The landscape of film changed forever on This Day in Movie History 76 years ago when Disney’s Snow White and the Seven Dwarfs had its world premiere at the Carthay Circle Theatre in Hollywood. The brainchild of Walt Disney, Snow White was the first full-length animated feature from the studio and the rest, as they say, was history. The picture was awarded an honorary Oscar and adjusted for inflation, Snow White is one of the top ten grossing films of all time.
On the other hand, 19 years ago today, Macaulay Culkin would begin to see his box office fortunes take a turn for the worse in Richie Rich. After the huge success of the Home Alone pics in 1990 and 1992, Rich fell short money wise grossing $38 million against a $40 million budget. This really marked the beginning of the end of Macaulay’s success as a draw for moviegoers.
Twelve years today marked the opening of Ron Howard’s A Beautiful Mind with Russell Crowe and Jennifer Connelly (in an Oscar winning performance). The true story of John Nash went on to win Best Picture at the Oscars, though Crowe would lose out Best Actor to Denzel Washington in Training Day (Crowe had won the year prior for Gladiator).
As for celebrity birthdays, double Oscar winner and activist Jane Fonda is 76 today while the man who has the most DVD’s/Blu Rays in my collection, Samuel L. Jackson, is 65.
Keeping with my theme of doing Six Degrees of Separation for the birthday actors:
Jane Fonda was in Lee Daniels’ The Butler with John Cusack
For 18 years now, Pixar has been the leader when it comes to animated features and there seems to be no sign of them slowing down. So far, there have been 14 Pixar titles and this begs the question: what’s your favorite?
Continuing with my new blog series – This Day in Movie History – December 20th brings us three more important films celebrating their anniversaries and two celebrity birthdays.
It was seventeen years ago today that the influential horror flick Scream opened. Wes Craven was already a legend in the horror genre for The Last House on the Left and especially A Nightmare on Elm Street. Scream would turn into a smash unexpected hit that spawned three sequels and injected some much needed humor and irony into a genre that was growing stale.
22 years ago today marked the opening of Oliver Stone’s controversial JFK. The picture, no matter what you think of its abundant conspiracy theories, is brauvura filmmaking at a high level and earned Oscar nominations for Picture, Director, and Supporting Actor for Tommy Lee Jones.
Another heavily Oscar nominated pic, Martin Scorsese’s Gangs of New York, debuted eleven years ago today. It was considered an Academy heavyweight, but lost Picture and Director to Chicago. It would be four years later before Marty would finally be recognized at the ceremony for The Departed. The film is also notable for beginning the Scorsese/DiCaprio partnership that has since spanned to five films thus far.
Today marks Jonah Hill’s big 3-0! You may know him from some of your favorite comedies of the past near decade – The 40 Yr. Old Virgin, Knocked Up, Superbad, Forgetting Sarah Marshall, 21 Jump Street, and This is The End. He also broke out dramatically in 2011 with an Oscar nominated turn in Moneyball and is again receiving Academy buzz for his role in Martin Scorsese’s The Wolf of Wall Street. He’ll be seen next summer in the sequel 22 Jump Street.
Finally, today would have marked the 67th birthday of character actor John Spencer. Known to most viewers as Leo McGarry from TV’s “The West Wing”, Spencer also had a successful film career. He turned up in well-known titles including Sea of Love, Presumed Innocent, The Rock, and Cop Land.
Keeping with my theme of connecting the birthday actors in Six Degrees of Separation:
Jonah Hill was in This is the End with James Franco
James Franco was in City by the Sea with Robert De Niro
And now for a new feature on the blog – This Day in Movie History – which will be a daily post showing notable film openings, birthdays, and more that happened on each particular calendar day.
It would make logical sense to begin this year long blog series with today’s current date (duh), so here are five notable happenings from December 19th in Movie History:
1) Stanley Kubrick’s A Clockwork Orange opened domestically 42 years ago today. This satiric and very violent and disturbing classic earned a Best Picture nomination as well as a directing nod for Kubrick. It lost both categories to The French Connection.
