Rampage Movie Review

A genetically deformed gorilla, wolf, and alligator walk into a major metropolitan area and destroy buildings. That was the concept of the video game in which Rampage was based upon and the movie adaptation doesn’t burden itself with over ambition in bringing it to the screen. Throw in Dwayne Johnson and lots of CG effects and what do you get? A fairly middling experience that will probably manage to thrill teenage boys whose fathers spent their quarters on the game at the arcade in the 1980s.

Davis Okoye (Johnson) is a primatologist. He’s great with animals and doesn’t really enjoy interacting with people, as the screenplay incessantly reminds us. He’s developed a particular bond with George, an albino gorilla who lives at the sanctuary where Davis works. They’re practically a comedy team as Davis has taught him tricks like flipping the bird. The duo’s future nightclub act is disrupted when a canister of debris containing genetic mutation material lands near George and causes him to grow into a destructive beast. This nasty stuff is also consumed by the aforementioned wolf and alligator.

I could go into further plot detail on the specifics, but here’s the bottom line. Rampage is all about getting that trio of monsters en route to Chicago where they can flick tanks and helicopters into buildings with ease. Davis teams up with an engineer (Naomie Harris) and an outlaw government figure (Jeffrey Dean Morgan) to not only stop the creatures, but prevent the military from overreacting to the potential carnage. And there’s Malin Ackerman and Jake Lacy as the sister/brother duo who run the evil corporation that made the stuff that turned funny George into bad George.

Unfortunately for us, there’s about an hour of filler before Rampage reaches its Windy City destination. That time is a bit of a strain. Since it’s Dwayne Johnson playing a primatologist, it will come as no shock that he’s also ex-Special Forces. We get a bit of his background (including some anti-poaching messages) and same goes for Harris’s character who used to work at the conglomerate that wreaked this havoc.

By the time we arrive at the gorilla and wolf and alligator warfare, we’re greeted with some decent set pieces in the Transformers vein. Yet that even manages to overstay its welcome and the CG, while decent, has seen stronger offerings (it’s nothing compared to the animal work in the latest Planet of the Apes pics).

This is Johnson’s second collaboration with Brad Peyton, who directed him in San Andreas. That was another so-so spectacle that was easily digestible and forgettable. The makers of and actors in Rampage do seem to know this is silly junk food and earn some points for never taking it seriously. And there’s certainly been other video game adaptations that have been way worse. We’re talking faint praise, I suppose, but Rampage can only do so much with the simple concept of “smash building, smash car, and repeat.”

**1/2 (out of four)

The Non-Sequel Actors

Next weekend sees the release of two high-profile sequels: The Equalizer 2 and Mamma Mia! Here We Go Again. The pair of part II’s have something rather interesting in common: they serve as the first sequels that their stars Denzel Washington and Meryl Streep have ever appeared in. Pretty surprising huh? Both have been mega-stars for decades and have never followed up on a character until now.

This got me thinking: what other major actors have never been in a sequel? And it’s not an easy list to cobble together.

Some actors are known for their cases of sequelitis. We know Samuel L. Jackson has appeared in a multitude of them, including Marvel Cinematic Universe pics and franchises ranging from Star Wars to xXx to Incredibles. He was John McClane’s sidekick in Die Hard with a Vengeance. And looking early in his filmography, 1990 saw him appearing in The Exorcist III and The Return of Superfly. There’s also Patriot Games from 1992 and Kill Bill: Vol. 2 from 2004. Son of Shaft will be out next year. Dude loves his m****f***ing sequels!

Sylvester Stallone has made a career of out of them. Creed II will mark his 15th sequel by my count. There’s the Rocky, Rambo, and Expendables series and there’s also Staying Alive (which he directed and had a cameo in), Spy Kids 3-D: Game Over, Guardians of the Galaxy Vol. 2, and the just released Escape Plan 2: Hades.

Eddie Murphy has returned in the following series: 48 Hrs., Beverly Hills Cop, The Nutty Professor, Dr. Dolittle, and Shrek. There could be a part II of Coming to America on the horizon.

