The American Film Institute (AFI) unveiled their list of the top 10 pictures of the year and it’s often seen as a harbinger of potential things to come at the Oscars. Here are the films they selected as their finest:
BlacKkKlansman
Black Panther
Eight Grade
The Favourite
First Reformed
Green Book
If Beale Street Could Talk
Mary Poppins Returns
A Quiet Place
A Star Is Born
First off, we should keep in mind that this is the American Film Institute. Therefore Roma is nowhere to be found and not eligible. It has high probability to make the Academy’s Best Picture selections.
Taking a look at the last three years of AFI picks, 7 of their honorees in 2015 and 2016 scored a Best Picture nod at the big race. Last year, it was six. I would automatically say five films here seem safe for Oscar inclusion: BlacKkKlansman, The Favourite, Green Book, If Beale Street Could Talk, and A Star Is Born.
AFI has a habit of occasionally honoring blockbusters that don’t make it to the golden dance. Over the past three cycles, that includes Star Wars: The Force Awakens, Straight Outta Compton, Inside Out, and Wonder Woman. That same rule could apply to Black Panther, Mary Poppins Returns, or A Quiet Place. That said, Panther and Poppins stand solid chances for Best Picture recognition. That gets us to seven.
First Reformed and Eighth Grade are far more questionable, though both have made strong showings in precursors (especially the former).
The glaring omissions are Vice and First Man – two films I have consistently projected for Academy nominations. I don’t see that changing yet. Three more that could have been boosted by AFI, but were not: Can You Ever Forgive Me?, Crazy Rich Asians, and Widows.
All in all, my aforementioned analysis indicates seven could end up being the number of nominees here that move onto Oscar glory.
Before an onslaught of holiday titles enter the marketplace, it looks to be a sleepy weekend at the box office as no wide releases open. That means November leftovers should continue to populate the top five.
I don’t see the rankings from the past frame changing with Ralph Breaks the Internet slated for a three-peat. While the post Thanksgiving weekend often sees large drops, that should ease a bit here with most titles dropping in the 30s.
Truth be told, it’s a lackluster weekend before nearly a dozen Christmas offerings arrive in the two weeks following.
Here’s my take on the top 5:
1. Ralph Breaks the Internet
Predicted Gross: $16.7 million
2. The Grinch
Predicted Gross: $14.2 million
3. Creed II
Predicted Gross: $10.1 million
4. Fantastic Beasts: The Crimes of Grindelwald
Predicted Gross: $6.2 million
5. Bohemian Rhapsody
Predicted Gross: $5.9 million
Box Office Results (November 30-December 2)
Ralph Breaks the Internet easily ruled the roost for the second weekend in a row as nearly all titles dipped a tad below my projections. The Disney sequel made $25.5 million (I was higher at $28.7 million) for a two-week tally of $119 million.
The Grinch was second with $17.9 million (I said $20 million) as it crossed the double century mark with $203 million.
Creed II placed third in its sophomore outing with $16.6 million compared to my $18.2 million estimate. Total gross is $80 million.
Fantastic Beasts: The Crimes of Grindelwald was in fourth position at $11.3 million (I said $12.1 million) for $134 million overall.
Bohemian Rhapsody got the five-spot with $8 million, in line with my $7.8 million prediction. The Freddie Mercury biopic is up to $164 million.
Instant Family was sixth with $7.1 million (I said $7.9 million) for earnings of $45 million.
Finally, horror fans propelled low-budget The Possession of Hannah Grace to a better than anticipated showing in seventh with $6.4 million, doubling my $3.2 million forecast.
The Golden Globes, perhaps the biggest precursor of all to the Oscars, unveils their nominees this Thursday as awards prognosticators like me attempt to read tea leaves. As a reminder, the Globes do it a bit differently than the Academy. For Picture and lead acting races, nominees are divided into Drama and Musical/Comedy. Unlike the Oscars, Screenplay is just one category with five pictures, whether they’re original or adapted works.
It should be strong showings for A Star Is Born and The Favourite in particular. Another difference between Globes and Oscar is that foreign features are only honored in their particular category. That’s significant this year as Roma will only be called for Foreign Language Film.