2) Roger Moore’s second outing as James Bond, The Man with the Golden Gun opened 39 years ago today. At the time, this was considered a low point in the 12 year old series and was the lowerst grossing 007 picture at that juncture. Three years later, things would improve considerably with 1977’s The Spy Who Loved Me.
3) Sixteen years ago today, James Cameron’s Titanic opened in theaters and became the highest grossing picture of all time while earning a bunch of Oscars, including Picture and Director. Cameron’s record would stand until his next pic 12 years later, Avatar. The film also made Leonardo DiCaprio a superstar.
Moving to birthdays:
4) Kristy Swanson turns 44 years old. You may know her best as the title character in 1992’s Buffy the Vampire Slayer, which would later turn into a hit TV series starring Sarah Michelle Gellar. She also teamed up with Charlie Sheen in 1994’s The Chase and in John Singleton’s 1995 flick Higher Learning.
5) Jake Gyllenhall turns 33 years old. He was just seen in the critically acclaimed Prisoners and received an Oscar nomination for 2005’s Brokeback Mountain. Some other notable roles: Donnie Darko, The Day After Tomorrow, Jarhead, Zodiac, Source Code, and End of Watch.
I’ll also make it a habit to do two birthdays each time and connect the actors through Six Degrees of Separation off the top of my head, so here goes:
Kristy Swanson was in Buffy, the Vampire Slayer with Paul Reubens
Paul Reubens was in Blow with Johnny Depp
Johnny Depp was in Secret Window with Maria Bello
Maria Bello was in Prisoners with Jake Gyllenhall
And there you have it – my first daily rundown on this day – December 19th – in Movie History.
Like Johnny Depp before him this year, another major leading man from the past two decades hits the half century mark. Brad Pitt is 50 today with three Oscar nominations behind him and eleven pictures that have grossed over $100 million domestically. He’s worked with a number of directorial giants in his filmography: Ridley Scott, Quentin Tarantino, David Fincher, Barry Levinson, Tony Scott, the Coen Brothers, Steven Soderbergh, and Terry Gilliam. Just this year, Mr. Pitt had the biggest hit of his career with World War Z and has a supporting role in 12 Years a Slave, this year’s Oscar frontrunner.
If I had to create a top five movies he’s appeared in – it would probably include True Romance, Seven, 12 Monkeys, Fight Club, and Inglourious Basterds. In honor of Mr. Pitt’s 50 years, I ask you:
As 2013 comes to a close, there is little doubt that Gore Verbinski’s The Lone Ranger will be considered the biggest flop of the year. Stories abounded about production delays and problems. Journalists had a field day writing about its bloated budget (said to be at least $250 million) and the end of the box office dominance of star Johnny Depp. The pic’s failure to meet financial expectations is undeniable as it managed only $89 million domestically. For the majority of people who even casually follow the film biz, you’ve probably read nothing positive about The Lone Ranger.
Now that I’ve seen it, I will happily report that there are some positive things to say about this movie. Of course, it’s not all positive. Far from it. Based on an iconic 1930s radio show that later turned into TV series and films, the 2013 version is given the Gore Verbinski/producer Jerry Bruckheimer treatment. In other words, it’s given the Pirates of the Caribbean treatment.
And that means Johnny Depp as Tonto, the sidekick of John Reid aka The Lone Ranger (Armie Hammer). The Western is mostly set in 1869 (it’s told in flashback by Tonto when he’s a very old man) and Reid is a dignified attorney turned masked vigilante after his brother and his team of Texas Rangers are gunned down. The culprits are led by outlaw Butch Cavendish (William Fichtner). Comanche Indian Tonto has his own reasons to help his Ranger partner as seeks to bring justice to those responsible for killing his tribe when he was a child.
Along the way, we get a fairly generous helping of high-octane action sequences and a lot of humorous banter between the two leads. So does it work? Sometimes it does. Sometimes it doesn’t. And a lot of The Lone Ranger‘s effectiveness lies with its performers. Critics and journalists seemed to have their knives sharpened for Depp by the time this premiered. In some respects, I can understand why. It was ten years ago that Mr. Depp became a box office sensation with Pirates of the Caribbean: The Curse of the Black Pearl. What set that pic apart for Depp (after a film career that was already terrific though lacking in hits) was the thrill of seeing a truly great actor bring his glorious quirkiness into a blockbuster setting. Now it’s unfortunately begin to feel a bit old hat. It hasn’t helped that the pictures he’s chosen simply aren’t on the original Pirates popcorn level. This holds true for Depp as Quirky Mad Hatter in Alice in Wonderland, Quirky Vampire in Dark Shadows, Quirky Captain Sparrow in the subpar Pirates sequels, and yes, as Quirky Tonto. Almost as if to accentuate my point, there’s even one moment in this film when Depp literally kicks a dead horse.