Harrison Ford has the famous series like Star Wars, Indiana Jones, and the Jack Ryan pictures. There’s also More American Graffiti, Anchorman 2: The Legend Continues, and last year’s Blade Runner 2049.

OK, back to thespians who don’t constantly appear in sequels. Leonardo DiCaprio? Well, who can forget one of his first roles as Josh in 1991’s Critters 3? 

Matthew McConaughey has a similar situation. Since he’s become known, no sequels (not even returning in Magic Mike XXL). Yet one of his first roles was in Texas Chainsaw Massacre: The Next Generation. 

Unlike his 80s comedic counterparts Bill Murray, Chevy Chase, Dan Aykroyd, and Steve Martin (all in plenty of them), I couldn’t immediately think of any sequel that John Candy did. Yet he provided a voice-over in the 1990 Disney animated follow-up The Rescuers Down Under. 

With Marlon Brando, I guess it depends on how you look at it. He refused to come back for a flashback cameo in The Godfather Part II. Yet he did appear in 2006’s Superman Returns… with a caveat. That footage was culled completely from his work nearly three decades earlier in Superman and it happened two years after his death.

So here’s the deal… it is really tough to come up with performers in the modern age who haven’t appeared in at least one sequel. However, here’s five of them and feel free to list others in the comments!

Warren Beatty

He’s famously picky about his projects and he’s never played the same man twice. There were rumors that he wanted to do another Dick Tracy, but it never materialized.

Annette Bening

Beatty’s wife has had a long and distinguished career free of sequels. She was originally cast as Catwoman in 1992’s Batman Returns but dropped out due to pregnancy.

Russell Crowe

The Oscar winner has yet to return to a role, though I’d certainly sign up for The Nice Guys II. P.S. – I do not count Man of Steel as a sequel.

Jodie Foster

She declined to return as Clarice Starling in 2001’s Hannibal after an Oscar-winning turn in The Silence of the Lambs ten years earlier. That was her biggest chance at a sequel and there are none before or after.

Jake Gyllenhaal

His first role was as Billy Crystal’s son in City Slickers, but he was nowhere to be found for part II or any other sequel. However, that long streak ends next summer with Spider-Man: Far From Home.

And there you go! As I said, feel free to chime in with your own non-sequel actors…

Top Ten Summer Hits of 2008: A Look Back

As I do each summer on the blog, I’m giving you the top 10 seasonal ditties from 10, 20, and 30 years ago as tabulated by Billboard. I’ve already covered 1988 and 1998 and if you missed them, here ya go:

Top Ten Summer Hits of 1988: A Look Back

Top Ten Summer Hits of 1998: A Look Back

We now move to one decade ago. As with past posts, I’m ranking each song on a scale of 1 (summer bummer) to 10 (summer classic) and letting you know whether or not said track is on my Apple Music. Let’s get to it…

10. “Dangerous” by Kardinal Offishall feat. Akon

This reggae tinged hip hop effort represents the biggest hit for Canada’s Offishall with an assist from Akon. It’s adequate though not particularly memorable.

My Rating: 6

Is It On My Apple Music? No

9. “Leavin'” by Jesse McCartney

This is the biggest hit from the second most famous McCartney in pop music. It gives exposure to G5 planes and is rather disposable, but pleasant enough.

My Rating: 6

Is It On My Apple Music?: No

8. “Disturbia” by Rihanna

Now we’re talking. She’s got tons of hits, but I find the dance groove of “Disturbia” to be among Rihanna’s very best.

My Rating: 9 and a half

Is It On My Apple Music?: Yes

7. “Pocketful of Sunshine” by Natasha Bedingfield

The Emma Stone pic Easy A had a whole sequence about how she couldn’t stand this pop confection by English artist Bedingfield and then found herself loving it and listening to it incessantly. I wouldn’t go that far, but it is annoyingly catchy.

My Rating: 6

Is It On My Apple Music?: No

6. “Forever” by Chris Brown

These were better times for Mr. Brown as this techno sounding dance smash serves as one of his musical highlights.

