Box Office Predictions: October 10-12

Four new movies make their debuts on Friday at the box office – Robert Downey Jr.’s The Judge, the Steve Carell/Jennifer Garner family comedy Alexander and the Terrible, Horrible, No Good, Very Bad Day, the horror retelling Dracula Untold, and steamy thriller Addicted. You can find my detailed prediction posts on each one of them here:

The question is: can any of them make current #1 Gone Girl disappear from the top spot? It’s certainly possible as The Judge, Alexander, and Dracula could all exceed my estimates and all stand at least a chance of opening atop the charts. Addicted, on a meager 800 screens, is highly unlikely to even crack the top five.

However, I believe Gone Girl will manage to stay #1, despite it serious competition. Annabelle, after a fantastic debut (more on that below), should suffer the same large fall in its sophomore frame that most horror titles do.

And with that, my predictions for the weekend’s top five:

1. Gone Girl

Predicted Gross: $24.2 million (representing a drop of 35%)

2. Alexander and the Terrible, Horrible, No Good, Very Bad Day

Predicted Gross: $18.7 million

3. The Judge

Predicted Gross: $16.4 million

4. Annabelle

Predicted Gross: $14.8 million (representing a drop of 60%)

5. Dracula Untold

Predicted Gross: $14.4 million

**My Addicted projected gross of $4.5M should put it in eighth place.

Box Office Results (October 3-5)

The debuts of David Fincher’s acclaimed Gone Girl and Conjuring horror prequel Annabelle injected some much needed life into the box office and created the biggest October weekend of all time!

As predicted, Gone Girl took top honors with $37.5 million, just below my $39.6M projection. This is Fincher’s highest debut of all time and clearly audiences were ready for the much buzzed about adaptation of Gillian Flynn’s bestselling novel. I expect it to perform well in the coming weeks and it should easily blast past $100M.

I did not give that demonic doll Annabelle nearly enough credit as it opened just behind Girl with a magnificent $37.1 million – miles ahead of my small $21.2M prediction. This is easily the best horror opening of 2014 and bodes extremely well for that Conjuring sequel coming in October of 2015.

Denzel Washington’s The Equalizer fell to third with $18.7 million in weekend two, holding up better than my estimated $16.7M. The action thriller has earned $64 million in ten days and should have no problem passing the century mark.

The animated pic The Boxtrolls dropped to fourth with $11.9 million, in line with my $11.4M projection. The decently performing kiddie pic has earned $32 million in two weeks and should finish with around $65M.

The Maze Runner held up well in weekend three with $11.6 million – more than my $9.8M estimate. The new YA franchise has taken in $73M thus far and will also become a member of the $100M club.

Finally, Nicolas Cage’s Left Behind posted an unimpressive opening of $6.3 million, below my $7.6M prediction. Look for this one to disappear faster its lead actor’s hairline.

And that’s all for now, friends!

Addicted Box Office Prediction

The thriller Addicted opens this Friday and it will attempt to cater to the same crowd as recent hit No Good Deed, yet on a more limited level. Billie Woodruff, director of Honey and Beauty Shop, is behind the camera and Sharon Leal and Boris Kodjoe star. The pic is based on a bestselling novel by erotic fiction author Zane.

Similar themed flicks such as Obsessed and No Good Deed targeting the African-American female audience have performed quite nicely, however they had bigger stars involved. Addicted is only slated to open on a small 800 screens so that will certainly affect its overall premiere gross and it seems destined to make under $5 million out of the gate.

Addicted opening weekend prediction: $4.5 million

For my prediction on The Judge, click here:

https://toddmthatcher.com/2014/10/05/the-judge-box-office-prediction/

For my prediction on Alexander and the Terrible, Horrible, No Good, Very Bad Day, click here:

https://toddmthatcher.com/2014/10/05/alexander-and-the-terrible-horrible-no-good-very-bad-day-box-office-prediction/

For my prediction on Dracula Untold, click here:

https://toddmthatcher.com/2014/10/05/dracula-untold-box-office-prediction/

Dracula Untold Box Office Prediction

Universal Pictures has had great success in their history with monster movies and they’ll try to replicate it with Dracula Untold, opening Friday. Luke Evans (mostly known as the bad guy in Fast and Furious 6) plays the title character with Sarah Gadon, Dominic Cooper, and Samantha Barks costarring.

The release date is no doubt timed to try and capitalize on audiences in a Halloween state of mind. One factor not in its favor could be that Annabelle will be entering weekend #2. While the doll pic is likely primed for a big fall in its sophomore frame, it certainly would count as direct competition. Then there’s Ouija opening just two weeks after. Dracula Untold comes with a hefty $100 million budget and Universal faces long odds recouping that cost domestically.

In fact, as I see it, this will fall far short of that. The film has received mostly negative reviews and sits at 31% on Rotten Tomatoes (not that critical reaction means much when it comes to this genre). Dracula Untold seems to have one thing going for it: the fact that the word “Dracula” is in the title. However, that didn’t mean much for I, Frankenstein earlier this year – which managed only $8.6 million in its first weekend..