One item to pay attention to – Clint Eastwood’s The Mule. Despite coming out a week from Friday, it has yet to have reviews come out (perhaps this will change by Thursday). If it makes a showing in any of the dramatic races, that could bode well for Oscar attention.
Here are my predictions for the nominees in each category, along with an alternate and a wild card pick. I’ll have my weekly Oscar predictions updated on Thursday and we’ll see if the Globes alter those picks in any way.
Let’s get to it!
Best Motion Picture (Drama)
A Star Is Born
BlacKkKlansman
Black Panther
First Man
If Beale Street Could Talk
Alternate – Can You Ever Forgive Me?
Wild Card – The Mule
Best Motion Picture (Musical/Comedy)
Crazy Rich Asians
The Favourite
Green Book
Mary Poppins Returns
Vice
Alternate – Eighth Grade
Wild Card – Private Life
Best Director
Bradley Cooper, A Star Is Born
Alfonso Cuaron, Roma
Barry Jenkins, If Beale Street Could Talk
Yorgos Lanthimos, The Favourite
Spike Lee, BlacKkKlansman
Alternate – Peter Farrelly, Green Book
Wild Card – Damien Chazelle, First Man
Best Actor (Drama)
Bradley Cooper, A Star Is Born
Willem Dafoe, At Eternity’s Gate
Ryan Gosling, First Man
Ethan Hawke, First Reformed
Rami Malek, Bohemian Rhapsody
Alternate – Clint Eastwood, The Mule
Wild Card – Lucas Hedges, Boy Erased
Best Actress (Drama)
Yalitza Aparicio, Roma
Glenn Close, The Wife
Viola Davis, Widows
Lady Gaga, A Star Is Born
Melissa McCarthy, Can You Ever Forgive Me?
Alternate – Julia Roberts, Ben Is Back
Wild Card – Toni Collette, Hereditary
Best Actor (Musical/Comedy)
Christian Bale, Vice
Lin-Manuel Miranda, Mary Poppins Returns
Viggo Mortensen, Green Book
Robert Redford, The Old Man & The Gun
Nick Robinson, Love, Simon
Alternate – John C. Reilly, Stan & Ollie
Wild Card – Ryan Reynolds, Deadpool 2
Best Actress (Musical/Comedy)
Emily Blunt, Mary Poppins Returns
Olivia Colman, The Favourite
Elsie Fisher, Eighth Grade
Charlize Theron, Tully
Constance Wu, Crazy Rich Asians
Alternate – Regina Hall, Support the Girls
Wild Card – Kathryn Hahn, Private Life
Best Supporting Actor
Mahershala Ali, Green Book
Timothee Chalamet, Beautiful Boy
Adam Driver, BlacKkKlansman
Sam Elliot, A Star Is Born
Richard E. Grant, Can You Ever Forgive Me?
Alternate – Nicholas Hoult, The Favourite
Wild Card – Michael B. Jordan, Black Panther
Best Supporting Actress
Amy Adams, Vice
Claire Foy, First Man
Regina King, If Beale Street Could Talk
Emma Stone, The Favourite
Rachel Weisz, The Favourite
Alternate – Nicole Kidman, Boy Erased
Wild Card – Michelle Yeoh, Crazy Rich Asians
Best Animated Feature Film
Incredibles 2
Isle of Dogs
Mirai
Ralph Breaks the Internet
Spider-Man: Into the Spider-Verse
Alternate – Smallfoot
Wild Card – The Grinch
Best Foreign Language Film
Cold War
Girl
Never Look Away
Roma
Shoplifters
Alternate – Capernaum
Wild Card – I Am Not a Witch
Best Screenplay
A Star Is Born
The Favourite
If Beale Street Could Talk
Roma
Vice
Alternate – Green Book
Wild Card – First Reformed
Best Original Score
BlacKkKlansman
First Man
If Beale Street Could Talk
Mary Poppins Returns
Mary Queen of Scots
Alternate – Widows
Wild Card – Suspiria
Best Original Song
“All the Stars” from Black Panther
“Girl in the Movies” from Dumplin’
“The Place Where Lost Things Go” from Mary Poppins Returns
“The Shallow” from A Star Is Born
“Trip a Little Light Fantastic” from Mary Poppins Returns
Alternate – “I’ll Never Love Again” from A Star Is Born
Wild Card – “A Place Called Slaughter Race” from Ralph Breaks the Internet
And that equates to the following number of nominations for each picture:
6 Nominations
The Favourite
5 Nominations
A Star Is Born, If Beale Street Could Talk, Mary Poppins Returns
4 Nominations
BlacKkKlansman, First Man, Roma, Vice
3 Nominations
Green Book
2 Nominations
Can You Ever Forgive Me?, Crazy Rich Asians
1 Nomination
Black Panther, At Eternity’s Gate, First Reformed, Bohemian Rhapsody, The Wife, Widows, The Old Man & The Gun, Love, Simon, Eighth Grade, Tully, Beautiful Boy, Incredibles 2, Isle of Dogs, Mirai, Ralph Breaks the Internet, Spider-Man: Into the Spider-Verse, Cold War, Never Look Away, Shoplifters, Mary Queen of Scots
I’ll have reaction up on Thursday with updated Oscar picks later that day!