My Rating: 7

Is It On My Apple Music?: No

5. “Bleeding Love” by Leona Lewis

This one was pretty inescapable in summer 2008 with solid vocals from Brit singer Lewis. It’s co-produced by none other than Jesse McCartney.

My Rating: 7 and a half

Is It On My Apple Music?: No

4. “Viva La Vida” by Coldplay

Sorry Coldplay haters, but I find this string heavy work to be pretty darn terrific. It earns its place as one of their signature tunes.

My Rating: 9 and a half

Is It On My Apple Music?: Yes

3. “Lollipop” by Lil Wayne feat. Static Major

Lil Wayne was all the rage ten years ago yet I actually find this auto-tune monster hit to have lost some luster. Still, it’s his biggest selling single.

My Rating: 6 and a half

Is It On My Apple Music?: Yes

2. “Take a Bow” by Rihanna

How about a round of applause for more fine work from Rihanna. This ballad stands as one of her best. Co-produced by Ne-Yo.

My Rating: 9

Is It On My Apple Music?: Yes

1. “I Kissed a Girl” by Katy Perry

The song that turned Perry into a superstar, the lyrics certainly caught the attention of many. It’s a well-crafted pop track for sure. It’s not her greatest song, but it serves as an impressive breakout point for a career still roaring.

My Rating: 8

Is It On My Apple Music?: No

And there you have it! The summers of 1988, 1998, and 2008 are covered! I look forward to next summer when 1989, 1999, and 2009 are on deck…

The Mountain Between Us Movie Review

As the poet Rihanna said, The Mountain Between Us is about two individuals who find love in a hopeless place. Or perhaps “Crash Into Me” by Dave Matthews Band is a more appropriate musical metaphor here. Either way, I’d take listening to either track over watching this survival tale again. Based on a 2011 novel by Charles Martin, this melodrama finds Kate Winslet and Idris Elba falling for one another under snow drenched and deadly circumstances.

Alex (Winslet) is a photojournalist racing back home because she’s to be married the next day. Dr. Ben (Elba) is a brain surgeon hustling back to perform surgery on a child. They’re both in Boise dealing with a weather related flight cancellation so the strangers team up and hire a charter flight out. Their pilot and his dog take them wheels up, but not for long. The plane crashes. Alex, Ben, and the canine survive. She’s injured. They’re on a mountain. It’s freezing. Let the survival games ensue.

The film quickly and efficiently puts the two leads and their furry friend in their predicament and wastes little time doing so. We are left with nearly two hours of the duo deciding whether to stay on their mountain perch, repel down for any signs of life, and the other developments we have come to anticipate in the genre (we know that the dog is unlikely to be the only animal around). All the while, we are asked to buy that Alex and Ben are developing a bond deeper than the “I want to live” variety.

It’s a tough sell. That’s somewhat surprising considering that Winslet and Elba are two fine actors and their chemistry is sufficient. It’s the mawkish screenplay that’s the main issue. The script never succeeds in making either lead particularly compelling or three-dimensional. There’s only so much mileage you get from two solid actors acting cold for a couple of hours. The material never rises to their talents. It’s actually Raleigh and Austin (the names of the dogs who were used here) who come out best and give perhaps the sturdiest performances in the movie. Maybe two hours of Raleigh/Austin on his own braving the elements would have been more engaging.

** (out of four)

Oscar Watch: Whitney

There’s been some high-profile documentaries as of late focused on high-profile people. This Friday, that trend continues with the release of Whitney. It covers the life of the late Whitney Houston and is directed by Kevin Macdonald. He’s known for making fictional efforts such as The Last King of Scotland and State of Play, as well as critically heralded docs Touching the Void and Marley (which covered another legendary musician).

Whitney screened in May at the Cannes Film Festival to positive notices (the Rotten Tomatoes score is at 90% right now). In order for it to be noticed by Oscar voters, it would need to get on equal footing with other recent acclaimed docs like RBG and Won’t You Be My Neighbor?