Dracula Untold should be able to outpace that, though I’ll predict it only posts a premiere in mid single digits.

Dracula Untold opening weekend prediction: $14.4 million

For my prediction on The Judge, click here:

https://toddmthatcher.com/2014/10/05/the-judge-box-office-prediction/

For my prediction on Alexander and the Terrible, Horrible, No Good, Very Bad Day, click here:

https://toddmthatcher.com/2014/10/05/alexander-and-the-terrible-horrible-no-good-very-bad-day-box-office-prediction/

For my prediction on Addicted, click here:

https://toddmthatcher.com/2014/10/05/addicted-box-office-prediction/

Alexander and the Terrible, Horrible, No Good, Very Bad Day Box Office Prediction

Walt Disney studios have given their latest effort one important distinction on this blog as Alexander and the Terrible, Horrible, No Good, Very Bad Day is easily the longest title I’ve yet to make a box office projection for. Based on a well-known 1972 children’s book, Steve Carell and Jennifer Garner headline the adaptation which Disney hopes will capture the attention of family audiences.

The film chronicles the Cooper family’s day with all those negative adjectives listed above. In Disney’s favor is that competition for younger moviegoers is fairly light, even though The Boxtrolls and The Maze Runner are still performing well. Critical reaction has been positive so far with an 83% score on Rotten Tomatoes at press time.

I am not expecting Alexander to be a huge performer out of the gate, but it’s likely to open decently and have sturdy legs in subsequent weekends. This certainly could surpass the $20 million mark in weekend 1, but I’ll project it falls just under that.

Alexander and the Terrible, Horrible, No Good, Very Bad Day opening weekend prediction: $18.7 million

For my prediction on The Judge, click here:

https://toddmthatcher.com/2014/10/05/the-judge-box-office-prediction/

For my prediction on Dracula Untold, click here:

https://toddmthatcher.com/2014/10/05/dracula-untold-box-office-prediction/

For my prediction on Addicted, click here:

https://toddmthatcher.com/2014/10/05/addicted-box-office-prediction/

The Judge Box Office Prediction

For the past six and a half years, it’s been rare to see Robert Downey Jr. in any movie that’s not part of a franchise – whether Iron Man, The Avengers, or Sherlock Holmes. This Friday, audiences will have that opportunity with David Dobkin’s The Judge.

The courtroom drama finds Downey playing a hotshot attorney defending his dad/title character played by Robert Duvall. The supporting cast includes Billy Bob Thornton, Vera Farmiga, Vincent D’Onofrio, and Dax Shepard. For a short period of time, The Judge was thought of as a potential awards contender until it screened at the Toronto Film Festival last month. Critical reaction was mixed as it currently stands at a middling 52% on Rotten Tomatoes. The lack of positive buzz from that community could hinder the pic’s opening weekend potential and competition for adult audiences is strong with Gone Girl entering its second weekend and The Equalizer in its third.

The Judge‘s box office success pretty much rests squarely on the shoulders of Downey and his ability to open a non-franchise related title. If this manages to get past $20 million in its premiere, Warner Bros. should consider that a victory. I have my doubts and believe the audience will give it a verdict in the mid to high teens.

The Judge opening weekend prediction: $16.4 million

For my prediction on Alexander and the Terrible, Horrible, No Good, Very Bad Day, click here:

https://toddmthatcher.com/2014/10/05/alexander-and-the-terrible-horrible-no-good-very-bad-day-box-office-prediction/

For my prediction on Dracula Untold, click here:

https://toddmthatcher.com/2014/10/05/dracula-untold-box-office-prediction/

For my prediction on Addicted, click here:

https://toddmthatcher.com/2014/10/05/addicted-box-office-prediction/

Gone Girl Movie Review

For better or worse.

The sacred wedding vows that couples take are taken to glorious extremes in David Fincher’s Gone Girl, based on the bestselling phenomenon of a novel written by Gillian Flynn. She also wrote the screenplay and I am pleased to report she remained faithful to her work.

While author Flynn’s faithfulness to her novel will undoubtedly make her readers happy, unbridled devotion is not a trait the principal characters of Nick (Ben Affleck) and Amy Dunne (Rosamund Pike) share with one another. Their romance starts on a positive note, but the complications of life eventually wear their union down. Jealousies arise. The everyday boredom of an existence in the Midwest away from her native New York takes its toll on Amy.

And on their five-year anniversary… Amy becomes the title character. She’s gone. There are clues to what may have happened. Blood samples. Notes left by Amy that she always made for Nick as kind of a scavenger hunt to retrace the history of their relationship. In this case, they may serve as something more.