That said, Depp’s Tonto has his share of chemistry with Hammer’s Lone Ranger. Mr. Hammer became known to filmgoers in not one, but two roles in David Fincher’s The Social Network. There are moments here when his comedic timing is off, but he mostly pulls off a rather unchallenging role.
As the villain, Fichtner doesn’t have much to do except look dirty. Indeed his creepiest role shall remain the police officer/Amway-type distributor in Doug Liman’s Go. Alas Fichtner turns out to not be the film’s only baddie. That reveal is meant to come as a surprise, but you’ll likely see it coming from a mile away. When an Oscar-nominated actor is cast in a part that seems pointless for two-thirds of the running time, he’s probably gonna turn out bad. If you’re interested in finding out who that talented actor is, I’ll let you look it up. Other familiar faces in The Lone Ranger include Helena Bonham-Carter in a glorified cameo as a brothel owner, James Badge Dale as the slain brother ranger, and Ruth Wilson as his widow who may have married the wrong brother.
Director Verbinski helmed the first three Pirates features and a complaint with them is a complaint here: the movie seems bloated and its 150 minute runtime often seems unnecessary. Depp has his moments. Even though we’ve seen this bag of tricks from him before, there’s no doubt Depp has impeccable timing when it comes to comedy and there are ample opportunities for him to display it.
Ultimately, The Lone Ranger mostly plods amiably for about two hours with some decent action and passable chemistry between its leads. However, it also features major shifts in tone that range from slapstick to more serious business when it comes to the relationships between settlers and Native Americans. Due to that, Ranger frequently feels like a different movie from scene to scene. For all those reasons, the picture often feels like a misfire, albeit an often entertaining one.
And then we get the climactic train sequence. Or, better yet, trains (plural) sequence as our main characters jump from rapidly moving locomotive to another to try and save the day. We as an audience are programmed to expect an impressive all-out action/adventure fest in the final moments of something like this. And I’ll be damned if this one isn’t really impressive. And I’m talking impressive in a way that makes the first two hours seem worth sitting through – flaws and all.
That said, I can’t ignore that most of The Lone Ranger doesn’t work very well. It’s not anywhere near as bad as its reputation though.
As the Christmas season approaches, four high profile pictures enter the marketplace with another five scheduled on Christmas Day. This weekend it’s Anchorman 2: The Legend Continues, American Hustle, Saving Mr. Banks, and Walking with Dinosaurs.
You can read my individual prediction posts on each here:
If Anchorman 2 were to come in quite a bit below my projection, it could potentially face a battle with this weekend’s champ The Hobbit: The Desolation of Smaug for the #1 spot. However, I do believe Ron Burgundy and company will prevail. Last year in this same weekend, The Hobbit: An Unexpected Journey fell 56% from weekend #1 to #2 and I expect the roughly the same result for Smaug. As for the other three new entries, you’ll notice there’s only a $3.5 million difference between what I believe they’ll debut at. Therefore, these films could easily fluctuate between spots 3-5. Also if any of these newbies were to come in below my projections, it could allow Disney’s Frozen to remain in the top five. Got all that? We shall see how it shakes out, but here’s my predictions for this weekend’s top five:
1. Anchorman 2: The Legend Continues
Predicted Gross: $41.9 million ($61.2 million Wednesday to Sunday)
2. The Hobbit: The Desolation of Smaug
Predicted Gross: $31.5 million (representing a drop of 57%)
3. American Hustle
Predicted Gross: $20.5 million
4. Walking with Dinosaurs
Predicted Gross: $18.9 million
5. Saving Mr. Banks
Predicted Gross: $17.1 million
As always, I’ll have an update on the blog’s Facebook page Saturday with final results on the blog Sunday.