This could be a challenge. My feeling is that Whitney may have trouble making the short list come nomination time as voters may save their love for other entries.

My Oscar Watch posts will continue…

Oscar Watch: Sorry to Bother You

This Friday, the satire Sorry to Bother You debuts in limited release after receiving many raves at the Sundance Film Festival earlier this year. The pic is written and directed by hip hop musician Boots Riley with a cast led by Lakeith Stanfield (best known for TV’s “Atlanta” and last year’s Get Out), Tessa Thompson, Jermaine Fowler, Terry Crews, Patton Oswalt, David Cross, Danny Glover, and Armie Hammer.

Bother has the potential to be a sleeper this summer. As mentioned, reviews are strong and it stands at 96% on Rotten Tomatoes. Could Oscar voters notice it? It could be a long shot but Stanfield and Hammer in particular were acknowledged by critics. Many feel the latter was slighted last year for his supporting work in Call Me by Your Name.

Where the film could stand a legitimate chance for a nod could be in Original Screenplay- an award Jordan Peele won months ago for Get Out.

My Oscar Watch posts will continue…

Skyscraper Box Office Prediction

Dwayne Johnson has built quite a box office list of hits over the past few months with titles like The Fate of the Furious, Jumanji: Welcome to the Jungle, and Rampage. As for Baywatch… well, nobody’s perfect. Next weekend sees the release of Skyscraper, an action film which appears to be heavily influenced by The Towering Inferno and Die Hard. The pic is directed by Rawson Marshall Thurber who’s best known for comedies like Dodgeball: A True Underdog Story, We’re the Millers, and Central Intelligence (his 2016 blockbuster collaboration with Johnson). Costars include Neve Campbell, Chin Han, Roland Moller, Pablo Schreiber, and Noah Taylor.

Johnson’s last two efforts (Jungle and Rampage) both opened in the mid 30s. However, that’s a little misleading with Jumanji as it opened in a massively crowded Christmas frame and legged out to a gross of over $400 million. Rampage, on the other hand, sits at $98 million total. Central Intelligence, by the way, also premiered in the range at $35 million.

I don’t see any compelling reason why Skyscraper would debut over those titles. And I also don’t see much reason why it would open too far under them. The PG-13 rating should help bring in teens, though the second weekend of AntMan and the Wasp does present direct competition. I’ll project Skyscraper for a low to mid 30s start, right on pace with its lead’s other rock solid roll outs.

Skyscraper opening weekend prediction: $33.2 million

For my Hotel Transylvania 3: Summer Vacation prediction, click here:

https://toddmthatcher.com/2018/07/03/hotel-transylvania-3-summer-vacation-box-office-prediction/

Hotel Transylvania 3: Summer Vacation Box Office Prediction

Adam Sandler’s animated franchise is back in theaters next weekend when Hotel Transylvania 3: Summer Vacation debuts. The Sony Pictures series moves to the summer season after its first two entries managed to set records in the month of September. While its star’s live-action efforts have gone the Netflix route, part 3 looks to score with family audiences in a more crowded marketplace than the parts I and II went up against.

Genndy Tartakovsky is back in the director’s chair. Besides Sandler, returning voices include Andy Samberg, Selena Gomez, Kevin James, David Spade, Steve Buscemi, Keegan-Michael Key, Molly Shannon, Fran Drescher, Mel Brooks and newcomers Kathryn Hahn and Jim Gaffigan.

As mentioned, kids and their parents have been receptive to this 3D monster mash on two occasions. In September 2012, the original premiered to $42.5 million with eventual domestic earnings of $148 million. That set the all-time largest debut for that month. Three years later, Hotel Transylvania 2 opened in September 2015 and made $48.4 out of the gate to break the month’s record held by its predecessor. It ended up at $169 million. The series held the 1-2 September spot until last year when It obliterated the record.

When it comes to competition for eyeballs, Incredibles 2 should be winding down though still grossing in the mid to possibly high teens. Marvel’s AntMan and the Wasp will only be in its second weekend and likely going strong. That said, Transylvania has proven itself before and I imagine it too will manage a low to mid 40s start even with the change of seasons. By doing so, that should put it in line for the #1 spot over AntMan and the debut of Dwayne Johnson’s Skyscraper.