Nick quickly becomes a suspect as the husband in these instances usually do. The tabloid media feasts on the tale of the missing woman and her significant other who dares to smile at the missing persons press conference. Along the way, Flynn’s screenplay gradually reveals more and more about this couple. For those unfamiliar with the source material, it won’t be what you expect.

Writing a review of Gone Girl is complicated, to say the least. Just as you didn’t want to reveal the many twists to one about to read the book, the same holds true for its film adaptation. So I’ll put it this way – David Fincher was the right guy for this project. Through Seven and The Game and The Girl with the Dragon Tattoo, there is perhaps no director better at this kind of dark material. As you’d expect, Gone Girl‘s technical aspects are flawless, from the cinematography to the score (by Trent Reznor and Atticus Ross) to the production design and so forth.

There are details about Amy and Nick’s personas that couldn’t possibly be fully explored in the way the book manages, but the picture come awfully close. The casting is key here and Affleck and Pike nail their roles. Nick is neither your typical panicked husband whose wife has vanished nor the sinister monster who may or may not have done the unthinkable. And Amy is far from just the victim. Pike’s performance in particular is something else with the range of emotions she must go through. Expect her to get a Best Actress nod come Oscar time.

Fincher has a habit of unconventional casting choices and there are two here worthy of special mention: Neil Patrick Harris as a former stalker of Amy’s and Tyler Perry as a brilliant criminal defense attorney. Both shine in their against type casting parts. Carrie Coon also merits a shout out for her strong work as Nick’s twin sister.

Gone Girl, more than anything, is about the facades people put on to get into their relationships, maintain them, and possibly lose them. It’s about asking the question of whether or not you ever truly know the individual you call your soul mate. For better or worse, Nick and Amy take a journey in Gone Girl to find out. The results are often shocking and consistently enthralling to the audience.

***1/2 (out of four)

Oscar History: 2008

The 2008 Oscars will likely go down as the final year when only five films would compete in the granddaddy category of them all, Best Picture. The following year, the Academy would change it to ten and a couple years after that, developed a formula where anywhere from 5-10 movies could be recognized.

Many believe the reason is 2008’s exclusion of the critically lauded superhero sequel The Dark Knight, which had become the year’s highest grossing feature and was considered a major milestone in the burgeoning genre. Yet with the exception of its acclaimed Joker, Knight was shut out in the major categories.

Best Picture instead went to a true “little movie that could” – Danny Boyle’s out of nowhere critical and audience pleaser Slumdog Millionaire.

It would win out over David Fincher’s The Curious Case of Benjamin Button, Ron Howard’s Frost/Nixon, Gus Van Sant’s Milk, and Stephen Daldry’s The Reader. It is a bit surprising that Oscar voters left out Knight and I would put forth that a decent argument could also be made for Jon Favreau’s Iron Man, which also stands as a creative high point in the comic book canon of movies.

In the Best Director category, it was a rare example of the five nominated auteurs matching the Picture nominees and Boyle would take home the gold over Fincher, Daldry, Van Sant, and Howard. Once again, Christopher Nolan would be on the outside looking in for his Knight direction.

Sean Penn would win his second Best Actor statue (2003’s Mystic River being the first) for playing gay activist Harvey Milk in Milk.

Other nominees: Richard Jenkins in The Visitor, Frank Langella in Frost/Nixon, Brad Pitt in Benjamin Button, and Mickey Rourke in a career comeback role as The Wrestler.

Certainly Christian Bale as Bruce Wayne/Batman and Robert Downey, Jr. as Tony Stark/Iron Man could have been considered along with Leonardo DiCaprio in Revolutionary Road, Clint Eastwood in Gran Torino, and the Slumdog Millionaire himself Dev Patel.

After a number of nominations with no victories, Kate Winslet would win Best Actress for The Reader, beating out Anne Hathaway (Rachel Getting Married). Angelina Jolie (Changeling), Melissa Leo (Frozen River), and the omnipresent Meryl Streep (Doubt).

It was a bit surprising to see Cate Blanchett’s work in Benjamin Button go unrecognized.

The Dark Knight would win its Oscar with the late Heath Ledger taking Supporting Actor as the Joker. Other nominees: Josh Brolin (Milk), Robert Downey Jr. (Tropic Thunder), Philip Seymour Hoffman (Doubt), and Michael Shannon (Revolutionary Road).

While it was refreshing to see the Academy nominate a comedic performance like Downey’s in Tropic Thunder, an equally good argument could have been made for Tom Cruise’s role in that picture. Same goes for James Franco’s exemplary work as a stoner in Pineapple Express.

Woody Allen has directed several actresses to Supporting Actress wins and he did it again with Penelope Cruz in Vicky Christina Barcelona.

She would be victorious over Amy Adams in Doubt, Viola Davis – also for Doubt, Taraji P. Henson in Benjamin Button, and Marisa Tomei for The Wrestler.

I might’ve found room for Frances McDormand in the Coen Brothers Burn After Reading.

And that’s all for now on the Oscar History front! I’ll be back with 2009 in the near future…

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