is all over the map. Some love it while others seem quite turned off with claims that its unique tone never comes together. The result is shown in the current Rotten Tomatoes rating – 55%.

Most films with that score wouldn’t be in the conversation for a Best Picture nod. This could be an exception as those who like it really like it. I still think it’s probably an on the bubble candidate, but let’s see how it plays out.

The two actors getting the most praise appears to be youngsters Davis and Thomasin McKenzie. Waititi and Johansson were looked at as possibilities for the supporting races. Not so much anymore in my view (Scarlett can take comfort in that she’s appears in for Marriage Story). And Waititi could still land an Adapted Screenplay nod.

Bottom line: Jojo Rabbit looks polarizing enough to keep it away from the big dance, but ardent supporters could change that dynamic. My Oscar Watch posts will continue…

September 13-15 Box Office Predictions

It Chapter Two looks to stay atop the charts as Hustlers could surprisingly give it a run for its money. We also have John Crowley’s drama The Goldfinch with Ansel Elgort and Nicole Kidman debuting. Both newbies premiered at the Toronto Film Festival over the weekend to vastly differing results. You can peruse my detailed prediction posts on the newcomers here:

https://toddmthatcher.com/2019/09/04/hustlers-box-office-prediction/

https://toddmthatcher.com/2019/09/05/the-goldfinch-box-office-prediction/

Hustlers has been showered with major critical acclaim and reviews suggesting costar Jennifer Lopez could be in line for her first Oscar nomination. I believe it has a legitimate chance at hitting $30 million or over, but I’m putting it just a tad under. We shall see if this gets revised up as buzz continues to build.

The Goldfinch had the opposite reaction. It looked like Oscar bait (unlike Hustlers), but critics have not been kind. My estimate for it has steadily dwindled down. It should secure third place, but with a quiet start.

Pennywise’s return to the silver screen opened on the lower end of expectations. Our first It chapter dipped 51% in its sophomore frame. I believe the sequel will experience a drop more in the mid 50s range.

And with that, my take on the top five:

1. It Chapter Two

Predicted Gross: $38.4 million

2. Hustlers

Predicted Gross: $31.5 million

3. The Goldfinch

Predicted Gross: $5.7 million

4. Angel Has Fallen

Predicted Gross: $3.4 million

5. Good Boys

Predicted Gross: $3.2 million

Box Office Results (September 68)

It Chapter Two dominated our first autumn movie weekend. The lengthy horror sequel took in $91 million. As mentioned, that is at the lower end of projections and below my take of $109.7 million. The pic still managed to grab the second biggest September haul and #2 overall horror starting gross of all time behind… It (which floated to $123.4 million out of the gate).

Angel Has Fallen was second with $5.9 million. My prediction? $5.9 million! Total is $53 million.

Good Boys took third at $5.4 million (I said $4.9 million) and it stands at a solid $66 million.

The Lion King was fourth with $4.3 million compared to my $3.8 million estimate for an overall massive tally of $529 million.

Hobbs & Shaw rounded out the top five with $3.8 million, ahead of my $3 million forecast. It’s up to $164 million.

And that does it for now, folks! Until next time…