Hotel Transylvania 3: Summer Vacation opening weekend prediction: $43.6 million

For my Skyscraper prediction, click here:

https://toddmthatcher.com/2018/07/03/skyscraper-box-office-prediction/

Box Office Predictions: July 6-8

The first full weekend of July kicks off with the release of a sequel and a prequel: Marvel’s AntMan and the Wasp and Blumhouse’s The First Purge. You can peruse my detailed predictions on both of them here:

https://toddmthatcher.com/2018/06/26/ant-man-and-the-wasp-box-office-prediction/

https://toddmthatcher.com/2018/06/27/the-first-purge-box-office-prediction/

The return of Paul Rudd and Evangeline Lilly in the MCU’s 20th offering should easily dominate the charts. I have AntMan achieving the MCU’s 14th largest haul with a mid 80s premiere.

As for The First Purge, the prequel and fourth series entry in six summers debuts on Wednesday. This has been a sturdy franchise and each subsequent feature has actually managed to out gross the previous one. I foresee a low to mid 20s three-day traditional weekend gross and low 30s for the five-day total. That forecast places the fourth Purge in fourth.

That could be a battle for the two spot as I see Jurassic World: Fallen Kingdom and Incredibles 2 experiencing similar earnings in their third and fourth weekends, respectively.

And in keeping with the all sequels/prequels theme, Sicario: Day of the Soldado should round out the top five. Here are my projections for the high-five:

1. AntMan and the Wasp

Predicted Gross: $86.4 million

2. Jurassic World: Fallen Kingdom

Predicted Gross: $28.2 million

3. Incredibles 2 

Predicted Gross: $27.8 million

4. The First Purge

Predicted Gross: $22.8 million (Friday to Sunday), $31.4 million (Wednesday to Sunday)

5. Sicario: Day of the Soldado

Predicted Gross: $10.1 million

Box Office Results (June 29-July 1)

Jurassic World: Fallen Kingdom had no trouble ruling the box office for a second weekend with $60.9 million in receipts (in line with my $62.1 million estimate). The dino sequel’s ten-day tally stands at $265 million.

Incredibles 2 continued its remarkable run in second with $46.4 million (I was lower at $42.8 million) for $440 million overall. The Pixar sequel is already the 2nd highest grossing picture from the studio and it should shortly surpass the $486 million earned by Finding Dory to become #1.

The good news for sequels kept on coming as Sicario: Day of the Soldado performed on the very high-end of expectations with $19 million, well exceeding my $13.8 million prediction.

Basketball comedy Uncle Drew opened in fourth with $15.2 million, just below my $16.4 million estimate. This debut was pretty much right in line with its tracking.

Ocean’s 8 rounded out the top five and continued its meager decline from week to week. It grossed $8.3 million (topping my $7 million projection) for $115 million total.

And that does it for now, folks! Until next time…

Oscar Watch: Leave No Trace

Eight years ago, director Debra Granik had a breakout success with Winter’s Bone. The drama set in the Ozarks was a critical darling that earned four Oscar nominations: Picture, Adapted Screenplay, Supporting Actor for John Hawkes, and Actress for an unknown at the time by the name of Jennifer Lawrence.

There’s been a lengthy break between projects for Granik and her latest just hit theaters in limited fashion over the weekend. Leave No Trace tells the tale of a veteran (Ben Foster) with PTSD raising a teenage daughter (Thomasin McKenzie). It premiered earlier this year at the Sundance Film Festival to similar acclaim that Bone received. With over 90 reviews on record, the Rotten Tomatoes score is 100%.

Could the Academy take notice of Trace? It could be a long shot, but I wouldn’t discount the possibility. Critics have particularly praised McKenzie here and if Bleecker Street mounts a campaign for Actress or (more likely) Supporting Actress, she could be another relative unknown whose work is acknowledged under Granik’s direction.

My Oscar Watch posts will continue…