For some of the little brothers who had to attend Disney’s Frozen with their little sisters, this weekend’s Walking with Dinosaurs could provide an opportunity for revenge.
Based on a BBC miniseries, this animated tale will be shown in 2D and 3D and its concept is pretty simple… CG dinosaurs, dude. Distributed by 20th Century Fox, the studio is certainly hoping Dinosaurs appeals to family audiences over the holiday frame. It’s worth noting that Frozen is still making money, but it’s really the only competition this title faces with the possible exception of Saving Mr. Banks.
Animated features are often difficult to predict and Walking with Dinosaurs is no exception. It doesn’t have the pedigree of a Pixar behind it, but it’s trailers have been decent. I would think many youngsters interested in dinosaurs would be pressuring the ‘rents for a weekend trip to this one.
Walking with Dinosaurs has a decent shot at opening at #3 behind the Anchorman and Hobbit sequels. It could open as big as high 20s in my estimation (with a reported $85M budget, the studio would love that). Still I cannot shake the feeling that high teens to low 20s is more probable and that’s where I’m going prediction wise.
Walking with Dinosaurs opening weekend prediction: $18.9 million
For my Anchorman 2: The Legend Continues prediction, click here:
With Oscar buzz, an all-star cast, and a hot director – American Hustle bursts into theaters this Friday. It also faces stiff competition from the Anchorman sequel and another awards contender Saving Mr. Banks.
Hustle is the latest project from David O. Russell, who’s last two directorial features have led to Best Picture nominations, seven acting nominations, and three victories. Those films were 2010’s The Fighter and 2012’s Silver Linings Playbook. This crime drama/comedy features alum from both of those pictures – Christian Bale and Amy Adams from Fighter and Bradley Cooper, Jennifer Lawrence, and Robert De Niro from Silver Linings Playbook. Double Oscar nominee Jeremy Renner is also part of the gang.
With an impressive 95% on Rotten Tomatoes, Hustle could be the type of pic that has a decent opening and displays strong legs into January. However, it will face direct competition just five days after its opening with the debut of Martin Scorsese’s The Wolf of Wall Street. Audience reaction to Hustle will be key to how well it holds up in future weekends with the amount of competition it’ll be up against.
As I see it, the low mark for its opening could be in the mid teens. I have a feeling, though, it could premiere in the $20M range. Its marketing campaign has been robust and its stars are well-regarded (doesn’t hurt that Lawrence is headlining the wildly popular Hunger Games franchise). And the awards attention can only help.
Many prognosticators are predicting Saving Mr. Banks will debut higher than this over next weekend, but I’m going the opposite direction and believe Hustle will outshine it for now.
American Hustle opening weekend prediction: $20.5 million
For my Anchorman 2: The Legend Continues prediction, click here:
Saving Mr. Banks is a product from Walt Disney Studios that focuses on the making of one of their beloved classics, 1964’s Mary Poppins. It stars Emma Thompson as author P.L. Travers and Tom Hanks as Walt Disney himself and comes from The Blind Side director John Lee Hancock. The supporting cast includes Colin Farrell and Paul Giamatti. Banks has earned Oscar buzz for Best Picture and for the performances of Ms. Thompson and Mr. Hanks.
With a reported budget of just a meager $35 million, this seems primed to have a nice run throughout the holiday season. Reviews have mostly been positive as it stands at 81% on Rotten Tomatoes. With its recognizable stars and focus on a very well-known classic, Banks could play to adults and children alike.
The main question as far as its opening is whether Banks will start big out of the gate or be more of a slow burner with smallish drop-offs from weekend to weekend. My gut tells me that the latter is a better possibility. There is plenty of competition this weekend for adult moviegoers – Anchorman 2, American Hustle – and for younger audiences – The Hobbit in weekend #2, Walking with Dinosaurs.
If Banks earns over $20 million this weekend (which is certainly possible), that should be considered quite an accomplishment. My estimate puts it a bit below that, though I think future weekends should be kind to it.
Saving Mr. Banks opening weekend prediction: $17.1 million
For my Anchorman 2: The Legend Continues prediction, click here:
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