When a little underdog of a movie named Rocky came out 42 years ago, a litany of Roman numeral titled sequels wasn’t foreseeable. Fantastic box office returns and a surprising Best Picture Oscar win changed that dynamic. 1979’s RockyII was eagerly awaited and served as nothing much more than a retread of its predecessor. It was a dull copy at that where the main difference was its hero Rocky Balboa (Sylvester Stallone) besting rival Apollo Creed (Carl Weathers).
Creed came out in 2015 and it had underdog status itself. The concept of shifting the focus to Apollo’s illegitimate son Adonis (Michael B. Jordan) and his prowess in the ring seemed a little lame upon its announcement. However, like Rocky, the picture exceeded expectations with energetic direction from Ryan Coogler, fine work from Jordan, and an emotional storyline with Rocky’s cancer diagnosis. Stallone was even nominated again for an Academy Award.
Financial success has brought those Greek digits back. CreedII has a deeper well to drain from as far as plot compared to RockyII because of the further follow-ups. Coogler isn’t behind the camera anymore as he took on the phenomenon that was BlackPanther. Steven Caple Jr. takes over the reins while Stallone shares script credit (something he didn’t do three years ago).
1985’s RockyIV is the entry that the second Creed taps for material. As you’ll recall, this was the saga where Balboa fought fierce Russian competitor Ivan Drago (Dolph Lundgren) while seemingly punching out Communism too. Part four was cheesy, very much of its time, and highly enjoyable. It’s also the one where Drago delivered a fatal blow to Apollo after the energetic “Living in America” performance of James Brown.
Adonis gets an opportunity to avenge his father here. Drago’s son Viktor (Florian Munteanu) is an up-and-comer with his sights on the now heavyweight champion. His pops Ivan sees it as revenge after mother Russia shunned him following his loss to Balboa. The daddy issues don’t end there. Creed is now engaged to singer Bianca (Tessa Thompson) and she’s expecting. Rocky is estranged from his son as Adonis often fills that void.
The Italian Stallion isn’t thrilled with the prospect of Creed/Drago II, considering Apollo died in his arms. And we know that training montages will keep the drama unfolding. We don’t have a Xerox like situation with this sequel. It does follow the path of #4 in numerous ways, including a Soviet set main event.
Ivan Drago was a man of few words in ‘85 and he still is. His back story of abandonment from his wife (Brigitte Nielsen, who cameos) and countrymen has the potential to be compelling, but it’s given the short shrift. Jordan is still excellent in the title role, as is his chemistry with Thompson. Stallone’s character arch here is considerably less captivating than the last time around. This franchise is shifting away from him to Adonis and you feel it.
Like Creed, the ring action is more realistic than anything in the Rocky tales, where punches landed with a percentage of around 110%. Caple Jr. does decent work filming them, though not to the level of what Coogler accomplished.
CreedII is a superior direct sequel than RockyII. The common thread is that neither are particularly memorable or necessary. To add to the clichés that permeate this series (sometimes in supreme guilty pleasure ways), it’s not a knockout. If you’re a true fan, though, it certainly won’t break you.
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